BAROQUE
Completed Dissertations, including new records and records from Doctoral Dissertations in Musicology, 2d International Edition (1984) and Doctoral Dissertations in Musicology, 2d Cumulative Edition (1996), with corrections and updates
Abbassian-Milani, Farhad.
Zusammenhänge zwischen Satz und Spiel in den Essercizi (1738) des Domenico Scarlatti. Ph.D., Musicology, Technische Universität, Berlin, 1993. 182 p.
Research director: Jürg Stenzel
DDM Code: 41keAbbF; DA no.: RILM no.: 98:5151dd; UM no.: Publication: Berliner Musik Studien, no. 9. Sinzig: Studio, 1993. ISBN 3-89564-018-2.
Abravaya, Ido.
Studies of Rhythm and Tempo in the Music of J. S. Bach. Ph.D., Musicology, Tel Aviv University, 2000. xv, 318 p. tbls., mus. exs., transl., append., bibliog.
Research director: Werner Breig and Judith Cohen
DDM Code: 41rhAbrI; DA no.: RILM no.: UM no.:
Additional keywords: durational strata, tempo proportions, tempo behaviour, Johann Sebastian Bach, Johann Joachim Quantz, Johann Philipp Kirnberger, tempo indications, upbeat typology
Ackert, Stephen Francis.
Numerical Structures in the Organ Works of Dietrich Buxtehude. D.M.A., Performance, University of Wisconsin, 1979. 69 p.
DDM Code: 41keAckS; DA no.: 40/12:6057; RILM no.: UM no.: 80-07,534
Adams, Martin Howard.
The Development of Henry Purcell's Musical Style. Ph.D., Theory, University of Southhampton, 1984.
Research director: P. Evans
DDM Code: 49stAdaM; DA no.: RILM no.: UM no.:
Adamson, J. Philip I.
Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. D.M., Performance, Indiana University, 1973. 150 p. mus. exs., works lst., discog., bibliog.
DDM Code: 41keAdaJ; DA no.: RILM no.: 73:4208dd; UM no.:
Agey, Calvin Buell.
A Study of the Kleine geistliche Concerte and Geistliche Chormusik of Heinrich Schütz. Ph.D., Theory, Florida State University, 1955. 2 vols., 412 p.
DDM Code: 41saAgeC; DA no.: 15/03:429; RILM no.: UM no.: 11,191
Ahnell, Emil Gustave.
The Concept of Tonality in the Operas of Jean-Philippe Rameau. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1957. 293 p.
DDM Code: 49toAhnE; DA no.: 18/02:605; RILM no.: UM no.: 25-188
Albrecht, Timothy Edward.
Musical Rhetoric in Selected Organ Works of J. S. Bach. D.M.A., Performance, University of Rochester, 1978. v, 211 p. tbls., mus. exs., transcr., append., bibliog.
DDM Code: 41cmAlbT; DA no.: 39/03:1177; RILM no.: UM no.: 78-16,651
Alderman, Pauline.
Anthoine Boësset and the air de cour. Ph.D., Musicology, University of Southern California, 1946. 369 p.
DDM Code: 41voAldP; DA no.: RILM no.: UM no.:
Aldrich, Putnam Calder.
The Principal agréments of the Seventeenth and Eighteenth Centuries: A Study in Musical Ornamentation. Ph.D., Music, Harvard University, 1942. 3 vols., cxxviii, 719 p.
DDM Code: 41otAldP; DA no.: RILM no.: UM no.:
Allen, Burt M.
The Dramatic Function of the Chorus in Handel's Oratorios. D.M.A., Performance, University of Kansas, 1977. 112 p.
DDM Code: 40ciAllB; DA no.: 39/04:1912; RILM no.: 78:381dd; UM no.: 78-19514
Allen, Sheila Marie.
German Baroque Opera (1678-1740) with a Practical Edition of Selected Soprano Arias. D.M.A., Performance, University of Rochester, 1974. xii, 187 p. illus., mus. exs., append., bibliog.
DDM Code: 41opAllS; DA no.: RILM no.: 74:2028dd; UM no.:
Alm, Irene Marion.
Theatrical Dance in Seventeenth-Century Venetian Opera. Ph.D., Musicology, University of California at Los Angeles, 1993. xiv, 678 p. illus., tbls., mus. exs., append., bibliog.
Research director: Frank A. D'Accone
DDM Code: 41daAlmI; DA no.: RILM no.: UM no.:
Alms, Anthony J.
Theology, Trauerspiel, and the Conceptual Foundations of Early German Opera. Ph.D., Musicology, City University of New York, 2007. x, 403 p. facs., mus. exs., transl., append., bibliog.
Research director: Richard Kramer
DDM Code: 41opAlmA; DA no.: RILM no.: UM no.:
Additional keywords: geistliches Waldgedicht, Heilsgeschichte, Blumenorden an der Pegnitz, Klangmalerei, Gesamtkunstwerk, Frauenzimmer Gesprächspiele, Reyen, pietism
Althouse, Joanne Elizabeth.
José Elías (ca. 1678-1755) and Late Baroque Organ Music in Spain. Ph.D., Musicology, University of California at Los Angeles, 1998. 221 p.
Research director: Murray C. Bradshaw
DDM Code: 41keAltJ; DA no.: 59/09:3270; RILM no.: 99:23038-dd; UM no.: 99-06726 Publication: ISBN 0-599-04504-3.
Amante y Zapata, Joseph J.
Sacred Choral Music in Colonial Mexico, 1650-1750: An Introduction. D.M.A., Choral Music, University of Southern California, 2002. 111 p.
Research director: William J. Dehning
DDM Code: 41ciAmaJ; DA no.: 64/06:1891; RILM no.: UM no.: 30-93412 Publication: ISBN 0-496-41115-2.
Anderson, Gene Henry.
Musical Terminology in J.-P. Rameau's Traité de l'harmonie: A Study and Glossary Based on an Index. Ph.D., Theory, University of Iowa, 1981. 391 p. transl., ind.
Research director: W. Atcherson
DDM Code: 49tgAndG; DA no.: 42/05:1842; RILM no.: 81:376dd; UM no.: 81-23296
Anderson, Simon John.
Music by Members of the Choral Foundation of Durham Cathedral in the 17th Century. Ph.D., Musicology, University of Durham, 2000.
Research director: D. C. Greer
DDM Code: 41saAndS; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DXN034733.
Anderson, Stephen Charles.
Selected Works from the Seventeeth-Century Music Collection of Prince-Bishop Karl Liechtenstein-Kastelkorn: A Study of the Soloistic Use of the Trombone and Modern Editions. D.M.A., Performance, University of Oklahoma, 1977. 315 p.
Research director: I. Wagner
DDM Code: 41brAndS; DA no.: 38/04:1722-3; RILM no.: UM no.: 77-21,358
Anderson, William Woodrow.
The Stylistic Development of Henry Purcell as Revealed by His Sacred Verse Anthems. D.M.A., Performance, University of Kansas, 1980. 182 p.
DDM Code: 41saAndW; DA no.: 41/07:2818; RILM no.: UM no.: 81-02,002
Andrae, Karin.
Ein römischer Kapellmeister im 17. Jahrhundert: Antonio Maria Abbatini (ca. 1600-1679). Studien zu Leben und Werk. Ph.D., Musicology, Hamburg, 1985.
DDM Code: 41woAndK; DA no.: RILM no.: UM no.:
Andriessen, Pieter.
Carolus Hacquart (1640?-1701). Een biografische bijdrage. Het godsdienstig en instrumentaal werk [Carolus Hacquart (1640?-1701): A Contribution to His Biography; The Sacred and Instrumental Works]. Lic., Musicology, Catholic University of Leuven, 1969. 223 p. illus., mus. exs., works lst., thematic cat., discog., bibliog., ind.
DDM Code: 41saAndP; DA no.: RILM no.: 69:769dd; UM no.:
Andrzejczak, Barbara Krzyzaniak.
Rkopis z 1721 r. Biblioteki Uniwersyteckiej w Poznaniu jako zródlo do historii koled w Polsce w XVII i XVIII wieku [A Manuscript from 1721 in the Poznan University Library as a Source for the History of Carols in Poland in the Seventeenth and Eighteenth Centuries]. Ph.D., Musicology, Institute of Arts, Warsaw, 1971.
DDM Code: 41mcAndB; DA no.: RILM no.: UM no.:
Anthony, James Muse.
The Vocal Music of Lambert Pietkin for the Cathedral of Liège. Ph.D., Musicology, University of Michigan, 1977. 2 vols., 556 p.
DDM Code: 41saAntJ; DA no.: 38/03:1090; RILM no.: UM no.: 77-17,941
Anthony, James Raymond.
The Opera-Ballet of André Campra: A Study of the First Period French Opera-Ballet. Ph.D., Musicology, University of Southern California, 1964. 2 vols., 718 p. append.
DDM Code: 41opAntJ; DA no.: RILM no.: UM no.:
Antonian, Robert Edward.
Johann Sebastian Bach's Magnificat in D, BWV 243: A Conductor's Analysis and Preparation for Performance. D.M., Conducting, Indiana University, 1976. 275 p.
DDM Code: 41cnAntR; DA no.: RILM no.: 76:3957dd; UM no.:
Applegate, Joan S.
The Henry Lawes Autograph Song Manuscript: A Critical Edition of British Museum Loan MS 35. Ph.D., Musicology, University of Rochester, 1966. 941 p.
DDM Code: 41mcAppJ; DA no.: 29/01:622; RILM no.: UM no.: 68-10,647
Archbold, Larry Leo.
Style and Structure in the Praeludia of Dietrich Buxtehude. Ph.D., Musicology, University of California at Berkeley, 1981. 617 p.
DDM Code: 49stArcL; DA no.: RILM no.: 81:1687dd; UM no.:
Ardrey, Roger Warren.
The Influence of the Extended Latin Sacred Works of Giacomo Carissimi on the Biblical Oratorios of George Frederic Handel. Ph.D., Musicology, Catholic University of America, 1964. 142 p.
DDM Code: 41saArdR; DA no.: 25/05:3013-4; RILM no.: UM no.: 64-6363
Aringer, Klaus.
Die Tradition des Pausa-Schlusses in den Klavier- und Orgelwerken Johann Sebastian Bachs. Ph.D., Musicology, München, 1997. 197 p. mus. exs., bibliog.
Research director: Theodor Göllner
DDM Code: 41keAriK; DA no.: RILM no.: UM no.: Publication: Die Tradition des Pausa- und Finale-Schlusses in den Klavier- und Orgelwerken von Johann Sebastian Bach. Ein Beitrag zur Geschichte des Orgelpunkts. Tutzing: Schneider, 1999
.
Additional keywords: organ point, keyboard music
Armbruster, Richard.
Das Opernzitat bei Mozart. Ph.D., Musicology, Bamberg, 2001. 413 p. mus. exs., bibliog., ind.
DDM Code: 41opArmR; DA no.: RILM no.: 01:10948dd; UM no.: Publication: Schriftenreihe der Internationalen Stiftung Mozarteum Salzburg, vol. 13. Kassel: Bärenreiter, 1999. ISBN 3-7618-1564-6.
Armstrong, James Foster.
The Vespers and Magnificats of Maurizio Cazzati. Ph.D., Music, Harvard University, 1969. 2 vols., xix, 1094 p.
DDM Code: 41luArmJ; DA no.: RILM no.: 76:9510dd; UM no.:
Armstrong, James Isbell Jr.
Litaniae Lauretanae: Sacred Music at the Viennese Imperial Court, ca. 1700-1783. D.M.A., Choral Conducting, University of Wisconsin at Madison, 1993. xii, 408 p. tbls., append., bibliog.
Research director: Charles Dill
DDM Code: 41saArmJ; DA no.: 55/01:7; RILM no.: UM no.: 94-08544
Arnn, John D.
Text, Music, and Drama in Three Operas by Reinhard Keiser. Ph.D., Musicology, Rutgers University, 1987. xii, 579 p. tbls., mus. exs., append., bibliog.
DDM Code: 41opArnJ; DA no.: RILM no.: UM no.:
Arnold, Byron D.
The Life and Works of Johann Caspar Bachofen (1695-1755). Ph.D., Musicology, University of Southern California, 1956. xiv, 434 p.
DDM Code: 41woArnB; DA no.: RILM no.: UM no.:
Arnold, Donna.
The Lute Music and Related Writings in the Stammbuch of Johann Stobaeus. Ph.D., Musicology, North Texas State University, 1982. 414 p. mus. exs., transcr., bibliog.
Research director: Cecil A. Adkins
DDM Code: 41mcArnD; DA no.: 43/03:578; RILM no.: 82:1384dd; UM no.: 82-17612
Aschböck, Elisabeth.
Die Sonaten des Johann Heinrich Schmelzer. Ph.D., Musicology, Wien, 1978. 260 p.
DDM Code: 41chAscE; DA no.: RILM no.: 78:4830dd; UM no.:
Ashbee, Andrew.
The Four-Part Instrumental Compositions of John Jenkins. Ph.D., Musicology, London, 1968. 3 vols., 570 p. illus., facs., mus. exs., thematic cat., bibliog.
DDM Code: 41enAshA; DA no.: RILM no.: 70:1650dd; UM no.:
Asmus, Jürgen.
Die langsamen Sätze der Sonaten für Violine und obligates Cembalo (BWV 1014-19). Ein Beitrag zur Sonatenkonzeption J. S. Bachs. Ph.D., Musicology, Leipzig, 1980. 229 p. mus. exs., works lst., append., bibliog.
DDM Code: 41snAsmJ; DA no.: RILM no.: UM no.:
Aston, P.
George Jeffreys and the English Baroque. Ph.D., Musicology, York, 1970.
DDM Code: 41boAstP; DA no.: RILM no.: 74:2035dd; UM no.:
Atkinson, Monte Edgel.
The Orchestral Anthem in England, 1700-1775. D.M.A., Music, University of Illinois at Urbana-Champaign, 1991. 403 p. mus. exs., works lst., append.
Research director: Nicholas Temperley
DDM Code: 41saAtkM; DA no.: 52/12:4135; RILM no.: 91:2194dd; UM no.: 92-10732
Atteln, Horst.
Das Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des früheren 17. Jahrhunderts. Ph.D., Musicology, Erlangen, 1970. 128 p. illus., works lst., bibliog.
DDM Code: 49muAttH; DA no.: RILM no.: 70:3104dd; UM no.:
Aufdemberge, Clarence Theodore.
Melchior Franck and His Two Chorale Collections Contrapuncti compositi (1602) and Psalmodia sacra (1631). Ph.D., Musicology, University of Kansas, 1970. 2 vols., xii, 630 p. illus., tbls., facs., append., bibliog.
DDM Code: 41saAufC; DA no.: 31/11:6091; RILM no.: 70:3105dd; UM no.: 71-13,268
Augenblick, John Walter.
J.S. Bach's Cantata No. 5: A Conductor's Analysis. D.M.A., Conducting, University of Miami, 1978. 79 p.
DDM Code: 40cnAugJ; DA no.: 39/11:6385; RILM no.: 78:5956dd; UM no.: 79-11789
Baab, Jerrold C.
The Sacred Latin Works of Kaspar Förster (1616-73). Ph.D., Music, University of North Carolina, 1970. vi, 335 p. facs., mus. exs., works lst., append., bibliog.
DDM Code: 41saBaaJ; DA no.: 31/11:6091; RILM no.: 70:319dd; UM no.: 71-11,667
Bailey, Brian K.
