BAROQUE
Completed Dissertations, including new records and records from Doctoral Dissertations in Musicology, 2d International Edition (1984) and Doctoral Dissertations in Musicology, 2d Cumulative Edition (1996), with corrections and updates
Abbassian-Milani, Farhad.
Zusammenhänge zwischen Satz und Spiel in den Essercizi (1738) des Domenico Scarlatti. Ph.D., Musicology, Technische Universität, Berlin, 1993. 182 p.
Research director: Jürg Stenzel
DDM Code: 41keAbbF; DA no.: RILM no.: 98:5151dd; UM no.: Publication: Berliner Musik Studien, no. 9. Sinzig: Studio, 1993. ISBN 3-89564-018-2.
Abravaya, Ido.
Studies of Rhythm and Tempo in the Music of J. S. Bach. Ph.D., Musicology, Tel Aviv University, 2000. xv, 318 p. tbls., mus. exs., transl., append., bibliog.
Research director: Werner Breig and Judith Cohen
DDM Code: 41rhAbrI; DA no.: RILM no.: 06:9581dd; UM no.:
Additional keywords: durational strata, tempo proportions, tempo behaviour, Johann Sebastian Bach, Johann Joachim Quantz, Johann Philipp Kirnberger, tempo indications, upbeat typology
Ackert, Stephen Francis.
Numerical Structures in the Organ Works of Dietrich Buxtehude. D.M.A., Performance, University of Wisconsin at Madison, 1979. 69 p.
DDM Code: 41keAckS; DA no.: 40/12:6057; RILM no.: UM no.: 80-07,534
Adams, Martin Howard.
The Development of Henry Purcell's Musical Style. Ph.D., Theory, University of Southhampton, 1984.
Research director: P. Evans
DDM Code: 49stAdaM; DA no.: RILM no.: 00:53836dd; UM no.: Publication: British Library Document Supply Centre no. D55512/85.
Adamson, J. Philip I.
Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. D.M., Performance, Indiana University, 1973. 150 p. mus. exs., works lst., discog., bibliog.
DDM Code: 41keAdaJ; DA no.: RILM no.: 73:4208dd; UM no.:
Agey, Calvin Buell.
A Study of the Kleine geistliche Concerte and Geistliche Chormusik of Heinrich Schütz. Ph.D., Theory, Florida State University, 1955. 2 vols., 412 p.
DDM Code: 41saAgeC; DA no.: 15/03:429; RILM no.: UM no.: 11,191
Ahnell, Emil Gustave.
The Concept of Tonality in the Operas of Jean-Philippe Rameau. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1957. 293 p.
DDM Code: 49toAhnE; DA no.: 18/02:605; RILM no.: UM no.: 00-25188
Albrecht, Timothy Edward.
Musical Rhetoric in Selected Organ Works of J. S. Bach. D.M.A., Performance, University of Rochester, 1978. v, 211 p. tbls., mus. exs., transcr., append., bibliog.
DDM Code: 41cmAlbT; DA no.: 39/03:1177; RILM no.: 78:380dd; UM no.: 78-16,651
Alderman, Pauline.
Anthoine Boësset and the air de cour. Ph.D., Musicology, University of Southern California, 1946. 369 p.
DDM Code: 41voAldP; DA no.: ADD 1946:58; RILM no.: UM no.: 01-60209
Aldrich, Putnam Calder.
The Principal agréments of the Seventeenth and Eighteenth Centuries: A Study in Musical Ornamentation. Ph.D., Music, Harvard University, 1942. 3 vols., cxxviii, 719 p.
DDM Code: 41otAldP; DA no.: ADD 1942:102; RILM no.: UM no.: 01-56838
Allen, Burt M.
The Dramatic Function of the Chorus in Handel's Oratorios. D.M.A., Performance, University of Kansas, 1977. 112 p.
DDM Code: 40ciAllB; DA no.: 39/04:1912; RILM no.: 78:381dd; UM no.: 78-19514
Allen, Sheila Marie.
German Baroque Opera (1678-1740) with a Practical Edition of Selected Soprano Arias. D.M.A., Performance, University of Rochester, 1974. xii, 187 p. illus., mus. exs., append., bibliog.
DDM Code: 41opAllS; DA no.: 35/07:4580; RILM no.: 74:2028dd; UM no.: 75-00580
Alm, Irene Marion.
Theatrical Dance in Seventeenth-Century Venetian Opera. Ph.D., Musicology, University of California at Los Angeles, 1993. xiv, 678 p. illus., tbls., mus. exs., append., bibliog.
Research director: Frank A. D'Accone
DDM Code: 41daAlmI; DA no.: 56/10:3785; RILM no.: 95:13713dd; UM no.: 96-04208
Alms, Anthony J.
Theology, Trauerspiel, and the Conceptual Foundations of Early German Opera. Ph.D., Musicology, City University of New York, 2007. x, 403 p. facs., mus. exs., transl., append., bibliog.
Research director: Richard Kramer
DDM Code: 41opAlmA; DA no.: 68/11; RILM no.: UM no.: 32-88743
Additional keywords: geistliches Waldgedicht, Heilsgeschichte, Blumenorden an der Pegnitz, Klangmalerei, Gesamtkunstwerk, Frauenzimmer Gesprächspiele, Reyen, pietism
Althouse, Joanne Elizabeth.
José Elías (ca. 1678-1755) and Late Baroque Organ Music in Spain. Ph.D., Musicology, University of California at Los Angeles, 1998. 221 p.
Research director: Murray C. Bradshaw
DDM Code: 41keAltJ; DA no.: 59/09:3270; RILM no.: 99:23038-dd; UM no.: 99-06726 Publication: ISBN 0-599-04504-3.
Amante y Zapata, Joseph J.
Sacred Choral Music in Colonial Mexico, 1650-1750: An Introduction. D.M.A., Choral Music, University of Southern California, 2002. 111 p.
Research director: William J. Dehning
DDM Code: 41ciAmaJ; DA no.: 64/06:1891; RILM no.: 02:15283dd; UM no.: 30-93412 Publication: ISBN 0-496-41115-2.
Anderson, Gene Henry.
Musical Terminology in J.-P. Rameau's Traité de l'harmonie: A Study and Glossary Based on an Index. Ph.D., Theory, University of Iowa, 1981. 391 p. transl., ind.
Research director: W. Atcherson
DDM Code: 49tgAndG; DA no.: 42/05:1842; RILM no.: 81:376dd; UM no.: 81-23296
Anderson, Simon John.
Music by Members of the Choral Foundation of Durham Cathedral in the 17th Century. Ph.D., Musicology, University of Durham, 2000.
Research director: D. C. Greer
DDM Code: 41saAndS; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DXN034733.
Anderson, Stephen Charles.
Selected Works from the Seventeeth-Century Music Collection of Prince-Bishop Karl Liechtenstein-Kastelkorn: A Study of the Soloistic Use of the Trombone and Modern Editions. D.M.A., Performance, University of Oklahoma, 1977. 315 p.
Research director: I. Wagner
DDM Code: 41brAndS; DA no.: 38/04:1722-3; RILM no.: 78:1627dd; UM no.: 77-21,358
Anderson, William Woodrow.
The Stylistic Development of Henry Purcell as Revealed by His Sacred Verse Anthems. D.M.A., Performance, University of Kansas, 1980. 182 p.
DDM Code: 41saAndW; DA no.: 41/07:2818; RILM no.: UM no.: 81-02,002
Andrae, Karin.
Ein römischer Kapellmeister im 17. Jahrhundert: Antonio Maria Abbatini (ca. 1600-1679). Studien zu Leben und Werk. Ph.D., Musicology, Hamburg, 1985.
DDM Code: 41woAndK; DA no.: RILM no.: 86:1287dd; UM no.:
Andriessen, Pieter.
Carolus Hacquart (1640?-1701). Een biografische bijdrage. Het godsdienstig en instrumentaal werk [Carolus Hacquart (1640?-1701): A Contribution to His Biography; The Sacred and Instrumental Works]. Lic., Musicology, Catholic University of Leuven, 1969. 223 p. illus., mus. exs., works lst., thematic cat., discog., bibliog., ind.
DDM Code: 41saAndP; DA no.: RILM no.: 69:769dd; UM no.:
Andrzejczak, Barbara Krzyzaniak.
Rkopis z 1721 r. Biblioteki Uniwersyteckiej w Poznaniu jako zródlo do historii koled w Polsce w XVII i XVIII wieku [A Manuscript from 1721 in the Poznan University Library as a Source for the History of Carols in Poland in the Seventeenth and Eighteenth Centuries]. Ph.D., Musicology, Institute of Arts, Warsaw, 1971.
DDM Code: 41mcAndB; DA no.: RILM no.: UM no.:
Anthony, James Muse.
The Vocal Music of Lambert Pietkin for the Cathedral of Liège. Ph.D., Musicology, University of Michigan, 1977. 2 vols., 556 p.
DDM Code: 41saAntJ; DA no.: 38/03:1090; RILM no.: 77:4506dd; UM no.: 77-17,941
Anthony, James Raymond.
The Opera-Ballet of André Campra: A Study of the First Period French Opera-Ballet. Ph.D., Musicology, University of Southern California, 1964. 2 vols., 718 p. append.
DDM Code: 41opAntJ; DA no.: 26/03:1683; RILM no.: UM no.: 64-12458
Antonian, Robert Edward.
Johann Sebastian Bach's Magnificat in D, BWV 243: A Conductor's Analysis and Preparation for Performance. D.M., Conducting, Indiana University, 1976. 275 p.
DDM Code: 41cnAntR; DA no.: RILM no.: 76:3957dd; UM no.:
Applegate, Joan S.
The Henry Lawes Autograph Song Manuscript: A Critical Edition of British Museum Loan MS 35. Ph.D., Musicology, University of Rochester, 1966. 941 p.
DDM Code: 41mcAppJ; DA no.: 29/01:622; RILM no.: UM no.: 68-10,647
Archbold, Larry Leo.
Style and Structure in the Praeludia of Dietrich Buxtehude. Ph.D., Musicology, University of California at Berkeley, 1981. 617 p.
DDM Code: 49stArcL; DA no.: 42/07:2920; RILM no.: 81:1687dd; UM no.: 82-00015
Ardrey, Roger Warren.
The Influence of the Extended Latin Sacred Works of Giacomo Carissimi on the Biblical Oratorios of George Frederic Handel. Ph.D., Musicology, Catholic University of America, 1964. 142 p.
DDM Code: 41saArdR; DA no.: 25/05:3013-4; RILM no.: UM no.: 64-6363
Aringer, Klaus.
Die Tradition des Pausa-Schlusses in den Klavier- und Orgelwerken Johann Sebastian Bachs. Ph.D., Musicology, München, 1997. 197 p. mus. exs., bibliog.
Research director: Theodor Göllner
DDM Code: 41keAriK; DA no.: RILM no.: 99:20207dd; UM no.: Publication: Die Tradition des Pausa- und Finale-Schlusses in den Klavier- und Orgelwerken von Johann Sebastian Bach. Ein Beitrag zur Geschichte des Orgelpunkts. Tutzing: Schneider, 1999
.
Additional keywords: organ point, keyboard music
Armbruster, Richard.
Das Opernzitat bei Mozart. Ph.D., Musicology, Bamberg, 2001. 413 p. mus. exs., bibliog., ind.
DDM Code: 41opArmR; DA no.: RILM no.: 01:10948dd; UM no.: Publication: Schriftenreihe der Internationalen Stiftung Mozarteum Salzburg, vol. 13. Kassel: Bärenreiter, 1999. ISBN 3-7618-1564-6.
Armstrong, James Foster.
The Vespers and Magnificats of Maurizio Cazzati. Ph.D., Music, Harvard University, 1969. 2 vols., xix, 1094 p.
DDM Code: 41luArmJ; DA no.: ADD 1969:225; RILM no.: 76:9510dd; UM no.: 02-21050
Armstrong, James Isbell Jr.
Litaniae Lauretanae: Sacred Music at the Viennese Imperial Court, ca. 1700-1783. D.M.A., Choral Conducting, University of Wisconsin at Madison, 1993. xii, 408 p. tbls., append., bibliog.
Research director: Charles Dill
DDM Code: 41saArmJ; DA no.: 55/01:7; RILM no.: 93:3005dd; UM no.: 94-08544
Arnn, John D.
Text, Music, and Drama in Three Operas by Reinhard Keiser. Ph.D., Musicology, Rutgers University, 1987. xii, 579 p. tbls., mus. exs., append., bibliog.
DDM Code: 41opArnJ; DA no.: 49/02:163; RILM no.: 87:8300dd; UM no.: 88-03462
Arnold, Byron D.
The Life and Works of Johann Caspar Bachofen (1695-1755). Ph.D., Musicology, University of Southern California, 1956. xiv, 434 p.
DDM Code: 41woArnB; DA no.: ADD 1957:133; RILM no.: UM no.: 02-07444
Arnold, Donna.
The Lute Music and Related Writings in the Stammbuch of Johann Stobaeus. Ph.D., Musicology, North Texas State University, 1982. 414 p. mus. exs., transcr., bibliog.
Research director: Cecil A. Adkins
DDM Code: 41mcArnD; DA no.: 43/03:578; RILM no.: 82:1384dd; UM no.: 82-17612
Aschböck, Elisabeth.
Die Sonaten des Johann Heinrich Schmelzer. Ph.D., Musicology, Wien, 1978. 260 p.
DDM Code: 41chAscE; DA no.: RILM no.: 78:4830dd; UM no.:
Ashbee, Andrew.
The Four-Part Instrumental Compositions of John Jenkins. Ph.D., Musicology, London, 1968. 3 vols., 570 p. illus., facs., mus. exs., thematic cat., bibliog.
DDM Code: 41enAshA; DA no.: RILM no.: 70:1650dd; UM no.:
Asmus, Jürgen.
Die langsamen Sätze der Sonaten für Violine und obligates Cembalo (BWV 1014-19). Ein Beitrag zur Sonatenkonzeption J. S. Bachs. Ph.D., Musicology, Leipzig, 1980. 229 p. mus. exs., works lst., append., bibliog.
DDM Code: 41snAsmJ; DA no.: RILM no.: 82:2286dd; UM no.:
Aston, P.
George Jeffreys and the English Baroque. Ph.D., Musicology, York, 1970.
DDM Code: 41boAstP; DA no.: RILM no.: 74:2035dd; UM no.: Publication: British Library Document Supply Centre no. D660/70.
Atkinson, Monte Edgel.
The Orchestral Anthem in England, 1700-1775. D.M.A., Music, University of Illinois at Urbana-Champaign, 1991. 403 p. mus. exs., works lst., append.
Research director: Nicholas Temperley
DDM Code: 41saAtkM; DA no.: 52/12:4135; RILM no.: 91:2194dd; UM no.: 92-10732
Atteln, Horst.
Das Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des früheren 17. Jahrhunderts. Ph.D., Musicology, Erlangen, 1970. 128 p. illus., works lst., bibliog.
DDM Code: 49muAttH; DA no.: RILM no.: 70:3104dd; UM no.:
Aufdemberge, Clarence Theodore.
Melchior Franck and His Two Chorale Collections Contrapuncti compositi (1602) and Psalmodia sacra (1631). Ph.D., Musicology, University of Kansas, 1970. 2 vols., xii, 630 p. illus., tbls., facs., append., bibliog.
DDM Code: 41saAufC; DA no.: 31/11:6091; RILM no.: 70:3105dd; UM no.: 71-13,268
Augenblick, John Walter.
J.S. Bach's Cantata No. 5: A Conductor's Analysis. D.M.A., Conducting, University of Miami, 1978. 79 p.
DDM Code: 40cnAugJ; DA no.: 39/11:6385; RILM no.: 78:5956dd; UM no.: 79-11789
Baab, Jerrold C.
The Sacred Latin Works of Kaspar Förster (1616-73). Ph.D., Music, University of North Carolina at Chapel Hill, 1970. vi, 335 p. facs., mus. exs., works lst., append., bibliog.
DDM Code: 41saBaaJ; DA no.: 31/11:6091; RILM no.: 70:319dd; UM no.: 71-11,667
Bailey, Brian K.
The Motet Intabulations of Heinrich Scheidemann. D.M., Organ Performance, Indiana University, 2000. v, 51 p. mus. exs., bibliog.
Research director: Austin B. Caswell
DDM Code: 41noBaiB; DA no.: RILM no.: UM no.:
English Keyboard Music, c1625-1680. Ph.D., Musicology, Duke University, 1992. 575 p. illus., tbls., mus. exs., append., bibliog.
Research director: Alexander Silbiger
DDM Code: 41keBaiC; DA no.: 53/09:3031; RILM no.: 92:2348dd; UM no.: 9303533
Additional keywords: Orlando Gibbons, Matthew Locke, Melothesia, Puritan, Restoration
Bailey, Louie Lee.
The Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: An Introduction and an Annotated Listing. D.M.A., Musicology, Southern Baptist Theological Seminary, 1976. 110 p.
DDM Code: 45saBaiL; DA no.: 37/05:2475; RILM no.: 76:9526dd; UM no.: 76-23,958
Baillargeon, Kathryn Anne.
"Of Bodies Chang'd to Various Forms I Sing": Ovid's Metamorphoses in Lully/Quinault Operas. Ph.D., Musicology, University of California at Santa Barbara, 2008. vii, 246 p. mus. exs., bibliog.
Research director: Stefanie Tcharos
DDM Code: 41opBaiK; DA no.: 69/09; RILM no.: UM no.: 33-30462 Publication: ISBN 9780549844747.
Additional keywords: Baroque, tragédie en musique, myth, Jean-Baptiste Lully, Philippe Quinault, women, nature
Baird, Julianne Charlotte.
Johann Friedrich Agricola's Anleitung zur Singkunst (1757). A Translation and Commentary. Ph.D., Musicology, Stanford University, 1991. 2 vols., 528 p.
Research director: George Houle
DDM Code: 41trBaiJ; DA no.: 52/09:3120; RILM no.: 91:543dd; UM no.: 92-05597
Additional keywords: Pier Francesco Tosi, vocal treatise
Baker, Geoffrey.
Music and Musicians in Colonial Cuzco. Ph.D., Historical Musicology, Royal Holloway College, University of London, 2001. 393 p. append., bibliog.
Research director: Tess Knighton
DDM Code: 41mvBakG; DA no.: RILM no.: 02:17650dd; UM no.: Publication: British Library Document Supply Centre no. DX222647.
Baker, Helen Elizabeth.
The Oratorios of Benedetto Marcello (1686-1739) as a Reflection of His Musical Thought and Milieu. Ph.D., Musicology, Rutgers University, 1982. 435 p.
DDM Code: 41saBakH; DA no.: 43/01:10; RILM no.: 82:2288dd; UM no.: 82-14682
Baker, Johnathan Mark.
Seven Anthems for Men's Voices by Matthew Locke: Transcriptions and Commentary. D.M.A., Choral Conducting, University of Illinois at Urbana-Champaign, 1998. 127 p. transcr.
Research director: Nicholas Temperley
DDM Code: 41ciBakJ; DA no.: 59/08:2772; RILM no.: 99:22958dd; UM no.: 99-04385 Publication: ISBN 0-599-01742-2.
Baker, Joy Anne Kae.
The Church Music of André Campra. Ph.D., Musicology, University of Toronto, 1977. 2 vols., x, 480 p. illus., plts., tbls., mus. exs., transcr., works lst., append., bibliog., ind.
DDM Code: 41saBakJ; DA no.: 39/07:3902; RILM no.: 77:2464dd; UM no.:
Bamichas, Pyrros.
I zoi kai to ergo tou Galeazzo Sabbatini (1597[?]-1662) [Galeazzo Sabbatini (1597[?]-1662), His Life and Works]. Ph.D., Historical Musicology, University of Athens, 2002. 2 vols., 613 p. tbls., facs., mus. exs., transcr., transl., works lst., append., bibliog., ind.
Research director: Ion Zotos
DDM Code: 41woBamP; DA no.: RILM no.: UM no.:
Bamichas, Pyrros.
A Critical Edition of Giovanni Paolo Colonna's Opus 12 Psalmi ad Vesperas... 1694. M.Phil., Musicology, University of Birmingham, 1998. lxxxiv, 275 p. tbls., transcr., transl., append., bibliog., ind.
Research director: John Whenham
DDM Code: 41saBamP; DA no.: RILM no.: UM no.:
Additional keywords: Bologna, San Petronio, vespers
Banducci, Antonia Louise.
Tancrède by Antoine Danchet and André Campra: Performance History and Reception (1702-1764). Ph.D., Musicology, Washington University, 1990. xiii, 409 p. illus., tbls., mus. exs., append., bibliog., ind.
Research director: B. A. Monson
DDM Code: 41opBanA; DA no.: 70/31:728; RILM no.: 90:5056dd; UM no.: 91-22,377
Baratz, Lewis Reece.
The Concerted Motets of Petrus Hercules Brehy (1673-1737), Zangmeester of the Brussels Collegiate Church of Saints Michael and Gudula. Ph.D., Musicology, Case Western Reserve University, 1993. 2 vols., xxviii, 878 p. illus., tbls., facs., mus. exs., transcr., works lst., append., bibliog., ind.
Research director: Ross W. Duffin
DDM Code: 41saBarL; DA no.: 55/02:173; RILM no.: 93:3026dd; UM no.: 94-12089
Barber, Clarence Howard.
The Liturgical Music of Marc-Antoine Charpentier (1634-1704): The Masses, Motets, Leçons de Ténèbres. Ph.D., Music, Harvard University, 1955. 2 vols., 705 p.
DDM Code: 41luBarC; DA no.: ADD 1955:246; RILM no.: UM no.: 02-01501
Barbour, James Murray.
Equal Temperament: Its History from Ramis (1482) to Rameau (1737). Ph.D., Musicology, Cornell University, 1932. 354 p.
DDM Code: 49teBarJ; DA no.: ADD 1932:9; RILM no.: UM no.: 01-30501
Barker, Naomi Joy.
Analytical Issues in the Toccatas of Girolamo Frescobaldi. Ph.D., Musicology, Royal Holloway College, University of London, 1995. xi, 404 p. facs., mus. exs., append., bibliog.
Research director: Geoffrey Chew
DDM Code: 41keBarN; DA no.: RILM no.: 95:1794dd; UM no.: Publication: British Library Document Supply Centre no. DX192670.
The Chorus in French Baroque Opera. Ph.D., Musicology, University of Utah, 1973. 394 p.
DDM Code: 41opBarG; DA no.: 34/04:1948; RILM no.: 76:9528dd; UM no.: 73-24,482
Barndt, Miriam Wagoner.
Andreas Hofer: His Life and Music (1629-1684). Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1972. 443 p.
DDM Code: 41woBarM; DA no.: 34/02:804; RILM no.: 76:9529dd; UM no.: 73-17,107
Barnes, Alan.
The Life and Work of John Snetzler. Ph.D., Musicology, University of Leicester, 1982.
DDM Code: 43keBarA; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D79071.
Barnes, Clifford Rasmussen.