The Motet Intabulations of Heinrich Scheidemann. D.M., Organ Performance, Indiana University, 2000. v, 51 p. mus. exs., bibliog.
Research director: Austin B. Caswell
DDM Code: 41noBaiB; DA no.: RILM no.: UM no.:
English Keyboard Music, c1625-1680. Ph.D., Musicology, Duke University, 1992. 575 p. illus., tbls., mus. exs., append., bibliog.
Research director: Alexander Silbiger
DDM Code: 41keBaiC; DA no.: 53/09:3031; RILM no.: 92:2348dd; UM no.: 9303533
Additional keywords: Orlando Gibbons, Matthew Locke, Melothesia, Puritan, Restoration
Bailey, Louie Lee.
The Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: An Introduction and an Annotated Listing. D.M.A., Musicology, Southern Baptist Theological Seminary, 1976. 110 p.
DDM Code: 45saBaiL; DA no.: 37/05:2475; RILM no.: 76:9526dd; UM no.: 76-23,958
Baird, Julianne Charlotte.
Johann Friedrich Agricola's Anleitung zur Singkunst (1757). A Translation and Commentary. Ph.D., Musicology, Stanford University, 1991. 2 vols., 528 p.
Research director: George Houle
DDM Code: 41trBaiJ; DA no.: 52/09:3120; RILM no.: UM no.: 92-05597
Additional keywords: Pier Francesco Tosi, vocal treatise
Baker, Geoffrey.
Music and Musicians in Colonial Cuzco. Ph.D., Historical Musicology, Royal Holloway College, University of London, 2001. 393 p. append., bibliog.
Research director: Tess Knighton
DDM Code: 41mvBakG; DA no.: RILM no.: UM no.:
Baker, Helen Elizabeth.
The Oratorios of Benedetto Marcello (1686-1739) as a Reflection of His Musical Thought and Milieu. Ph.D., Musicology, Rutgers University, 1982. 435 p.
DDM Code: 41saBakH; DA no.: 43/01:10; RILM no.: 82:2288dd; UM no.: 82-14682
Baker, Johnathan Mark.
Seven Anthems for Men's Voices by Matthew Locke: Transcriptions and Commentary. D.M.A., Choral Conducting, University of Illinois at Urbana-Champaign, 1998. 127 p. transcr.
Research director: Nicholas Temperley
DDM Code: 41ciBakJ; DA no.: 59/08:2772; RILM no.: UM no.: 99-04385 Publication: ISBN 0-599-01742-2.
Baker, Joy Anne Kae.
The Church Music of André Campra. Ph.D., Musicology, University of Toronto, 1977. 2 vols., x, 480 p. illus., plts., tbls., mus. exs., transcr., works lst., append., bibliog., ind.
DDM Code: 41saBakJ; DA no.: 39/07:3902; RILM no.: UM no.:
Bamichas, Pyrros.
I zoi kai to ergo tou Galeazzo Sabbatini (1597[?]-1662) [Galeazzo Sabbatini (1597[?]-1662), His Life and Works]. Ph.D., Historical Musicology, University of Athens, 2002. 2 vols., 613 p. tbls., facs., mus. exs., transcr., transl., works lst., append., bibliog., ind.
Research director: Ion Zotos
DDM Code: 41woBamP; DA no.: RILM no.: UM no.:
Bamichas, Pyrros.
A Critical Edition of Giovanni Paolo Colonna's Opus 12 Psalmi ad Vesperas... 1694. M.Phil., Musicology, University of Birmingham, 1998. lxxxiv, 275 p. tbls., transcr., transl., append., bibliog., ind.
Research director: John Whenham
DDM Code: 41saBamP; DA no.: RILM no.: UM no.:
Additional keywords: Bologna, San Petronio, vespers
Banducci, Antonia Louise.
Tancrède by Antoine Danchet and André Campra: Performance History and Reception (1702-1764). Ph.D., Musicology, Washington University, 1990. xiii, 409 p. illus., tbls., mus. exs., append., bibliog., ind.
Research director: B. A. Monson
DDM Code: 41opBanA; DA no.: 70/31:728; RILM no.: UM no.: 91-22,377
Baratz, Lewis Reece.
The Concerted Motets of Petrus Hercules Brehy (1673-1737), Zangmeester of the Brussels Collegiate Church of Saints Michael and Gudula. Ph.D., Musicology, Case Western Reserve University, 1993. 2 vols., xxviii, 878 p. illus., tbls., facs., mus. exs., transcr., works lst., append., bibliog., ind.
Research director: Ross W. Duffin
DDM Code: 41saBarL; DA no.: 55/02:173; RILM no.: UM no.: 94-12089
Barber, Clarence Howard.
The Liturgical Music of Marc-Antoine Charpentier (1634-1704): The Masses, Motets, Leçons de Ténèbres. Ph.D., Music, Harvard University, 1955. 2 vols., 705 p.
DDM Code: 41luBarC; DA no.: RILM no.: UM no.:
Barbour, James Murray.
Equal Temperament: Its History from Ramis (1482) to Rameau (1737). Ph.D., Musicology, Cornell University, 1932. 354 p.
DDM Code: 49teBarJ; DA no.: RILM no.: UM no.:
Barker, Naomi Joy.
Analytical Issues in the Toccatas of Girolamo Frescobaldi. Ph.D., Musicology, Royal Holloway College, University of London, 1995. xi, 404 p. facs., mus. exs., append., bibliog.
Research director: Geoffrey Chew
DDM Code: 41keBarN; DA no.: RILM no.: UM no.:
The Chorus in French Baroque Opera. Ph.D., Musicology, University of Utah, 1973. 394 p.
DDM Code: 41opBarG; DA no.: 34/04:1948; RILM no.: 76:9528dd; UM no.: 73-24,482
Barndt, Miriam Wagoner.
Andreas Hofer: His Life and Music (1629-1684). Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1972. 443 p.
DDM Code: 41woBarM; DA no.: 34/02:804; RILM no.: 76:9529dd; UM no.: 73-17,107
Barnes, Alan.
The Life and Work of John Snetzler. Ph.D., Musicology, University of Leicester, 1982.
DDM Code: 43keBarA; DA no.: RILM no.: UM no.:
Barnes, Clifford Rasmussen.
The Théâtre de la Foire (Paris, 1697-1792), Its Music and Composers. Ph.D., Musicology, University of Southern California, 1965. iv, 531 p.
DDM Code: 41mvBarC; DA no.: RILM no.: UM no.:
Barnes, Marysue.
The Trio Sonatas of Antonio Caldara. Ph.D., Theory, Florida State University, 1960. 509 p.
DDM Code: 41chBarM; DA no.: 20/11:4405; RILM no.: UM no.: LC Mic 60-1403
Barnett, David William Jr.
Francesco Durante's Magnificat in B-Flat: A Conductor's Analysis. D.M.A., Conducting, University of Miami, 1980. 101 p.
DDM Code: 40saBarD; DA no.: 41/07:2819; RILM no.: 80:1759dd; UM no.: 81-00753
Barnett, Howard Byron.
Factors in the Transition from Renaissance to Baroque in English Music. Ph.D., Music, University of Southern California, 1958. 336 p. mus. exs.
DDM Code: 41stBarH; DA no.: RILM no.: UM no.:
Baron, John Herschel.
Foreign Influences on the German Secular Solo Continuo Lied of the Mid-Seventeenth Century. Ph.D., Musicology, Brandeis University, 1967. xiv, 450 p.
DDM Code: 41seBarJ; DA no.: 28/10:4169; RILM no.: 67:138dd; UM no.: 68-3402
Barrios Manzano, Pilar.
La música en la Catedral de Coria (Cáceres), (1590-1755). Ph.D., Musicology, Universidad de Extremadura, 1993. 791 p. illus.
DDM Code: 41luBarP; DA no.: RILM no.: UM no.: Publication: Cáceres: Universidad de Extremadura, 1999. ISBN 8477233667.
Barstow, Robert Squire.
The Theatre Music of Daniel Purcell. Ph.D., Musicology, Ohio State University, 1968. 2 vols., ix, 543 p. plts., works lst., append., bibliog.
DDM Code: 41drBarR; DA no.: 29/09:3166; RILM no.: 76:16213dd; UM no.: 69-04,842
Bartel, Dietrich.
Handbuch der musikalischen Figurenlehre. Ph.D., Musicology, Freiburg im Breisgau, 1982. 307 p. mus. exs., bibliog., ind.
Research director: Hans H. Eggebrecht
DDM Code: 41cmBarD; DA no.: RILM no.: 97:17414bf; UM no.: Publication: 3d ed. rev. Laaber: Laaber-Verlag, 1997 (1st edition 1985). ISBN 3-89007-340-9.
Bartels, Isolde.
Die Instrumentalstücke in Oper und Oratorium der frühvenezianischen Zeit. Dargestellt an Werken von Cavalli, Bertalli, P. A. Ziani und Cesti anhand der Bestände der Österreichischen Nationalbibliothek in Wien. Ph.D., Musicology, Wien, 1971.
DDM Code: 41imBarI; DA no.: RILM no.: UM no.:
Bartels, Ulrich.
Vokale und instrumentale Aspekte im musiktheoretischen Schrifttum der ersten Hälfte des 17. Jahrhunderts. Ph.D., Musicology, Köln, 1989. 214 p. illus., mus. exs.
DDM Code: 49muBarU; DA no.: RILM no.: 89:8656dd; UM no.:
Bartholomew, Leland Earl.
Alessandro Rauerij's Collection of Canzoni per sonare. Ph.D., Music, University of Michigan, 1963. 2 vols., 674 p.
DDM Code: 41enBarL; DA no.: 24/05:2067; RILM no.: UM no.: 63-6877
Barwick, Steven.
Sacred Vocal Polyphony in Early Colonial Mexico. Ph.D., Music, Harvard University, 1949. 2 vols., 494 p.
DDM Code: 41saBarS; DA no.: RILM no.: UM no.:
Batchelor, C. G. P.
William Child: An Examination of the Liturgical Sources, and a Critical and Contextual Study of the Church Music. Ph.D., Musicology, St. Catherine's College, Cambridge University, 1990.
DDM Code: 41woBatC; DA no.: RILM no.: 91:2207dd; UM no.:
Bates, Carol Henry.
The Instrumental Music of Elizabeth-Claude Jacquet de la Guerre. Ph.D., Musicology, Indiana University, 1978. 3 vols., xxx, 652 p. tbls., mus. exs., bibliog.
DDM Code: 41imBatC; DA no.: 39/05:2605; RILM no.: UM no.: 78-21,721
Bates, Robert Frederick.
From Mode to Key: A Study of Seventeenth-Century French Liturgical Organ Music and Music Theory. Ph.D., Musicology, Stanford University, 1986. 299 p. mus. exs., transl., append.
Research director: George Houle
DDM Code: 49moBatR; DA no.: 47/09:3228; RILM no.: UM no.: 87-00725
Additional keywords: tone, Nicolas de Grigny, Guillaume Nivers, Jean Titelouze, Louis Couperin, François Couperin
Bates, William Henry.
The Passacaglia and Ciaccona in German Keyboard Music of the Baroque Period. D.M., Organ Literatur and Performance, Indiana University, 1977. 402 p.
DDM Code: 40keBatW; DA no.: RILM no.: 77:403dd; UM no.:
Baxter, Robert Marti.
Martin Peerson's Mottects or Grave Chamber Musique (1630). Ph.D., Musicology, Catholic University of America, 1970. v, 479 p. mus. exs., append., bibliog.
DDM Code: 41voBaxR; DA no.: 31/05:2417; RILM no.: 70:327dd; UM no.: 70-21,918
Baxter, William H. Jr.
Agostino Steffani: A Study of the Man and His Work. Ph.D., Musicology, University of Rochester, 1957. 472 p.
DDM Code: 41woBaxW; DA no.: RILM no.: UM no.: UR 539
Beck, Theodore Albert.
The Organ Chorales of Johann Gottfried Walther: An Analysis of Style. Ph.D., Theory, Northwestern University, 1961. 207 p.
DDM Code: 41keBecT; DA no.: 22/07:2414-5; RILM no.: UM no.: 61-5292
Becker, Elke Lang.
Topische Elemente und Szenentype in Rameaus Opern. Ph.D., Musicology, Heidelberg, 1977.
Research director: R. Hammerstein
DDM Code: 41opBecE; DA no.: RILM no.: UM no.:
Beckmann, Klaus.
Joseph Meck (1690-1758). Leben und Werk des Eichstätter Hofkapellmeisters. Ph.D., Musicology, Bochum, 1975.
Research director: L. Ebert
DDM Code: 41woBecK; DA no.: RILM no.: 76:450dd; UM no.:
Beeks, Graydon Fisher Jr.
The Chandos Anthems and Te Deum of George Frideric Handel (1685-1759). Ph.D., Musicology, University of California at Berkeley, 1981. 969 p.
DDM Code: 41saBeeG; DA no.: 42/07:2921; RILM no.: 81:390dd; UM no.: 82-00018
Beer, Axel.
Die Annahme des "stile nuovo" in der katholischen Kirchenmusik Süddeutschlands. Ph.D., Musicology, Frankfurt am Main, 1987. 379 p. mus. exs.
DDM Code: 41stBeeA; DA no.: RILM no.: 89:2268dd; UM no.: Publication: Frankfurter Beiträge zur Musikwissenschaft, no. 22. Tutzing: Schneider, 1989.
Beißwenger, Kirsten.
Johann Sebastian Bachs Notenbibliothek. Ph.D., Musicology, Göttingen, 1990.
DDM Code: 45clBeiK; DA no.: RILM no.: UM no.:
Belfrage, Esbjörn.
1600-Talspsalm: Litteratur Historiska Studier [Seventeenth-Century Hymn Writing: Studies in Literary History]. Ph.D., Literary History, University of Lund, 1968. 354 p. bibliog., ind.
DDM Code: 41ltBelE; DA no.: RILM no.: 70:1233dd; UM no.:
Belotti, Michael.
Die freien Orgelwerke Dietrich Buxtehudes. Überlieferungsgeschichtliche und stilkritische Studien. Ph.D., Musicology, Freiburg im Breisgau, 1993. xi, 321 p. illus., mus. exs., bibliog., ind.
DDM Code: 41keBelM; DA no.: RILM no.: 95:2963bm; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 136. 2d ed. rev. Frankfurt: Lang, 1995. ISBN 3-631-30605-9.
Bemis, Jack.
Restoration Dramatic Music. Ph.D., Theory, University of Rochester, 1961. 249 p.
DDM Code: 41drBemJ; DA no.: RILM no.: UM no.:
Bengtson, Franklin Dale.
Ich hoffe darauf dass Du so gnädig bist: A Cantata by Johann Theodore Römhildt (1684-1756). D.M.A., Music History and Literature, University of Missouri at Kansas City, 1972. 125 p.
DDM Code: 41saBenF; DA no.: 33/05:2406; RILM no.: UM no.: 72-29,456
Bennett, Lawrence E.
The Italian Cantata in Vienna, c. 1700-c. 1711. Ph.D., Musicology, New York University, 1980. 2 vols., viii, 650 p. illus., plts., tbls., mus. exs., thematic cat., append., bibliog.
Research director: D. Burrough
DDM Code: 41voBenL; DA no.: 41/06:2344; RILM no.: UM no.: 80-27,863
Benoit, Marcelle.
Versailles et les musiciens du Roi: 1661-1733. Doct., , Sorbonne, 1971. 2 vols., xxii, 1027 p. illus., bibliog., ind.
DDM Code: 41mvBenM; DA no.: RILM no.: UM no.:
Bergdolt, Kenneth.
The Sacred Works of George Jeffreys. Ph.D., Musicology, University of Cincinnati, 1976. 4 vols., 1018 p.
DDM Code: 41saBerK; DA no.: 37/09:5426-7; RILM no.: 76:2534dd; UM no.: 77-6507
Berglund, Lars.
Studies in the Vocal Music of Christian Geist. Ph.D., Musicology, University of Uppsala, 2002. 391 p.
Research director: Erik Kjellberg
DDM Code: 41voBerL; DA no.: RILM no.: 02:15567dd; UM no.:
Additional keywords: motets, protestant church music, Düben collection, Sweden
Bergner, Christoph.
Untersuchungen zur Form der Präludien des Wohltemperierten Klaviers von J. S. Bach. Ph.D., Musicology, Tübingen, 1984. 165 p. mus. exs.
Research director: Ulrich Siegele
DDM Code: 49srBerC; DA no.: RILM no.: 86:5406bm; UM no.: Publication: Tübinger Beiträge zur Musikwissenschaft, vol. 11. Stuttgart: Hänssler, 1986.
Bermoser, Heidrun.
Die Vokalmessen von Christoph Sätzl. Ph.D., Musicology, Innsbruck, 1974. v, 180 p. tbls., facs., mus. exs., append., bibliog., ind.
DDM Code: 41luBerH; DA no.: RILM no.: 76:5307; UM no.:
Bernick, Thomas.
Heinrich Schütz on Modality. Ph.D., Musicology, University of Chicago, 1979.
Research director: Howard M. Brown
DDM Code: 49moBerT; DA no.: 40/06:2966; RILM no.: 79:2497dd; UM no.: T-27462
Bernstein, Harry Marvin.
Alessandro Stradella's Serenata, Il Barcheggio (Genoa, 1681): A Modern Edition and Commentary with Emphasis on the Use of the Cornetto and the Trumpet. D.M.A., Performance, Stanford University, 1979. 2 vols., x, 705 p. illus., tbls., mus. exs., append., bibliog.
Research director: George Houle
DDM Code: 41opBerH; DA no.: 40/07:3610; RILM no.: 79:4572dd; UM no.: 80-02042
Bertenshaw, Derry N.
The Influence of the Late 16th-Century Italian Polyphonic Madrigal on the English Viol Consort Fantasy, c. 1600-1645: A Background Study. Ph.D., Musicology, University of Leicester, 1992.
DDM Code: 41enBerD; DA no.: RILM no.: 93:2500dd; UM no.:
Bertling, Rebekka.
Arioso und Arioses accompagnato in Johann Sebastian Bachs Vokalwerk. Ph.D., Musicology, Kiel, 1990.
DDM Code: 41voBerR; DA no.: RILM no.: UM no.:
Beswick, Delbert Meacham.
The Problem of Tonality in Seventeenth-Century Music. Ph.D., Music, University of North Carolina, 1951. xii, 341 p.
DDM Code: 49toBesD; DA no.: RILM no.: UM no.: UR 697
Beveridge, Lowell Pierson.
Giacomo Carissimi: A Study of His Life and His Music with Latin Texts in the Light of the Institutions Which He Served and through the Perspective of Liturgical, Literary, and Musical Theory and Practice. Ph.D., Music, Harvard University, 1944. 3 vols., 642 p.
DDM Code: 41saBevL; DA no.: RILM no.: UM no.:
Biales, Albert.
Sonatas and Canzonas for Larger Ensembles in Seventeenth-Century Austria. Ph.D., Music, University of California at Los Angeles, 1962. 2 vols., viii, 246 p.
DDM Code: 41enBiaA; DA no.: RILM no.: UM no.:
Bianconi, Lorenzo.
Francesco Cavalli und die Verbreitung der venezianischen Oper in Italien. Ph.D., Musicology, Heidelberg, 1974.
DDM Code: 41opBiaL; DA no.: RILM no.: UM no.:
Bicknell, Joan Colleen.
Interdependence of Word and Tone in the Dramatic Music of Henry Purcell. Ph.D., Music, Stanford University, 1960. xi, 256 p. illus.
DDM Code: 41tmBicJ; DA no.: 22/01:279-80; RILM no.: UM no.: LC Mic 61-1216.
Biklé, Charles Henry.
The Odes for Saint Cecilia's Day in London (1683-1703). Ph.D., Musicology, University of Michigan, 1981. 4 vols., 1397 p. mus. exs.
DDM Code: 41voBikC; DA no.: 43/02:299; RILM no.: 82:354dd; UM no.: 82-14963
Bimberg, Guido.
Zur Dramaturgie der Händel-Opern. Ph.D., Musicology, Martin-Luther-Universität, Halle-Wittenberg, 1979. 331 p.
DDM Code: 41opBimG; DA no.: RILM no.: 79:354dd; UM no.:
Blake, Cevedra Marc.
The Baroque Oboe d'Amore. Ph.D., Musicology, University of California at Los Angeles, 1981. 677 p.
DDM Code: 43wnBlaC; DA no.: 42/04:1361; RILM no.: 81:1562dd; UM no.: 81-20,919
Bland, Leland Dye.
The Instrumental Ritornello in Selected Vocal Works of Italian Composers ca. 1670 to ca. 1710. Ph.D., Theory, University of Iowa, 1973. xix, 403 p. tbls., mus. exs., append., bibliog.
DDM Code: 41imBlaL; DA no.: 34/07:4308; RILM no.: 73:1752dd; UM no.: 73-30,900
Blazey, David Anthony.
The Litany in Seventeenth-Century Italy. Ph.D., Musicology, University of Durham, 1990. 972 p. bibliog.
DDM Code: 41luBlaD; DA no.: RILM no.: 00:53916dd; UM no.:
Bleeker, Lothar.
Anglikanische Kirchenmusik und Arminianismus, ca. 1625-1640. Eine Untersuchung der im Wirkungsbereich von John Cosin (Durham Cathedral und Peterhouse College, Cambridge) entstandenen Kirchenmusik. Ph.D., Musicology, Bonn, 1993.
DDM Code: 41saBleL; DA no.: RILM no.: UM no.:
Bloesch, Richard John.
The Eighteenth-Century Italian Magnificat: A Survey of Representative Settings (ca. 1700-ca. 1750) with an Analysis and Edition of Six Works. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1971. 508 p.
Research director: C. Hamm
DDM Code: 41luBloR; DA no.: 32/10:5821; RILM no.: 76:9541dd; UM no.: 72-12,092
Blondeau, Rollie Earl.
A Comprehensive Performance Project in Solo Vocal Literature with a Performance Edition of Three Dramatic Songs of John Blow from Amphion Anglicus: A Mad Song, It Grieves Me, and Of All the Torments. D.M.A., Music, University of Iowa, 1976. 73 p.
DDM Code: 40voBloR; DA no.: 37/05:2476; RILM no.: UM no.: 76-26356
Bock, Emil W.
The String Fantasies of John Hingeston (ca. 1610-1683). Ph.D., Musicology, University of Iowa, 1956. 2 vols., xiii, 538 p. thematic cat.
DDM Code: 41enBocE; DA no.: 14/05:969; RILM no.: UM no.: 16,106
Bolen, Charles Warren.
Open-Air Music of the Baroque: A Study of Selected Examples of Wind Music. Ph.D., Music Education, Indiana University, 1954. 264 p.
DDM Code: 41wiBolC; DA no.: 14/08:1232; RILM no.: UM no.: 8778
Bolin, Norbert.
"Sterben ist mein Gewinn" (Phil. 1. 21). Ein Beitrag zur evangelischen Funeralkomposition der deutschen Sepulkralkultur des Barock 1550-1750. Ph.D., Musicology, Köln, 1985.
DDM Code: 41saBolN; DA no.: RILM no.: UM no.:
Bolton, Thomas W.
A History and Survey of the Baroque Solo Motet for One Solo Voice Outside of Italy. Ph.D., Musicology, North Texas State University, 1980. xvi, 366 p.
Research director: Cecil A. Adkins
DDM Code: 41saBolT; DA no.: RILM no.: UM no.:
Bonino, Mary Ann Teresa.
Don Severo Bonini (1582-1663), His Discorsi e regole. Ph.D., Musicology, University of Southern California, 1971. 2 vols., x, 638 p. plts., facs., mus. exs., works lst., append., bibliog.
DDM Code: 41trBonM; DA no.: RILM no.: 76:9542dd; UM no.: 73-07,244
Bonnet, Jérôme.
Arsinoe: Voyage d'un drame lyrique de Bologne (1676) à Londres (1705). Ph.D., Music, Université de Tours, 2006. 2 vols., 466 p. illus., mus. exs., transl., bibliog.
Research director: Laurine Quetin
DDM Code: 41opBonJ; DA no.: RILM no.: UM no.:
Additional keywords: opera
Bonta, Stephen.
The Church Sonatas of Giovanni Legrenzi. Ph.D., Music, Harvard University, 1964. 2 vols.,
DDM Code: 41imBonS; DA no.: RILM no.: UM no.:
Boote, Marlys Joan.
Johann Valentin Eckelt's Tabulaturbuch (1692): A Commentary with an Edition of Selected Keyboard Works. D.M.A., Performance, University of Iowa, 1997. 247 p. transcr.
Research director: Delores R. Bruch
DDM Code: 41keBooM; DA no.: 58/05:1492; RILM no.: 97:2911dd; UM no.: 97-31899 Publication: ISBN 0-591-41162-8.
Bordignon, Paolo Michele.
Johann Sebastian Bach's Halt im Gedächtnis Jesum Christ BWV 67: A Study of the Sources and Their Implications. D.M.A., Performance, Juilliard School, 2004. xii, 174 p. illus., mus. exs., append., discog., bibliog.
Research director: Robin Leaver
DDM Code: 40saBorP; DA no.: RILM no.: UM no.:
Boresch, Hans-Werner.
Studien zur Instrumentation Johann Sebastian Bachs. Ph.D., Musicology, Wuppertal, 1990.
Research director: Werner Breig
DDM Code: 41orBorH; DA no.: RILM no.: UM no.: Publication: Kassel: Bärenreiter, 1993.
Borg, Paul W.
The Polyphonic Music in the Guatemalan Music Manuscripts of the Lilly Library. Ph.D., Musicology, Indiana University, 1985. 2 vols., 666 p.
Research director: Thomas Noblitt
DDM Code: 41mcBorP; DA no.: RILM no.: UM no.:
Borges, Armindo da Louz.
Duarte Lobo (156?-1646): Studien zum Leben und Schaffen des portugiesischen Komponisten. Ph.D., Musicology, Köln, 1983. xii, 377 p. illus., facs., mus. exs., thematic cat., bibliog.
Research director: Heinrich Hüschen
DDM Code: 41woBorA; DA no.: RILM no.: 86:1345bm; UM no.: Publication: Kölner Beiträge zur Musikforschung, vol. 132. Regensburg: Bosse, 1986. ISBN 3-7649-2272-9.
Borgir, Tharald.
Basso continuo in Italy during the Seventeenth Century. Ph.D., Musicology, University of California at Berkeley, 1971.
DDM Code: 41bcBorT; DA no.: RILM no.: 76:15193dd; UM no.:
Bossard, Rudolf.
Giovanni Legrenzi -- Il Giustino: Eine Monograph; Studie. Ph.D., Musicology, Basel, 1987. 365 p. mus. exs.
Research director: Hans Oesch
DDM Code: 41opBosR; DA no.: RILM no.: 88:2081bm; UM no.: Publication: Sammlung musikwissenschaftlicher Abhandlungen, vol. 79. Baden: Koerner, 1988.
Botelho, Mauro.
Rhythm, Meter and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos. Ph.D., Theory, University of Michigan, 1993. xvii, 589 p. mus. exs., append., bibliog.
Research director: Andrew Mean
DDM Code: 49rhBotM; DA no.: 54/07:2376; RILM no.: 93:10836dd; UM no.: 93-32018
Additional keywords: phrase expansion, hypermeter
Bouquet, Marie-Thérèse.
Musique et musiciens à Turin, de 1648 à 1775. Ph.D., Musicology, Conservatoire National, Paris, 1967. 436 p. works lst., bibliog., ind.
DDM Code: 41mvBouM; DA no.: RILM no.: 69:784dd; UM no.:
Bowers, Jane M.
The French Flute School from 1700 to 1760. Ph.D., Musicology, University of California at Berkeley, 1971. ix, 491 p. illus., plts., facs., mus. exs., works lst., append., bibliog.
Research director: Philip Brett
DDM Code: 41wnBowJ; DA no.: 38/01:15; RILM no.: 75:3476dd; UM no.: 77-14774
Additional keywords: flute playing, France, eighteenth century, flute music, flute makers, flute performers, musical life, flute school, Michel Blavet, Joseph Bodin de Boismortier, Michel Corrette, René Pignon Descoteaux, Louis Gabriel Guillemain, Benoît Guillemant, Jacques-Martin Hotteterre, Michel de la Barre, (Charles) de Lusse, Jacques-Christophe Naudot, Rebillé Philbert
Bowers, Kathryn S.
Music for Voices and Viols: A Contextual Study and Critical Performing Edition of Verse Anthems in Christ Church [Oxford] MSS 56-60. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1988. 2 vols., x, 1021 p. tbls., mus. exs., transcr., append., bibliog.
DDM Code: 41voBowK; DA no.: RILM no.: UM no.:
Additional keywords: John Ward, Matthew Jeffreys, Thomas Wilkinson, Jacobean, Sir Henry Fanshawe
Bowles, Garrett H.
The Computer-Produced Thematic Catalogue: An Index to the Pièces de violes of Marin Marais. Ph.D., Musicology, Stanford University, 1978. 2 vols., iv, 447 p. thematic cat., discog., bibliog.
DDM Code: 45snBowG; DA no.: 39/06:3204; RILM no.: UM no.: 78-22,481
Bowman, Carl B.
The Ecclesiastiche sinfonie (Opus 16) of Adriano Banchieri (1568-1634). Ph.D., Music Education, New York University, 1971. iii, 177 p. mus. exs., bibliog.
DDM Code: 41saBowC; DA no.: 32/05:2725; RILM no.: 76:9544dd; UM no.: 71-28,524
Bowman, Horace B.
A Study of the castrati Singers and Their Music. Ph.D., Music Education, Indiana University, 1952. 152 p.
DDM Code: 41voBowH; DA no.: RILM no.: UM no.:
Boyd, George Reynolds.
The Scacchi/Siefert Controversy with Translations of Marco Scacchi, Cribrum musicum and Paul Siefert, Anticrabratio musica. Ph.D., Theory, Indiana University, 1996. iv, 525 p. mus. exs., bibliog.
Research director: Benito V. Rivera
DDM Code: 49trBoyG; DA no.: RILM no.: UM no.:
Additional keywords: first practice, counterpoint
Boye, Gary Rice.
Giovanni Battista Granata and the Development of Printed Music for the Guitar in Seventeenth-Century Italy with a Transcription of His Works for Solo Guitar. Ph.D., Musicology, Duke University, 1995. 814 p. transcr.
Research director: Peter Williams
DDM Code: 41snBoyG; DA no.: 56/09:3365; RILM no.: UM no.: 96-00612
Brandenburg, Daniel.