The Théâtre de la Foire (Paris, 1697-1792), Its Music and Composers. Ph.D., Musicology, University of Southern California, 1965. iv, 531 p.
DDM Code: 41mvBarC; DA no.: 28/02:705; RILM no.: UM no.: 66-00568
Barnes, Marysue.
The Trio Sonatas of Antonio Caldara. Ph.D., Theory, Florida State University, 1960. 509 p.
DDM Code: 41chBarM; DA no.: 20/11:4405; RILM no.: UM no.: LC Mic 60-1403
Barnett, David William Jr.
Francesco Durante's Magnificat in B-Flat: A Conductor's Analysis. D.M.A., Conducting, University of Miami, 1980. 101 p.
DDM Code: 40saBarD; DA no.: 41/07:2819; RILM no.: 80:1759dd; UM no.: 81-00753
Barnett, Howard Byron.
Factors in the Transition from Renaissance to Baroque in English Music. Ph.D., Music, University of Southern California, 1958. 336 p. mus. exs.
DDM Code: 41stBarH; DA no.: ADD 1958:108; RILM no.: UM no.: 02-14368
Baron, John Herschel.
Foreign Influences on the German Secular Solo Continuo Lied of the Mid-Seventeenth Century. Ph.D., Musicology, Brandeis University, 1967. xiv, 450 p.
DDM Code: 41seBarJ; DA no.: 28/10:4169; RILM no.: 67:138dd; UM no.: 68-3402
Barrios Manzano, Pilar.
La música en la Catedral de Coria (Cáceres), (1590-1755). Ph.D., Musicology, Universidad de Extremadura, 1993. 791 p. illus.
DDM Code: 41luBarP; DA no.: RILM no.: 96:15525dd; UM no.: Publication: Cáceres: Universidad de Extremadura, 1999. ISBN 8477233667.
Barstow, Robert Squire.
The Theatre Music of Daniel Purcell. Ph.D., Musicology, Ohio State University, 1968. 2 vols., ix, 543 p. plts., works lst., append., bibliog.
DDM Code: 41drBarR; DA no.: 29/09:3166; RILM no.: 76:16213dd; UM no.: 69-04,842
Bartel, Dietrich.
Handbuch der musikalischen Figurenlehre. Ph.D., Musicology, Freiburg im Breisgau, 1982. 307 p. mus. exs., bibliog., ind.
Research director: Hans H. Eggebrecht
DDM Code: 41cmBarD; DA no.: RILM no.: 97:17414bf; UM no.: Publication: 3d ed. rev. Laaber: Laaber-Verlag, 1997 (1st edition 1985). ISBN 3-89007-340-9.
Bartels, Isolde.
Die Instrumentalstücke in Oper und Oratorium der frühvenezianischen Zeit. Dargestellt an Werken von Cavalli, Bertalli, P. A. Ziani und Cesti anhand der Bestände der Österreichischen Nationalbibliothek in Wien. Ph.D., Musicology, Wien, 1971.
DDM Code: 41imBarI; DA no.: RILM no.: 75:637dd; UM no.:
Bartels, Ulrich.
Vokale und instrumentale Aspekte im musiktheoretischen Schrifttum der ersten Hälfte des 17. Jahrhunderts. Ph.D., Musicology, Köln, 1989. 214 p. illus., mus. exs.
DDM Code: 49muBarU; DA no.: RILM no.: 89:8656dd; UM no.:
Bartholomew, Leland Earl.
Alessandro Rauerij's Collection of Canzoni per sonare. Ph.D., Music, University of Michigan, 1963. 2 vols., 674 p.
DDM Code: 41enBarL; DA no.: 24/05:2067; RILM no.: UM no.: 63-06877
Barwick, Steven.
Sacred Vocal Polyphony in Early Colonial Mexico. Ph.D., Music, Harvard University, 1949. 2 vols., 494 p.
DDM Code: 41saBarS; DA no.: ADD 1949:145; RILM no.: UM no.: 01-77866
Batchelor, C. G. P.
William Child: An Examination of the Liturgical Sources, and a Critical and Contextual Study of the Church Music. Ph.D., Musicology, St. Catherine's College, Cambridge University, 1990.
DDM Code: 41woBatC; DA no.: RILM no.: 91:2207dd; UM no.: Publication: British Library Document Supply Centre no. D60152.
Bates, Carol Henry.
The Instrumental Music of Elizabeth-Claude Jacquet de la Guerre. Ph.D., Musicology, Indiana University, 1978. 3 vols., xxx, 652 p. tbls., mus. exs., bibliog.
DDM Code: 41imBatC; DA no.: 39/05:2605; RILM no.: 78:1805dd; UM no.: 78-21,721
Bates, Robert Frederick.
From Mode to Key: A Study of Seventeenth-Century French Liturgical Organ Music and Music Theory. Ph.D., Musicology, Stanford University, 1986. 299 p. mus. exs., transl., append.
Research director: George Houle
DDM Code: 49moBatR; DA no.: 47/09:3228; RILM no.: 86:1319dd; UM no.: 87-00725
Additional keywords: tone, Nicolas de Grigny, Guillaume Nivers, Jean Titelouze, Louis Couperin, François Couperin
Bates, William Henry.
The Passacaglia and Ciaccona in German Keyboard Music of the Baroque Period. D.M., Organ Literatur and Performance, Indiana University, 1977. 402 p.
DDM Code: 40keBatW; DA no.: RILM no.: 77:403dd; UM no.:
Baxter, Robert Marti.
Martin Peerson's Mottects or Grave Chamber Musique (1630). Ph.D., Musicology, Catholic University of America, 1970. v, 479 p. mus. exs., append., bibliog.
DDM Code: 41voBaxR; DA no.: 31/05:2417; RILM no.: 70:327dd; UM no.: 70-21,918
Baxter, William H. Jr.
Agostino Steffani: A Study of the Man and His Work. Ph.D., Musicology, University of Rochester, 1957. 472 p.
DDM Code: 41woBaxW; DA no.: ADD 1957:132; RILM no.: UM no.: 02-07419 Publication: UR 539.
Beck, Theodore Albert.
The Organ Chorales of Johann Gottfried Walther: An Analysis of Style. Ph.D., Theory, Northwestern University, 1961. 207 p.
DDM Code: 41keBecT; DA no.: 22/07:2414-5; RILM no.: UM no.: 61-5292
Becker, Elke Lang.
Topische Elemente und Szenentype in Rameaus Opern. Ph.D., Musicology, Heidelberg, 1977.
Research director: R. Hammerstein
DDM Code: 41opBecE; DA no.: RILM no.: 78:4875dd; UM no.:
Beckmann, Klaus.
Joseph Meck (1690-1758). Leben und Werk des Eichstätter Hofkapellmeisters. Ph.D., Musicology, Bochum, 1975.
Research director: L. Ebert
DDM Code: 41woBecK; DA no.: RILM no.: 76:450dd; UM no.:
Beeks, Graydon Fisher Jr.
The Chandos Anthems and Te Deum of George Frideric Handel (1685-1759). Ph.D., Musicology, University of California at Berkeley, 1981. 969 p.
DDM Code: 41saBeeG; DA no.: 42/07:2921; RILM no.: 81:390dd; UM no.: 82-00018
Beer, Axel.
Die Annahme des "stile nuovo" in der katholischen Kirchenmusik Süddeutschlands. Ph.D., Musicology, Frankfurt am Main, 1987. 379 p. mus. exs.
DDM Code: 41stBeeA; DA no.: RILM no.: 89:2268dd; UM no.: Publication: Frankfurter Beiträge zur Musikwissenschaft, no. 22. Tutzing: Schneider, 1989.
Beißwenger, Kirsten.
Johann Sebastian Bachs Notenbibliothek. Ph.D., Musicology, Göttingen, 1990.
DDM Code: 45clBeiK; DA no.: RILM no.: 92:2500dd; UM no.:
Belfrage, Esbjörn.
1600-Talspsalm: Litteratur Historiska Studier [Seventeenth-Century Hymn Writing: Studies in Literary History]. Ph.D., Literary History, University of Lund, 1968. 354 p. bibliog., ind.
DDM Code: 41ltBelE; DA no.: RILM no.: 70:1233dd; UM no.:
Belotti, Michael.
Die freien Orgelwerke Dietrich Buxtehudes. Überlieferungsgeschichtliche und stilkritische Studien. Ph.D., Musicology, Freiburg im Breisgau, 1993. xi, 321 p. illus., mus. exs., bibliog., ind.
DDM Code: 41keBelM; DA no.: RILM no.: 95:2963bm; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 136. 2d ed. rev. Frankfurt: Lang, 1995. ISBN 3-631-30605-9.
Bemis, Jack.
Restoration Dramatic Music. Ph.D., Theory, University of Rochester, 1961. 249 p.
DDM Code: 41drBemJ; DA no.: RILM no.: UM no.:
Bengtson, Franklin Dale.
Ich hoffe darauf dass Du so gnädig bist: A Cantata by Johann Theodore Römhildt (1684-1756). D.M.A., Music History and Literature, University of Missouri at Kansas City, 1972. 125 p.
DDM Code: 41saBenF; DA no.: 33/05:2406; RILM no.: UM no.: 72-29,456
Bennett, Lawrence E.
The Italian Cantata in Vienna, c. 1700-c. 1711. Ph.D., Musicology, New York University, 1980. 2 vols., viii, 650 p. illus., plts., tbls., mus. exs., thematic cat., append., bibliog.
Research director: D. Burrough
DDM Code: 41voBenL; DA no.: 41/06:2344; RILM no.: UM no.: 80-27,863
Benoit, Marcelle.
Versailles et les musiciens du Roi: 1661-1733. Doct., , Sorbonne, 1971. 2 vols., xxii, 1027 p. illus., bibliog., ind.
DDM Code: 41mvBenM; DA no.: RILM no.: 71:3654dd; UM no.:
Bergdolt, Kenneth.
The Sacred Works of George Jeffreys. Ph.D., Musicology, University of Cincinnati, 1976. 4 vols., 1018 p.
DDM Code: 41saBerK; DA no.: 37/09:5426-7; RILM no.: 76:2534dd; UM no.: 77-6507
Berglund, Lars.
Studies in the Vocal Music of Christian Geist. Ph.D., Musicology, University of Uppsala, 2002. 391 p.
Research director: Erik Kjellberg
DDM Code: 41voBerL; DA no.: RILM no.: 02:15567dd; UM no.:
Additional keywords: motets, protestant church music, Düben collection, Sweden
Bergner, Christoph.
Untersuchungen zur Form der Präludien des Wohltemperierten Klaviers von J. S. Bach. Ph.D., Musicology, Tübingen, 1984. 165 p. mus. exs.
Research director: Ulrich Siegele
DDM Code: 49srBerC; DA no.: RILM no.: 86:5406bm; UM no.: Publication: Tübinger Beiträge zur Musikwissenschaft, vol. 11. Stuttgart: Hänssler, 1986.
Bermoser, Heidrun.
Die Vokalmessen von Christoph Sätzl. Ph.D., Musicology, Innsbruck, 1974. v, 180 p. tbls., facs., mus. exs., append., bibliog., ind.
DDM Code: 41luBerH; DA no.: RILM no.: 76:5307; UM no.:
Bernick, Thomas.
Heinrich Schütz on Modality. Ph.D., Musicology, University of Chicago, 1979.
Research director: Howard M. Brown
DDM Code: 49moBerT; DA no.: 40/06:2966; RILM no.: 79:2497dd; UM no.: T-27462
Bernstein, Harry Marvin.
Alessandro Stradella's Serenata, Il Barcheggio (Genoa, 1681): A Modern Edition and Commentary with Emphasis on the Use of the Cornetto and the Trumpet. D.M.A., Performance, Stanford University, 1979. 2 vols., x, 705 p. illus., tbls., mus. exs., append., bibliog.
Research director: George Houle
DDM Code: 41opBerH; DA no.: 40/07:3610; RILM no.: 79:4572dd; UM no.: 80-02042
Bertenshaw, Derry N.
The Influence of the Late 16th-Century Italian Polyphonic Madrigal on the English Viol Consort Fantasy, c. 1600-1645: A Background Study. Ph.D., Musicology, University of Leicester, 1992.
DDM Code: 41enBerD; DA no.: RILM no.: 93:2500dd; UM no.: Publication: British Library Document Supply Centre no. D205198.
Bertling, Rebekka.
Arioso und Arioses accompagnato in Johann Sebastian Bachs Vokalwerk. Ph.D., Musicology, Kiel, 1990.
DDM Code: 41voBerR; DA no.: RILM no.: 94:11443dd; UM no.:
Beswick, Delbert Meacham.
The Problem of Tonality in Seventeenth-Century Music. Ph.D., Music, University of North Carolina at Chapel Hill, 1951. xii, 341 p.
DDM Code: 49toBesD; DA no.: ADD 1951:220; RILM no.: UM no.: 02-76809 Publication: UR 697.
Beveridge, Lowell Pierson.
Giacomo Carissimi: A Study of His Life and His Music with Latin Texts in the Light of the Institutions Which He Served and through the Perspective of Liturgical, Literary, and Musical Theory and Practice. Ph.D., Music, Harvard University, 1944. 3 vols., 642 p.
DDM Code: 41saBevL; DA no.: ADD 1944:72; RILM no.: UM no.: 01-67772
Biales, Albert.
Sonatas and Canzonas for Larger Ensembles in Seventeenth-Century Austria. Ph.D., Music, University of California at Los Angeles, 1962. 2 vols., viii, 246 p.
DDM Code: 41enBiaA; DA no.: ADD 1963:138; RILM no.: UM no.: 02-03879
Bianconi, Lorenzo.
Francesco Cavalli und die Verbreitung der venezianischen Oper in Italien. Ph.D., Musicology, Heidelberg, 1974.
DDM Code: 41opBiaL; DA no.: RILM no.: UM no.:
Bicknell, Joan Colleen.
Interdependence of Word and Tone in the Dramatic Music of Henry Purcell. Ph.D., Music, Stanford University, 1960. xi, 256 p. illus.
DDM Code: 41tmBicJ; DA no.: 22/01:279-80; RILM no.: UM no.: LC Mic 61-1216
Biklé, Charles Henry.
The Odes for Saint Cecilia's Day in London (1683-1703). Ph.D., Musicology, University of Michigan, 1981. 4 vols., 1397 p. mus. exs.
DDM Code: 41voBikC; DA no.: 43/02:299; RILM no.: 82:354dd; UM no.: 82-14963
Bimberg, Guido.
Zur Dramaturgie der Händel-Opern. Ph.D., Musicology, Martin-Luther-Universität, Halle-Wittenberg, 1979. 331 p.
DDM Code: 41opBimG; DA no.: RILM no.: 79:354dd; UM no.:
Blake, Cevedra Marc.
The Baroque Oboe d'Amore. Ph.D., Musicology, University of California at Los Angeles, 1981. 677 p.
DDM Code: 43wnBlaC; DA no.: 42/04:1361; RILM no.: 81:1562dd; UM no.: 81-20,919
Bland, Leland Dye.
The Instrumental Ritornello in Selected Vocal Works of Italian Composers ca. 1670 to ca. 1710. Ph.D., Theory, University of Iowa, 1973. xix, 403 p. tbls., mus. exs., append., bibliog.
DDM Code: 41imBlaL; DA no.: 34/07:4308; RILM no.: 73:1752dd; UM no.: 73-30,900
Blazey, David Anthony.
The Litany in Seventeenth-Century Italy. Ph.D., Musicology, University of Durham, 1990. 972 p. bibliog.
DDM Code: 41luBlaD; DA no.: RILM no.: 00:53916dd; UM no.: Publication: British Library Document Supply Centre no. D170566.
Bleeker, Lothar.
Anglikanische Kirchenmusik und Arminianismus, ca. 1625-1640. Eine Untersuchung der im Wirkungsbereich von John Cosin (Durham Cathedral und Peterhouse College, Cambridge) entstandenen Kirchenmusik. Ph.D., Musicology, Bonn, 1993.
DDM Code: 41saBleL; DA no.: RILM no.: 93:6850dd; UM no.:
Bloesch, Richard John.
The Eighteenth-Century Italian Magnificat: A Survey of Representative Settings (ca. 1700-ca. 1750) with an Analysis and Edition of Six Works. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1971. 508 p.
Research director: C. Hamm
DDM Code: 41luBloR; DA no.: 32/10:5821; RILM no.: 76:9541dd; UM no.: 72-12,092
Blondeau, Rollie Earl.
A Comprehensive Performance Project in Solo Vocal Literature with a Performance Edition of Three Dramatic Songs of John Blow from Amphion Anglicus: A Mad Song, It Grieves Me, and Of All the Torments. D.M.A., Music, University of Iowa, 1976. 73 p.
DDM Code: 40voBloR; DA no.: 37/05:2476; RILM no.: UM no.: 76-26356
Bloomfield, Ruta K.
Bernard de Bury's Premier Livre de Pièces de Clavecin: Critical Edition and Commentary. D.M.A., Historical Performance Practices, Claremont Graduate University, 2008. xi, 99 p. append., bibliog.
Research director: Robert Zappulla
DDM Code: 40keBloR; DA no.: RILM no.: UM no.:
Additional keywords: harpsichord, Baroque, French, performance practice
Bock, Emil W.
The String Fantasies of John Hingeston (ca. 1610-1683). Ph.D., Musicology, University of Iowa, 1956. 2 vols., xiii, 538 p. thematic cat.
DDM Code: 41enBocE; DA no.: 14/05:969; RILM no.: UM no.: 00-16106
Bolen, Charles Warren.
Open-Air Music of the Baroque: A Study of Selected Examples of Wind Music. Ph.D., Music Education, Indiana University, 1954. 264 p.
DDM Code: 41wiBolC; DA no.: 14/08:1232; RILM no.: UM no.: 8778
Bolin, Norbert.
"Sterben ist mein Gewinn" (Phil. 1. 21). Ein Beitrag zur evangelischen Funeralkomposition der deutschen Sepulkralkultur des Barock 1550-1750. Ph.D., Musicology, Köln, 1985.
DDM Code: 41saBolN; DA no.: RILM no.: 89:2004dd; UM no.:
Bolton, Thomas W.
A History and Survey of the Baroque Solo Motet for One Solo Voice Outside of Italy. Ph.D., Musicology, North Texas State University, 1980. xvi, 366 p.
Research director: Cecil A. Adkins
DDM Code: 41saBolT; DA no.: 41/04:1269; RILM no.: UM no.: 80-21885
Bonino, Mary Ann Teresa.
Don Severo Bonini (1582-1663), His Discorsi e regole. Ph.D., Musicology, University of Southern California, 1971. 2 vols., x, 638 p. plts., facs., mus. exs., works lst., append., bibliog.
DDM Code: 41trBonM; DA no.: 33/09:5220; RILM no.: 76:9542dd; UM no.: 73-07,244
Bonnet, Jérôme.
Arsinoe: Voyage d'un drame lyrique de Bologne (1676) à Londres (1705). Ph.D., Music, Université de Tours, 2006. 2 vols., 466 p. illus., mus. exs., transl., bibliog.
Research director: Laurine Quetin
DDM Code: 41opBonJ; DA no.: RILM no.: UM no.:
Additional keywords: opera
Bonta, Stephen.
The Church Sonatas of Giovanni Legrenzi. Ph.D., Music, Harvard University, 1964. 2 vols.,
DDM Code: 41imBonS; DA no.: ADD 1964:148; RILM no.: UM no.: 02-57577
Boote, Marlys Joan.
Johann Valentin Eckelt's Tabulaturbuch (1692): A Commentary with an Edition of Selected Keyboard Works. D.M.A., Performance, University of Iowa, 1997. 247 p. transcr.
Research director: Delores R. Bruch
DDM Code: 41keBooM; DA no.: 58/05:1492; RILM no.: 97:2911dd; UM no.: 97-31899 Publication: ISBN 0-591-41162-8.
Bordignon, Paolo Michele.
Johann Sebastian Bach's Halt im Gedächtnis Jesum Christ BWV 67: A Study of the Sources and Their Implications. D.M.A., Performance, Juilliard School, 2004. xii, 174 p. illus., mus. exs., append., discog., bibliog.
Research director: Robin Leaver
DDM Code: 40saBorP; DA no.: RILM no.: 04:4490dd; UM no.:
Boresch, Hans-Werner.
Studien zur Instrumentation Johann Sebastian Bachs. Ph.D., Musicology, Wuppertal, 1990.
Research director: Werner Breig
DDM Code: 41orBorH; DA no.: RILM no.: 93:6870dd; UM no.: Publication: Kassel: Bärenreiter, 1993.
Borg, Paul W.
The Polyphonic Music in the Guatemalan Music Manuscripts of the Lilly Library. Ph.D., Musicology, Indiana University, 1985. 2 vols., 666 p.
Research director: Thomas Noblitt
DDM Code: 41mcBorP; DA no.: 46/06:1433; RILM no.: 85:1269dd; UM no.: 85-16622
Borges, Armindo da Louz.
Duarte Lobo (156?-1646): Studien zum Leben und Schaffen des portugiesischen Komponisten. Ph.D., Musicology, Köln, 1983. xii, 377 p. illus., facs., mus. exs., thematic cat., bibliog.
Research director: Heinrich Hüschen
DDM Code: 41woBorA; DA no.: RILM no.: 86:1345bm; UM no.: Publication: Kölner Beiträge zur Musikforschung, vol. 132. Regensburg: Bosse, 1986. ISBN 3-7649-2272-9.
Borgir, Tharald.
Basso continuo in Italy during the Seventeenth Century. Ph.D., Musicology, University of California at Berkeley, 1971.
DDM Code: 41bcBorT; DA no.: 38/09:5112; RILM no.: 76:15193dd; UM no.: 78-00576
Bossard, Rudolf.
Giovanni Legrenzi -- Il Giustino: Eine Monograph; Studie. Ph.D., Musicology, Basel, 1987. 365 p. mus. exs.
Research director: Hans Oesch
DDM Code: 41opBosR; DA no.: RILM no.: 88:2081bm; UM no.: Publication: Sammlung musikwissenschaftlicher Abhandlungen, vol. 79. Baden: Koerner, 1988.
Botelho, Mauro.
Rhythm, Meter and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos. Ph.D., Theory, University of Michigan, 1993. xvii, 589 p. mus. exs., append., bibliog.
Research director: Andrew Mean
DDM Code: 49rhBotM; DA no.: 54/07:2376; RILM no.: 93:10836dd; UM no.: 93-32018
Additional keywords: phrase expansion, hypermeter
Bouquet, Marie-Thérèse.
Musique et musiciens à Turin, de 1648 à 1775. Ph.D., Musicology, Conservatoire National, Paris, 1967. 436 p. works lst., bibliog., ind.
DDM Code: 41mvBouM; DA no.: RILM no.: 69:784dd; UM no.:
Bowers, Jane M.
The French Flute School from 1700 to 1760. Ph.D., Musicology, University of California at Berkeley, 1971. ix, 491 p. illus., plts., facs., mus. exs., works lst., append., bibliog.