Zur Geschichte der weltlichen Solokantate in Neapel im frühen Settecento. Die Solokantaten von Domenico Sarro (1679-1744). Ph.D., Musicology, Bonn, 1990. 340 p. mus. exs.
Research director: Günther Massenkeil
DDM Code: 41seBraD; DA no.: RILM no.: 91:2231dd; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 60. Frankfurt am Main: Peter Lang, 1991. ISBN 3-631-43157-0.
Brandvik, Paul Allen.
Selected Motets of Alessandro Scarlatti. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1969. 465 p.
DDM Code: 41saBraP; DA no.: 31/02:782; RILM no.: 69:3589dd; UM no.: 70-13,252
Brass, Christophe.
La basse fondamentale dans le Clavier bien tempéré de Johann Sebastian Bach. Ph.D., Music, Strasbourg, 2001. 3 vols., xii, 867 p. illus., mus. exs., transl., append., bibliog., ind.
Research director: Jacques Viret
DDM Code: 41keBraC; DA no.: RILM no.: UM no.:
Additional keywords: Grundbass, fundamental bass, Wohltemperiertes Clavier, Well-Tempered Clavier
Brauer, James Leonard.
Instruments in Sacred Vocal Music at Braunschweig-Wolfenbüttel: A Study of Changing Tastes in the Seventeenth Century. Ph.D., Musicology, City University of New York, 1983. 2 vols., 588 p. plts., tbls., transcr., bibliog., ind.
Research director: Cyrilla Barr
DDM Code: 41saBraJ; DA no.: 44/05:1234; RILM no.: 83:2529dd; UM no.: 83-19748
Braunschweig, Karl D.
The Metaphor of Music as a Language in the Enlightenment: Towards a Cultural History of Eighteenth-Century Music Theory. Ph.D., Music Theory, University of Michigan, 1997. vii, 348 p. tbls., mus. exs., append., bibliog.
Research director: Kevin Korsyn
DDM Code: 49aeBraK; DA no.: 58/05:1493; RILM no.: 97:13342dd; UM no.: 97-32042
Musikunterricht und Musikpflege an den niederrheinischen Lateinschulen im Späthumanismus (1570-1700). Ph.D., Musicology, Köln, 1974.
DDM Code: 44edBreH; DA no.: RILM no.: 76:9545dd; UM no.:
Brenner, Rosamond Drooker.
The Operas of Reinhard Keiser in Their Relationship to the Affektenlehre. Ph.D., Musicology, Brandeis University, 1968. 3 vols., xxvi, 655 p. tbls., mus. exs., works lst., append., bibliog.
DDM Code: 41opBreR; DA no.: 29/08:2734; RILM no.: 68:305dd; UM no.: 69-2048
Brett, Ursula.
Music and Ideas in Seventeenth-Century Italy: The Cazzati-Arresti Polemic. Ph.D., Musicology, Goldsmith's College, London, 1986.
DDM Code: 41mvBreU; DA no.: RILM no.: UM no.:
Bridges, David Merrell.
Musica da Camera in Rome: 1667-1700. Ph.D., Musicology, George Peabody College, 1976. 203 p.
DDM Code: 41chBriD; DA no.: 37/04:1861; RILM no.: 76:9547dd; UM no.: 76-21,617
Brill, Mark E.
Stylistic Evolution in the Oaxaca Cathedral: 1600-1800. Ph.D., Musicology, University of California at Davis, 1998. v, 489 p. illus., plts., tbls., facs., mus. exs., transcr., transl., works lst., append., bibliog., ind.
Research director: David Nutter
DDM Code: 41saBriM; DA no.: 60/02:280; RILM no.: 98:3805dd; UM no.: 99-20245
Additional keywords: Mexico
Brinkman, Alexander Russell.
Johann Sebastian Bach's Orgelbüchlein: A Computer-Assisted Study of the Melodic Influence of the Cantus Firmus on the Contrapuntal Voices. Ph.D., Theory, University of Rochester, 1978. 2 vols., xxiv, 831 p. illus., tbls., mus. exs., works lst., append., bibliog.
DDM Code: 49cpBriA; DA no.: 39/04:1913; RILM no.: UM no.: 78-17,560
Briscoe, Roger Lee.
Rameau's Démonstration du principe de l'harmonie and Nouvelles réflexions de M. Rameau sur sa Démonstration du principe de l'harmonie: An Annotated Translation and Commentary of Two Treatises by Jean-Philippe Rameau. Ph.D., Theory, Indiana University, 1975. 344 p.
DDM Code: 49trBriR; DA no.: 36/08:4835; RILM no.: 76:9549dd; UM no.: 76-02,791
Brokaw, James Albert.
Techniques of Expansion in the Preludes and Fugues of J.S. Bach. Ph.D., Musicology, University of Chicago, 1986.
DDM Code: 49srBroJ; DA no.: RILM no.: UM no.: T-29960
Brooks, Brian P.
The Emergence of the Violin as a Solo Instrument in Early Seventeenth-Century Germany. Ph.D., Musicology, Cornell University, 2002. 2 vols., xxi, 723 p. illus., mus. exs., bibliog.
Research director: Neal Zaslaw
DDM Code: 41imBroB; DA no.: 63/09:3049; RILM no.: UM no.: 3063687
Additional keywords: Breslau MS 113-115, Nuremberg , Germanisches National-Museum Bibliothek mus. ms. 14976, Ulm, Stadtbibliothek mus. ms. 130, diminutions, Johann Schop, Johann Georg Beck, Etienne Nau, Nikolaus Bleyer, William Brade, Düben Collection, 't-Uitnement Kabinet, "Est-ce Mars?" "Nasce la pena"
Brothers, Lester D.
The Hexachord Mass, 1600-1720. Ph.D., Musicology, University of California at Los Angeles, 1973. 2 vols., 656 p. mus. exs., transcr., append., bibliog.
DDM Code: 41luBroL; DA no.: 34/07:4308; RILM no.: 76:9551dd; UM no.: 73-32,053
Brothers, Matthew Grey.
The Polyphonic Passion in Seventeenth-Century Mexico. Ph.D., Musicology, University of California at Santa Barbara, 2001. 320 p. transcr., append.
Research director: Alejandro Planchart
DDM Code: 41luBroM; DA no.: 62/11:3613; RILM no.: UM no.: 30-34823 Publication: ISBN 0-493-47979-1.
Additional keywords: Antonio Rodriguez de Matta, Luis Coronado, Franscisco Lopez-Capillas
Brough, Delma.
Polish Seventeenth-Century Church Music with Reference to the Influence of Historical, Political and Social Conditions. Ph.D., Musicology, St. Hilda's College, Oxford, 1981.
DDM Code: 41saBroD; DA no.: RILM no.: UM no.:
Brover-Lubovsky, Bella.
Vivaldi's Harmony: Practice and Theory. Ph.D., Musicology, Hebrew University of Jerusalem, 2001. 315 p. tbls., facs., mus. exs., transl., append., bibliog.
Research director: Jehoash Hirshberg
DDM Code: 41haBroB; DA no.: RILM no.: UM no.:
Additional keywords: tonality, modality, church keys, Italian concerto, Italian and German theory, Francesco Gasparini, Johann Heinichen, Joseph Riepel, Johann Mattheson
Brown, Jennifer Williams.
"Con nuove arie aggiunte": Aria Borrowing in the Venetian Opera Repertory 1672-1685. Ph.D., Musicology, Cornell University, 1992. xxi, 587 p. tbls., mus. exs., transcr., append., bibliog.
Research director: Neal Zaslaw
DDM Code: 41opBroJ; DA no.: RILM no.: UM no.:
Brown, Katherine R. Butler.
Hindustani Music in the Time of Aurangzeb. Ph.D., Ethnomusicology, University of London, 2003. 304 p. illus., plts., tbls., transl., append., bibliog.
Research director: Richard Widdess
DDM Code: 42etBroK; DA no.: RILM no.: UM no.:
Additional keywords: North India, North Indian classical music, Mughal empire, Islam, history, cultural history, historiography, power, gender, censorship, raga, khayal, elite music, Sufism, Indo-Persian
Brown, Leslie Ellen.
The Tragédie lyrique of André Campra and His Contemporaries. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1978. xvii, 365 p. tbls., mus. exs., append., bibliog., ind.
DDM Code: 41opBroL; DA no.: 39/07:3903; RILM no.: UM no.: 79-00,442
Brown, Susan Tara.
English Devotional Song as a Mirror of Seventeenth-Century Anglicanism: A Thematic and Musical-Rhetorical Analysis of Henry Playford's Harmonia Sacra. Ph.D., Musicology, Claremont Graduate School, 1995. vii, 247 p. illus., mus. exs., bibliog.
Research director: Nancy van Deusen
DDM Code: 41saBroS; DA no.: RILM no.: UM no.:
Brown, Thomas K.
The French Baroque Organ Tradition: A Critical Analysis of Works by Representative Composers. Ph.D., Theory, Florida State University, 1967.
DDM Code: 41keBroT; DA no.: 28/03:1092; RILM no.: 76:9552dd; UM no.: 67-11,152
Broyles, Michael Everett.
Textural Interpretations in the Chorale Harmonizations of J. S. Bach. Ph.D., Musicology, University of Texas at Austin, 1967. i, 461 p. append., bibliog., ind.
DDM Code: 41tmBroM; DA no.: 28/10:4198; RILM no.: 70:1662dd; UM no.: 68-4260
Bruderer, Conrad.
A Comparison of the Preludes Found in Common in the Clavier-Büchlein vor Wilhelm Friedemann Bach, the Well-Tempered Clavier, and the Forkel Edition of the Well-Tempered Clavier. D.M., Performance, Indiana University, 1968. 173 p. mus. exs., bibliog.
DDM Code: 41keBruC; DA no.: ADD 1969:226; RILM no.: 68:1159dd; UM no.: 02-46209
Brumbeloe, Joseph L.
Formal Grouping in the Theory and Musical Practice of the Eighteenth Century. Ph.D., Theory, Indiana University, 1991. xii, 378 p. tbls., mus. exs., bibliog.
Research director: Benito Rivera
DDM Code: 49srBruJ; DA no.: 52/09:3212; RILM no.: 91:2864dd; UM no.: 92-05937
Brundrett, Grant Allen.
Rameau's Orchestration. Ph.D., Music History and Literature, Northwestern University, 1962. 3 vols., 496 p.
DDM Code: 49orBruG; DA no.: 23/12:4706; RILM no.: UM no.: 63-3398
Brunner, Georg.
Beiträge zur Musik im Kloster Scheyern. Ph.D., Musicology, Augsburg, 1997. 2 vols., xxi, 673 p. illus., mus. exs.
DDM Code: 41saBruG; DA no.: RILM no.: 99:14058dd; UM no.: Publication: Edition Descartes, no. 8. Schrobenhausen: Bickel, 1997. ISBN 3-922803-88-1.
Bryden, John Rennie.
The Motets of Orazio Benevoli. Ph.D., Music, University of Michigan, 1951. 2 vols., 578 p.
DDM Code: 41saBryJ; DA no.: 11/03:701; RILM no.: UM no.: 2576
Bucciarelli, Melania.
Italian Opera and European Theatre, 1680-1720: Plots, Performers, Dramaturgies. Ph.D., Music, King's College, University of London, 1998. xxiv, 227 p. illus., facs., mus. exs., bibliog., ind.
DDM Code: 41opBucM; DA no.: RILM no.: 00:6586bm; UM no.: Publication: Speculum musicae 2000. Turnhout: Brepols. ISBN 2-503-51021-3.
Buch, David J.
La rhétorique des dieux: A Critical Study of Text, Illustration, and Musical Style. Ph.D., Musicology, Northwestern University, 1983.
DDM Code: 41snBucD; DA no.: RILM no.: UM no.:
Budasz, Rogerio.
The Five-Course Guitar (Viola) in Portugal and Brazil in the Late Seventeenth and Early Eighteenth Centuries. Ph.D., Music History, University of Southern California, 2001. xv, 403 p. illus., plts., tbls., facs., mus. exs., transcr., works lst., append., bibliog.
Research director: Bruce Alan Brown
DDM Code: 41snBudR; DA no.: 63/05:1616; RILM no.: UM no.: 30-54717
Johann David Heinichen, Der Generalbass in der Composition: A Critical Study. Ph.D., Music, New York University, 1961. 2 vols., 636 p.
DDM Code: 49trBueG; DA no.: 23/03:1034-5; RILM no.: UM no.: 62-3312
Buff, Iva Moore.
The Chamber Duets and Trios of Carissimi. Ph.D., Musicology, University of Rochester, 1973. 2 vols., xv, 398 p. mus. exs., transcr., bibliog.
DDM Code: 41voBufI; DA no.: RILM no.: 73:3278dd; UM no.:
Bunjes, Paul George.
The Praetorius Organ. Ph.D., Theory, University of Rochester, 1966. 1024 p.
DDM Code: 43keBunP; DA no.: 27/05:139; RILM no.: UM no.: 66-11,542
Burchill, James Frederick.
Saint-Lambert's Nouveau traité de l'accompagnement: A Translation with Commentary. Ph.D., Theory, University of Rochester, 1979. 141 p.
Research director: R. Gauldin
DDM Code: 41trBurJ; DA no.: 40/09:4791; RILM no.: 79:2505dd; UM no.: 80-05138
Burden, Ross Patrick.
The Wind Music of Joseph Bodin de Boismortier (1689-1755). D.M.A., Performance, University of Iowa, 1971. x, 262 p. illus., plts., mus. exs., works lst., append., bibliog.
DDM Code: 41wiBurR; DA no.: 32/05:2726; RILM no.: 72:1613dd; UM no.: 71-30,406
Burdette, Glenn Eric.
The Violin Sonatas of Giovanni Battista Somis (1686-1763), Including an Edition of Opus 3. Ph.D., Musicology, University of Cincinnati, 1993. xii, 191 p. tbls., mus. exs., transcr., thematic cat., bibliog., ind.
Research director: Donald H. Foster
DDM Code: 41chBurG; DA no.: RILM no.: UM no.:
Burgess, Geoffrey Vernon.
Ritual in the Tragédie en musique from Lully's Cadmus et Hermione (1673) to Rameau's Zoroastre (1749). Ph.D., Musicology, Cornell University, 1998. 2 vols., xxxviii, 744 p. tbls., facs., mus. exs., transcr., transl., append., discog., bibliog., ind.
Research director: Neal Zaslaw
DDM Code: 41opBurG; DA no.: 59/04:999; RILM no.: UM no.: 98-31083
Additional keywords: Jean Baptiste Lully, Jean-Philippe Rameau, French opera, baroque opera
Burkart, Richard Edgar.
The Trumpet in England in the Seventeenth Century with Emphasis on Its Treatment in the Works of Henry Purcell and a Biography of the Shore Family of Trumpeters. D.M.A., Performance, University of Wisconsin, 1972. 142 p. illus., facs., mus. exs., works lst., bibliog.
DDM Code: 41brBurR; DA no.: 32/10:5822-23; RILM no.: 72:1614dd; UM no.: 72-9111
Burke, John R.
The Early Works of Marc-Antoine Charpentier. Ph.D., Musicology, Oxford University, 1985.
DDM Code: 41woBurJ; DA no.: RILM no.: UM no.:
Burnett, Henry.