Research director: Philip Brett
DDM Code: 41wnBowJ; DA no.: 38/01:15; RILM no.: 75:3476dd; UM no.: 77-14774
Additional keywords: flute playing, France, eighteenth century, flute music, flute makers, flute performers, musical life, flute school, Michel Blavet, Joseph Bodin de Boismortier, Michel Corrette, René Pignon Descoteaux, Louis Gabriel Guillemain, Benoît Guillemant, Jacques-Martin Hotteterre, Michel de la Barre, (Charles) de Lusse, Jacques-Christophe Naudot, Rebillé Philbert
Bowers, Kathryn S.
Music for Voices and Viols: A Contextual Study and Critical Performing Edition of Verse Anthems in Christ Church [Oxford] MSS 56-60. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1988. 2 vols., x, 1021 p. tbls., mus. exs., transcr., append., bibliog.
DDM Code: 41voBowK; DA no.: RILM no.: UM no.:
Additional keywords: John Ward, Matthew Jeffreys, Thomas Wilkinson, Jacobean, Sir Henry Fanshawe
Bowles, Garrett H.
The Computer-Produced Thematic Catalogue: An Index to the Pièces de violes of Marin Marais. Ph.D., Musicology, Stanford University, 1978. 2 vols., iv, 447 p. thematic cat., discog., bibliog.
DDM Code: 45snBowG; DA no.: 39/06:3204; RILM no.: 78:2270dd; UM no.: 78-22,481
Bowman, Carl B.
The Ecclesiastiche sinfonie (Opus 16) of Adriano Banchieri (1568-1634). Ph.D., Music Education, New York University, 1971. iii, 177 p. mus. exs., bibliog.
DDM Code: 41saBowC; DA no.: 32/05:2725; RILM no.: 76:9544dd; UM no.: 71-28,524
Bowman, Horace B.
A Study of the castrati Singers and Their Music. Ph.D., Music Education, Indiana University, 1952. 152 p.
DDM Code: 41voBowH; DA no.: ADD 1953:251; RILM no.: UM no.: 01-91166
Boyd, George Reynolds.
The Scacchi/Siefert Controversy with Translations of Marco Scacchi, Cribrum musicum and Paul Siefert, Anticrabratio musica. Ph.D., Theory, Indiana University, 1996. iv, 525 p. mus. exs., bibliog.
Research director: Benito V. Rivera
DDM Code: 49trBoyG; DA no.: 57/04:1375; RILM no.: 96:3075dd; UM no.: 96-27367
Additional keywords: first practice, counterpoint
Boye, Gary Rice.
Giovanni Battista Granata and the Development of Printed Music for the Guitar in Seventeenth-Century Italy with a Transcription of His Works for Solo Guitar. Ph.D., Musicology, Duke University, 1995. 814 p. transcr.
Research director: Peter Williams
DDM Code: 41snBoyG; DA no.: 56/09:3365; RILM no.: 95:1816dd; UM no.: 96-00612
Brandenburg, Daniel.
Zur Geschichte der weltlichen Solokantate in Neapel im frühen Settecento. Die Solokantaten von Domenico Sarro (1679-1744). Ph.D., Musicology, Bonn, 1990. 340 p. mus. exs.
Research director: Günther Massenkeil
DDM Code: 41seBraD; DA no.: RILM no.: 91:2231dd; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 60. Frankfurt am Main: Peter Lang, 1991. ISBN 3-631-43157-0.
Brandvik, Paul Allen.
Selected Motets of Alessandro Scarlatti. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1969. 465 p.
DDM Code: 41saBraP; DA no.: 31/02:782; RILM no.: 69:3589dd; UM no.: 70-13,252
Brass, Christophe.
La basse fondamentale dans le Clavier bien tempéré de Johann Sebastian Bach. Ph.D., Music, Strasbourg, 2001. 3 vols., xii, 867 p. illus., mus. exs., transl., append., bibliog., ind.
Research director: Jacques Viret
DDM Code: 41keBraC; DA no.: RILM no.: 01:5284dd; UM no.:
Additional keywords: Grundbass, fundamental bass, Wohltemperiertes Clavier, Well-Tempered Clavier
Brauer, James Leonard.
Instruments in Sacred Vocal Music at Braunschweig-Wolfenbüttel: A Study of Changing Tastes in the Seventeenth Century. Ph.D., Musicology, City University of New York, 1983. 2 vols., 588 p. plts., tbls., transcr., bibliog., ind.
Research director: Cyrilla Barr
DDM Code: 41saBraJ; DA no.: 44/05:1234; RILM no.: 83:2529dd; UM no.: 83-19748
Braunschweig, Karl D.
The Metaphor of Music as a Language in the Enlightenment: Towards a Cultural History of Eighteenth-Century Music Theory. Ph.D., Music Theory, University of Michigan, 1997. vii, 348 p. tbls., mus. exs., append., bibliog.
Research director: Kevin Korsyn
DDM Code: 49aeBraK; DA no.: 58/05:1493; RILM no.: 97:13342dd; UM no.: 97-32042
Musikunterricht und Musikpflege an den niederrheinischen Lateinschulen im Späthumanismus (1570-1700). Ph.D., Musicology, Köln, 1974.
DDM Code: 44edBreH; DA no.: RILM no.: 76:9545dd; UM no.:
Brenner, Rosamond Drooker.
The Operas of Reinhard Keiser in Their Relationship to the Affektenlehre. Ph.D., Musicology, Brandeis University, 1968. 3 vols., xxvi, 655 p. tbls., mus. exs., works lst., append., bibliog.
DDM Code: 41opBreR; DA no.: 29/08:2734; RILM no.: 68:305dd; UM no.: 69-2048
Brett, Ursula.
Music and Ideas in Seventeenth-Century Italy: The Cazzati-Arresti Polemic. Ph.D., Musicology, Goldsmith's College, London, 1986.
DDM Code: 41mvBreU; DA no.: RILM no.: 89:2367dd; UM no.:
Bridges, David Merrell.
Musica da Camera in Rome: 1667-1700. Ph.D., Musicology, George Peabody College, 1976. 203 p.
DDM Code: 41chBriD; DA no.: 37/04:1861; RILM no.: 76:9547dd; UM no.: 76-21,617
Brill, Mark E.
Stylistic Evolution in the Oaxaca Cathedral: 1600-1800. Ph.D., Musicology, University of California at Davis, 1998. v, 489 p. illus., plts., tbls., facs., mus. exs., transcr., transl., works lst., append., bibliog., ind.
Research director: David Nutter
DDM Code: 41saBriM; DA no.: 60/02:280; RILM no.: 98:3805dd; UM no.: 99-20245
Additional keywords: Mexico
Brinkman, Alexander Russell.
Johann Sebastian Bach's Orgelbüchlein: A Computer-Assisted Study of the Melodic Influence of the Cantus Firmus on the Contrapuntal Voices. Ph.D., Theory, University of Rochester, 1978. 2 vols., xxiv, 831 p. illus., tbls., mus. exs., works lst., append., bibliog.
DDM Code: 49cpBriA; DA no.: 39/04:1913; RILM no.: 78:1775dd; UM no.: 78-17,560
Briscoe, Roger Lee.
Rameau's Démonstration du principe de l'harmonie and Nouvelles réflexions de M. Rameau sur sa Démonstration du principe de l'harmonie: An Annotated Translation and Commentary of Two Treatises by Jean-Philippe Rameau. Ph.D., Theory, Indiana University, 1975. 344 p.
DDM Code: 49trBriR; DA no.: 36/08:4835; RILM no.: 76:9549dd; UM no.: 76-02,791
Brokaw, James Albert.
Techniques of Expansion in the Preludes and Fugues of J.S. Bach. Ph.D., Musicology, University of Chicago, 1986.
DDM Code: 49srBroJ; DA no.: ADD 1987; RILM no.: 86:5410dd; UM no.: T-29960
Brooks, Brian P.
The Emergence of the Violin as a Solo Instrument in Early Seventeenth-Century Germany. Ph.D., Musicology, Cornell University, 2002. 2 vols., xxi, 723 p. illus., mus. exs., bibliog.
Research director: Neal Zaslaw
DDM Code: 41imBroB; DA no.: 63/09:3049; RILM no.: 02:14899dd; UM no.: 3063687
Additional keywords: Breslau MS 113-115, Nuremberg , Germanisches National-Museum Bibliothek mus. ms. 14976, Ulm, Stadtbibliothek mus. ms. 130, diminutions, Johann Schop, Johann Georg Beck, Etienne Nau, Nikolaus Bleyer, William Brade, Düben Collection, 't-Uitnement Kabinet, "Est-ce Mars?" "Nasce la pena"
Brothers, Lester D.
The Hexachord Mass, 1600-1720. Ph.D., Musicology, University of California at Los Angeles, 1973. 2 vols., 656 p. mus. exs., transcr., append., bibliog.
DDM Code: 41luBroL; DA no.: 34/07:4308; RILM no.: 76:9551dd; UM no.: 73-32,053
Brothers, Matthew Grey.
The Polyphonic Passion in Seventeenth-Century Mexico. Ph.D., Musicology, University of California at Santa Barbara, 2001. 320 p. transcr., append.
Research director: Alejandro Planchart
DDM Code: 41luBroM; DA no.: 62/11:3613; RILM no.: 01:17313dd; UM no.: 30-34823 Publication: ISBN 0-493-47979-1.
Additional keywords: Antonio Rodriguez de Matta, Luis Coronado, Franscisco Lopez-Capillas
Brough, Delma.
Polish Seventeenth-Century Church Music with Reference to the Influence of Historical, Political and Social Conditions. Ph.D., Musicology, St. Hilda's College, Oxford, 1981.
DDM Code: 41saBroD; DA no.: RILM no.: 89:2365dd; UM no.:
Brover-Lubovsky, Bella.
Vivaldi's Harmony: Practice and Theory. Ph.D., Musicology, Hebrew University of Jerusalem, 2001. 315 p. tbls., facs., mus. exs., transl., append., bibliog.
Research director: Jehoash Hirshberg
DDM Code: 41haBroB; DA no.: RILM no.: 00:7419dd; UM no.:
Additional keywords: tonality, modality, church keys, Italian concerto, Italian and German theory, Francesco Gasparini, Johann Heinichen, Joseph Riepel, Johann Mattheson
Brown, Jennifer Williams.
"Con nuove arie aggiunte": Aria Borrowing in the Venetian Opera Repertory 1672-1685. Ph.D., Musicology, Cornell University, 1992. xxi, 587 p. tbls., mus. exs., transcr., append., bibliog.
Research director: Neal Zaslaw
DDM Code: 41opBroJ; DA no.: 52/12:4136; RILM no.: 92:339dd; UM no.: 92-11379
Brown, Katherine R. Butler.
Hindustani Music in the Time of Aurangzeb. Ph.D., Ethnomusicology, University of London, 2003. 304 p. illus., plts., tbls., transl., append., bibliog.
Research director: Richard Widdess
DDM Code: 42etBroK; DA no.: RILM no.: 03:16018dd; UM no.: Publication: British Library Document Supply Centre no. DX242064.
Additional keywords: North India, North Indian classical music, Mughal empire, Islam, history, cultural history, historiography, power, gender, censorship, raga, khayal, elite music, Sufism, Indo-Persian
Brown, Leslie Ellen.
The Tragédie lyrique of André Campra and His Contemporaries. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1978. xvii, 365 p. tbls., mus. exs., append., bibliog., ind.
DDM Code: 41opBroL; DA no.: 39/07:3903; RILM no.: 78:401dd; UM no.: 79-00,442
Brown, Susan Tara.
English Devotional Song as a Mirror of Seventeenth-Century Anglicanism: A Thematic and Musical-Rhetorical Analysis of Henry Playford's Harmonia Sacra. Ph.D., Musicology, Claremont Graduate School, 1995. vii, 247 p. illus., mus. exs., bibliog.
Research director: Nancy van Deusen
DDM Code: 41saBroS; DA no.: 56/06:2032; RILM no.: 95:1818dd; UM no.: 95-32680
Brown, Thomas K.
The French Baroque Organ Tradition: A Critical Analysis of Works by Representative Composers. Ph.D., Theory, Florida State University, 1967.
DDM Code: 41keBroT; DA no.: 28/03:1092; RILM no.: 76:9552dd; UM no.: 67-11,152
Broyles, Michael Everett.
Textural Interpretations in the Chorale Harmonizations of J. S. Bach. Ph.D., Musicology, University of Texas at Austin, 1967. i, 461 p. append., bibliog., ind.
DDM Code: 41tmBroM; DA no.: 28/10:4198; RILM no.: 70:1662dd; UM no.: 68-4260
Bruderer, Conrad.
A Comparison of the Preludes Found in Common in the Clavier-Büchlein vor Wilhelm Friedemann Bach, the Well-Tempered Clavier, and the Forkel Edition of the Well-Tempered Clavier. D.M., Performance, Indiana University, 1968. 173 p. mus. exs., bibliog.
DDM Code: 41keBruC; DA no.: ADD 1969:226; RILM no.: 68:1159dd; UM no.: 02-46209
Brumbeloe, Joseph L.
Formal Grouping in the Theory and Musical Practice of the Eighteenth Century. Ph.D., Theory, Indiana University, 1991. xii, 378 p. tbls., mus. exs., bibliog.
Research director: Benito Rivera
DDM Code: 49srBruJ; DA no.: 52/09:3212; RILM no.: 91:2864dd; UM no.: 92-05937
Brundrett, Grant Allen.
Rameau's Orchestration. Ph.D., Music History and Literature, Northwestern University, 1962. 3 vols., 496 p.
DDM Code: 49orBruG; DA no.: 23/12:4706; RILM no.: UM no.: 63-3398
Brunner, Georg.
Beiträge zur Musik im Kloster Scheyern. Ph.D., Musicology, Augsburg, 1997. 2 vols., xxi, 673 p. illus., mus. exs.
DDM Code: 41saBruG; DA no.: RILM no.: 99:14058dd; UM no.: Publication: Edition Descartes, no. 8. Schrobenhausen: Bickel, 1997. ISBN 3-922803-88-1.
Bryden, John Rennie.
The Motets of Orazio Benevoli. Ph.D., Music, University of Michigan, 1951. 2 vols., 578 p.
DDM Code: 41saBryJ; DA no.: 11/03:701; RILM no.: UM no.: 00-02576
Bucciarelli, Melania.
Italian Opera and European Theatre, 1680-1720: Plots, Performers, Dramaturgies. Ph.D., Music, King's College, University of London, 1998. xxiv, 227 p. illus., facs., mus. exs., bibliog., ind.
DDM Code: 41opBucM; DA no.: RILM no.: 00:6586bm; UM no.: Publication: Speculum musicae 2000. Turnhout: Brepols. ISBN 2-503-51021-3; British Library Document Supply Centre no. DX204141.
Buch, David J.
La rhétorique des dieux: A Critical Study of Text, Illustration, and Musical Style. Ph.D., Musicology, Northwestern University, 1983.
DDM Code: 41snBucD; DA no.: 44/03:605; RILM no.: 83:457dd; UM no.: 83-15922
Budasz, Rogerio.
The Five-Course Guitar (Viola) in Portugal and Brazil in the Late Seventeenth and Early Eighteenth Centuries. Ph.D., Music History, University of Southern California, 2001. xv, 403 p. illus., plts., tbls., facs., mus. exs., transcr., works lst., append., bibliog.
Research director: Bruce Alan Brown
DDM Code: 41snBudR; DA no.: 63/05:1616; RILM no.: 01:17465dd; UM no.: 30-54717
Johann David Heinichen, Der Generalbass in der Composition: A Critical Study. Ph.D., Music, New York University, 1961. 2 vols., 636 p.
DDM Code: 49trBueG; DA no.: 23/03:1034-5; RILM no.: UM no.: 62-3312
Buff, Iva Moore.
The Chamber Duets and Trios of Carissimi. Ph.D., Musicology, University of Rochester, 1973. 2 vols., xv, 398 p. mus. exs., transcr., bibliog.
DDM Code: 41voBufI; DA no.: 34/05:2675; RILM no.: 73:3278dd; UM no.: 73-26528
Bunjes, Paul George.
The Praetorius Organ. Ph.D., Theory, University of Rochester, 1966. 1024 p.
DDM Code: 43keBunP; DA no.: 27/05:139; RILM no.: UM no.: 66-11,542
Burchill, James Frederick.
Saint-Lambert's Nouveau traité de l'accompagnement: A Translation with Commentary. Ph.D., Theory, University of Rochester, 1979. 141 p.
Research director: R. Gauldin
DDM Code: 41trBurJ; DA no.: 40/09:4791; RILM no.: 79:2505dd; UM no.: 80-05138
Burden, Ross Patrick.
The Wind Music of Joseph Bodin de Boismortier (1689-1755). D.M.A., Performance, University of Iowa, 1971. x, 262 p. illus., plts., mus. exs., works lst., append., bibliog.
DDM Code: 41wiBurR; DA no.: 32/05:2726; RILM no.: 72:1613dd; UM no.: 71-30,406
Burdette, Glenn Eric.
The Violin Sonatas of Giovanni Battista Somis (1686-1763), Including an Edition of Opus 3. Ph.D., Musicology, University of Cincinnati, 1993. xii, 191 p. tbls., mus. exs., transcr., thematic cat., bibliog., ind.
Research director: Donald H. Foster
DDM Code: 41chBurG; DA no.: 54/06:1990; RILM no.: 93:3158dd; UM no.: 93-29965
Burgess, Geoffrey Vernon.
Ritual in the Tragédie en musique from Lully's Cadmus et Hermione (1673) to Rameau's Zoroastre (1749). Ph.D., Musicology, Cornell University, 1998. 2 vols., xxxviii, 744 p. tbls., facs., mus. exs., transcr., transl., append., discog., bibliog., ind.
Research director: Neal Zaslaw
DDM Code: 41opBurG; DA no.: 59/04:999; RILM no.: 99:23163dd; UM no.: 98-31083
Additional keywords: Jean Baptiste Lully, Jean-Philippe Rameau, French opera, baroque opera
Burkart, Richard Edgar.
The Trumpet in England in the Seventeenth Century with Emphasis on Its Treatment in the Works of Henry Purcell and a Biography of the Shore Family of Trumpeters. D.M.A., Performance, University of Wisconsin at Madison, 1972. 142 p. illus., facs., mus. exs., works lst., bibliog.
DDM Code: 41brBurR; DA no.: 32/10:5822-23; RILM no.: 72:1614dd; UM no.: 72-9111
Burke, John R.
The Early Works of Marc-Antoine Charpentier. Ph.D., Musicology, Oxford University, 1985.
DDM Code: 41woBurJ; DA no.: RILM no.: 91:7010dd; UM no.: Publication: British Library Document Supply Centre no. D69097/86.
Burnett, Henry.
The Sacred Music of Maurice Greene (1696-1755): A Study of the Problems Confronting the Composer of English Church Music During the Early Eighteenth Century. Ph.D., Musicology, City University of New York, 1978. 2 vols., xxviii, 414 p. plts., tbls., facs., mus. exs., works lst., thematic cat., append., bibliog.
DDM Code: 41saBurH; DA no.: 39/03:1178; RILM no.: 78:403dd; UM no.: 78-16,124
Burns, Lori Anne.
J. S. Bach's Chorale Harmonizations of Modal Cantus firmi. Ph.D., Musicology, Harvard University, 1991. 2 vols., 464 p. tbls.
Research director: David B. Lewin
DDM Code: 49haBurL; DA no.: 52/11:3761; RILM no.: 91:2244dd; UM no.: 92-11661
Burris, Timothy Allen.
Lute and Theorbo in Vocal Music in 18th-Century Dresden: A Performance Practice Study. Ph.D., Musicology, Duke University, 1997. xiv, 457 p. illus., mus. exs.
Research director: Peter Williams
DDM Code: 41enBurT; DA no.: 58/07:2447; RILM no.: 97:12988dd; UM no.: 98-04056
Additional keywords: archlute, arciliuto, theorbo, baroque lute, Johann David Heinichen, "Flavio Crispo," Antonio Lotti, "Teofane"
Burrows, David Lamont.
The Cantatas of Antonio Cesti. Ph.D., Music, Brandeis University, 1961. 254 p.
DDM Code: 41voBurD; DA no.: 22/10:3688; RILM no.: UM no.: 62-01214
Burrows, Donald J.
Handel and the English Chapel Royal During the Reigns of Queen Anne and King George I. Ph.D., Musicology, Open University, 1981.
DDM Code: 41mvBurD; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D3924/82.
Burundukovskaya, Elena.
Organno-klavirnye sotchineniya Jirolamo Frescobaldi i voprosy ich ispolneniya na organe [Girolamo Frescobaldi's Keyboard Works and the Questions of Their Performance on the Organ]. Ph.D., Music, Moscow Academy of Music, 1993. 137 p. mus. exs., transl., thematic cat., bibliog.
Research director: U. Evdokimova
DDM Code: 41keBurE; DA no.: RILM no.: UM no.:
Busch, Hermann J.
Georg Poss, Leben und Werk. Ein Beitrag zur Geschichte der deutsch-venezianischen Schule in Österreich am Beginn des 17. Jahrhunderts. Ph.D., Musicology, Mainz, 1970. 220 p. facs., mus. exs., works lst., bibliog.
DDM Code: 41woBusH; DA no.: RILM no.: 70:3120dd; UM no.:
Busch, Hermann Richard.
Leonhard Eulers Beitrag zur Musiktheorie. Ph.D., Musicology, Köln, 1970. 144 p. mus. exs.
DDM Code: 49muBusH; DA no.: RILM no.: 73:2582dd; UM no.:
Bussey, William Muir.
Foreign Influences on the Zarzuela: 1700-70. Ph.D., Musicology, University of Michigan, 1980. 554 p.
DDM Code: 41opBusW; DA no.: 41/02:452; RILM no.: UM no.: 80-17,226
Butler, Gregory G.
The Canonic Sequence in Theory and Practice: A Rhetorical-Musical Study of Its Origins and Development in Keyboard Music to 1750. Ph.D., Musicology, University of Toronto, 1973.
DDM Code: 41cmButG; DA no.: 35/02:1140; RILM no.: 75:398dd; UM no.:
Butt, John A.
The Significance and Incidence of Articulation Marks in the Autograph and Pre-1750 Printed Sources of J. S. Bach. Ph.D., Music, Cambridge University, 1987. 278 p. illus., tbls., facs., mus. exs., bibliog., ind.
DDM Code: 41pfButJ; DA no.: RILM no.: 90:8193bm; UM no.: Publication: Cambridge Musical Texts and Monographs. Cambridge: Cambridge University Press, 1990. ISBN 0-521-37239-9; British Library Document Supply Centre no. D59313.
Buttrey, John.
The Evolution of English Opera between 1656 and 1695: A Re-Investigation. Ph.D., Musicology, Cambridge University, 1967. 2 vols., 579 p. mus. exs., works lst., bibliog.
DDM Code: 41opButJ; DA no.: RILM no.: 70:1665dd; UM no.:
Byrt, John Clare.
Form and Style in the Works of Sebastian and Emanuel Bach. Ph.D., Musicology, St. John's College, Oxford University, 1969.
DDM Code: 49srByrJ; DA no.: RILM no.: 75:2679dd; UM no.: Publication: British Library Document Supply Centre no. D10727/74.
Caballero Fernández-Rufete, Carmelo.
Miguel Gómez Camargo (1618-1690): Biografía, legado testamentario y estudio de los procedimientos paródicos en sus villancicos. Ph.D., , Vallodolid, 1994.
Research director: Antonia Virigili Blanquet
DDM Code: 41cmCabC; DA no.: RILM no.: 96:2984dd; UM no.:
Cabero Pueyo, Bernat.
Der Villancico des XVI. und XVII. Jahrhunderts in Spanien. Ph.D., Musicology, München, 2000. viii, 670 p. illus., mus. exs., bibliog.
Research director: Theodor Göllner
DDM Code: 41voCabB; DA no.: RILM no.: 00:39443dd; UM no.: Publication: Berlin: Dissertation.de, 1997. ISBN 3-89825-024-5.
Cabrini, Michele.
Expressive Polarity: The Aesthetics of Tempête and Sommeil in the French Baroque Cantata, 1700-1730. Ph.D., Musicology, Princeton University, 2005. 2 vols., viii, 422 p. illus., tbls., facs., mus. exs., transl., append., bibliog.
Research director: Wendy Heller
DDM Code: 41voCabM; DA no.: 66/01:19; RILM no.: 05:5700dd; UM no.: 31-62761
Staging Musical Discourses in Seventeenth-Century Venice: Francesco Cavalli's Eliogabalo (1667). Ph.D., Musicology, Yale University, 2000. xiv, 394 p. plts., tbls., mus. exs., append., bibliog., ind.
Research director: Ellen Rosand
DDM Code: 41opCalM; DA no.: 61/10:3818; RILM no.: 00:8363dd; UM no.: 99-91129
Additional keywords: semiotics, opera
Calmeyer, John Hendrick.
The Life, Times, and Works of Antonio Pietro Locatelli. Ph.D., Music, University of North Carolina at Chapel Hill, 1969. vi, 465 p. illus., plts., facs., mus. exs., thematic cat., append., discog., bibliog., ind.
DDM Code: 41woCalJ; DA no.: 30/09:3967-8; RILM no.: 69:797dd; UM no.: 70-3210
Calouri, Eleanor.
The Cantatas of Luigi Rossi. Ph.D., Musicology, Brandeis University, 1972. 3 vols., xxi, 539 p. mus. exs., works lst., thematic cat., bibliog.
DDM Code: 41seCalE; DA no.: RILM no.: 72:1616dd; UM no.:
Cameron, Cathleen Morgan.
"China" as Theatrical Locus: Performances at the Swedish Court 1753-1770. Ph.D., Comparative Literature, Indiana University, 2005. 307 p.
Research director: Eugene Eoyang
DDM Code: 40tnCamC; DA no.: 66/03:985; RILM no.: 05:6378dd; UM no.: 31-67269 Publication: ISBN 0-542-02728-3.
Additional keywords: opera, opéra comique, fête
Cammarota, Robert Michael.
The Repertoire of Magnificats in Leipzig at the Time of J. S. Bach: A Study of the Manuscript Sources. Ph.D., Musicology, New York University, 1986. 2 vols., xvi, 566 p. plts., tbls., facs., mus. exs., works lst., thematic cat., append., bibliog.
DDM Code: 41soCamR; DA no.: 47/04:1103; RILM no.: 86:1376dd; UM no.: 86-14493
Campbell, Donald P.
Puritan Belief and Musical Practices in the Sixteenth, Seventeenth, and Eighteenth Centuries. D.M.A., Church Music, Southwestern Baptist Theological Seminary, 1994. iv, 558 p. bibliog.
Research director: William Colson
DDM Code: 41saCamD; DA no.: 56/01:21; RILM no.: 94:3049dd; UM no.: 95-17941
Cannedy, Susan Jane.
An Anthology of French Solo Song, Sacred and Secular, 1600-1701. D.M.A., Performance, University of Texas at Austin, 1986. xiii, 216 p. mus. exs., works lst., bibliog.
Research director: Robert J. Snow
DDM Code: 41voCanS; DA no.: 47/05:1524; RILM no.: 86:1377dd; UM no.: 86-18434
Cantor, Montague .
The Liber Magnificarum of Sebastian de Vivanco. Ph.D., Musicology, New York University, 1967. 2 vols., 427 p. mus. exs., bibliog.
DDM Code: 41luCanM; DA no.: 30/11:5011-2; RILM no.: 67:627dd; UM no.: 70-7352
Careri, Enrico.
A Controversial Musician: The Violinist, Composer, and Theorist Francesco Geminiani (1687-1762). Ph.D., Musicology, University of Liverpool, 1990. 526 p. bibliog.
DDM Code: 41woCarE; DA no.: RILM no.: 00:53942dd; UM no.: Publication: British Library Document Supply Centre no. DX78888.
Carfagno, Simon A.
The Life and Dramatic Music of Stefano Landi with a Transliteration and Orchestration of the Opera Sant' Alessio. Ph.D., Music, University of California at Los Angeles, 1960. 2 vols., 777 p.
DDM Code: 41opCarS; DA no.: ADD 1960:131; RILM no.: UM no.: 02-26969
Carreras-López, Juan José.
El libro de Magnificat de Luis Serra en la tradición de la composición del Magnificat. Ph.D., Musicology, University of Zaragoza, 1984. vi, 221 p. tbls., facs., mus. exs., transcr., append., bibliog.
DDM Code: 41luCarJ; DA no.: RILM no.: UM no.:
Carter, Joanna L.
A Study of Two Seventeenth-Century Teaching Manuals in Hamburg: Critical Editions and Translations of Thomas Selle's Kurtze doch gründliche Anleitung zur Singekunst (c. 1642) and Heinrich Grimm's Instrumentum Instrumentorum, hoc est, Monochordum (1634). Ph.D., Musicology, Florida State University, 2002. vii, 276 p. illus., facs., mus. exs., transcr., transl., append., bibliog.
Research director: Jeffery Kite-Powell
DDM Code: 41pdCarJ; DA no.: 64/10:3526; RILM no.: 02:15486dd; UM no.: 31-09263
Additional keywords: music theory, pedagogy
Carter, Stewart Arlen.
The Music of Isabella Leonarda (1620-1704). Ph.D., Musicology, Stanford University, 1982. iv, 594 p. transcr., bibliog.
Research director: I. Horsley
DDM Code: 41woCarS; DA no.: 42/11:4638; RILM no.: 82:361dd; UM no.: 82-08826
Carter, Timothy.
Jacopo Peri (1561-1633): His Life and Works. Ph.D., Musicology, University of Birmingham, 1980.
DDM Code: 41woCarT; DA no.: RILM no.: 89:2362dd; UM no.: Publication: British Library Document Supply Centre no. D35022/81.
Castle, Conan Jennings.
The Grand Motets of André Campra. Ph.D., Music, University of Michigan, 1962. 544 p.
DDM Code: 41saCasC; DA no.: 24/02:746; RILM no.: UM no.: 63-00318
Caswell, Austin Baldwin.
The Development of Seventeenth-Century French Vocal Ornamentation and Its Influence upon Late Baroque Ornamentation Practice. Ph.D., Musicology, University of Minnesota, 1964. 2 vols., 686 p.
DDM Code: 41otCasA; DA no.: 26/12:7353-4; RILM no.: UM no.: 65-07835
Caswell, Judith Carls.
Rhythmic Inequality and Tempo in French Music Between 1650 and 1740. Ph.D., Musicology, University of Minnesota, 1973. 871 p.
DDM Code: 41pfCasJ; DA no.: 34/02:805; RILM no.: UM no.: 73-18,105
Caughill, Donald L.
Instrumental Chamber Music in the Netherlands during the Early Baroque Era. Ph.D., Musicology, Indiana University, 1983. xxi, 560 p. tbls., mus. exs., works lst., append., bibliog.
Research director: Nicolas Vallet
DDM Code: 41chCauD; DA no.: 44/12:3534; RILM no.: 83:4768dd; UM no.: 84-06785
Chafe, Eric Thomas.
The Church Music of Heinrich Biber. Ph.D., Musicology, University of Toronto, 1975.
DDM Code: 41saChaE; DA no.: 37/10:6128-9; RILM no.: UM no.:
Chaikin, Kathleen A.
The Solo Cantatas of Alessandro Stradella (1644-1682). Ph.D., Musicology, Stanford University, 1975.
DDM Code: 41voChaK; DA no.: 36/09:5623; RILM no.: 76:9564dd; UM no.: 76-05,703
Champion, Josie Ellen.
Marc-Antoine Charpentier's Oratorio Josue. D.M.A., Performance, University of Texas at Austin, 1979. 2 vols., 233 p. mus. exs., transl.
Research director: John W. Grubbs and Alaire Lowry
DDM Code: 40voChaJ; DA no.: 40/03:1139; RILM no.: 79:2508dd; UM no.: 79-20072
Champonnois, Cécile.
Regards croisés sur le vie lyrique en France et en Angleterre: Analyse critique de témoignages français et anglais entre 1699 et 1776. Ph.D., Musicology, Université de Tours, 2006. 2 vols., 708 p. illus., facs., transcr., transl., bibliog., ind.
Research director: Laurine Quetin
DDM Code: 41opChaC; DA no.: RILM no.: UM no.:
Additional keywords: opera
Chandler, B. Glen.
Rameau's Nouveau système de musique théorique: An Annotated Translation. Ph.D., Theory, Indiana University, 1974. 467 p.
DDM Code: 49trChaB; DA no.: 36/08,4835-6; RILM no.: 75:2608dd; UM no.: 75-23,465
Chang, Young-Shim.
Reading Handel: A Textual and Musical Language of Acis and Galatea (1708, 1718). Ph.D., Musicology, University of North Texas, 2005. 184 p.
Research director: Lester Brothers
DDM Code: 41voChaY; DA no.: 66/11:3853; RILM no.: UM no.: 31-96137 Publication: ISBN 0-542-40113-4.
Additional keywords: opera, oratorio
Channon, Merlin.
Judas Maccabeus: Handel's Victory Oratorio of 1747. Ph.D., Music, Open University, 1995.
Research director: Donald Burrows
DDM Code: 41saChaM; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DX183489.
Chapman, Clive Gilbert.
English Pantomime and Its Music, 1700-1730. Ph.D., Musicology, Royal Holloway College, University of London, 1981. 2 vols., 825 p. plts., facs., mus. exs., transcr., works lst., append., bibliog.
Research director: Rosamund McGuinness
DDM Code: 41tnChaC; DA no.: RILM no.: 81:6420dd; UM no.: Publication: British Library Document Supply Centre no. D70652/82.
Additional keywords: commedia dell'arte, ballad, masque, opera, ballet de cour, John Weaver, John Rich, Johann Ernst Galliard
Chapman, Roger E.
The Books on Instruments in the Harmonie Universelle of Marin Mersenne. Ph.D., Music, University of California at Los Angeles, 1954. 1170 p.
DDM Code: 43trChaR; DA no.: ADD 1954:254; RILM no.: UM no.: 01-96693
Charron, John P.
Fingering, Pedalling and Expression in the Organ Works of J. S. Bach. D.M.A., Performance, Juilliard School, 1993. 186 p. mus. exs., bibliog.
Research director: John Weaver
DDM Code: 40keChaJ; DA no.: RILM no.: 00:41875dd; UM no.:
Chase, Harriet R.
German, Italian, and Dutch Fugal Precursors of the Fugues in the Well-Tempered Clavier I, 1600-1722. Ph.D., Theory, Indiana University, 1970. 293 p.
DDM Code: 41cpChaH; DA no.: 31/09:4814; RILM no.: 70:347dd; UM no.: 71-6830
Chauvin, Regina Frey.
The Sacrae Modulationes of Lorenzo Ratti, Bologna 1628. Ph.D., Musicology, Tulane University, 1973. 524 p.
Research director: P. Hansen
DDM Code: 41saChaR; DA no.: 31/10:5444; RILM no.: 76:9567dd; UM no.: 71-08,039
Chenette, Louis Fred.
Music Theory in the British Isles During the Enlightenment. Ph.D., Theory, Ohio State University, 1967. xiv, 440 p. illus., plts., tbls., mus. exs., bibliog.
DDM Code: 49muCheL; DA no.: 28/10:3696; RILM no.: 69:3596dd; UM no.: 68-2965
Cheney, Stuart Glenn.
Variation Techniques in French Solo Instrumental Music, 1594-1689. Ph.D., Musicology, University of Maryland, 2002. xii, 206 p. tbls., facs., mus. exs., transcr., works lst., append., bibliog.
Research director: Richard King
DDM Code: 41cmCheS; DA no.: 63/06:2039; RILM no.: 02:14118dd; UM no.: 30-55557 Publication: ISBN 0-493-71145-7.
Additional keywords: doubles, lute, harpsichord, viol, baroque, varied reprises, France
Cheverton, Ian.
English Church Music of the Early Restoration Period, 1660-c.1676. Ph.D., Musicology, Cardiff University, 1984.
DDM Code: 41saCheI; DA no.: RILM no.: 00:53810dd; UM no.: Publication: British Library Document Supply Centre no. D66639/86.
Chiarelli, Francesca.
Il Lume Rinchiuso (The Poetics of the Seconda Prattica): Monteverdi's Fifth, Sixth and Seventh Books of Madrigals. Ph.D., Musicology, Royal Holloway College, University of London, 1995. 2 vols., 246 p. tbls., bibliog.
Research director: Tim Carter
DDM Code: 41voChiF; DA no.: RILM no.: 95:12491dd; UM no.: Publication: British Library Document Supply Centre no. DX206775.
The Significance of the Caroline Court Masque in the History of the Revels. Ph.D., Musicology, Cambridge University, 1982.
DDM Code: 41drChiJ; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D42966/82.
Choi, Seunghyun.
Newly-Found Eighteenth-Century Manuscripts of Domenico Scarlatti's Sonatas and Their Relationship to Other Eighteenth- and Early Nineteenth-Century Sources. Ph.D., Musicology, University of Wisconsin at Madison, 1974. xi, 193 p. illus., tbls., facs., mus. exs., append., bibliog.
DDM Code: 41mcChoS; DA no.: 36/11:7340; RILM no.: 76:9568dd; UM no.: 74-26,484
Chrissochoidis, Ilias.
Early Reception of Handel's Oratorios, 1732-1784: Narrative--Studies--Documents. Ph.D., Musicology, Stanford University, 2004. 3 vols., xiii, 1626 p. illus., transcr., bibliog.
Research director: Karol Berger
DDM Code: 41rzChrI; DA no.: 65/04:1166; RILM no.: 04:1979dd; UM no.: 31-28366
Additional keywords: Esther, English oratorio, eighteenth-century Britain, Alexander Pope, Newburgh Hamilton, Lady Margaret Cecil Brown, Giovanni Battista Pescetti, Angelo Maria Cori, D. John Brown (1715-66), Roger de Piles, Charles Burney
Cimberle, Michela.
La vexata quaestio della Passio Domini Nostri Jesu Christi secundum Lucam. Ph.D., Literature, Venezia, 1980-81. 304 p. mus. exs., bibliog.
DDM Code: 40saCimM; DA no.: RILM no.: 81:403dd; UM no.:
Ciurczak, Peter.
The Trumpet in the Baroque Opera: Its Use as a Solo, Ensemble, and Obbligato Instrument. Ph.D., Musicology, North Texas State University, 1974. 2 vols., 962 p.
Research director: Cecil A. Adkins
DDM Code: 41brCiuP; DA no.: 35/12:7941; RILM no.: 76:9569dd; UM no.: 75-13,665
Cizéron, Janine.
L'apparition du violon en France d'après l'iconographie, les traités et les théoreticiens. Ph.D., Music, Paris, 1978. 3 vols., 547 p. illus., facs., mus. exs., thematic cat., discog., bibliog., ind.
DDM Code: 40inCizJ; DA no.: RILM no.: 81:3562dd; UM no.:
Clark, J. Bunker.
Organ Accompaniments to Seventeenth-Century Anglican Church Music, with Emphasis on the Adrian Batten Organ Book. Ph.D., Music, University of Michigan, 1964. 585 p.
DDM Code: 41keClaJ; DA no.: 25/10:5979; RILM no.: UM no.: 65-5285
Clark, Richard George.
A Guide to the Performance of the Geistliche Chormusik of Heinrich Schütz. D.M.A., Music, University of Washington, 1977. 173 p.
DDM Code: 40ciClaR; DA no.: 38/03:1091; RILM no.: 77:5660dd; UM no.: 77-18324
Clark, Willene B.
The Vocal Music of Biagio Marini (ca. 1598-1665). Ph.D., Music History, Yale University, 1966. 2 vols., vii, 412 p.
DDM Code: 41voClaW; DA no.: 27/02:497; RILM no.: UM no.: 66-4887
Clarke, Henry Leland.
John Blow (1649-1708), Last Composer of an Era. Ph.D., Music, Harvard University, 1947. 4 vols., 860 p.
DDM Code: 41boClaH; DA no.: ADD 1947:79; RILM no.: UM no.: 01-62603
DDM Code: 41mcClaH; DA no.: RILM no.: 70:1669dd, 72:314dd; UM no.:
Claypool, Richard D.
J. S. Bach's Sonatas for Melody Instrument and Cembalo Concertato: An Evaluation of All Related Manuscript Sources and a Consideration of the Medium of Performance. Ph.D., Music History and Literature, Northwestern University, 1975. 2 vols., v, 546 p. tbls., mus. exs., append., bibliog.
DDM Code: 41imClaR; DA no.: 36/11:7034; RILM no.: 76:9571dd; UM no.: 76-11,878
Clements, James.
Aspects of the Ars rhetorica in the Violin Music of Heinrich Biber (1644-1704). Ph.D., Musicology, Royal Holloway College, University of London, 2002. 351 p. plts., tbls., facs., mus. exs., transcr., transl., append., bibliog.
Research director: Geoffrey Chew
DDM Code: 41snCleJ; DA no.: RILM no.: 02:17657dd; UM no.: Publication: British Library Document Supply Centre no. DX224586.
Johann Joseph Fux's Gradus ad Parnassum and the Traditions of Seventeenth-Century Contrapuntal Pedagogy. Ph.D., Music Theory, City University of New York, 2001. x, 232 p. tbls., facs., mus. exs., transcr., transl., bibliog.
Research director: Barbara Russano Hanning
DDM Code: 41cpCleW; DA no.: 61/12:4605; RILM no.: 01:12910dd; UM no.: 99-97082
Additional keywords: Angelo Berardi, Giovanni Maria Bononcini, species, Giovanni Battista Chiodino, Gioseffo Zarlino, Giovanni Maria Artusi, passaggi
Clinkscale, Martha Novak.
Pier Francesco Cavalli's Xerse. Ph.D., Musicology, University of Minnesota, 1970. 2 vols., xix, 862 p. plts., tbls., facs., mus. exs., append., bibliog.
DDM Code: 41opCliM; DA no.: 31/10:5444-5; RILM no.: 70:350dd; UM no.: 71-8134
Cobb, Gary Woodrow.
A Study and Critical Edition of the Duetti, Terzetti, e Madrigali a più voci (1705) of Antonio Lotti (1667-1740). Ph.D., Theory, Texas Tech University, 1979. 2 vols., xi, 441 p. mus. exs., bibliog.
Research director: L. Rigsby
DDM Code: 41seCobG; DA no.: 40/03:1140; RILM no.: 79:2510dd; UM no.: 05-31108
Cobb, John L.
Sacred Solo Music in the French Baroque. D.M.A., Performance, University of Oregon, 1969. 116 p. facs., mus. exs., works lst., bibliog.
DDM Code: 41saCobJ; DA no.: 30/08:3490; RILM no.: 69:3599dd; UM no.: 70-02496
Cobb-Biermann, Joanna.
Die Sinfonien des Johann Samuel Endler. Ph.D., Musicology, Bonn, 1992.
DDM Code: 41oqCobJ; DA no.: RILM no.: 96:15893dd; UM no.:
Cockerham, L. Glenn.
The Chamber Sonatas and Dances of Giovanni Legrenzi. Ph.D., Musicology, , University of Kansas, 1988. vi, 251 p. mus. exs., transcr., append., bibliog.
Research director: Daniel T. Politoske
DDM Code: 41chCocL; DA no.: 49/11:3194; RILM no.: 88:2146dd; UM no.: 89-03091
Coelho, Victor Anand.
The Manuscript Sources of Seventeenth-Century Italian Lute Music: A Catalogue Raisonné. Ph.D., Musicology, University of California at Los Angeles, 1989. xvii, 114 p. transcr., thematic cat., bibliog.
Research director: F. Hammond
DDM Code: 45soCoeV; DA no.: 50/08:2292; RILM no.: 89:1358dd; UM no.: 90-00616
Coeurdevey, Annie.
La formation du langage tonal en France dans la première moitié du dix-septième siècle: Étienne Moulinié. Doct., Musicology, Université de Tours, 1991. 2 vols., ii, 362 p.
Research director: J. M. Vaccaro
DDM Code: 49toCoeA; DA no.: RILM no.: 00:36351dd; UM no.:
Coeyman, Barbara Anne.
The Stage Works of Michel-Richard Delalande in the Musical-Cultural Context of the French Court, 1680-1726. Ph.D., Musicology, City University of New York, 1987. 674 p. mus. exs., works lst., thematic cat., append.
DDM Code: 41daCoeB; DA no.: 48/12:3004; RILM no.: 87:1781dd; UM no.: 88-01695
Cohen, Albert.
The Evolution of the Fantasia and Works in Related Styles in the Seventeenth-Century Instrumental Ensemble Music of France and the Low Countries. Ph.D., Music, New York University, 1959. 304 p.
DDM Code: 41enCohA; DA no.: 20/03:1038; RILM no.: UM no.: LC Mic 59-2440
Cole, William Powell.
The Motets of Jean-Baptiste Lully. Ph.D., Musicology, University of Michigan, 1967. 2 vols., 276 p. facs., mus. exs., works lst., bibliog.
DDM Code: 41saColW; DA no.: 28/12:5086; RILM no.: 67:675dd; UM no.: 68-7577
Collins, Denis Brian.
Canon in Music Theory from c.1550 to c.1800. Ph.D., Musicology, Stanford University, 1992. 2 vols., xiv, 465 p. facs., mus. exs., transcr., bibliog.
Research director: Karol Berger
DDM Code: 49cpColD; DA no.: 53/07:2150; RILM no.: 92:366dd; UM no.: 92-34081
Collins, Paul L.
The stylus phantasticus and Its Expression in Free Keyboard Music of the North German Baroque. Ph.D., Musicology, National University of Ireland, Maynooth, 2001. xiv, 274 p. tbls., facs., mus. exs., transl., append., bibliog.
Research director: Gerard Gillen
DDM Code: 41stColP; DA no.: RILM no.: UM no.:
Additional keywords: Dietrich Buxtehude, Johann Mattheson, Athanasius Kircher, rhetoric, toccata, praeludium
Conable, William G.