The Sacred Music of Maurice Greene (1696-1755): A Study of the Problems Confronting the Composer of English Church Music During the Early Eighteenth Century. Ph.D., Musicology, City University of New York, 1978. 2 vols., xxviii, 414 p. plts., tbls., facs., mus. exs., works lst., thematic cat., append., bibliog.
DDM Code: 41saBurH; DA no.: 39/03:1178; RILM no.: UM no.: 78-16,124
Burns, Lori Anne.
J. S. Bach's Chorale Harmonizations of Modal Cantus firmi. Ph.D., Musicology, Harvard University, 1991. 2 vols., 464 p. tbls.
Research director: David B. Lewin
DDM Code: 49haBurL; DA no.: 52/11:3761; RILM no.: 91:2244dd; UM no.: 92-11661
Burris, Timothy Allen.
Lute and Theorbo in Vocal Music in 18th-Century Dresden: A Performance Practice Study. Ph.D., Musicology, Duke University, 1997. xiv, 457 p. illus., mus. exs.
Research director: Peter Williams
DDM Code: 41enBurT; DA no.: 58/07:2447; RILM no.: 97:12988dd; UM no.: 98-04056
Additional keywords: archlute, arciliuto, theorbo, baroque lute, Johann David Heinichen, "Flavio Crispo," Antonio Lotti, "Teofane"
Burrows, David Lamont.
The Cantatas of Antonio Cesti. Ph.D., Music, Brandeis University, 1961. 254 p.
DDM Code: 41voBurD; DA no.: 22/10:3688; RILM no.: UM no.: 62-1214
Burrows, Donald J.
Handel and the English Chapel Royal During the Reigns of Queen Anne and King George I. Ph.D., Musicology, Open University, 1981.
DDM Code: 41mvBurD; DA no.: RILM no.: UM no.:
Burundukovskaya, Elena.
Organno-klavirnye sotchineniya Jirolamo Frescobaldi i voprosy ich ispolneniya na organe [Girolamo Frescobaldi's Keyboard Works and the Questions of Their Performance on the Organ]. Ph.D., Music, Moscow Academy of Music, 1993. 137 p. mus. exs., transl., thematic cat., bibliog.
Research director: U. Evdokimova
DDM Code: 41keBurE; DA no.: RILM no.: UM no.:
Busch, Hermann J.
Georg Poss, Leben und Werk. Ein Beitrag zur Geschichte der deutsch-venezianischen Schule in Österreich am Beginn des 17. Jahrhunderts. Ph.D., Musicology, Mainz, 1970. 220 p. facs., mus. exs., works lst., bibliog.
DDM Code: 41woBusH; DA no.: RILM no.: 70:3120dd; UM no.:
Busch, Hermann Richard.
Leonhard Eulers Beitrag zur Musiktheorie. Ph.D., Musicology, Köln, 1970. 144 p. mus. exs.
DDM Code: 49muBusH; DA no.: RILM no.: 73:2582dd; UM no.:
Bussey, William Muir.
Foreign Influences on the Zarzuela: 1700-70. Ph.D., Musicology, University of Michigan, 1980. 554 p.
DDM Code: 41opBusW; DA no.: 41/02:452; RILM no.: UM no.: 80-17,226
Butler, Gregory G.
The Canonic Sequence in Theory and Practice: A Rhetorical-Musical Study of Its Origins and Development in Keyboard Music to 1750. Ph.D., Musicology, University of Toronto, 1973.
DDM Code: 41cmButG; DA no.: 35/02:1140; RILM no.: UM no.:
Butt, John A.
The Significance and Incidence of Articulation Marks in the Autograph and Pre-1750 Printed Sources of J. S. Bach. Ph.D., Music, Cambridge University, 1987. 278 p. illus., tbls., facs., mus. exs., bibliog., ind.
DDM Code: 41pfButJ; DA no.: RILM no.: 90:8193bm; UM no.: Publication: Cambridge Musical Texts and Monographs. Cambridge: Cambridge University Press, 1990. ISBN 0-521-37239-9.
Buttrey, John.
The Evolution of English Opera between 1656 and 1695: A Re-Investigation. Ph.D., Musicology, Cambridge University, 1967. 2 vols., 579 p. mus. exs., works lst., bibliog.
DDM Code: 41opButJ; DA no.: RILM no.: 70:1665dd; UM no.:
Byrt, John Clare.
Form and Style in the Works of Sebastian and Emanuel Bach. Ph.D., Musicology, St. John's College, Oxford University, 1969.
DDM Code: 49srByrJ; DA no.: RILM no.: 75:2679dd; UM no.:
Caballero Fernández-Rufete, Carmelo.
Miguel Gómez Camargo (1618-1690): Biografía, legado testamentario y estudio de los procedimientos paródicos en sus villancicos. Ph.D., , Vallodolid, 1994.
Research director: Antonia Virigili Blanquet
DDM Code: 41cmCabC; DA no.: RILM no.: 96:2984dd; UM no.:
Cabero Pueyo, Bernat.
Der Villancico des XVI. und XVII. Jahrhunderts in Spanien. Ph.D., Musicology, München, 2000. viii, 670 p. illus., mus. exs., bibliog.
Research director: Theodor Göllner
DDM Code: 41voCabB; DA no.: RILM no.: 00:39443dd; UM no.: Publication: Berlin: Dissertation.de, 1997. ISBN 3-89825-024-5.
Cabrini, Michele.
Expressive Polarity: The Aesthetics of Tempête and Sommeil in the French Baroque Cantata, 1700-1730. Ph.D., Musicology, Princeton University, 2005. 2 vols., viii, 422 p. illus., tbls., facs., mus. exs., transl., append., bibliog.
Research director: Wendy Heller
DDM Code: 41voCabM; DA no.: 66/01:19; RILM no.: UM no.: 31-62761
Staging Musical Discourses in Seventeenth-Century Venice: Francesco Cavalli's Eliogabalo (1667). Ph.D., Musicology, Yale University, 2000. xiv, 394 p. plts., tbls., mus. exs., append., bibliog., ind.
Research director: Ellen Rosand
DDM Code: 41opCalM; DA no.: 61/10:3818; RILM no.: UM no.: 99-91129
Additional keywords: semiotics, opera
Calmeyer, John Hendrick.
The Life, Times, and Works of Antonio Pietro Locatelli. Ph.D., Music, University of North Carolina, 1969. vi, 465 p. illus., plts., facs., mus. exs., thematic cat., append., discog., bibliog., ind.
DDM Code: 41woCalJ; DA no.: 30/09:3967-8; RILM no.: 69:797dd; UM no.: 70-3210
Calouri, Eleanor.
The Cantatas of Luigi Rossi. Ph.D., Musicology, Brandeis University, 1972. 3 vols., xxi, 539 p. mus. exs., works lst., thematic cat., bibliog.
DDM Code: 41seCalE; DA no.: RILM no.: 72:1616dd; UM no.:
Cameron, Cathleen Morgan.
"China" as Theatrical Locus: Performances at the Swedish Court 1753-1770. Ph.D., Comparative Literature, Indiana University, 2005. 307 p.
Research director: Eugene Eoyang
DDM Code: 40tnCamC; DA no.: 66/03:985; RILM no.: UM no.: 31-67269 Publication: ISBN 0-542-02728-3.
Additional keywords: opera, opéra comique, fête
Cammarota, Robert Michael.
The Repertoire of Magnificats in Leipzig at the Time of J. S. Bach: A Study of the Manuscript Sources. Ph.D., Musicology, New York University, 1986. 2 vols., xvi, 566 p. plts., tbls., facs., mus. exs., works lst., thematic cat., append., bibliog.
DDM Code: 41soCamR; DA no.: RILM no.: UM no.:
Campbell, Donald P.
Puritan Belief and Musical Practices in the Sixteenth, Seventeenth, and Eighteenth Centuries. D.M.A., Church Music, Southwestern Baptist Theological Seminary, 1994. iv, 558 p. bibliog.
Research director: William Colson
DDM Code: 41saCamD; DA no.: RILM no.: UM no.:
Cannedy, Susan Jane.
An Anthology of French Solo Song, Sacred and Secular, 1600-1701. D.M.A., Performance, University of Texas at Austin, 1986. xiii, 216 p. mus. exs., works lst., bibliog.
Research director: Robert J. Snow
DDM Code: 41voCanS; DA no.: RILM no.: UM no.:
Cantor, Montague .
The Liber Magnificarum of Sebastian de Vivanco. Ph.D., Musicology, New York University, 1967. 2 vols., 427 p. mus. exs., bibliog.
DDM Code: 41luCanM; DA no.: 30/11:5011-2; RILM no.: UM no.: 70-7352
Careri, Enrico.
A Controversial Musician: The Violinist, Composer, and Theorist Francesco Geminiani (1687-1762). Ph.D., Musicology, University of Liverpool, 1990. 526 p. bibliog.
DDM Code: 41woCarE; DA no.: RILM no.: 00:53942dd; UM no.:
Carfagno, Simon A.
The Life and Dramatic Music of Stefano Landi with a Transliteration and Orchestration of the Opera Sant' Alessio. Ph.D., Music, University of California at Los Angeles, 1960. 2 vols., 777 p.
DDM Code: 41opCarS; DA no.: RILM no.: UM no.:
Carreras-López, Juan José.
El libro de Magnificat de Luis Serra en la tradición de la composición del Magnificat. Ph.D., Musicology, University of Zaragoza, 1984. vi, 221 p. tbls., facs., mus. exs., transcr., append., bibliog.
DDM Code: 41luCarJ; DA no.: RILM no.: UM no.:
Carter, Joanna L.
A Study of Two Seventeenth-Century Teaching Manuals in Hamburg: Critical Editions and Translations of Thomas Selle's Kurtze doch gründliche Anleitung zur Singekunst (c. 1642) and Heinrich Grimm's Instrumentum Instrumentorum, hoc est, Monochordum (1634). Ph.D., Musicology, Florida State University, 2002. vii, 276 p. illus., facs., mus. exs., transcr., transl., append., bibliog.
Research director: Jeffery Kite-Powell
DDM Code: 41pdCarJ; DA no.: 64/10:3526; RILM no.: UM no.: 31-09263
Additional keywords: music theory, pedagogy
Carter, Stewart Arlen.
The Music of Isabella Leonarda (1620-1704). Ph.D., Musicology, Stanford University, 1982. iv, 594 p. transcr., bibliog.
Research director: I. Horsley
DDM Code: 41woCarS; DA no.: 42/11:4638; RILM no.: 82:361dd; UM no.: 82-08826
Carter, Timothy.
Jacopo Peri (1561-1633): His Life and Works. Ph.D., Musicology, University of Birmingham, 1980.
DDM Code: 41woCarT; DA no.: RILM no.: UM no.:
Castle, Conan Jennings.
The Grand Motets of André Campra. Ph.D., Music, University of Michigan, 1962. 544 p.
DDM Code: 41saCasC; DA no.: 24/02:746; RILM no.: UM no.: 63-318
Caswell, Austin Baldwin.
The Development of Seventeenth-Century French Vocal Ornamentation and Its Influence upon Late Baroque Ornamentation Practice. Ph.D., Musicology, University of Minnesota, 1964. 2 vols., 686 p.
DDM Code: 41otCasA; DA no.: 26/12:7353-4; RILM no.: UM no.: 65-7835
Caswell, Judith Carls.
Rhythmic Inequality and Tempo in French Music Between 1650 and 1740. Ph.D., Musicology, University of Minnesota, 1973. 871 p.
DDM Code: 41pfCasJ; DA no.: 34/02:805; RILM no.: UM no.: 73-18,105
Caughill, Donald L.
Instrumental Chamber Music in the Netherlands during the Early Baroque Era. Ph.D., Musicology, Indiana University, 1983. xxi, 560 p. tbls., mus. exs., works lst., append., bibliog.
Research director: Nicolas Vallet
DDM Code: 41chCauD; DA no.: RILM no.: UM no.:
Chafe, Eric Thomas.
The Church Music of Heinrich Biber. Ph.D., Musicology, University of Toronto, 1975.
DDM Code: 41saChaE; DA no.: 37/10:6128-9; RILM no.: UM no.:
Chaikin, Kathleen A.
The Solo Cantatas of Alessandro Stradella (1644-1682). Ph.D., Musicology, Stanford University, 1975.
DDM Code: 41voChaK; DA no.: 36/09:5623; RILM no.: 76:9564dd; UM no.: 76-05,703
Champion, Josie Ellen.
Marc-Antoine Charpentier's Oratorio Josue. D.M.A., Performance, University of Texas at Austin, 1979. 2 vols., 233 p. mus. exs., transl.
Research director: John W. Grubbs and Alaire Lowry
DDM Code: 40voChaJ; DA no.: 40/03:1139; RILM no.: 79:2508dd; UM no.: 79-20072
Champonnois, Cécile.
Regards croisés sur le vie lyrique en France et en Angleterre: Analyse critique de témoignages français et anglais entre 1699 et 1776. Ph.D., Musicology, Université de Tours, 2006. 2 vols., 708 p. illus., facs., transcr., transl., bibliog., ind.
Research director: Laurine Quetin
DDM Code: 41opChaC; DA no.: RILM no.: UM no.:
Additional keywords: opera
Chandler, B. Glen.
Rameau's Nouveau système de musique théorique: An Annotated Translation. Ph.D., Theory, Indiana University, 1974. 467 p.
DDM Code: 49trChaB; DA no.: 36/08,4835-6; RILM no.: 75:2608dd; UM no.: 75-23,465
Chang, Young-Shim.
Reading Handel: A Textual and Musical Language of Acis and Galatea (1708, 1718). Ph.D., Musicology, University of North Texas, 2005. 184 p.
Research director: Lester Brothers
DDM Code: 41voChaY; DA no.: 66/11:3853; RILM no.: UM no.: 31-96137 Publication: ISBN 0-542-40113-4.
Additional keywords: opera, oratorio
Channon, Merlin.
Judas Maccabeus: Handel's Victory Oratorio of 1747. Ph.D., Music, Open University, 1995.
Research director: Donald Burrows
DDM Code: 41saChaM; DA no.: RILM no.: UM no.:
Chapman, Clive Gilbert.
English Pantomime and Its Music, 1700-1730. Ph.D., Musicology, Royal Holloway College, University of London, 1981. 2 vols., 825 p. plts., facs., mus. exs., transcr., works lst., append., bibliog.
Research director: Rosamund McGuinness
DDM Code: 41tnChaC; DA no.: RILM no.: 81:6420dd; UM no.:
Additional keywords: commedia dell'arte, ballad, masque, opera, ballet de cour, John Weaver, John Rich, Johann Ernst Galliard
Chapman, Roger E.
The Books on Instruments in the Harmonie Universelle of Marin Mersenne. Ph.D., Music, University of California at Los Angeles, 1954. 1170 p.
DDM Code: 43trChaR; DA no.: RILM no.: UM no.:
Charron, John P.
Fingering, Pedalling and Expression in the Organ Works of J. S. Bach. D.M.A., Performance, Juilliard School, 1993. 186 p. mus. exs., bibliog.
Research director: John Weaver
DDM Code: 40keChaJ; DA no.: RILM no.: UM no.:
Chase, Harriet R.
German, Italian, and Dutch Fugal Precursors of the Fugues in the Well-Tempered Clavier I, 1600-1722. Ph.D., Theory, Indiana University, 1970. 293 p.
DDM Code: 41cpChaH; DA no.: 31/09:4814; RILM no.: 70:347dd; UM no.: 71-6830
Chauvin, Regina Frey.
The Sacrae Modulationes of Lorenzo Ratti, Bologna 1628. Ph.D., Musicology, Tulane University, 1973. 524 p.
Research director: P. Hansen
DDM Code: 41saChaR; DA no.: 31/10:5444; RILM no.: 76:9567dd; UM no.: 71-08,039
Chenette, Louis Fred.
Music Theory in the British Isles During the Enlightenment. Ph.D., Theory, Ohio State University, 1967. xiv, 440 p. illus., plts., tbls., mus. exs., bibliog.
DDM Code: 49muCheL; DA no.: 28/10:3696; RILM no.: 69:3596dd; UM no.: 68-2965
Cheney, Stuart Glenn.
Variation Techniques in French Solo Instrumental Music, 1594-1689. Ph.D., Musicology, University of Maryland, 2002. xii, 206 p. tbls., facs., mus. exs., transcr., works lst., append., bibliog.
Research director: Richard King
DDM Code: 41cmCheS; DA no.: 63/06:2039; RILM no.: 02:14118dd; UM no.: 30-55557 Publication: ISBN 0-493-71145-7.
Additional keywords: doubles, lute, harpsichord, viol, baroque, varied reprises, France
Cheverton, Ian.
English Church Music of the Early Restoration Period, 1660-c.1676. Ph.D., Musicology, Cardiff University, 1984.
DDM Code: 41saCheI; DA no.: RILM no.: UM no.:
Chiarelli, Francesca.
Il Lume Rinchiuso (The Poetics of the Seconda Prattica): Monteverdi's Fifth, Sixth and Seventh Books of Madrigals. Ph.D., Musicology, Royal Holloway College, University of London, 1995. 2 vols., 246 p. tbls., bibliog.
Research director: Tim Carter
DDM Code: 41voChiF; DA no.: RILM no.: UM no.:
The Significance of the Caroline Court Masque in the History of the Revels. Ph.D., Musicology, Cambridge University, 1982.
DDM Code: 41drChiJ; DA no.: RILM no.: UM no.:
Choi, Seunghyun.
Newly-Found Eighteenth-Century Manuscripts of Domenico Scarlatti's Sonatas and Their Relationship to Other Eighteenth- and Early Nineteenth-Century Sources. Ph.D., Musicology, University of Wisconsin, 1974. xi, 193 p. illus., tbls., facs., mus. exs., append., bibliog.
DDM Code: 41mcChoS; DA no.: 36/11:7340; RILM no.: 76:9568dd; UM no.: 74-26,484
Chrissochoidis, Ilias.
Early Reception of Handel's Oratorios, 1732-1784: Narrative--Studies--Documents. Ph.D., Musicology, Stanford University, 2004. 3 vols., xiii, 1626 p. illus., transcr., bibliog.
Research director: Karol Berger
DDM Code: 41rzChrI; DA no.: RILM no.: UM no.:
Additional keywords: Esther, English oratorio, eighteenth-century Britain, Alexander Pope, Newburgh Hamilton, Lady Margaret Cecil Brown, Giovanni Battista Pescetti, Angelo Maria Cori, D. John Brown (1715-66), Roger de Piles, Charles Burney
Cimberle, Michela.
La vexata quaestio della Passio Domini Nostri Jesu Christi secundum Lucam. Ph.D., Literature, Venezia, 1980-81. 304 p. mus. exs., bibliog.
DDM Code: 40saCimM; DA no.: RILM no.: 81:403dd; UM no.:
Ciurczak, Peter.
The Trumpet in the Baroque Opera: Its Use as a Solo, Ensemble, and Obbligato Instrument. Ph.D., Musicology, North Texas State University, 1974. 2 vols., 962 p.
Research director: Cecil A. Adkins
DDM Code: 41brCiuP; DA no.: 35/12:7941; RILM no.: 76:9569dd; UM no.: 75-13,665
Cizéron, Janine.
L'apparition du violon en France d'après l'iconographie, les traités et les théoreticiens. Ph.D., Music, Paris, 1978. 3 vols., 547 p. illus., facs., mus. exs., thematic cat., discog., bibliog., ind.
DDM Code: 40inCizJ; DA no.: RILM no.: 81:3562dd; UM no.:
Clark, J. Bunker.
Organ Accompaniments to Seventeenth-Century Anglican Church Music, with Emphasis on the Adrian Batten Organ Book. Ph.D., Music, University of Michigan, 1964. 585 p.
DDM Code: 41keClaJ; DA no.: 25/10:5979; RILM no.: UM no.: 65-5285
Clark, Richard George.
A Guide to the Performance of the Geistliche Chormusik of Heinrich Schütz. D.M.A., Music, University of Washington, 1977. 173 p.
DDM Code: 40ciClaR; DA no.: 38/03:1091; RILM no.: 77:5660dd; UM no.: 77-18324
Clark, Willene B.
The Vocal Music of Biagio Marini (ca. 1598-1665). Ph.D., Music History, Yale University, 1966. 2 vols., vii, 412 p.
DDM Code: 41voClaW; DA no.: 27/02:497; RILM no.: UM no.: 66-4887
Clarke, Henry Leland.
John Blow (1649-1708), Last Composer of an Era. Ph.D., Music, Harvard University, 1947. 4 vols., 860 p.
DDM Code: 41mcClaH; DA no.: RILM no.: 70:1669dd, 72:314dd; UM no.:
Claypool, Richard D.
J. S. Bach's Sonatas for Melody Instrument and Cembalo Concertato: An Evaluation of All Related Manuscript Sources and a Consideration of the Medium of Performance. Ph.D., Music History and Literature, Northwestern University, 1975. 2 vols., v, 546 p. tbls., mus. exs., append., bibliog.
DDM Code: 41imClaR; DA no.: 36/11:7034; RILM no.: 76:9571dd; UM no.: 76-11,878
Clements, James.
Aspects of the Ars rhetorica in the Violin Music of Heinrich Biber (1644-1704). Ph.D., Musicology, Royal Holloway College, University of London, 2002. 351 p. plts., tbls., facs., mus. exs., transcr., transl., append., bibliog.
Research director: Geoffrey Chew
DDM Code: 41snCleJ; DA no.: RILM no.: UM no.:
Johann Joseph Fux's Gradus ad Parnassum and the Traditions of Seventeenth-Century Contrapuntal Pedagogy. Ph.D., Music Theory, City University of New York, 2001. x, 232 p. tbls., facs., mus. exs., transcr., transl., bibliog.
Research director: Barbara Russano Hanning
DDM Code: 41cpCleW; DA no.: RILM no.: UM no.:
Additional keywords: Angelo Berardi, Giovanni Maria Bononcini, species, Giovanni Battista Chiodino, Gioseffo Zarlino, Giovanni Maria Artusi, passaggi
Clinkscale, Martha Novak.
Pier Francesco Cavalli's Xerse. Ph.D., Musicology, University of Minnesota, 1970. 2 vols., xix, 862 p. plts., tbls., facs., mus. exs., append., bibliog.
DDM Code: 41opCliM; DA no.: 31/10:5444-5; RILM no.: 70:350dd; UM no.: 71-8134
Cobb, Gary Woodrow.
A Study and Critical Edition of the Duetti, Terzetti, e Madrigali a più voci (1705) of Antonio Lotti (1667-1740). Ph.D., Theory, Texas Tech University, 1979. 2 vols., xi, 441 p. mus. exs., bibliog.
Research director: L. Rigsby
DDM Code: 41seCobG; DA no.: 40/03:1140; RILM no.: 79:2510dd; UM no.:
Cobb, John L.
Sacred Solo Music in the French Baroque. D.M.A., Performance, University of Oregon, 1969. 116 p. facs., mus. exs., works lst., bibliog.
DDM Code: 41saCobJ; DA no.: RILM no.: 69:3599dd; UM no.:
Cobb-Biermann, Joanna.
Die Sinfonien des Johann Samuel Endler. Ph.D., Musicology, Bonn, 1992.
DDM Code: 41oqCobJ; DA no.: RILM no.: UM no.:
Cockerham, L. Glenn.
The Chamber Sonatas and Dances of Giovanni Legrenzi. Ph.D., Musicology, , University of Kansas, 1988. vi, 251 p. mus. exs., transcr., append., bibliog.
Research director: Daniel T. Politoske
DDM Code: 41chCocL; DA no.: RILM no.: UM no.:
Coelho, Victor Anand.
The Manuscript Sources of Seventeenth-Century Italian Lute Music: A Catalogue Raisonné. Ph.D., Musicology, University of California at Los Angeles, 1989. xvii, 114 p. transcr., thematic cat., bibliog.
Research director: F. Hammond
DDM Code: 45soCoeV; DA no.: RILM no.: UM no.:
Coeurdevey, Annie.
La formation du langage tonal en France dans la première moitié du dix-septième siècle: Étienne Moulinié. Doct., Musicology, Université de Tours, 1991. 2 vols., ii, 362 p.
Research director: J. M. Vaccaro
DDM Code: 49toCoeA; DA no.: RILM no.: UM no.:
Coeyman, Barbara Anne.
The Stage Works of Michel-Richard Delalande in the Musical-Cultural Context of the French Court, 1680-1726. Ph.D., Musicology, City University of New York, 1987. 674 p. mus. exs., works lst., thematic cat., append.
DDM Code: 41daCoeB; DA no.: 48/12:3004; RILM no.: 87:1781dd; UM no.: 88-01695
Cohen, Albert.
The Evolution of the Fantasia and Works in Related Styles in the Seventeenth-Century Instrumental Ensemble Music of France and the Low Countries. Ph.D., Music, New York University, 1959. 304 p.
DDM Code: 41enCohA; DA no.: 20/03:1038; RILM no.: UM no.: LC Mic 59-2440
Cole, William Powell.
The Motets of Jean-Baptiste Lully. Ph.D., Musicology, University of Michigan, 1967. 2 vols., 276 p. facs., mus. exs., works lst., bibliog.
DDM Code: 41saColW; DA no.: 28/12:5086; RILM no.: 67:675dd; UM no.: 68-7577
Collins, Denis Brian.
Canon in Music Theory from c.1550 to c.1800. Ph.D., Musicology, Stanford University, 1992. 2 vols., xiv, 465 p. facs., mus. exs., transcr., bibliog.
Research director: Karol Berger
DDM Code: 49cpColD; DA no.: RILM no.: UM no.:
Collins, Paul L.
The stylus phantasticus and Its Expression in Free Keyboard Music of the North German Baroque. Ph.D., Musicology, National University of Ireland, Maynooth, 2001. xiv, 274 p. tbls., facs., mus. exs., transl., append., bibliog.
Research director: Gerard Gillen
DDM Code: 41stColP; DA no.: RILM no.: UM no.:
Additional keywords: Dietrich Buxtehude, Johann Mattheson, Athanasius Kircher, rhetoric, toccata, praeludium
Conable, William G.
The Instrumental Sonatas of Giacomo Cervetto. D.M.A., Performance, Boston University, 1969. 337 p. illus., mus. exs., works lst., bibliog.
DDM Code: 41imConW; DA no.: RILM no.: 70:1670dd; UM no.:
Conlon, Joan Catoni.
Stylistic Variation and Virtuosity in the Choral Music of Georg Philipp Telemann as Represented by the Unpublished Cantata "Wertes Zion, sei getrost". D.M.A., Performance, University of Washington, 1975. 249 p.
Research director: R. Eichenberger
DDM Code: 41ciConJ; DA no.: 37/02:679; RILM no.: 76:9576dd; UM no.: 76-17,441
Connor, Sister M. John Bosco.
Gregorian Chant and Mediaeval Hymn-Tunes in the Works of J. S. Bach. Ph.D., Musicology, Catholic University of America, 1957. xii, 187 p.
DDM Code: 41saConM; DA no.: RILM no.: UM no.:
Cook, Don.
Change of Meter and Italian Time Words in the Organ Works of Dietrich Buxtehude: A Study of Historical and Analytical Considerations in Performance. D.M.A., Performance, University of Kansas, 1987. vi, 118 p. mus. exs., works lst., append., bibliog.
DDM Code: 41pfCooD; DA no.: RILM no.: UM no.:
Cook, Donald F.
The Life and Works of Johann Christoph Pepusch (1667-1752), with Special Reference to His Dramatic Works and Cantatas. Ph.D., Musicology, King's College, University of London, 1983.
DDM Code: 41woCooD; DA no.: RILM no.: UM no.:
Cooper, B. A. R.
English Solo Keyboard Music of the Middle and Late Baroque. Ph.D., Musicology, Oxford, 1974. 517 p.
DDM Code: 41keCooB; DA no.: RILM no.: 75:662dd; UM no.:
Cooper, Kenneth.
The Clavichord in the Eighteenth Century. Ph.D., Musicology, Columbia University, 1971. 286 p.
DDM Code: 41keCooK; DA no.: 32/06:3347-8; RILM no.: 71:2298dd; UM no.: 72-1292
Coopersmith, Jacob Maurice.
An Investigation of Georg Friedrich Händel's Orchestral Style. Ph.D., Music, Harvard University, 1932. 12 vols., 4301 p. thematic cat.
DDM Code: 41oqCooJ; DA no.: RILM no.: UM no.:
Coral, Lenore F.
Music in English Auction Sales, 1676-1750. Ph.D., Music History, University of London, 1974. 370 p. plts., append., bibliog.
DDM Code: 45clCorL; DA no.: RILM no.: 74:2069dd; UM no.:
Cordovana, Michael D.
An Analytical Survey and Evaluation of the Estro Poetico-Armonico of Benedetto Marcello. Ph.D., Musicology, Catholic University of America, 1967. x, 144 p.
DDM Code: 41saCorM; DA no.: 28/07:2708; RILM no.: 67:1548dd; UM no.: 67-17,135
Corry, Mary Jane.
The Keyboard Music of Cabanilles: A Stylistic Analysis of the Published Works. Ph.D., Music, Stanford University, 1966. 285 p.
DDM Code: 41keCorM; DA no.: 27/01:220-1; RILM no.: UM no.: 66-6331
Corwin, George W.
A Study of La Barca da Venezia per Padova by Adriano Banchieri. D.M.A., Performance, University of Rochester, 1967. 3 vols., iv, 630 p. tbls., append., bibliog.
DDM Code: 41voCorG; DA no.: RILM no.: 76:9579dd; UM no.:
Coulmeau, Isabelle.
Un recueil manuscrit de cantates et airs italiens du dix-septième siècle conservé à la Bibliothèque Nationale de Paris. Ph.D., Musicology, Université François Rabelais, Tours, 1999. 660 p. bibliog.
DDM Code: 41mcCouI; DA no.: RILM no.: 99:34464dd; UM no.:
Covell, Rodger David.
Monteverdi's L'Incoronazione di Poppea: The Musical and Dramatic Structure. Ph.D., Music and Drama, University of New South Wales, 1977. xiv, 370 p. illus., tbls., facs., mus. exs., append., bibliog.
DDM Code: 41opCovR; DA no.: 38/10:5784; RILM no.: 77:417dd; UM no.:
Cowart, Georgia.
Controversies over French and Italian Music, 1600-1750: The Origins of Modern Musical Criticism. Ph.D., Musicology, Rutgers University, 1980. 331 p.
Research director: George J. Buelow
DDM Code: 46aeCowG; DA no.: 40/12:6059; RILM no.: UM no.: 80-13,155
Cowdery, William Warren.