The Instrumental Sonatas of Giacomo Cervetto. D.M.A., Performance, Boston University, 1969. 337 p. illus., mus. exs., works lst., bibliog.
DDM Code: 41imConW; DA no.: 31/05:2418; RILM no.: 70:1670dd; UM no.: 70-22442
Conlon, Joan Catoni.
Stylistic Variation and Virtuosity in the Choral Music of Georg Philipp Telemann as Represented by the Unpublished Cantata "Wertes Zion, sei getrost". D.M.A., Performance, University of Washington, 1975. 249 p.
Research director: R. Eichenberger
DDM Code: 41ciConJ; DA no.: 37/02:679; RILM no.: 76:9576dd; UM no.: 76-17,441
Connor, Sister M. John Bosco.
Gregorian Chant and Mediaeval Hymn-Tunes in the Works of J. S. Bach. Ph.D., Musicology, Catholic University of America, 1957. xii, 187 p.
DDM Code: 41saConM; DA no.: ADD 1957:131; RILM no.: UM no.: 02-07412
Cook, Don.
Change of Meter and Italian Time Words in the Organ Works of Dietrich Buxtehude: A Study of Historical and Analytical Considerations in Performance. D.M.A., Performance, University of Kansas, 1987. vi, 118 p. mus. exs., works lst., append., bibliog.
DDM Code: 41pfCooD; DA no.: 49/05:991; RILM no.: 87:6607dd; UM no.: 88-13398
Cook, Donald F.
The Life and Works of Johann Christoph Pepusch (1667-1752), with Special Reference to His Dramatic Works and Cantatas. Ph.D., Musicology, King's College, University of London, 1983.
DDM Code: 41woCooD; DA no.: RILM no.: 91:7802dd; UM no.: Publication: British Library Document Supply Centre no. DX201546.
Cooper, B. A. R.
English Solo Keyboard Music of the Middle and Late Baroque. Ph.D., Musicology, Oxford, 1974. 517 p.
DDM Code: 41keCooB; DA no.: RILM no.: 75:662dd; UM no.: Publication: British Library Document Supply Centre no. D11592/75.
Cooper, Kenneth.
The Clavichord in the Eighteenth Century. Ph.D., Musicology, Columbia University, 1971. 286 p.
DDM Code: 41keCooK; DA no.: 32/06:3347-8; RILM no.: 71:2298dd; UM no.: 72-1292
Coopersmith, Jacob Maurice.
An Investigation of Georg Friedrich Händel's Orchestral Style. Ph.D., Music, Harvard University, 1932. 12 vols., 4301 p. thematic cat.
DDM Code: 41oqCooJ; DA no.: ADD 1977; RILM no.: UM no.: 03-04438
Coral, Lenore F.
Music in English Auction Sales, 1676-1750. Ph.D., Music History, University of London, 1974. 370 p. plts., append., bibliog.
DDM Code: 45clCorL; DA no.: RILM no.: 74:2069dd; UM no.: Publication: British Library Document Supply Centre no. DX192465.
Cordovana, Michael D.
An Analytical Survey and Evaluation of the Estro Poetico-Armonico of Benedetto Marcello. Ph.D., Musicology, Catholic University of America, 1967. x, 144 p.
DDM Code: 41saCorM; DA no.: 28/07:2708; RILM no.: 67:1548dd; UM no.: 67-17,135
Corry, Mary Jane.
The Keyboard Music of Cabanilles: A Stylistic Analysis of the Published Works. Ph.D., Music, Stanford University, 1966. 285 p.
DDM Code: 41keCorM; DA no.: 27/01:220-1; RILM no.: UM no.: 66-6331
Corwin, George W.
A Study of La Barca da Venezia per Padova by Adriano Banchieri. D.M.A., Performance, University of Rochester, 1967. 3 vols., iv, 630 p. tbls., append., bibliog.
DDM Code: 41voCorG; DA no.: ADD 1968:203; RILM no.: 76:9579dd; UM no.: 02-53056
Coulmeau, Isabelle.
Un recueil manuscrit de cantates et airs italiens du dix-septième siècle conservé à la Bibliothèque Nationale de Paris. Ph.D., Musicology, Université François Rabelais, Tours, 1999. 660 p. bibliog.
DDM Code: 41mcCouI; DA no.: RILM no.: 99:34464dd; UM no.:
Covell, Rodger David.
Monteverdi's L'Incoronazione di Poppea: The Musical and Dramatic Structure. Ph.D., Music and Drama, University of New South Wales, 1977. xiv, 370 p. illus., tbls., facs., mus. exs., append., bibliog.
DDM Code: 41opCovR; DA no.: 38/10:5784; RILM no.: 77:417dd; UM no.:
Cowart, Georgia.
Controversies over French and Italian Music, 1600-1750: The Origins of Modern Musical Criticism. Ph.D., Musicology, Rutgers University, 1980. 331 p.
Research director: George J. Buelow
DDM Code: 46aeCowG; DA no.: 40/12:6059; RILM no.: UM no.: 80-13,155
Cowdery, William Warren.
The Early Vocal Works of Johann Sebastian Bach: Studies in Style, Scoring, and Chronology. Ph.D., Music, Cornell University, 1989. ii, 319 p. illus., tbls., mus. exs., append., bibliog.
Research director: Neal Zaslaw
DDM Code: 41saCowW; DA no.: 50/07:1842; RILM no.: 89:1153dd; UM no.: 89-24,536
Cowling, Elizabeth.
The Italian Sonata Literature for the Violoncello in the Baroque Era. Ph.D., Music History and Literature, Northwestern University, 1967. xii, 320 p. mus. exs., append., bibliog.
DDM Code: 41snCowE; DA no.: 28/06:2279; RILM no.: 76:9583dd; UM no.: 67-15,211
Cox, Geoffrey A.
Organ Music in Restoration England: A Study of Sources, Styles and Influences. Ph.D., , New College, Oxford, 1984.
DDM Code: 41keCoxG; DA no.: RILM no.: 89:2357dd; UM no.: Publication: British Library Document Supply Centre no. D69111/86.
Coxon, A. C.
John Jenkins: A Critical Study. Ph.D., Musicology, University of Edinburgh, 1969.
DDM Code: 41woCoxA; DA no.: RILM no.: 69:5329dd; UM no.:
Crain, Gordon F.
The Operas of Bernardo Pasquini. Ph.D., History of Music, Yale University, 1965. 2 vols., xiii, 534 p.
DDM Code: 41opCraG; DA no.: 26/09:5472; RILM no.: UM no.: 65-15,026
Cranna, Clifford Alan Jr.
Adriano Banchieri's Cartella musicale (1614): Translation and Commentary. Ph.D., Musicology, Stanford University, 1981. xii, 527 p. illus., tbls., facs., mus. exs., transcr., works lst., bibliog.
DDM Code: 49trCraC; DA no.: 42/05:1843; RILM no.: 81:4605dd; UM no.: 81-24,050
Crist, Stephen A.
Aria Forms in the Vocal Works of J. S. Bach, 1714-24. Ph.D., Musicology, Brandeis University, 1988. xv, 337 p. illus., tbls., append., bibliog., ind.
DDM Code: 49srCriS; DA no.: 49/07:1615; RILM no.: 88:8597dd; UM no.: 88-19746
Crocker, Eunice Chandler.
An Introductory Study of the Italian Canzona for Instrumental Ensembles and Its Influence upon the Baroque Sonata. Ph.D., Music, Radcliffe College, 1943. 540 p. bibliog.
DDM Code: 41enCroE; DA no.: ADD 1943:88; RILM no.: UM no.: 01-50325
Cross, Eric Grahame.
The Late Operas of Antonio Vivaldi. Ph.D., Musicology, University of Birmingham, 1980.
DDM Code: 41opCroE; DA no.: RILM no.: UM no.:
Crowther, J. B.
The Development of Oratorio volgare in Emilia in the Second Half of the Seventeenth Century. Ph.D., Musicology, University of Nottingham, 1977.
DDM Code: 41saCroJ; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D24461/78.
Culley, Thomas.
A Documentary History of the Liturgical Music at the German College in Rome, 1573-1674. Ph.D., Music, Harvard University, 1965. 433 p.
DDM Code: 41luCulT; DA no.: ADD 1965:168; RILM no.: UM no.: 02-48453
Cumrine, Carol Ann.
The Keyboard and Vocal Settings of Georg Boehm: An Analysis of Style as Dictated by Text. Ph.D., Humanities, Syracuse University, 1972. 279 p.
DDM Code: 41tmCumC; DA no.: 33/09:5222; RILM no.: 76:9585dd; UM no.: 73-07,713
Cunningham, John P.
Music for the Privy Chamber: Studies in the Consort Music of William Lawes (1602-45). Ph.D., Musicology, University of Leeds, 2007. 2 vols., xxv, 757 p. illus., plts., tbls., facs., mus. exs., transcr., discog., bibliog.
Research director: Peter Holman
DDM Code: 41chCunJ; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DXN109435.
A Stylistic Study of the Clavier Works of Johann Kaspar Ferdinand Fischer. D.M.A., Performance, University of Oregon, 1980. 244 p. works lst.
DDM Code: 40keCurM; DA no.: 41/03:977; RILM no.: 80:2682dd; UM no.: 80-18849
Curti, Martha.
John Playford's "Apollo's Banquet" (1669-1670). Ph.D., Musicology, Rutgers University, 1977.
DDM Code: 41snCurM; DA no.: 38/05:2401; RILM no.: 76:418dd; UM no.: 77-24,967
Cyr, Mary Ellen.
Rameau's Les fêtes d'Hébé. Ph.D., Musicology, University of California at Berkeley, 1975. 2 vols., xiii, 662 p. plts., tbls., facs., mus. exs., transcr., append., bibliog.
DDM Code: 41opCyrM; DA no.: ADD 1975; RILM no.: 76:9586dd; UM no.: 02-91696
DaGrade, Marvin Donald.
A Translation and Study of the Bassoon Section of Joseph Fröhlich's Vollständige theoretisch-praktische Musiklehre (1810-11) and a Performance Edition of His Serenade for Flute, Clarinet, Viola, Bassoon or Cello. D.M.A., Performance, Indiana University, 1970. 2 vols., 137 p. illus., mus. exs., bibliog.
DDM Code: 41wnDagM; DA no.: ADD 1970:247; RILM no.: 70:567dd; UM no.: 02-65333
Dahms-Schneider, Sibylle.
H. I. F. Biber und die Barockoper in Salzburg. Ph.D., Musicology, Salzburg.
DDM Code: 41opDahS; DA no.: RILM no.: 75:2874dd; UM no.:
Damp, George Edward.
The Apparatus musico-organisticus of Georg Muffat (1653-1704): A Study of Stylistic Synthesis and Aspects of Performance Practice. D.M.A., Performance, University of Rochester, 1973. v, 103 p. tbls., mus. exs., append., bibliog.
DDM Code: 41keDamG; DA no.: 34/05:2677; RILM no.: 74:2080dd; UM no.: 73-28,176
Damuth, Laura.
Interrelationships between the Operas and Datable Cantatas of Alessandro Scarlatti. Ph.D., Musicology, Columbia University, 1993.
DDM Code: 41cmDamL; DA no.: 54/12:4299; RILM no.: 93:3240dd; UM no.: 94-12741
Dann, Elias.
Heinrich Biber and the Seventeenth-Century Violin. Ph.D., Musicology, Columbia University, 1968. 406 p.
DDM Code: 41snDanE; DA no.: 32/03:1547; RILM no.: 76:9589dd; UM no.: 71-22,435
Danziger, Robert.
Performance Editions for Bassoon of Selected Recorder Works of Georg Philipp Telemann. Ph.D., Music, New York University, 1978. 177 p. mus. exs., append., bibliog.
Research director: John V. Gilbert
DDM Code: 40wnDanR; DA no.: 39/12:7045; RILM no.: 78:5959dd; UM no.: 79-11231
Darbellay, Étienne.
Primo et secondo libro di toccate de Girolamo Frescobaldi, édition critique. En marge des deux livres de toccate de Girolamo Frescobaldi, étude de style. Ph.D., Musicology, Fribourg, 1971. 2 vols., 287 p. facs., mus. exs., bibliog., ind.
DDM Code: 41keDarE; DA no.: RILM no.: 71:416dd; UM no.:
Daub, Peggy Ellen.
Music at the Court of George II (r. 1727-1760). Ph.D., Musicology, Cornell University, 1985. 384 p.
Research director: Neal Zaslaw
DDM Code: 41mvDauP; DA no.: 46/10:2849; RILM no.: 85:1553dd; UM no.: 85-25720
Davenport, Mark.
The Dances and Aires of William Lawes: Context and Style. Ph.D., Musicology, University of Colorado at Boulder, 2001. 3 vols., xxxii, 641 p. illus., tbls., mus. exs., transcr., thematic cat., bibliog., ind.
Research director: Gordon Sandford
DDM Code: 41woDavM; DA no.: 62/02:379; RILM no.: 01:13210dd; UM no.: 30-05040
Additional keywords: seventeenth century, England, chamber music, dance music, history and criticism, theory and analysis
Daverio, John J.
Formal Design and Terminology in the Pre-Corellian "Sonata" and Related Instrumental Forms in the Printed Sources. Ph.D., Musicology, Boston University, 1983. xv, 307 p. tbls., mus. exs., append., bibliog.
DDM Code: 49srDavJ; DA no.: 44/05:1234; RILM no.: 83:2543dd; UM no.: 83-19967
Davies, D. H.
The Worship of the English Puritans During the Sixteenth, Seventeenth, and Early Eighteenth Centuries. Ph.D., , Oxford University, 1943.
DDM Code: 41reDavD; DA no.: RILM no.: UM no.:
Davies, Drew Edward.
The Italianized Frontier: Music at Durango Cathedral, Español Culture, and the Aesthetics of Devotion in Eighteenth-Century New Spain. Ph.D., Musicology, University of Chicago, 2006. 3 vols., xvii, 761 p. illus., tbls., mus. exs., transcr., transl., works lst., append., bibliog.
Research director: Robert Kendrick
DDM Code: 41saDavD; DA no.: 67/02; RILM no.: 06:5043dd; UM no.: 32-06320
The Baroque Violoncello and the Unaccompanied Cello Suites of J. S. Bach, B.W.V. 1007-1012. Ph.D., Musicology, New York University, 1986. 232 p.
Research director: Aronoff
DDM Code: 41snDavN; DA no.: 47/12:4226; RILM no.: 86:5035dd; UM no.: 87-06309
Davis, Paul L.
The Organ Versets in Murschhauser's Octi-tonium novum organicum and Prototypon longo-breve organicum. D.M.A., Performance, Peabody Conservatory, 1974.
DDM Code: 41keDavP; DA no.: 44/11:3315; RILM no.: UM no.: 84-04354
Davis, Richard C.
Self Parody among the Cantatas of Johann Sebastian Bach. Ph.D., Musicology, Boston University, 1962. 2 vols., xxii, 547 p.
DDM Code: 41saDavR; DA no.: 23/05:1730-2; RILM no.: 68:21803dd; UM no.: 62-4542
Davis, William Jerryl.
A Study of the Solo and Chamber Literature for the Oboe d'Amore from 1720-c. 1760 with Modern Performance Editions of Select Unpublished Works. D.M.A., Performance, University of Rochester, 1977. xv, 146 p. illus., plts., mus. exs., transcr., works lst., bibliog.
DDM Code: 41wnDavW; DA no.: 38/09:5112; RILM no.: 76:420dd; UM no.: 78-01,393
Daw, Brian.
Alessandro Scarlatti's Neapolitan Cantatas da camera for Solo Soprano and Continuo, 1708-1718. Ph.D., Musicology, University of Southern California, 1984.
DDM Code: 41seDawB; DA no.: 45/11:3298; RILM no.: 84:1440dd; UM no.: 05-55581
Deadman, Alison Patricia.
Augeletti che cantate: Handel, His Woodwind Players, and His London Operas. Ph.D., Musicology, University of California at Los Angeles, 1998. 313 p.
Research director: Robert M. Stevenson
DDM Code: 41pfDeaA; DA no.: 59/09:3272; RILM no.: 99:23065dd; UM no.: 99-06194 Publication: ISBN 0-599-03825-X.
The Music of Michele Mascitti (ca. 1664-1760): A Neapolitan Violinist in Paris. Ph.D., Musicology, University of Iowa, 1970. 2 vols., xxi, 639 p. illus., tbls., facs., mus. exs., thematic cat., append., bibliog.
DDM Code: 41snDeaR; DA no.: 31/09:4815; RILM no.: 76:9592dd; UM no.: 71-05,733
DeBoer, Barbara Ann.
The Harpsichord Music of Jean Nicolas Geoffroy. Ph.D., Music History and Literature, Northwestern University, 1983. xvi, 423 p. tbls., mus. exs., transcr.
Research director: William Porter
DDM Code: 41keDebB; DA no.: 44/11:3198; RILM no.: 83:4777dd; UM no.: 84-03,406
Defant, Christine.
Kammermusik und stylus phantasticus. Studien zu Dietrich Buxtehudes Triosonaten. Ph.D., Musicology, Kiel, 1984.
DDM Code: 41chDefC; DA no.: RILM no.: UM no.:
Dehmel, Jörg.
Toccata und Präludien in der Orgelmusik von Merulo bis Bach. Ph.D., Musicology, Hamburg, 1987.
DDM Code: 41keDehJ; DA no.: RILM no.: 89:1610dd; UM no.:
DeLage, Joseph Ovide Jr.
The Overture in Seventeenth-Century Italian Opera. Ph.D., Theory, Florida State University, 1961. 231 p.
DDM Code: 41opDelJ; DA no.: 22/08:2816-7; RILM no.: UM no.: 61-5636
Dell'Antonio, Andrew.
Syntax, Form, and Genre in Sonatas and Canzonas, 1621-1635. Ph.D., Musicology, University of California at Berkeley, 1991. iv, 378 p. mus. exs., bibliog.
Research director: Anthony Newcomb
DDM Code: 41imDelA; DA no.: 52/08:2749; RILM no.: 91:628dd; UM no.: 92-03,544
Denison, William R.
Recitative in Baroque Keyboard Music. Ph.D., Theory, Florida State University, 1969. 71 p.
DDM Code: 41keDenW; DA no.: 30/12:5466; RILM no.: 76:9593dd; UM no.: 70-11,109
Denton, John William.
The Use of Oboes in the Church Cantatas of J. S. Bach. D.M.A., Performance, University of Rochester, 1977. vii, 193 p. append., bibliog.
DDM Code: 41wnDenJ; DA no.: 38/09:5112; RILM no.: 76:421dd; UM no.: 78-01,394
Desmet, Marc.
La Paraphrase des Psaumes de Philippe Desportes et ses différentes versions musicales. Contribution à l'histoire des Psautiers français au temps de Henri IV et de Louis XIII (1543-1643). Ph.D., Musicology, Université de Tours, 1995. 6 vols., 1550 p. illus., tbls., facs., mus. exs., works lst., thematic cat., append., bibliog., ind.
Research director: Vaccaro
DDM Code: 41saDesM; DA no.: RILM no.: UM no.:
Dexter, Keri John.
The Provision of Choral Music at St. George's Chapel, Windsor Castle, and Eton College, ca. 1640-1733. Ph.D., Historical Musicology, Royal Holloway College, University of London, 2000. 2 vols., 675 p. plts., tbls., facs., mus. exs., works lst., thematic cat., append., bibliog.
Research director: Ian Spink
DDM Code: 41saDexK; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DXN033372.
Additional keywords: Civil War, Commonwealth, William Child, performance practice
Deyton, Timothy J.
A Conductor's Analysis of the Lutheran Mass in G Major and Cantata 179, Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, by Johann Sebastian Bach. D.M.A., Music, Southwestern Baptist Theological Seminary, 2001. xv, 199 p. illus., tbls., mus. exs., transl., bibliog.
Research director: A. Joseph King
DDM Code: 40saDeyT; DA no.: 62/11:3615; RILM no.: 01:17320dd; 01:12908dd; UM no.: 30-33230
Keyboard Tablatures of the Mid-Seventeenth Century in the Royal Library, Copenhagen: Edition and Commentary. Ph.D., Musicology, North Texas State University, 1973. 300 p.
Research director: Cecil A. Adkins
DDM Code: 41mcDicA; DA no.: 35/01:496; RILM no.: 75:671dd; UM no.: 74-14815
Dickreiter, Michael.
Der Musikbegriff bei Johannes Kepler. Ph.D., Musicology, Heidelberg, 1971.
DDM Code: 49muDicM; DA no.: RILM no.: 75:2610dd; UM no.:
Diederich, Susanne.
Originale Registrierungsanweisungen in der französischen Orgelmusik des 17. und 18. Jahrhunderts. Ph.D., Musicology, Tübingen, 1971.
DDM Code: 41keDieS; DA no.: RILM no.: 76:14588dd; UM no.:
Dill, Charles.
The Reception of Rameau's Castor et Pollux in 1737 and 1754. Ph.D., Music History, Princeton University, 1989. xi, 323 p. tbls., facs., mus. exs., append., bibliog.
Research director: Harold S. Powers
DDM Code: 41opDilC; DA no.: 50/09:2694; RILM no.: 89:1393dd; UM no.: 90-03639
Dittrich, Raymond.
Die Messen von Johann Friedrich Fasch (1688-1758). Ph.D., Musicology, Hamburg, 1992. iv, 480 p. mus. exs.
Research director: Hans Joachim Marx
DDM Code: 41luDitR; DA no.: RILM no.: 92:2462dd; UM no.: Publication: Frankfurt am Main: Peter Lang, 1992.
Dixon, Graham Peter.
Liturgical Music in Rome (1605-45). Ph.D., Musicology, University of Durham, 1981. 2 vols., ix, 734 p. mus. exs., works lst., append., bibliog.
Research director: Jerome Roche
DDM Code: 41luDixG; DA no.: RILM no.: 82:2308dd; UM no.: Publication: British Library Document Supply Centre no. D42301/02.
Dodds, Michael Robert.
The Baroque Church Tones in Theory and Practice. Ph.D., Musicology, Eastman School of Music, University of Rochester, 1999. xv, 341 p. facs., mus. exs., transl., bibliog.
Research director: Kerala Snyder
DDM Code: 49moDodM; DA no.: 59/12:4311; RILM no.: 99:5499dd; UM no.: 99-14598
The Significance of the Italian Style in German Lutheran Music of the Early Seventeenth Century: A Study of Johann Hermann Schein's Opella Nova (1618, 1626). Ph.D., Musicology, University of Bristol, 2000.
Research director: Glyn Jenkins
DDM Code: 41reDodS; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DXN036185.
Doderer, Gerhard.
Die portugiesische Orgelmusik des 17. Jhs. im Spiegel des Livro de Bouro (Braga). Ph.D., Musicology, Würzburg, 1977.
DDM Code: 41keDodG; DA no.: RILM no.: 78:3703dd; UM no.:
Dolata, David West.