The Early Vocal Works of Johann Sebastian Bach: Studies in Style, Scoring, and Chronology. Ph.D., Music, Cornell University, 1989. ii, 319 p. illus., tbls., mus. exs., append., bibliog.
Research director: Neal Zaslaw
DDM Code: 41saCowW; DA no.: 50/07:1842; RILM no.: UM no.: 89-24,536
Cowling, Elizabeth.
The Italian Sonata Literature for the Violoncello in the Baroque Era. Ph.D., Music History and Literature, Northwestern University, 1967. xii, 320 p. mus. exs., append., bibliog.
DDM Code: 41snCowE; DA no.: 28/06:2279; RILM no.: 76:9583dd; UM no.: 67-15,211
Cox, Geoffrey A.
Organ Music in Restoration England: A Study of Sources, Styles and Influences. Ph.D., , New College, Oxford, 1984.
DDM Code: 41keCoxG; DA no.: RILM no.: UM no.:
Coxon, A. C.
John Jenkins: A Critical Study. Ph.D., Musicology, University of Edinburgh, 1969.
DDM Code: 41woCoxA; DA no.: RILM no.: UM no.:
Crain, Gordon F.
The Operas of Bernardo Pasquini. Ph.D., History of Music, Yale University, 1965. 2 vols., xiii, 534 p.
DDM Code: 41opCraG; DA no.: 26/09:5472; RILM no.: UM no.: 65-15,026
Cranna, Clifford Alan Jr.
Adriano Banchieri's Cartella musicale (1614): Translation and Commentary. Ph.D., Musicology, Stanford University, 1981. xii, 527 p. illus., tbls., facs., mus. exs., transcr., works lst., bibliog.
DDM Code: 49trCraC; DA no.: 42/05:1843; RILM no.: UM no.: 81-24,050
Crist, Stephen A.
Aria Forms in the Vocal Works of J. S. Bach, 1714-24. Ph.D., Musicology, Brandeis University, 1988. xv, 337 p. illus., tbls., append., bibliog., ind.
DDM Code: 49srCriS; DA no.: RILM no.: UM no.:
Crocker, Eunice Chandler.
An Introductory Study of the Italian Canzona for Instrumental Ensembles and Its Influence upon the Baroque Sonata. Ph.D., Music, Radcliffe College, 1943. 540 p. bibliog.
DDM Code: 41enCroE; DA no.: RILM no.: UM no.:
Cross, Eric Grahame.
The Late Operas of Antonio Vivaldi. Ph.D., Musicology, University of Birmingham, 1980.
DDM Code: 41opCroE; DA no.: RILM no.: UM no.:
Crowther, J. B.
The Development of Oratorio volgare in Emilia in the Second Half of the Seventeenth Century. Ph.D., Musicology, University of Nottingham, 1977.
DDM Code: 41saCroJ; DA no.: RILM no.: UM no.:
Culley, Thomas.
A Documentary History of the Liturgical Music at the German College in Rome, 1573-1674. Ph.D., Music, Harvard University, 1965. 433 p.
DDM Code: 41luCulT; DA no.: RILM no.: UM no.:
Cumrine, Carol Ann.
The Keyboard and Vocal Settings of Georg Boehm: An Analysis of Style as Dictated by Text. Ph.D., Humanities, Syracuse University, 1972. 279 p.
DDM Code: 41tmCumC; DA no.: 33/09:5222; RILM no.: 76:9585dd; UM no.: 73-07,713
Cunningham, John P.
Music for the Privy Chamber: Studies in the Consort Music of William Lawes (1602-45). Ph.D., Musicology, University of Leeds, 2007. 2 vols., xxv, 757 p. illus., plts., tbls., facs., mus. exs., transcr., discog., bibliog.
Research director: Peter Holman
DDM Code: 41chCunJ; DA no.: RILM no.: UM no.:
A Stylistic Study of the Clavier Works of Johann Kaspar Ferdinand Fischer. D.M.A., Performance, University of Oregon, 1980. 244 p. works lst.
DDM Code: 40keCurM; DA no.: 41/03:977; RILM no.: 80:2682dd; UM no.: 80-18849
Curti, Martha.
John Playford's "Apollo's Banquet" (1669-1670). Ph.D., Musicology, Rutgers University, 1977.
DDM Code: 41snCurM; DA no.: 38/05:2401; RILM no.: 76:418dd; UM no.: 77-24,967
Cyr, Mary Ellen.
Rameau's Les fêtes d'Hébé. Ph.D., Musicology, University of California at Berkeley, 1975. 2 vols., xiii, 662 p. plts., tbls., facs., mus. exs., transcr., append., bibliog.
DDM Code: 41opCyrM; DA no.: RILM no.: 76:9586dd; UM no.:
DaGrade, Marvin Donald.
A Translation and Study of the Bassoon Section of Joseph Fröhlich's Vollständige theoretisch-praktische Musiklehre (1810-11) and a Performance Edition of His Serenade for Flute, Clarinet, Viola, Bassoon or Cello. D.M.A., Performance, Indiana University, 1970. 2 vols., 137 p. illus., mus. exs., bibliog.
DDM Code: 41wnDagM; DA no.: RILM no.: 70:567dd; UM no.:
Dahms-Schneider, Sibylle.
H. I. F. Biber und die Barockoper in Salzburg. Ph.D., Musicology, Salzburg.
DDM Code: 41opDahS; DA no.: RILM no.: 75:2874dd; UM no.:
Damp, George Edward.
The Apparatus musico-organisticus of Georg Muffat (1653-1704): A Study of Stylistic Synthesis and Aspects of Performance Practice. D.M.A., Performance, University of Rochester, 1973. v, 103 p. tbls., mus. exs., append., bibliog.
DDM Code: 41keDamG; DA no.: 34/05:2677; RILM no.: 74:2080dd; UM no.: 73-28,176
Damuth, Laura.
Interrelationships between the Operas and Datable Cantatas of Alessandro Scarlatti. Ph.D., Musicology, Columbia University, 1993.
DDM Code: 41cmDamL; DA no.: RILM no.: UM no.:
Dann, Elias.
Heinrich Biber and the Seventeenth-Century Violin. Ph.D., Musicology, Columbia University, 1968. 406 p.
DDM Code: 41snDanE; DA no.: 32/03:1547; RILM no.: 76:9589dd; UM no.: 71-22,435
Danziger, Robert.
Performance Editions for Bassoon of Selected Recorder Works of Georg Philipp Telemann. Ph.D., Music, New York University, 1978. 177 p. mus. exs., append., bibliog.
Research director: John V. Gilbert
DDM Code: 40wnDanR; DA no.: 39/12:7045; RILM no.: 78:5959dd; UM no.: 79-11231
Darbellay, Étienne.
Primo et secondo libro di toccate de Girolamo Frescobaldi, édition critique. En marge des deux livres de toccate de Girolamo Frescobaldi, étude de style. Ph.D., Musicology, Fribourg, 1971. 2 vols., 287 p. facs., mus. exs., bibliog., ind.
DDM Code: 41keDarE; DA no.: RILM no.: 71:416dd; UM no.:
Daub, Peggy Ellen.
Music at the Court of George II (r. 1727-1760). Ph.D., Musicology, Cornell University, 1985. 384 p.
Research director: Neal Zaslaw
DDM Code: 41mvDauP; DA no.: RILM no.: UM no.:
Davenport, Mark.
The Dances and Aires of William Lawes: Context and Style. Ph.D., Musicology, University of Colorado at Boulder, 2001. 3 vols., xxxii, 641 p. illus., tbls., mus. exs., transcr., thematic cat., bibliog., ind.
Research director: Gordon Sandford
DDM Code: 41woDavM; DA no.: 62/02:379; RILM no.: UM no.: 30-05040
Additional keywords: seventeenth century, England, chamber music, dance music, history and criticism, theory and analysis
Daverio, John J.
Formal Design and Terminology in the Pre-Corellian "Sonata" and Related Instrumental Forms in the Printed Sources. Ph.D., Musicology, Boston University, 1983. xv, 307 p. tbls., mus. exs., append., bibliog.
DDM Code: 49srDavJ; DA no.: RILM no.: UM no.:
Davies, D. H.
The Worship of the English Puritans During the Sixteenth, Seventeenth, and Early Eighteenth Centuries. Ph.D., , Oxford University, 1943.
DDM Code: 41reDavD; DA no.: RILM no.: UM no.:
Davies, Drew Edward.
The Italianized Frontier: Music at Durango Cathedral, Español Culture, and the Aesthetics of Devotion in Eighteenth-Century New Spain. Ph.D., Musicology, University of Chicago, 2006. 3 vols., xvii, 761 p. illus., tbls., mus. exs., transcr., transl., works lst., append., bibliog.
Research director: Robert Kendrick
DDM Code: 41saDavD; DA no.: RILM no.: UM no.:
The Baroque Violoncello and the Unaccompanied Cello Suites of J. S. Bach, B.W.V. 1007-1012. Ph.D., Musicology, New York University, 1986. 232 p.
Research director: Aronoff
DDM Code: 41snDavN; DA no.: 47/12:4226; RILM no.: UM no.: 87-06309
Davis, Paul L.
The Organ Versets in Murschhauser's Octi-tonium novum organicum and Prototypon longo-breve organicum. D.M.A., Performance, Peabody Conservatory, 1974.
DDM Code: 41keDavP; DA no.: RILM no.: UM no.:
Davis, Richard C.
Self Parody among the Cantatas of Johann Sebastian Bach. Ph.D., Musicology, Boston University, 1962. 2 vols., xxii, 547 p.
DDM Code: 41saDavR; DA no.: 23/05,1730-2; RILM no.: UM no.: 62-4542
Davis, William Jerryl.
A Study of the Solo and Chamber Literature for the Oboe d'Amore from 1720-c. 1760 with Modern Performance Editions of Select Unpublished Works. D.M.A., Performance, University of Rochester, 1977. xv, 146 p. illus., plts., mus. exs., transcr., works lst., bibliog.
DDM Code: 41wnDavW; DA no.: 38/09:5112; RILM no.: 76:420dd; UM no.: 78-01,393
Daw, Brian.
Alessandro Scarlatti's Neapolitan Cantatas da camera for Solo Soprano and Continuo, 1708-1718. Ph.D., Musicology, University of Southern California, 1984.
DDM Code: 41seDawB; DA no.: RILM no.: UM no.:
Deadman, Alison Patricia.
Augeletti che cantate: Handel, His Woodwind Players, and His London Operas. Ph.D., Musicology, University of California at Los Angeles, 1998. 313 p.
Research director: Robert M. Stevenson
DDM Code: 41pfDeaA; DA no.: 59/09:3272; RILM no.: 99:23065dd; UM no.: 99-06194 Publication: ISBN 0-599-03825-X.
The Music of Michele Mascitti (ca. 1664-1760): A Neapolitan Violinist in Paris. Ph.D., Musicology, University of Iowa, 1970. 2 vols., xxi, 639 p. illus., tbls., facs., mus. exs., thematic cat., append., bibliog.
DDM Code: 41snDeaR; DA no.: 31/09:4815; RILM no.: 76:9592dd; UM no.: 71-05,733
DeBoer, Barbara Ann.
The Harpsichord Music of Jean Nicolas Geoffroy. Ph.D., Music History and Literature, Northwestern University, 1983. xvi, 423 p. tbls., mus. exs., transcr.
Research director: William Porter
DDM Code: 41keDebB; DA no.: 44/11:3198; RILM no.: UM no.: 84-03,406
Defant, Christine.
Kammermusik und stylus phantasticus. Studien zu Dietrich Buxtehudes Triosonaten. Ph.D., Musicology, Kiel, 1984.
DDM Code: 41chDefC; DA no.: RILM no.: UM no.:
Dehmel, Jörg.
Toccata und Präludien in der Orgelmusik von Merulo bis Bach. Ph.D., Musicology, Hamburg, 1987.
DDM Code: 41keDehJ; DA no.: RILM no.: UM no.:
DeLage, Joseph Ovide, Jr.
The Overture in Seventeenth-Century Italian Opera. Ph.D., Theory, Florida State University, 1961. 231 p.
DDM Code: 41opDelJ; DA no.: 22/08:2816-7; RILM no.: UM no.: 61-5636
Dell'Antonio, Andrew.
Syntax, Form, and Genre in Sonatas and Canzonas, 1621-1635. Ph.D., Musicology, University of California at Berkeley, 1991. iv, 378 p. mus. exs., bibliog.
Research director: Anthony Newcomb
DDM Code: 41imDelA; DA no.: RILM no.: UM no.: 92-03,544
Denison, William R.
Recitative in Baroque Keyboard Music. Ph.D., Theory, Florida State University, 1969. 71 p.
DDM Code: 41keDenW; DA no.: 30/12:5466; RILM no.: 76:9593dd; UM no.: 70-11,109
Denton, John William.
The Use of Oboes in the Church Cantatas of J. S. Bach. D.M.A., Performance, University of Rochester, 1977. vii, 193 p. append., bibliog.
DDM Code: 41wnDenJ; DA no.: 38/09:5112; RILM no.: 76:421dd; UM no.: 78-01,394
Desmet, Marc.
La Paraphrase des Psaumes de Philippe Desportes et ses différentes versions musicales. Contribution à l'histoire des Psautiers français au temps de Henri IV et de Louis XIII (1543-1643). Ph.D., Musicology, Université de Tours, 1995. 6 vols., 1550 p. illus., tbls., facs., mus. exs., works lst., thematic cat., append., bibliog., ind.
Research director: Vaccaro
DDM Code: 41saDesM; DA no.: RILM no.: UM no.:
Dexter, Keri John.
The Provision of Choral Music at St. George's Chapel, Windsor Castle, and Eton College, ca. 1640-1733. Ph.D., Historical Musicology, Royal Holloway College, University of London, 2000. 2 vols., 675 p. plts., tbls., facs., mus. exs., works lst., thematic cat., append., bibliog.
Research director: Ian Spink
DDM Code: 41saDexK; DA no.: RILM no.: UM no.:
Additional keywords: Civil War, Commonwealth, William Child, performance practice
Deyton, Timothy J.
A Conductor's Analysis of the Lutheran Mass in G Major and Cantata 179, Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, by Johann Sebastian Bach. D.M.A., Music, Southwestern Baptist Theological Seminary, 2001. xv, 199 p. illus., tbls., mus. exs., transl., bibliog.
Research director: A. Joseph King
DDM Code: 40saDeyT; DA no.: RILM no.: UM no.:
Keyboard Tablatures of the Mid-Seventeenth Century in the Royal Library, Copenhagen: Edition and Commentary. Ph.D., Musicology, North Texas State University, 1973. 300 p.
Research director: Cecil A. Adkins
DDM Code: 41mcDicA; DA no.: RILM no.: 75:671dd; UM no.:
Dickreiter, Michael.
Der Musikbegriff bei Johannes Kepler. Ph.D., Musicology, Heidelberg, 1971.
DDM Code: 49muDicM; DA no.: RILM no.: 75:2610dd; UM no.:
Diederich, Susanne.
Originale Registrierungsanweisungen in der französischen Orgelmusik des 17. und 18. Jahrhunderts. Ph.D., Musicology, Tübingen, 1971.
DDM Code: 41keDieS; DA no.: RILM no.: UM no.:
Dill, Charles.
The Reception of Rameau's Castor et Pollux in 1737 and 1754. Ph.D., Music History, Princeton University, 1989. xi, 323 p. tbls., facs., mus. exs., append., bibliog.
Research director: Harold S. Powers
DDM Code: 41opDilC; DA no.: RILM no.: UM no.:
Dittrich, Raymond.
Die Messen von Johann Friedrich Fasch (1688-1758). Ph.D., Musicology, Hamburg, 1992. iv, 480 p. mus. exs.
Research director: Hans Joachim Marx
DDM Code: 41luDitR; DA no.: RILM no.: 92:2462dd; UM no.: Publication: Frankfurt am Main: Peter Lang, 1992.
Dixon, Graham Peter.
Liturgical Music in Rome (1605-45). Ph.D., Musicology, University of Durham, 1981. 2 vols., ix, 734 p. mus. exs., works lst., append., bibliog.
Research director: Jerome Roche
DDM Code: 41luDixG; DA no.: RILM no.: 82:2308dd; UM no.:
Dodds, Michael Robert.
The Baroque Church Tones in Theory and Practice. Ph.D., Musicology, Eastman School of Music, University of Rochester, 1999. xv, 341 p. facs., mus. exs., transl., bibliog.
Research director: Kerala Snyder
DDM Code: 49moDodM; DA no.: 59/12:4311; RILM no.: UM no.: 99-14598
The Significance of the Italian Style in German Lutheran Music of the Early Seventeenth Century: A Study of Johann Hermann Schein's Opella Nova (1618, 1626). Ph.D., Musicology, University of Bristol, 2000.
Research director: Glyn Jenkins
DDM Code: 41reDodS; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DXN036185.
Doderer, Gerhard.
Die portugiesische Orgelmusik des 17. Jhs. im Spiegel des Livro de Bouro (Braga). Ph.D., Musicology, Würzburg, 1977.
DDM Code: 41keDodG; DA no.: RILM no.: UM no.:
Dolata, David West.
The Sonatas and Dance Music in the Capricci a due stromenti (1622) of Bellerofonte Castaldi (1580-1649). Ph.D., Musicology, Case Western Reserve University, 1998. 672 p. mus. exs., transcr., thematic cat.
Research director: John Suess
DDM Code: 41pfDolD; DA no.: 59/08:2774; RILM no.: UM no.: 99-04007
The Early Kant in Seventeenth-Century Russian Music. Ph.D., Musicology, University of Kansas, 1983. xiii, 363 p. illus., facs., mus. exs., transcr., thematic cat., append., bibliog.
Research director: Daniel T. Politoske
DDM Code: 41voDolO; DA no.: RILM no.: UM no.:
Donahue, W. H.
The Dissolution of the Celestial Spheres, 1595-1650. Ph.D., Musicology, Cambridge University, 1973.
DDM Code: 46phDonW; DA no.: RILM no.: UM no.:
Dostrovsky, Sigalia.
The Origins of Vibration Theory: The Scientific Revolution and the Nature of Music. Ph.D., Physics, Princeton University, 1969. 275 p.
DDM Code: 47acDosS; DA no.: 30/11:4895; RILM no.: 76:16894dd; UM no.: 70-08,361
Dottori, Mauricio.
The Church Music of Davide Perez and Niccolò Jommelli, with Special Emphasis on Their Funeral Music. Ph.D., Musicology, University of Wales at Cardiff, 1997. 417 p. tbls., mus. exs., works lst., append., bibliog., ind.
Research director: David Wyn Jones
DDM Code: 41saDotM; DA no.: RILM no.: UM no.:
Additional keywords: Naples, Palermo, Rome, Lisbon, requiem, Responsories of the Dead, Responsories of Holy Week
Dotzauer, Wilfried.
Die kirchenmusikalischen Werke Johann Valentin Rathgebers. Ph.D., Musicology, Erlangen-Nurnberg, 1976. 406 p. mus. exs., works lst., bibliog.
DDM Code: 41saDotW; DA no.: RILM no.: 76:9600dd; UM no.:
Douglass, Robert S.
The Keyboard Ricercar in the Baroque Era. Ph.D., Musicology, North Texas State University, 1963. 2 vols., 575 p.
Research director: Lloyd Hibberd
DDM Code: 41keDouR; DA no.: 24/10:4222; RILM no.: UM no.: 64-3800
Dower, Catherine A.
Eighteenth-Century Sistine Chapel Codices in the Clementine Library of the Catholic University of America. Ph.D., Musicology, Catholic University of America, 1968. xiv, 176 p. mus. exs., thematic cat., bibliog.
DDM Code: 41mcDowC; DA no.: 29/12:4516; RILM no.: 69:1044dd; UM no.: 69-9167
Dressler, Carolyn Elizabeth.
Armida abbandonata by George Frideric Handel. An Edition Reflecting the Performance Practice of the Baroque Era. D.M.A., Performance, University of Maryland at College Park, 1978. 61 p.
Research director: Howard Serwer
DDM Code: 40voDreC; DA no.: 39/06:3208; RILM no.: 78:3879dd; UM no.: 78-23994
Dreyfus, Laurence Dana.
Basso Continuo Practice in the Vocal Works of J. S. Bach: A Study of the Original Performance Parts. Ph.D., Musicology, Columbia University, 1980. 341 p.
DDM Code: 41bcDreL; DA no.: RILM no.: UM no.:
Drude, Hartwig.
Heinrich Schütz als Musiker der evangelischen Kirche. Ph.D., Theology, Göttingen, 1969. 242 p. mus. exs., ind.
DDM Code: 41saDruH; DA no.: RILM no.: 72:4173dd; UM no.:
Druesedow, John Edward Jr.
The Missarum Liber (1703) of José de Torres y Martínez Bravo (1665-1738). Ph.D., Musicology, Indiana University, 1971. 2 vols., 763 p.
DDM Code: 41luDruJ; DA no.: 32/12:7028-9; RILM no.: 72:318dd; UM no.: 72-18,529
Drummond, G. M. P.
Stylistic Features of the German Concerto in the Earlier Eighteenth Century. Ph.D., Music, St. Hugh's, Oxford, 1970.
DDM Code: 41imDruG; DA no.: RILM no.: UM no.:
Dubowy, Norbert.
Arie und Konzert: Zur Entwicklung der Ritornellanlage im 17. und frühen 18. Jahrhundert. Ph.D., Musicology, München, 1987. xi, 443 p.
DDM Code: 49srDubN; DA no.: RILM no.: 91:9531bm; UM no.: Publication: Studien zur Musik, no. 9. München: Fink, 1991. ISBN 3-7705-2572-8.
Duckles, Vincent Harris.
John Gamble's Commonplace Book: A Critical Edition of New York Public Library MS Drexel 4257 . Ph.D., Music, University of California at Berkeley, 1953. 1013 p.
DDM Code: 41mcDucV; DA no.: RILM no.: UM no.:
Dunham, Sister Mary Meneve.
The Secular Cantatas of Antonio Vivaldi in the Foa Collection. Ph.D., Musicology, University of Michigan, 1969. v, 207 p. tbls., mus. exs., append., bibliog., ind.
DDM Code: 41seDunM; DA no.: 30/09:3970; RILM no.: 69:820dd; UM no.: 70-4066
Dunn, Alexander.
Style and Development in the Theorbo Works of Robert de Visée: An Introductory Study. Ph.D., Musicology, University of California at San Diego, 1989. xv, 246 p. illus., tbls., facs., mus. exs., transcr., transl., ind.
Research director: Bertram Turetzky
DDM Code: 41snDunA; DA no.: 50/12:3789; RILM no.: 89:2409dd; UM no.: 90-13702
Additional keywords: Livre de guitarre (1682), Livre de pièces pour la guitarre (1686), Pièces de theorbe et de luth (1716)
Dunn, James P.
The Grands Motets of Marc-Antoine Charpentier (1634-1704). Ph.D., Music, University of Iowa, 1962. 2 vols., xxxiv, 468 p.
DDM Code: 41saDunJ; DA no.: 23/08:2934; RILM no.: UM no.: 62-4973
Dunn, Thomas D.
The Instrumental Music of Biagio Marini. Ph.D., History of Music, Yale University, 1969. 502 p. mus. exs., works lst., bibliog.
DDM Code: 41imDunT; DA no.: 31/03:1307; RILM no.: 69:3620dd; UM no.: 70-16,260
Dupraz, Christophe.
Musique pour luths (1507-1601): Catalogue raisonné et edition moderne du Repertoire pour plusieurs luths imprimé à la Renaissance--Analyse musicale des mises en tablature de modèles polyphoniques. Doct., Musicology, Université François Rabelais, Tours, 2001. 2450 p. illus., facs., transcr., bibliog.
DDM Code: 41snDupC; DA no.: RILM no.: 01:10254dd; UM no.:
Earle, Eugenia.
Improvised Ornamentation in Solo Instrumental Literature of the German Late Baroque: A Study and Lecture-Demonstration. Ed.D., Music, Columbia University Teachers College, 1979. 212 p.
Research director: Robert Pace
DDM Code: 44imEarE; DA no.: 40/10:5240; RILM no.: UM no.: 80-06803
Eby, Margarette.
The Concerted Vocal Style in the Music of Johann Dilliger, 1593-1647. Ph.D., Music, University of Michigan, 1967.
DDM Code: 41voEbyM; DA no.: 32/03:1548; RILM no.: 76:9602dd; UM no.: 71-23,743
Eddy, Marmee Alexandra.
The Rost Codex and Its Music. Ph.D., Musicology, Stanford University, 1984.
DDM Code: 41mcEddM; DA no.: RILM no.: UM no.:
Eder, Terry Edward.
A Conductor's Guide to the Performance of Cantata No. 21, Ich hatte viel Bekümmernis, by Johann Sebastian Bach. D.M.A., Music, University of Oklahoma, 1979. 247 p.
DDM Code: 40cnEdeT; DA no.: 40/04:1739; RILM no.: 79:3609dd; UM no.: 79-21231
Edwards, Jon Michele.
Performance Practice in the Polychoral Psalms of Heinrich Schütz. D.M.A., Choral Conducting, University of Iowa, 1983. 322 p.
Research director: Richard J. Bloesch
DDM Code: 41pfEdwJ; DA no.: 44/12:3535; RILM no.: 83:6195dd; UM no.: 84-07800
Additional keywords: Psalmen Davids, Symphoniae Sacrae III
Egan, John Barnard.
Marin Mersenne: Traité de l'harmonie universelle: Critical Translation of the Second Book. Ph.D., Theory, Indiana University, 1962. 260 p.
DDM Code: 49trEgaJ; DA no.: 23/06:2164-5; RILM no.: UM no.: 62-5029
Ehrmann, Sabine.
Claudio Monteverdi. Die Grundbegriffe seines musiktheoretischen Denkens. Ph.D., Musicology, Freiburg im Breisgau, 1986. 206 p.
Research director: Hans-Heinrich Eggebrecht
DDM Code: 49muEhrS; DA no.: RILM no.: 89:2416bm; UM no.: Publication: Musikwissenschaftliche Studien, no. 2. Pfaffenweiler, 1989.
Eickhoff, Henry John.
The Ritornello Principle in the Organ Works of Johann Sebastian Bach. Ph.D., Music History and Literature, Northwestern University, 1960. 2 vols., 524 p. append.
DDM Code: 41keEicH; DA no.: RILM no.: UM no.: LC Mic 60-4749
Eisert, Christian.
Die Clavier-Toccaten BWV 910-916 von Johann Sebastian Bach: Quellenkritische Untersuchungen zu einem Problem des Frühwerks. Ph.D., Musicology, Freiburg im Breisgau, 1994. 233 p. mus. exs.
DDM Code: 41keEisC; DA no.: RILM no.: 94:3491dd; UM no.: Publication: Mainz: Schott, 1993. ISBN 3-7957-0269-0.
Eisley, Irving R.
The Secular Cantatas of Mario Savioni (1608-1685). Ph.D., Music, University of California at Los Angeles, 1964. 2 vols., 356 p.
DDM Code: 41seEisI; DA no.: 25/11,6674-5.; RILM no.: UM no.: 64-12,217
El-Shami, Fawzy Mohamed.
Studien zum Fagottkonzert in der 1. Hälfte des 18. Jahrhunderts. Ph.D., Musicology, Marburg, 1988.
DDM Code: 41oqElsF; DA no.: RILM no.: UM no.:
Ellinwood, Robert S.
The Anthem for Solo Voice in England, 1660 to c. 1800. D.M.A., Performance, University of Rochester, 1979.
DDM Code: 41saEllR; DA no.: RILM no.: UM no.:
Ellis, C. M.
Musical Incident and Imagery in the Plays of John Marston and Thomas Middleton. Ph.D., Musicology, University of Exeter, 1974.
DDM Code: 41drEllC; DA no.: RILM no.: UM no.:
Additional keywords: drama
Ellis, Helen Meredith.
The Dances of J. B. Lully (1632-1687). Ph.D., Music, Stanford University, 1967. xi, 257 p.
DDM Code: 41daEllH; DA no.: RILM no.: 68:325dd; UM no.:
Ellis, Mark Richard.
Linear Aspects of the Fugues of J. S. Bach's The Well-Tempered Clavier. Ph.D., Musicology, Nottingham, 1980. 2 vols., 594 p. tbls., facs., mus. exs., bibliog.
DDM Code: 49cpEllM; DA no.: RILM no.: 80:1878dd; UM no.:
Ellison, Mary Beeson.
The Comparaison de la musique italienne et de la musique française of Le Cerf de la Viéville: An Annotated Translation of the First Four Dialogues. Ph.D., Musicology, University of Miami, 1973. vii, 282 p. mus. exs., append., bibliog.
DDM Code: 46trEllM; DA no.: RILM no.: 75:679dd; UM no.:
Elste, Martin.
Bachs Kunst der Fuge auf Schallplatten. Mit einer Diskographie aller zyklischen Aufnamen. Ph.D., Musicology, Technische Universität, Berlin, 1981. 160 p. illus., mus. exs., discog., bibliog., ind.
DDM Code: 41pfElsM; DA no.: RILM no.: 81:124dd; UM no.:
Emans, Reinmar.
Das Kantatenwerk Giovanni Legrenzis. Ph.D., Musicology, Bonn, 1982.
Research director: Siegfried Kross
DDM Code: 41seEmaR; DA no.: RILM no.: UM no.: Publication: Bonn, 1984.
Englehart, Richard.
Domenico Mazzocchi's Dialoghi e sonetti and Madrigali a cinque voci of 1638: An Historical Perspective, Including Complete Musical Transcriptions. Ph.D., Musicology, Kent State University, 1987.
DDM Code: 41voEngR; DA no.: RILM no.: UM no.:
Enrico, Eugene Joseph.
Giuseppe Torelli's Instrumental Ensemble Music with Trumpet. Ph.D., Musicology, University of Michigan, 1970. vii, 312 p. illus., plts., tbls., facs., mus. exs., works lst., append., discog., bibliog., ind.
DDM Code: 41enEnrE; DA no.: 31/08:4198; RILM no.: 76:9604dd; UM no.: 71-04,599
Eppelsheim, Jürgen.
Studien zum Orgelbau der Familie Stumm in Rhaunen-Sulzbach. I. Das Werk Johann Michael Stumms (1683-1747). Hab., Musicology, München, 1972. 4 vols.,
DDM Code: 43maEppJ; DA no.: RILM no.: 74:3596dd; UM no.:
Erickson-Bloch, Susan Elizabeth.
The Keyboard Music of Domenico Zipoli (1688-1726). Ph.D., Musicology, Cornell U