The Sonatas and Dance Music in the Capricci a due stromenti (1622) of Bellerofonte Castaldi (1580-1649). Ph.D., Musicology, Case Western Reserve University, 1998. 672 p. mus. exs., transcr., thematic cat.
Research director: John Suess
DDM Code: 41pfDolD; DA no.: 59/08:2774; RILM no.: UM no.: 99-04007
The Early Kant in Seventeenth-Century Russian Music. Ph.D., Musicology, University of Kansas, 1983. xiii, 363 p. illus., facs., mus. exs., transcr., thematic cat., append., bibliog.
Research director: Daniel T. Politoske
DDM Code: 41voDolO; DA no.: 44/04:904; RILM no.: 83:2390dd; UM no.: 83-17965
Donahue, W. H.
The Dissolution of the Celestial Spheres, 1595-1650. Ph.D., Musicology, Cambridge University, 1973.
DDM Code: 46phDonW; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D10019/74.
Dostrovsky, Sigalia.
The Origins of Vibration Theory: The Scientific Revolution and the Nature of Music. Ph.D., Physics, Princeton University, 1969. 275 p.
DDM Code: 47acDosS; DA no.: 30/11:4895; RILM no.: 76:16894dd; UM no.: 70-08,361
Dottori, Mauricio.
The Church Music of Davide Perez and Niccolò Jommelli, with Special Emphasis on Their Funeral Music. Ph.D., Musicology, University of Wales at Cardiff, 1997. 417 p. tbls., mus. exs., works lst., append., bibliog., ind.
Research director: David Wyn Jones
DDM Code: 41saDotM; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DX215798.
Additional keywords: Naples, Palermo, Rome, Lisbon, requiem, Responsories of the Dead, Responsories of Holy Week
Dotzauer, Wilfried.
Die kirchenmusikalischen Werke Johann Valentin Rathgebers. Ph.D., Musicology, Erlangen-Nurnberg, 1976. 406 p. mus. exs., works lst., bibliog.
DDM Code: 41saDotW; DA no.: RILM no.: 76:9600dd; UM no.:
Douglass, Robert S.
The Keyboard Ricercar in the Baroque Era. Ph.D., Musicology, North Texas State University, 1963. 2 vols., 575 p.
Research director: Lloyd Hibberd
DDM Code: 41keDouR; DA no.: 24/10:4222; RILM no.: UM no.: 64-03800
Dower, Catherine A.
Eighteenth-Century Sistine Chapel Codices in the Clementine Library of the Catholic University of America. Ph.D., Musicology, Catholic University of America, 1968. xiv, 176 p. mus. exs., thematic cat., bibliog.
DDM Code: 41mcDowC; DA no.: 29/12:4516; RILM no.: 69:1044dd; UM no.: 69-9167
Dressler, Carolyn Elizabeth.
Armida abbandonata by George Frideric Handel. An Edition Reflecting the Performance Practice of the Baroque Era. D.M.A., Performance, University of Maryland at College Park, 1978. 61 p.
Research director: Howard Serwer
DDM Code: 40voDreC; DA no.: 39/06:3208; RILM no.: 78:3879dd; UM no.: 78-23994
Dreyfus, Laurence Dana.
Basso Continuo Practice in the Vocal Works of J. S. Bach: A Study of the Original Performance Parts. Ph.D., Musicology, Columbia University, 1980. 341 p.
DDM Code: 41bcDreL; DA no.: 43/05:1339; RILM no.: UM no.: 82-22375
Drude, Hartwig.
Heinrich Schütz als Musiker der evangelischen Kirche. Ph.D., Theology, Göttingen, 1969. 242 p. mus. exs., ind.
DDM Code: 41saDruH; DA no.: RILM no.: 72:4173dd; UM no.:
Druesedow, John Edward Jr.
The Missarum Liber (1703) of José de Torres y Martínez Bravo (1665-1738). Ph.D., Musicology, Indiana University, 1971. 2 vols., 763 p.
DDM Code: 41luDruJ; DA no.: 32/12:7028-9; RILM no.: 72:318dd; UM no.: 72-18,529
Drummond, G. M. P.
Stylistic Features of the German Concerto in the Earlier Eighteenth Century. Ph.D., Music, St. Hugh's, Oxford, 1970.
DDM Code: 41imDruG; DA no.: RILM no.: 70:4301dd; UM no.: Publication: British Library Document Supply Centre no. D4339/74.
Dubowy, Norbert.
Arie und Konzert: Zur Entwicklung der Ritornellanlage im 17. und frühen 18. Jahrhundert. Ph.D., Musicology, München, 1987. xi, 443 p.
DDM Code: 49srDubN; DA no.: RILM no.: 91:9531bm; UM no.: Publication: Studien zur Musik, no. 9. München: Fink, 1991. ISBN 3-7705-2572-8.
Duckles, Vincent Harris.
John Gamble's Commonplace Book: A Critical Edition of New York Public Library MS Drexel 4257 . Ph.D., Music, University of California at Berkeley, 1953. 1013 p.
DDM Code: 41mcDucV; DA no.: ADD 1953:251; RILM no.: UM no.: 01-91160
Dunham, Sister Mary Meneve.
The Secular Cantatas of Antonio Vivaldi in the Foa Collection. Ph.D., Musicology, University of Michigan, 1969. v, 207 p. tbls., mus. exs., append., bibliog., ind.
DDM Code: 41seDunM; DA no.: 30/09:3970; RILM no.: 69:820dd; UM no.: 70-4066
Dunn, Alexander.
Style and Development in the Theorbo Works of Robert de Visée: An Introductory Study. Ph.D., Musicology, University of California at San Diego, 1989. xv, 246 p. illus., tbls., facs., mus. exs., transcr., transl., ind.
Research director: Bertram Turetzky
DDM Code: 41snDunA; DA no.: 50/12:3789; RILM no.: 89:2409dd; UM no.: 90-13702
Additional keywords: Livre de guitarre (1682), Livre de pièces pour la guitarre (1686), Pièces de theorbe et de luth (1716)
Dunn, James P.
The Grands Motets of Marc-Antoine Charpentier (1634-1704). Ph.D., Music, University of Iowa, 1962. 2 vols., xxxiv, 468 p.
DDM Code: 41saDunJ; DA no.: 23/08:2934; RILM no.: UM no.: 62-04973
Dunn, Thomas D.
The Instrumental Music of Biagio Marini. Ph.D., History of Music, Yale University, 1969. 502 p. mus. exs., works lst., bibliog.
DDM Code: 41imDunT; DA no.: 31/03:1307; RILM no.: 69:3620dd; UM no.: 70-16,260
Dupraz, Christophe.
Musique pour luths (1507-1601): Catalogue raisonné et edition moderne du Repertoire pour plusieurs luths imprimé à la Renaissance--Analyse musicale des mises en tablature de modèles polyphoniques. Doct., Musicology, Université François Rabelais, Tours, 2001. 2450 p. illus., facs., transcr., bibliog.
DDM Code: 41snDupC; DA no.: RILM no.: 01:10254dd; UM no.:
Earle, Eugenia.
Improvised Ornamentation in Solo Instrumental Literature of the German Late Baroque: A Study and Lecture-Demonstration. Ed.D., Music, Columbia University Teachers College, 1979. 212 p.
Research director: Robert Pace
DDM Code: 44imEarE; DA no.: 40/10:5240; RILM no.: UM no.: 80-06803
Eby, Margarette.
The Concerted Vocal Style in the Music of Johann Dilliger, 1593-1647. Ph.D., Music, University of Michigan, 1967.
DDM Code: 41voEbyM; DA no.: 32/03:1548; RILM no.: 76:9602dd; UM no.: 71-23,743
Eddy, Marmee Alexandra.
The Rost Codex and Its Music. Ph.D., Musicology, Stanford University, 1984.
DDM Code: 41mcEddM; DA no.: 45/06:1567; RILM no.: 84:1451dd; UM no.: 84-20518
Eder, Terry Edward.
A Conductor's Guide to the Performance of Cantata No. 21, Ich hatte viel Bekümmernis, by Johann Sebastian Bach. D.M.A., Music, University of Oklahoma, 1979. 247 p.
DDM Code: 40cnEdeT; DA no.: 40/04:1739; RILM no.: 79:3609dd; UM no.: 79-21231
Edwards, Jon Michele.
Performance Practice in the Polychoral Psalms of Heinrich Schütz. D.M.A., Choral Conducting, University of Iowa, 1983. 322 p.
Research director: Richard J. Bloesch
DDM Code: 41pfEdwJ; DA no.: 44/12:3535; RILM no.: 83:6195dd; UM no.: 84-07800
Additional keywords: Psalmen Davids, Symphoniae Sacrae III
Egan, John Barnard.
Marin Mersenne: Traité de l'harmonie universelle: Critical Translation of the Second Book. Ph.D., Theory, Indiana University, 1962. 260 p.
DDM Code: 49trEgaJ; DA no.: 23/06:2164-5; RILM no.: UM no.: 62-5029
Ehrmann, Sabine.
Claudio Monteverdi. Die Grundbegriffe seines musiktheoretischen Denkens. Ph.D., Musicology, Freiburg im Breisgau, 1986. 206 p.
Research director: Hans-Heinrich Eggebrecht
DDM Code: 49muEhrS; DA no.: RILM no.: 89:2416bm; UM no.: Publication: Musikwissenschaftliche Studien, no. 2. Pfaffenweiler, 1989.
Eickhoff, Henry John.
The Ritornello Principle in the Organ Works of Johann Sebastian Bach. Ph.D., Music History and Literature, Northwestern University, 1960. 2 vols., 524 p. append.
DDM Code: 41keEicH; DA no.: 21/05:1212; RILM no.: UM no.: LC Mic 60-4749
Eisert, Christian.
Die Clavier-Toccaten BWV 910-916 von Johann Sebastian Bach: Quellenkritische Untersuchungen zu einem Problem des Frühwerks. Ph.D., Musicology, Freiburg im Breisgau, 1994. 233 p. mus. exs.
DDM Code: 41keEisC; DA no.: RILM no.: 94:3491dd; UM no.: Publication: Mainz: Schott, 1993. ISBN 3-7957-0269-0.
Eisley, Irving R.
The Secular Cantatas of Mario Savioni (1608-1685). Ph.D., Music, University of California at Los Angeles, 1964. 2 vols., 356 p.
DDM Code: 41seEisI; DA no.: 25/11,6674-5.; RILM no.: UM no.: 64-12,217
El-Shami, Fawzy Mohamed.
Studien zum Fagottkonzert in der 1. Hälfte des 18. Jahrhunderts. Ph.D., Musicology, Marburg, 1988.
DDM Code: 41oqElsF; DA no.: RILM no.: 88:20154dd; UM no.:
Ellinwood, Robert S.
The Anthem for Solo Voice in England, 1660 to c. 1800. D.M.A., Performance, University of Rochester, 1979.
DDM Code: 41saEllR; DA no.: ADD 1980; RILM no.: UM no.: 03-49709
Ellis, C. M.
Musical Incident and Imagery in the Plays of John Marston and Thomas Middleton. Ph.D., Musicology, University of Exeter, 1974.
DDM Code: 41drEllC; DA no.: RILM no.: UM no.:
Additional keywords: drama
Ellis, Helen Meredith.
The Dances of J. B. Lully (1632-1687). Ph.D., Music, Stanford University, 1967. xi, 257 p.
DDM Code: 41daEllH; DA no.: 28/07:2710; RILM no.: 68:325dd; UM no.: 67-17418
Ellis, Mark Richard.
Linear Aspects of the Fugues of J. S. Bach's The Well-Tempered Clavier. Ph.D., Musicology, Nottingham, 1980. 2 vols., 594 p. tbls., facs., mus. exs., bibliog.
DDM Code: 49cpEllM; DA no.: RILM no.: 80:1878dd; UM no.: Publication: British Library Document Supply Centre no. D35659/81.
Ellison, Mary Beeson.
The Comparaison de la musique italienne et de la musique française of Le Cerf de la Viéville: An Annotated Translation of the First Four Dialogues. Ph.D., Musicology, University of Miami, 1973. vii, 282 p. mus. exs., append., bibliog.
DDM Code: 46trEllM; DA no.: 34/07:4310; RILM no.: 75:679dd; UM no.: 74-00284
Elste, Martin.
Bachs Kunst der Fuge auf Schallplatten. Mit einer Diskographie aller zyklischen Aufnamen. Ph.D., Musicology, Technische Universität, Berlin, 1981. 160 p. illus., mus. exs., discog., bibliog., ind.
DDM Code: 41pfElsM; DA no.: RILM no.: 81:124dd; UM no.:
Emans, Reinmar.
Das Kantatenwerk Giovanni Legrenzis. Ph.D., Musicology, Bonn, 1982.
Research director: Siegfried Kross
DDM Code: 41seEmaR; DA no.: RILM no.: 84:1458dd; UM no.: Publication: Bonn, 1984.
Englehart, Richard.
Domenico Mazzocchi's Dialoghi e sonetti and Madrigali a cinque voci of 1638: An Historical Perspective, Including Complete Musical Transcriptions. Ph.D., Musicology, Kent State University, 1987.
DDM Code: 41voEngR; DA no.: 49/03:374; RILM no.: 87:1826dd; UM no.: 88-06525
Enrico, Eugene Joseph.
Giuseppe Torelli's Instrumental Ensemble Music with Trumpet. Ph.D., Musicology, University of Michigan, 1970. vii, 312 p. illus., plts., tbls., facs., mus. exs., works lst., append., discog., bibliog., ind.
DDM Code: 41enEnrE; DA no.: 31/08:4198; RILM no.: 76:9604dd; UM no.: 71-04,599
Eppelsheim, Jürgen.
Studien zum Orgelbau der Familie Stumm in Rhaunen-Sulzbach. I. Das Werk Johann Michael Stumms (1683-1747). Hab., Musicology, München, 1972. 4 vols.,
DDM Code: 43maEppJ; DA no.: RILM no.: 74:3596dd; UM no.:
Erickson-Bloch, Susan Elizabeth.
The Keyboard Music of Domenico Zipoli (1688-1726). Ph.D., Musicology, Cornell University, 1975. vii, 303 p. illus., tbls., facs., mus. exs., transcr., append., bibliog.
DDM Code: 41keEriS; DA no.: 36/09:5624; RILM no.: 76:9606dd; UM no.: 76-05,930
Eshelman, Karen.
Juan Cabanilles: A Guide to His Organ Works and Their Performance, with Commentary on the State of Research. D.M.A., Performance, University of Rochester, 1986.
DDM Code: 41keEshK; DA no.: RILM no.: UM no.:
Esses, Maurice I.
Dance and "Differencies" in Spain during the 17th and Early 18th Centuries. Ph.D., Musicology, University of Toronto, 1986. 5 vols., xi, 1290 p. mus. exs., transcr., works lst., thematic cat., bibliog.
DDM Code: 41daEssM; DA no.: RILM no.: 91:4393dd; UM no.:
Research director: Walter M. Finsch
DDM Code: 41opEtsU; DA no.: RILM no.: 99:26662dd; UM no.: Publication: Kassel: Bärenreiter, 1997. ISBN 3-7618-1404-6.
Eubanks Winkler, Amanda Louise.
Gender and Genre: Musical Conventions on the English Stage, 1660-1705. Ph.D., Musicology, University of Michigan, 2000. 367 p.
Research director: Louise K. Stein
DDM Code: 41tnEubA; DA no.: 61/07:2509; RILM no.: 00:13857dd; UM no.: 99-77153 Publication: ISBN 0-599-83212-6.
Additional keywords: Restoration
Eubanks, Melvin Oliver.
The Use of Music in the Dramatic Work of Tirso de Molina. Ph.D., Music, Florida State University, 1969. 541 p.
DDM Code: 41drEubM; DA no.: 30/11:4941; RILM no.: 76:16225dd; UM no.: 70-08,558
Evans, Joan A.
The Life and Works of Michael East (c1580-1648). Ph.D., Musicology, Boston University, 1984. 2 vols., xi, 473 p. tbls., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 41woEvaJ; DA no.: 45/05:1234; RILM no.: 84:1464dd; UM no.: 84-16864
Fabris, Dinko.
Music in Seventeenth-Century Naples: The Role of Francesco Provenzale (1624-1704). Ph.D., Historical Musicology, Royal Holloway College, University of London, 2002. 472 p. illus., plts., mus. exs., append., bibliog.
Research director: Tim Carter
DDM Code: 41mvFabD; DA no.: RILM no.: 02:17649dd; UM no.: Publication: British Library Document Supply Centre no. DX222652.
Fader, Donald.
Musical Thought and Patronage of the Italian Style at the Court of Philippe II, Duc d'Orléans (1674-1723). Ph.D., Musicology, Stanford University, 2000. ix, 458 p. illus., tbls., facs., mus. exs., transcr., transl., works lst., append., bibliog.
Research director: Albert Cohen
DDM Code: 41naFadD; DA no.: 61/11:4221; RILM no.: 00:8486dd; UM no.: 99-95208
Additional keywords: honnêteté, civility, reception history, querelle des anciens et des modernes, taste, opera, politics, Louis XIV, goûts-réunis, Bernard le Bouvier de Fontenelle, Charles Perrault, Claude Perrault, cantata, petit motet, Marc-Antoine Charpentier, Charles-Hubert Gervais, Etienne Loulié, Joseph Sauveur, Nicolas Bernier, André Campra, Antoine Coypel, Jean-Baptiste Stuck, Jean-Baptiste Morin, Antonio Guido Penthée, La Suite d'Armide
Falck, Myron Rudolph.
Seventeenth-Century Contrapuntal Theory in Germany. Ph.D., Theory, University of Rochester, 1965. 486 p.
DDM Code: 49cpFalM; DA no.: 27/06:1849-50; RILM no.: UM no.: 66-02810
Fall, Henry Cutler.
The Passion-Tide Cantatas of Christoph Graupner. Ph.D., Musicology, University of California at Santa Barbara, 1971. 2 vols., ix, 188 p. illus., mus. exs., transcr., works lst., bibliog.
DDM Code: 41saFalH; DA no.: 32/10:5824; RILM no.: 75:681dd; UM no.: 72-07457
Fanselau, Clemens.
Mehrstimmigkeit in J. S. Bachs Werken für Melodieinstrumente ohne Begleitung. Ph.D., Musicology, Humboldt Universität, Berlin, 2000. xiv, 430 p. illus., tbls., facs., mus. exs., bibliog., ind.
Research director: Hermann Danuser
DDM Code: 41poFanC; DA no.: RILM no.: 00:28097dd; UM no.: Publication: Berliner Musik Studien: Schriftenreihe zur Musikwissenschaft an der Berliner Hochschulen, vol. 22. Sinzig: Studio-Verlag, 2000.
ISBN 3-89564-062-X.
Additional keywords: latente Mehrstimmigkeit, Johann Georg Neidhardt, cantus fractus, Ernst Kurth, streams, manifeste Mehrstimmigkeit, Interpretation, Bach-Bogen, Chronologie
Farahat, Martha Ober Wieand.
Adriano Banchieri and the Madrigal Comedy. Ph.D., Musicology, University of Chicago, 1991.
Research director: J. Moore
DDM Code: 41seFarM; DA no.: 52/07:2453; RILM no.: 91:2326dd; UM no.: T-31608
Farley, Charles Edward.
The Organ Concerti of George Frideric Handel. Ph.D., Theory, Florida State University, 1962. 324 p.
DDM Code: 41keFarC; DA no.: 23/06:2165; RILM no.: UM no.: 62-04607
Farrar, Lloyd P.
Christian Huygens: His Musical Contributions to Seventeenth-Century Science. Ph.D., Musicology, University of Texas at Austin, 1962.
DDM Code: 49muFarL; DA no.: RILM no.: UM no.:
Fassbender, Carl.
Francesco Foggia (1604-1688). Beiträge zu seinem Leben und seinem Motettenschaffen. Ph.D., Musicology, Bonn, 1980. 349 p.
DDM Code: 41woFasC; DA no.: RILM no.: 80:4503dd; UM no.:
Fau, Elisabeth.
La gravure de musique à Paris des origines à la Revolution (1660-1789). Ph.D., Musicology, École nationale des Chartres, Paris, , 1978.
DDM Code: 48pvFauE; DA no.: RILM no.: UM no.:
Faulkner, Quentin.
The Symphoniae sacrae of Heinrich Schütz: A Manual for Performance. S.M.D., Sacred Music, Union Theological Seminary, 1975. vi, 342 p. illus., facs., mus. exs., transcr., append., bibliog.
DDM Code: 41saFauQ; DA no.: 36/01:17; RILM no.: 76:15199dd; UM no.: 75-14,954
Fay, Robert Vernon.
The Vocal Style of Michael Praetorius. Ph.D., Theory, University of Rochester, 1946. 281 p.
DDM Code: 41voFayR; DA no.: ADD 1947:79; RILM no.: UM no.: 01-62612
Fechner, Manfred.
Studien zur Überlieferung der Instrumentalkonzerte von G. Ph. Telemann, J. D. Heinichen, J. G. Pisendel, J. F. Fasch, G. H. Stölzel, J. J. Quantz und J. G. Graun. Untersuchungen an den Quellen und Thematischer Katalog. Ph.D., Musicology, Rostock, 1992.
DDM Code: 41soFecM; DA no.: RILM no.: 99:20249dd; UM no.:
Fedorovskaya, Natalia.
Rol ritoriki v Russkoj dukhovnoj pevcheskoj Kulture XVII-XVIII vekov (na primere temy pokaijania) [The Role of Rhetoric in the Russian Culture of Spiritual Singing in the Seventeenth and Eighteenth Centuries (by the Example of a Repentance Theme)]. Ph.D., Musicology, Theory, History of Culture, Far-Eastern State Technical University, 2003. xxiv, 150 p. illus., tbls., facs., mus. exs., transcr., append., bibliog.
Research director: Galina Alexeeva
DDM Code: 41saFedN; DA no.: RILM no.: UM no.:
Die Incisions-Lehre (Interpunctionslehre) bis zu Johann Mattheson. Zur Tradition eines didaktischen Modells. Ph.D., Musicology, Freiburg im Breisgau, 1990.
Research director: Rolf Dammann
DDM Code: 49srFeeK; DA no.: RILM no.: 91:777dd; UM no.:
Fenley, John Franklin.
The Ornamentation in Seven Flute Sonatas Composed by, or Attributed to, J. S. Bach. Ed.D., Music Education, University of Illinois at Urbana-Champaign, 1976. 477 p.
DDM Code: 41otFenJ; DA no.: 37/10:6129; RILM no.: UM no.: 77-08987
Ferenczi, Ilona.
A Rádai Graduál. Egy magyarországi notátor tevékenysége a 17. század elso évtizedeiben [The Rádai Gradual. A Notator's Activity in the First Decades of the 17th Century]. Ph.D., Musicology, Ferenc Liszt Academy of Music (State University), 1998. 2 vols., 325 p. illus., tbls., facs., mus. exs., transcr., append., bibliog., ind.
DDM Code: 41mcFerI; DA no.: RILM no.: UM no.:
Additional keywords: Gregorian Chant in Hungarian
Fiebig, Folkert.
Christoph Bernhard und der Stile Moderno. Untersuchungen zu Leben und Werk. Ph.D., Musicology, Hamburg, 1979. 408 p. facs., transcr., works lst., thematic cat., bibliog.
Research director: Hans Joachim Marx
DDM Code: 41woFieF; DA no.: RILM no.: 80:442dd; 80:4506dd; UM no.: Publication: Hamburg: Karl Dieter Wagner, 1980.
Field, C. D. S.
The English Consort Suite of the Seventeenth Century. Ph.D., Music, New College, Oxford, 1971.
DDM Code: 41enFieC; DA no.: RILM no.: 71:4778dd; UM no.: Publication: British Library Document Supply Centre no. D10733/74.
Fink, J. Harold.
Handel and the Doctrine of Affections: An Analysis of the Expressive Means in Handel's Oratorios and Correlations with the Doctrine of the Affections. Ph.D., Music, Case Western Reserve University, 1952.
DDM Code: 41saFinJ; DA no.: ADD 1953:252; RILM no.: UM no.: 01-91191
Finke-Hecklinger, Doris.
Tanzcharaktere in Johann Sebastian Bachs Vokalmusik. Ph.D., Musicology, Tübingen, 1963. vii, 159 p.
DDM Code: 41voFinD; DA no.: RILM no.: 74:294dd; UM no.: Publication: Trossinger: Hohner, 1970.
Fishbaugh, Ronald Lloyd.
Elements of Romantic Tendency in Selected Keyboard Works of J. S. Bach: A Study with References to the Visual Arts. Ph.D., Music, New York University, 1978. ix, 278 p. plts., mus. exs., bibliog.
Research director: Frances Aronoff
DDM Code: 41stFisR; DA no.: 39/04:1916; RILM no.: 78:2002dd; UM no.: 78-18,131
Fisher, Alexander J.
Music in Counter-Reformation Augsburg: Musicians, Rituals, and Repertories in a Religiously Divided City. Ph.D., Historical Musicology, Harvard University, 2001. xi, 481 p. illus., tbls., mus. exs., transl., works lst., append., bibliog.
Research director: Christoph Wolff
DDM Code: 41luFisA; DA no.: 62/04:1262; RILM no.: 01:12913dd; UM no.: 30-11369
Additional keywords: confessionalization, Catholic renewal, early modern Catholicism, liturgy, popular song, processions, pilgrimage, music and criminality
Fissinger, Edwin Russell.
Selected Sacred Works of Antonio Caldara. D.M.A., Performance, University of Illinois at Urbana-Champaign, 1965. 351 p.
DDM Code: 41saFisE; DA no.: 26/10:6088; RILM no.: UM no.: 65-11,779
Fjerstad, Helen Luvaas.
A Chronology of J. S. Bach's Organ Fugues by External and Stylistic Evidence. Ph.D., Theory, University of Iowa, 1979. 258 p.
DDM Code: 41keFjeH; DA no.: 40/07:3614; RILM no.: 79:2522dd; UM no.: 79-28573
Flassig, Fred.
Die solistische Gambenmusik in Deutschland im 18. Jahrhundert. Ph.D., Musicology, Augsburg, 1996. iv, 351 p. illus., thematic cat., bibliog.
Research director: Franz Krautwurst
DDM Code: 41snFlaF; DA no.: RILM no.: 99:26641dd; UM no.: Publication: Göttingen: Cuvillier, 1998. ISBN 3-89712-241-3.
Additional keywords: viol, gamba
Fleming, Michael David.
Michael Praetorius, Music Historian: An Annotated Translation of Syntagma musicum, I, Part I. Ph.D., Musicology, Washington University, 1979. 367 p.
DDM Code: 49trFleM; DA no.: 40/02:525; RILM no.: 79:2523dd; UM no.: 79-18595
Flesch, Siegfried.
Georg Friedrich Händels Triosonaten. Ph.D., Musicology, Halle-Salle, 1972.
DDM Code: 41chFleS; DA no.: RILM no.: UM no.:
Foelber, Paul Frederick.
Bach's Treatment of the Subject of Death in His Choral Music. Ph.D., Musicology, Catholic University of America, 1961. 435 p.
DDM Code: 41tmFoeP; DA no.: ADD 1961:137; RILM no.: UM no.: 02-23660
Fogle, James C. B.
Seventeenth-Century English Vocal Music as Reflected in British Library Additional Manuscript 11608. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1979. 2 vols., xxi, 566 p. illus., plts., tbls., mus. exs., works lst., append., bibliog., ind.
Research director: Howard E. Smither
DDM Code: 41voFogJ; DA no.: 40/05:2339; RILM no.: 79:376dd; UM no.: 79-25,909
Fontaine, Susanne.
Ferruccio Busonis Doktor Faust und die Ästhetik des Wunderbaren. Hab., Musicology, Hamburg, 1998. 320 p. illus., bibliog.
DDM Code: 41reFonS; DA no.: RILM no.: 99:26650dd; UM no.: Publication: Kassel: Bärenreiter, 1997. ISBN 3-7618-1416-X.
Additional keywords: Mary Magdalen, Italy, Germany, vanitas
Fontijn, Claire Anne.
Antonia Bembo: Les goûts réunis, Royal Patronage, and the Role of the Woman Composer during the Reign of Louis XIV. Ph.D., Musicology, Duke University, 1994. xiii, 705 p. illus., tbls., facs., mus. exs., transcr., append., bibliog.
Research director: Alexander Silbiger
DDM Code: 41mvFonC; DA no.: 55/10:3031; RILM no.: 94:1629dd; UM no.: 95-07489
Forbes, James.
The Nonliturgical Vocal Music of Johannes Hieronymus Kapsberger (1580-1651). Ph.D., Musicology, University of North Carolina at Chapel Hill, 1977. xi, 550 p. plts., mus. exs., transcr., works lst., bibliog., ind.
Research director: Howard E. Smither
DDM Code: 41voForJ; DA no.: 39/01:13; RILM no.: 77:428dd; UM no.: 78-10,442
Ford, Fred Ellis.
Selected Choral Works of Francesco Foggia and Pompeo Cannicciari Transcribed and Edited for High School and College Choirs. Ph.D., Music, George Peabody College for Teachers, 1977. 122 p.
DDM Code: 44ciForF; DA no.: 38/05:2402; RILM no.: 77:4526dd; UM no.: 77-25099
Ford, Robert.
Music and Musicians at Canterbury Cathedral, 1660-1760. Ph.D., Musicology, University of California at Berkeley, 1984.
Research director: Joseph Kerman
DDM Code: 41saForR; DA no.: ADD 1977; RILM no.: 84:1479dd; UM no.: 03-65637
Foreman, Edward Vaught.
A Comparison of Selected Italian Vocal Tutors of the Period ca. 1550 to 1800. D.M.A., Performance, University of Illinois at Urbana-Champaign, 1969. 165 p.
DDM Code: 41vqForE; DA no.: 31/02:783; RILM no.: 69:4683dd; UM no.: 70-13311
Formo, Paul Kristian.
The St. Matthew Passion of Heinrich Schütz: A Conductor's Analysis and Suggestions for Performance. D.M.A., Conducting, University of Iowa, 1976. vii, 89 p. tbls., mus. exs., bibliog.
DDM Code: 40cnForP; DA no.: 37/08:4684; RILM no.: UM no.: 77-03786
Forrester, Donald Williams.
Pablo Nassarre's Fragmentos Musicos: Translation and Commentary. Ed.D., Education, University of Georgia, 1969. 331 p.
DDM Code: 49trForD; DA no.: 30/12:5468; RILM no.: 69:3632dd; UM no.: 70-10,186
Fort, Robert E. Jr.
An Analysis of Thirteen Vesper Psalms of Antonio Vivaldi Contained in the Foa-Giordano Manuscripts with an Appendix Containing Photocopies of the Manuscripts. S.M.D., Musicology, Union Theological Seminary, 1971. 2 vols., 313 p. tbls., mus. exs., bibliog.
DDM Code: 41luForR; DA no.: 32/03:1549; RILM no.: 76:9621dd; UM no.: 71-23,418
Foster, Barbara Rainwater.
Dramatic Contrast in the Keyboard Sonatas of Domenico Scarlatti to 1746. D.M.A., Performance, University of Illinois at Urbana-Champaign, 1970. 173 p. mus. exs., bibliog., ind.
DDM Code: 41keFosB; DA no.: 31/05:2420; RILM no.: 70:379dd; UM no.: 70-20965
Foster, Donald Herbert.
Louis-Nicolas Clérambault and His Cantates françoises. Ph.D., Musicology, University of Michigan, 1967. 2 vols., 433 p.
DDM Code: 41voFosD; DA no.: 28/12:5088; RILM no.: 67:1562dd; UM no.: 68-7596
Foster, Walter Charles.
J. S. Bach's Musical Treatment of Negative Text Passages. Ph.D., Musicology, University of Texas, 1969. 257 p.
DDM Code: 41tmFosW; DA no.: 30/04:1586; RILM no.: UM no.: 69-15809
Fraley, Carolyn Jean.
Selected Masses of Angelo Berardi: An Analytical Study. Ph.D., Musicology, Catholic University of America, 1989. 318 p.
Research director: R. Ricks
DDM Code: 41luFraC; DA no.: 49/12:3543; RILM no.: 89:1083dd; UM no.: 89-08184
Additional keywords: G. P. Palestrina, liturgical music
Frandsen, Mary E.
The Sacred Concerto in Dresden, ca. 1660-1680. Ph.D., Musicology, Eastman School of Music, University of Rochester, 1997. 4 vols., xiii, 1457 p. tbls., facs., mus. exs., transcr., works lst., append., bibliog.
Research director: Kerala J. Snyder
DDM Code: 41saFraM; DA no.: 57/12:4976; RILM no.: 97:15270dd; UM no.: 97-17672
The Anthems of William Turner. Ph.D., Music, Stanford University, 1967. vi, 465 p.
DDM Code: 41saFraD; DA no.: 28/07:2711; RILM no.: 67:682dd; UM no.: 67-17,423
Franklin, Harriet Apperson.
Musical Activity in Ferrara, 1598 to 1618. Ph.D., Musicology, Brown University, 1976. v, 447 p. transcr., works lst., append., bibliog.
DDM Code: 41mvFraH; DA no.: 38/01:16; RILM no.: 76:9622dd; UM no.: 77-14,115
Fred, Herbert W.
The Instrumental Music of Johann Christoph Pepusch. Ph.D., Music, University of North Carolina at Chapel Hill, 1961. iv, 251 p.
DDM Code: 41imFreH; DA no.: 23/02:648-9; RILM no.: UM no.: 62-3121
Frederichs, Henning.
Das Passionsoratorium "Der für die Sünden der Welt gemarterte und sterbende Jesus" von Barthold Heinrich Brockes in den Vertonungen von Reinhard Keiser, Georg Philipp Telemann, Georg Friedrich Händel und Johann Mattheson. Ph.D., Musicology, Bochum, 1974.
DDM Code: 41saFreH; DA no.: RILM no.: 76:2560dd; UM no.: Publication: Musikwissenschaftliche Schriften, vol. 9. Wilhelming: Katzbichler, 1975.
Freeman, Daniel Evan.
The Opera Theater of Count Franz Anton von Sporck in Prague (1724-35). Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1987. v, 435 p. tbls., mus. exs., append., bibliog.
DDM Code: 41opFreD; DA no.: 49/01:9; RILM no.: 87:1858dd; UM no.: 88-03042
Freeman, Robert.
Opera without Drama: Currents of Change in Italian Opera, 1675 to 1725, and the Roles Played Therein by Zeno, Caldara, and Others. Ph.D., Music, Princeton University, 1967. 2 vols., ix, 399 p. append.
DDM Code: 41opFreR; DA no.: 28/05:1836; RILM no.: 76:9623dd; UM no.: 67-13,516
Freitas, Roger A.
Un Atto d'ingegno: A Castrato in the Seventeenth Century. Ph.D., Musicology, Yale University, 1998. xvii, 701 p. tbls., mus. exs., transcr., transl., append., bibliog.
Research director: Ellen Rosand
DDM Code: 47gsFreR; DA no.: 59/04:1001; RILM no.: 99:22956dd; UM no.: 98-31436
Additional keywords: Medici, Jules Mazarin, Louis XIV, cantata, sexuality
Freund, Cecilia K. Van de Kamp.
Alessandro Scarlatti's Duet Cantatas and Solo Cantatas with Obbligato Instruments. Ph.D., Music History and Literature, Northwestern Universtiy, 1979. 2 vols., 723 p. mus. exs., works lst., thematic cat., bibliog.
DDM Code: 41voFreC; DA no.: 40/06:2969; RILM no.: 79:377dd; UM no.: 79-27341
Fritz, Hans.
Harmonelle und konstitutionelle Bedingungsfelder als Grundlage des auf den italienischen Gesangsmethoden des 17. und 18. Jahrhunderts basierenden Kastratengesang. Ph.D., Musicology, Graz, 1991. 2 vols., 482 p.
DDM Code: 41voFriH; DA no.: RILM no.: 91:1444dd; UM no.:
Fromme, Arnold.
The Compositions for Three Choirs in the Canzoni et Sonate (Venice, 1615) of Giovanni Gabrieli: A Critical and Performing Edition. Ph.D., Music Education, New York University, 1980. 415 p.
Research director: Roger Phelps
DDM Code: 40imFroA; DA no.: 41/06:2345; RILM no.: UM no.: 80-27439
Früh, Beate.
Aktivitäten deutscher Musiker in England (etwa 1660-1710), unter besonderer Berücksichtigung des Liedschaffens. Ph.D., Musicology, Universität des Saarlandes, 1986.
DDM Code: 41voFruB; DA no.: RILM no.: 88:2247dd; UM no.:
Frum, Bernard.
The Dramatic-Dualistic Style Element in Keyboard Music Published before 1750. Ph.D., Musicology, Columbia University, 1969. 266 p. bibliog.
DDM Code: 41keFruB; DA no.: 33/01:348; RILM no.: 69:1056dd; UM no.: 72-19,057
Fuchs, Josef Reinerius.
Studien zu Artikulationsangaben in Orgel- und Clavierwerken von Johann Sebastian Bach. Ph.D., Musicology, Tübingen, 1984.
DDM Code: 41pfFucJ; DA no.: RILM no.: 85:5519dd; UM no.: Publication: Neuhausen/Stuttgart: Hänssler, 1985.
Fuchs, Torsten.
Studien zur Musikpflege in der Stadt Weissenfels und am Hofe der Herzöge von Sachsen-Weissenfeld. Ein Beitrag zur mitteldeutschen Musikgeschichte des 17. und 18. Jahrhunderts. Ph.D., Musicology, Halle, 1990. 400 p. facs., works lst., bibliog.
DDM Code: 41mvFucT; DA no.: RILM no.: 89:2449dd; UM no.:
Fuller, David Randall.
Eighteenth-Century French Harpsichord Music. Ph.D., Music, Harvard University, 1965. 2 vols., 349 p. mus. exs.
DDM Code: 41keFulD; DA no.: ADD 1965:168; RILM no.: UM no.: 02-48454
Fung, Eric K.
Johann Sebastian Bach's Overture in the French Manner, BWV 831: A Study in Motive, Harmony, and Rhythm. D.M.A., Music, Juilliard School, 2005. xiii, 176 p. mus. exs., bibliog.
Research director: Carl Schachter
DDM Code: 40keFunE; DA no.: RILM no.: UM no.:
Funk, Floyd D.
The Trio Sonatas of Georg Philipp Telemann (1681-1767). Ph.D., Musicology, George Peabody College, 1954. 320 p.
DDM Code: 41chFunF; DA no.: ADD 1955:245; RILM no.: UM no.: 02-01500
Furnas, Paul L.
The Manchester Gamba Book: A Primary Source of Ornaments for the Lyra Viol. Ph.D., Musicology, Stanford University, 1978. 2 vols., xii, 439 p. tbls., facs., transcr., bibliog., ind.
Research director: George Houle
DDM Code: 41mcFurP; DA no.: 38/12:7012; RILM no.: 78:5962dd; UM no.: 78-08,792
Gable, Frederick K.
The Polychoral Motets of Hieronymus Praetorius (1560-1629). Ph.D., Musicology, University of Iowa, 1966. 2 vols., xxxi, 630 p.
DDM Code: 41saGabF; DA no.: 27/11,3890-1; RILM no.: UM no.: 67-2619
Galloway, Robert J.
From Continuo to Obbligato Cembalo: A Study of the Changing Role of the Harpsichord in J. S. Bach's Harpsichord Concertos and Solo Sonatas with Obbligato Cembalo. Ph.D., Musicology, Michigan State University, 1996. ix, 330 p. tbls., mus. exs., bibliog.
Research director: Rosalie Schellhous
DDM Code: 41keGalR; DA no.: 57/05:1900; RILM no.: 96:7806dd; UM no.: 96-31272
Additional keywords: instrumental music
Gancarczyk, Pawel.
Musica scripto. Kodeksy menzuralne II polowy XV wieku na wschodzie Europy Lacinskiej [Musica scripto. Mensural Codices in Eastern Latin Europe in the Second Half of the Fifteenth Century]. Ph.D., Musicology, Warsaw, 1999. 617 p. illus., plts., tbls., facs., mus. exs., append., bibliog.
Research director: Elzbieta Witkowska-Zaremba
DDM Code: 41mcGanP; DA no.: RILM no.: UM no.: Publication: Warszawa, 2001. ISBN 83-85938-34-6.
Additional keywords: codicology, Czech manuscripts, Polish manuscripts, Hungarian manuscripts, Central-European music history
Gano, Peter William.
The Masses of Christoph Strauss. Ph.D., Musicology, University of California at Santa Barbara, 1971. xii, 301 p. mus. exs., transcr., append., bibliog.
DDM Code: 41luGanP; DA no.: RILM no.: 76:9625dd; UM no.:
Garavaglia, Andrea.
Il mito delle Amazzoni nell'opera italiana fra Sei e Settecento. Ph.D., Musicology, Università di Pavia, 2007. ix, 406 p. illus., plts., tbls., mus. exs., transcr., append., bibliog.
Research director: Fabrizio Della Seta
DDM Code: 41opGarA; DA no.: RILM no.: UM no.:
Garbe, Daniela.
Das Musikalienrepertoire von St. Stephani zu Helmstedt: Ein Bestand an Drucken und Handschriften des 17. Jahrhunderts. Ph.D., Musicology, Göttingen, 1998. 2 vols., xv, 443 p. works lst.
Research director: M. Staeheim
DDM Code: 45saGarD; DA no.: RILM no.: 98:121dd; UM no.: Publication: Wolfenbütteler Arbeiten zur Barockforschung, vol. 33. Wiesbaden: Harrassowitz, 1994. ISBN 3-447-04042-4.
Garcia-Ferreras, Arsenio.
Juan Bautista Cabanilles. Sein Leben und Werk. Die Tientos für Orgel. Ph.D., Musicology, Köln, 1973. vi, 184 p.
DDM Code: 41woGarA; DA no.: RILM no.: 74:2107dd; UM no.: Publication: Regensburg: Bosse, 1973.
Garrett, Lee Raymond.
Adriano Banchieri's Conclusioni nel suono dell'organo of 1609: A Translation and Commentary. D.M.A., Performance, University of Oregon, 1972.
DDM Code: 49trGarL; DA no.: 33/09:5224; RILM no.: 73:1772dd; UM no.: 73-7895
Gartrell, Carol.
The Baryton and Its Music. Ph.D., Musicology, University of Surrey, 1984.
DDM Code: 41snGarC; DA no.: RILM no.: 00:53820dd; UM no.: Publication: British Library Document Supply Centre no. D47816/83.
Gauger, Ronald Raymond.
Ostinato Techniques in Chaconnes and Passacaglias of Pachelbel, Buxtehude and J. S. Bach. D.M.A., Performance, University of Wisconsin at Madison, 1974. iv, 95 p. mus. exs., append., bibliog.
DDM Code: 49cmGauR; DA no.: 35/09:6181; RILM no.: 76:15528dd; UM no.: 74-26,494
Gavito, Cory M.
The Alfabeto Song in Print, 1610-ca. 1665: Neapolitan Roots, Roman Codification, and "il gusto popolare". Ph.D., Musicology, University of Texas at Austin, 2006. xiv, 247 p. illus., tbls., mus. exs., transcr., transl., append., bibliog., ind.
Research director: Andrew Dell'Antonio
DDM Code: 41pvGavC; DA no.: 68/10; RILM no.: UM no.: 32-84670
Additional keywords: Giovanni Battista Robletti, Giovanni Stefani, Pietro Millioni, Remigio Romano, Andrea Falconieri, Girolamo Montesardo (Melcarne), Stefano Pesori, guitar, tablature, canzonetta, villanella, pastoral, scherzo, siciliana
Gaylard, Timothy.
Study of Music By-laws for English Music in the Seventeenth Century. Ph.D., Musicology, Columbia University, 1987.
Research director: J. Newman
DDM Code: 41mvGayT; DA no.: 49/03:374; RILM no.: 87:8396dd; UM no.: 88-09352
Geck, Karl Wilhelm.
Sophie Elisabeth Herzogin zu Braunschweig und Lüneburg (1613-1676) als Musikerin. Ph.D., Musicology, Universität des Saarlandes, 1991. 536 p. facs., mus. exs., thematic cat., bibliog.
Research director: Werner Braun
DDM Code: 41boGecK; DA no.: RILM no.: 92:2512bm; UM no.: Publication: Saarbrücker Studien zur Musikwissenschaft, no. 6. Saarbrücken: Saarbrücker Druckerei, 1992. ISBN 3-925036-61-X.
Geiser, Brigitte.
Studien zur Frühgeschichte der Violine. Ph.D., Musicology, Bern, 1974. 137 p. illus., plts., append., bibliog.
DDM Code: 43snGeiB; DA no.: RILM no.: 76:14827dd; UM no.: Publication: Bern: Paul Haupt, 1974.
Genesi, Mario Giuseppe.
Il primo e il secondo libro di diversi capricci per sonare di Ascanio Mayone. Laurea, Musicology, Bologna, 1990. 200 p. illus., plts., tbls., facs., mus. exs., transcr., transl., works lst., thematic cat., bibliog., ind.
Research director: Loris Azaroni
DDM Code: 41imGenM; DA no.: RILM no.: 90:2167dd; UM no.:
Angelo Michele Bartolotti: A Performance Edition of 13 Suites from the Publication Secondo Libro di Chitarra of 1655. D.M.A., Performance, Arizona State University, 2005. 250 p. transcr.
Research director: Frank Koonce
DDM Code: 40imGeoJ; DA no.: 66/02:402; RILM no.: 05:6298dd; UM no.: 31-66098 Publication: ISBN 0-542-01348-7.
Additional keywords: baroque
Gervers, Hilda F.
A Seventeenth-Century Manuscript of English Keyboard Music: The New York Public Library MS Drexel 5612. Ph.D., Musicology, New York University, 1974. 2 vols., xxi, 469 p. plts., tbls., facs., mus. exs., works lst., thematic cat., append., bibliog., ind.
DDM Code: 41mcGerH; DA no.: 35/07:4585; RILM no.: 74:1934dd; UM no.: 74-29981
Gianturco, Carolyn M.
The Operas of Alessandro Stradella (1644-1682). Ph.D., Musicology, Oxford University, 1970. 2 vols., 375 p. mus. exs., works lst., bibliog., ind.
DDM Code: 41opGiaC; DA no.: RILM no.: 70:1687dd; UM no.:
Gibson, Elizabeth Anne.
The Royal Academy of Music, 1719-1728: The Institution and its Directors. Ph.D., Musicology, King's College, University of London, 1989. 520 p.
Research director: B. Trowell
DDM Code: 41mvGibE; DA no.: RILM no.: 89:2460dd; UM no.: Publication: Outstanding Dissertations in Music from British Universities. New York: Garland, 1986. ISBN 0-8240-2342-0.
Gibson, Jonathan B.
Le Naturel and L'Éloquence: The Aesthetics of Music and Rhetoric in France, 1650-1715. Ph.D., Musicology, Duke University, 2003. xiii, 334 p. illus., tbls., facs., mus. exs., append., bibliog.
Research director: Alexander Silbiger
DDM Code: 41aeGibJ; DA no.: 65/01:99; RILM no.: 03:15470dd; UM no.: 31-20183
The Masses of Johann Caspar Kerll. Ph.D., Musicology, University of Michigan, 1957. 391 p.
DDM Code: 41luGieA; DA no.: 18/04:1453; RILM no.: UM no.: LC Mic 58-919
Gille, Gottfried.
Der Schützschüler David Pohle (1624-1695). Seine Bedeutung für die deutsche Musikgeschichte des 17. Jahrhunderts. Ph.D., Musicology, Halle-Saale, 1974.
DDM Code: 41woGilG; DA no.: RILM no.: 76:2564dd; UM no.:
Gillespie, John Edward.
The Harpsichord Works of Nicolas Le Bègue. Ph.D., Music, University of Southern California, 1951. 339 p.
DDM Code: 41keGilJ; DA no.: ADD 1951:221; RILM no.: UM no.: 02-76819
Gillespie, Joseph Norman.
The Life and Work of Henry Carey (1687-1743). Ph.D., Musicology, Royal Holloway College, University of London, 1982. 2 vols., 785 p. illus., plts., transcr., works lst., append., bibliog.
Research director: Ian Spink
DDM Code: 41woGilJ; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DX212083.
Additional keywords: Henry Purcell, John Eccles, Thomas A. Arne, John Stanley, masque, song, opera
Gleissner, Walter.
Die Vespern von Johann Joseph Fux. Ph.D., Musicology, Mainz, 1980.
Research director: Oehl
DDM Code: 41luGleW; DA no.: RILM no.: 84:1491dd; UM no.:
Glixon, Beth Lise.
Recitative in Seventeenth-Century Venetian Opera: Its Dramatic Function and Musical Language. Ph.D., Music History and Theory, Rutgers University, 1985. ix, 462 p. mus. exs., append., bibliog.
DDM Code: 41opGliB; DA no.: 46/07:1772; RILM no.: 85:1632dd; UM no.: 85-20,360
Gmeinwieser, Siegfried.
Girolamo Chiti (1679-1759). Eine Untersuchung zur Kirchenmusik in S. Giovanni in Laterano. Ph.D., Musicology, Köln, 1967. 2 vols., 423 p. facs., mus. exs., works lst., ind.
DDM Code: 41saGmeS; DA no.: RILM no.: 68:3237dd; UM no.:
Godding, Marc Antone Jr.
The Eighteenth-Century English Organ Voluntary: A Critical and Analytical Study with a New Edition of Four Voluntaries by Henry Heron. D.M.A., Performance, University of Rochester, 1971. iv, 158 p. illus., tbls., mus. exs., transcr., append., bibliog.
DDM Code: 41keGodM; DA no.: RILM no.: 76:9640dd; UM no.:
Goldberg, Clemens.
Stilisierung als Kunst vermittelnder Prozess. Die französischen Tombeau-Stücke im 17. Jahrhundert. Ph.D., Musicology, Heidelberg, 1986.
Research director: Ludwig Finscher
DDM Code: 41stGolC; DA no.: RILM no.: UM no.:
Gonzalez-Marin, Luis Antonio.
Música en las catedrales aragonesas en el siglo XVII: La composición de Lamentaciones. F.Lic., Musicology, University of Zaragoza, 1986. xvi, 212 p. mus. exs., transcr., append., bibliog.
DDM Code: 41luGonL; DA no.: RILM no.: UM no.:
Gooch, Bryan Niel Shirley.
Poetry and Music in England: A Comparison of Styles from 1660 to 1760. Ph.D., English Literature, University of London, 1968. 773 p. illus., mus. exs., bibliog.
DDM Code: 41ltGooB; DA no.: RILM no.: 70:1689dd; UM no.:
Goodall, James R.
English Through-composed Solo Song and Chamber Cantata, 1660-c1785. Ph.D., Musicology, Oxford University, 1979.
DDM Code: 41seGooJ; DA no.: RILM no.: 79:6168dd; UM no.: Publication: British Library Document Supply Centre no. D32368/80.
Gordon-Seifert, Catherine E.
The Language of Music in France: Rhetoric as a Basis for Expression in Michel Lambert's Les Airs de Monsieur Lambert (1669) and Bénigne de Bacilly's Les Trois livres d'airs (1668). Ph.D., Musicology, University of Michigan, 1994. 2 vols., xviii, 499 p. illus., facs., mus. exs., transl., bibliog.
Research director: Louise K. Stein
DDM Code: 41voGorC; DA no.: 55/04:790; RILM no.: 94:14592dd; UM no.: 94-23190
Additional keywords: French songs, music and poetry
Gore, Richard Taylor.
The Instrumental Works of Georg Muffat. Ph.D., Theory, University of Rochester, 1955. 260 p.
DDM Code: 41imGorR; DA no.: ADD 1956:137; RILM no.: UM no.: 02-70483
Gorman, Sharon Lee.
Rhetoric and Affect in the Organ Praeludia of Dieterich Buxtehude (1637-1707). Ph.D., Music, Stanford University, 1990. 272 p. tbls., mus. exs., bibliog.
Research director: William Mahrt
DDM Code: 41keGorS; DA no.: 51/08:2559; RILM no.: 90:2178dd; UM no.: 91-02270
Tutti and Concertino in Selected Baroque Keyboard Works. Ph.D., Theory, Florida State University, 1972. 54 p.
DDM Code: 49srGotR; DA no.: 33/07:3693; RILM no.: 76:15531dd; UM no.: 72-31,398
Gouk, Penelope.
Music in the Natural Philosophy of the Early Royal Society. Ph.D., , Warburg Institute, London, 1982.
DDM Code: 46phGouP; DA no.: RILM no.: 82:3861dd; UM no.: Publication: British Library Document Supply Centre no. DX193539.
Gould, Albert Oren.
The Flute Sonatas of Georg Friedrich Handel: A Stylistic Analysis and Historical Survey. Ed.D., Music Education, University of Illinois at Urbana-Champaign, 1961. 206 p.
DDM Code: 41wnGouA; DA no.: 22/12:3690; RILM no.: UM no.: 62-00607
Grace, Michael Dougherty.
Marco Marazzoli and the Development of the Latin Oratorio. Ph.D., Music History, Yale University, 1974. v, 186 p. plts., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 41saGraM; DA no.: 35/07:4586; RILM no.: 76:9642dd; UM no.: 75-01,362
Grandjean, Wolfgang.
Das katholische deutsche Kirchenlied in den Trierischen Kirchengesangbüchern. Ph.D., Musicology, Bonn, 1973.
DDM Code: 41saGraW; DA no.: RILM no.: 74:4225dd; UM no.:
Grant, Donald Roy.
The Early Clarinet. D.M.A., Performance, University of Texas at Austin, 1975.
Research director: D. Rogers
DDM Code: 43wnGraD; DA no.: 38/02:537-8; RILM no.: UM no.: 05-10857
Grant, Jason Benjamin.
The Rise of Lyricism and the Decline of Biblical Narration in the Late Liturgical Passions of Georg Philipp Telemann. Ph.D., Musicology, University of Pittsburgh, 2005. 263 p.
Research director: Don O. Franklin
DDM Code: 41saGraJ; DA no.: 66/09:3147; RILM no.: 05:13263dd; UM no.: 31-88951 Publication: ISBN 0-542-31130-5.
Grant, Wendy Lyn.
The Court Odes of Henry Purcell: An Evaluation of His Style from 1680 to 1695. Ph.D., Musicology, University of Victoria, 1998. 386 p.
Research director: Erich Schwandt and Bryan Gooch
DDM Code: 41stGraW; DA no.: 60/03:586; RILM no.: 00:11233dd; UM no.: NQ-36640 Publication: ISBN 0-612-36640-5.
Grassl, Markus.
Die in Orgeltabulaturen überlieferten Instrumentalwerke Jacob Hasslers und ihre stilistischen Grundlagen. Ph.D., Musicology, Wien, 1988. 460 p. mus. exs., bibliog.
DDM Code: 41keGraM; DA no.: RILM no.: 88:1829dd; UM no.:
Graumann, Keith David.
Antonio Vivaldi: Performance Editions of Nine Sacred Vocal Works on Liturgical Texts Preserved in the Raccolta Foa-Giordano. D.M.A., Music, University of Oklahoma, 1981. 445 p.
DDM Code: 40ebGraK; DA no.: 42/02:444; RILM no.: 81:2478dd; UM no.: 81-16596
Gravenhorst, Tobias.
Proportionen und Allegorie in der Musik des Hochbarock: Untersuchungen zur Zahlenmystik des 17. Jahrhunderts mit beigefügtem Lexikon. Ph.D., Musicology, Freiburg im Breisgau, 1995. 199 p. tbls., bibliog.
Research director: Hermann Danuser
DDM Code: 41srGraT; DA no.: RILM no.: 95:11952dd; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 138. Frankfurt am Main: Peter Lang, 1994. ISSN 0721-3611. ISBN 3-631-48638-3.
Green, Burdette Lamar.
The Harmonic Series from Mersenne to Rameau: A Historical Study of Circumstances Leading to Its Recognition and Application to Music. Ph.D., Music, Ohio State University, 1969. 518 p.
DDM Code: 49muGreB; DA no.: 30/10:4478; RILM no.: 75:4453dd; UM no.: 70-6786
Green, Douglass Marshall.
The Instrumental Ensemble Music of Leonardo Leo against the Background of Contemporary Neapolitan Music. Ph.D., Musicology, Boston University, 1958. 290 p.
DDM Code: 41enGreD; DA no.: 19/04:829; RILM no.: UM no.: LC Mic 58-3099
Green, John David.
A Concerto for Solo Transverse Flute, Two Violins and Bass by Johann Michael Breunich: An Edition. D.M.A., Music Education, University of Missouri, 1982. vii, 124 p. tbls., facs., mus. exs., append., bibliog.
Research director: Leroy Pogemiller
DDM Code: 41wnGreJ; DA no.: 43/03:580; RILM no.: 82:383dd; UM no.: 82-16962
Green, Robert A.
Annotated Translation and Commentary of the Works of Jean Rousseau: A Study of Late Seventeenth-Century Musical Thought and Performance Practice. Ph.D., Musicology, Indiana University, 1979. 459 p.
DDM Code: 41trGreR; DA no.: 40/10:5241; RILM no.: 79:1583dd; UM no.: 80-07,961
Green, Thomas Richard.
Early Rameau Sources: Studies in the Origins and Dating of the Operas and Other Musical Works. Ph.D., Music History, Brandeis University, 1992. 3 vols., 1360 p.
Research director: Robert L. Marshall
DDM Code: 41mcGreT; DA no.: 53/06:1716; RILM no.: 92:431dd; UM no.: 92-29464
The Sacred Duets and Terzets of Johann Sebastian Bach: A Study of Genre and Musical Text Interpretation. Ph.D., Musicology, Harvard University, 1996. xv, 505 p. tbls., facs., mus. exs., transl., works lst., append., bibliog.
Research director: Christoph Wolff
DDM Code: 41saGreM; DA no.: 57/05:1901; RILM no.: 96:7808dd; UM no.: 96-31499
Additional keywords: Baroque, vocal
Gressang, Jean C.
Textural Procedures in Instrumental Ensemble Music and Chamber Music prior to the Classic Period. Ph.D., Musicology, Florida State University, 1978. 187 p.
DDM Code: 41imGreJ; DA no.: 39/06:3211; RILM no.: 78:3951dd; UM no.: 78-22170
Griffin, Julia Ann.
The Oratorios of Giovanni Paolo Colonna and the Late Seventeenth-Century Oratorio Tradition in Bologna and Modena. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1978. 476 p. transcr., append., bibliog.
DDM Code: 41saGriJ; DA no.: 40/01:17; RILM no.: 78:4859dd; UM no.: 79-14,353
Griffin, Thomas Edward.
The Late Baroque Serenata in Rome and Naples: A Documentary Study with Emphasis on Alessandro Scarlatti. Ph.D., Musicology, University of California at Los Angeles, 1983. xxx, 871 p. illus., works lst., append., bibliog., ind.
DDM Code: 41voGriT; DA no.: 45/01:11; RILM no.: 83:4794dd; UM no.: 84-08,809
Griffioen, Ruth van Baak.
Jacob van Eyck's Der Fluyten Lust-hof (1644-c1655). Ph.D., Musicology, Stanford University, 1988. xiv, 502 p. tbls., facs., mus. exs., transcr., works lst., thematic cat., append., discog., bibliog.
DDM Code: 41wnGriR; DA no.: 49/06:1306; RILM no.: 88:2276dd; UM no.: 88-15005
Griffiths, Wanda R.
Jacquet de la Guerre's Cephale et Procris: Style and Performance. Ph.D., Musicology, Claremont Graduate School, 1992. 2 vols., 1141 p.
Research director: Roland Jackson
DDM Code: 41opGriW; DA no.: 53/11:3725; RILM no.: 92:433dd; UM no.: 92-38846
Großpietsch, Christoph.
Graupners Ouvertüren und Tafelmusik: Studien zur Darmstadter Hofmusik und thematischer Katalog. Ph.D., Musicology, Heidelberg, 1992. 427 p. thematic cat.
Research director: Ludwig Finscher
DDM Code: 41oqGroC; DA no.: RILM no.: 94:3557bm; UM no.: Publication: Beiträge zur mittelrheinischen Musikgeschichte, no. 32. Mainz: Schott, 1994. ISBN 3-7957-1334-X.
Grosse-Boymann, Gilbert.
Studien zur neapolitanischen Kirchenmusik in der 1. Hälfte des 18. Jahrhunderts unter besonderer Berücksichtigung von Domenico Scarlatti und Francesco Durante. Ph.D., Musicology, Münster.
DDM Code: 41saGroG; DA no.: RILM no.: UM no.:
Grossman, Margaret Rosso.
G. B. Doni and Theatrical Music. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1977. vii, 330 p. append., bibliog.
Research director: Herbert Kellman
DDM Code: 46crGroM; DA no.: 38/06:3128; RILM no.: 76:434dd; UM no.: 77-26,671
Grout, Donald J.
The Origins of the opéra comique. Ph.D., Music, Harvard University, 1939. 5 vols., 823 p.
DDM Code: 41opGroD; DA no.: ADD 1939:90; RILM no.: UM no.: 01-47653
Grubbs, John Whitfield.
The Sacred Vocal Music of the Graun Brothers: A Bio-Bibliographical Study. Ph.D., Music, University of California at Los Angeles, 1972. 2 vols., xxiii, 1331 p. plts., tbls., thematic cat., append., bibliog., ind.
DDM Code: 41saGruJ; DA no.: 33/07:3694; RILM no.: 76:10001dd; UM no.: 72-33,927
Gruber, Albion.
Evolving Tonal Theory in Seventeenth-Century France. Ph.D., Theory, University of Rochester, 1969. x, 312 p. illus., tbls., mus. exs., append., bibliog.
DDM Code: 49toGruA; DA no.: 30/06:2559; RILM no.: 69:2736dd; UM no.: 69-19,779
Gudger, William D.
The Organ Concertos of G. F. Handel: A Study Based on the Primary Sources. Ph.D., Music History, Yale University, 1973. 2 vols., v, 740 p. tbls., mus. exs., thematic cat., append., bibliog.
DDM Code: 41keGudW; DA no.: 34/11:7267; RILM no.: 74:302dd; UM no.: 74-11,480
Guion, David Michael.
The Trombone and Its Music, 1697-1811. Ph.D., Musicology, University of Iowa, 1985. 359 p.
Research director: Frederick Crane
DDM Code: 41brGuiD; DA no.: 46/06:1435; RILM no.: 85:5368dd; UM no.: 85-18834
Gundlach, Klaus-Jürgen.
Johann Philipp Krieger--Das geistliche Vokalwerk. Ph.D., Musicology, Halle-Saale, 1981.
DDM Code: 41saGunK; DA no.: RILM no.: 83:4797dd; UM no.:
Gürtelschmied, Walter.
Paolo Lorenzani (1640-1713). Leben. Werk. Thematischer Katalog. Ph.D., Musicology, Wien, 1975. 417 p. mus. exs., works lst., thematic cat., bibliog.
DDM Code: 41woGurW; DA no.: RILM no.: 76:8253dd; UM no.:
Gustafson, Bruce.
Sources of Seventeenth-Century French Harpsichord Music. Ph.D., Musicology, University of Michigan, 1977. 5 vols., 1347 p.
DDM Code: 41keGusB; DA no.: 37/11:6827; RILM no.: 77:2122dd; UM no.: 77-10,131
Gutmann, Veronika.
Die Improvisation auf der Viola da gamba in England im 17. Jahrhundert und ihre Wurzeln im 16. Jahrhundert. Ph.D., Musicology, Wien, 1975. 297 p. mus. exs., bibliog., ind.
Research director: O. Wesseley
DDM Code: 41snGutV; DA no.: RILM no.: 79:5573dd; UM no.: Publication: Wiener Veröffentlichungen zur Musikwissenschaft, vol. 19. Tutzing: Schneider, 1979.
Haberlen, John Black.
A Critical Survey of the Oratorio Passion in North Germany to 1700. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1973. vii, 319 p. tbls., facs., mus. exs., append., bibliog.
DDM Code: 41saHabJ; DA no.: 35/01:497-8; RILM no.: 74:304dd; UM no.: 74-14,545
Häfner, Klaus.
Verschollen geglaubte Sätze des Bachschen Vokalwerks. Neue Beiträge zum Parodieverfahren bei Johann Sebastian Bach. Ph.D., Musicology, Heidelberg, 1986.
Research director: R. Hammerstein
DDM Code: 41cmHafK; DA no.: RILM no.: UM no.:
Hajdu, John H.
The Life and Works of Jean Gilles (1668-1705). Ph.D., Musicology, University of Colorado at Boulder, 1973. xvii, 311 p. plts., tbls., mus. exs., works lst., thematic cat., append., discog., bibliog.
DDM Code: 41woHajJ; DA no.: 34/07:4314; RILM no.: 76:9647dd; UM no.: 73-32,544
Haldeman, William.
The Vocal Compositions of Christian Erbach. Ph.D., Musicology, University of Rochester, 1962. 2 vols., 333 p.
DDM Code: 41voHalW; DA no.: 26/04:2252-3; RILM no.: UM no.: 63-02378
Hall, Frederick Albert.
The Polyphonic Italian Madrigal: 1638 to 1745. Ph.D., Musicology, University of Toronto, 1978. 3 vols., iv, 438 p. mus. exs., transcr., works lst., append., bibliog.
Research director: C. Morey
DDM Code: 41voHalF; DA no.: 39/07:3906; RILM no.: 78:2633dd; UM no.:
Hall, Marion Austin.
The Solo Cantatas of Jean-Baptiste Morin. D.M.A., Performance, University of Illinois at Urbana-Champaign, 1967. 217 p. mus. exs., works lst., bibliog., ind.
DDM Code: 41voHalM; DA no.: 28/08:3209; RILM no.: 68:340dd; UM no.: 68-01762
Hall, Monica J. L.
The Guitar Anthologies of Santiago de Murcia. Ph.D., Musicology, Open University, 1984.
DDM Code: 41snHalN; DA no.: RILM no.: 83:2560dd; UM no.: Publication: British Library Document Supply Centre no. D50374/84.
Hall, Thomas E.
Te Deum in D Major by Francesco Antonio Urio: An Edition and Performance. D.M.A., Conducting, University of Maryland at College Park, 1996. 426 p.
Research director: Paul Traver
DDM Code: 41soHalT; DA no.: 75/10:4182; RILM no.: 96:13232dd; UM no.: 97-07693
Additional keywords: Dettingen, choral
Halsell, George Kay.
North Italian Sacred Ensemble Music of the First Third of the Seventeenth Century Calling for Participation by One or More Trombones: An Annotated Anthology with Historical Introduction and Commentary. D.M.A., Performance, University of Texas at Austin, 1989. 3 vols., 904 p. tbls., transcr., works lst., append., bibliog.
Research director: Robert J. Snow
DDM Code: 41brHalG; DA no.: 50/06:1475; RILM no.: 89:1102dd; UM no.: 89-20717
Hanks, Sarah E.
The German Unaccompanied Keyboard Concerto in the Early Eighteenth Century, Including Works of Walther, Bach, and Their Contemporaries. Ph.D., Musicology, University of Iowa, 1972. x, 359 p. illus., plts., tbls., facs., mus. exs., thematic cat., append., bibliog.
DDM Code: 41keHanS; DA no.: 33/07:3695-6; RILM no.: 72:1635dd; UM no.: 73-636
Hanley, Edwin H.
Alessandro Scarlatti's Cantate da camera: A Bibliographical Study. Ph.D., Music History, Yale University, 1963. 546 p.
DDM Code: 45voHanE; DA no.: 34/10:6686; RILM no.: UM no.: 74-07897
Hanning, Barbara Russano.
The Influence of Humanist Thought and Italian Renaissance Poetry on the Formation of Opera. Ph.D., Musicology, Yale University, 1969. vi, 374 p. mus. exs., works lst., bibliog.
DDM Code: 41opHanB; DA no.: 30/04:1587; RILM no.: 69:850dd; UM no.: 69-16,005
Hansell, Sven Hostrup.
The Solo Cantatas, Motets, and Antiphons of Johann Adolf Hasse. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1966. xvii, 720 p.
DDM Code: 41saHanS; DA no.: 28/01:250-2; RILM no.: UM no.: 67-06623
Hansen, Edward Allen.
Anomaly in the Organ Fugue Subjects of J. S. Bach. Ph.D., Music, University of Washington, 1965. 170 p.
DDM Code: 49cpHanE; DA no.: 27/01:221-22; RILM no.: UM no.: 66-05843
Hardie, Graham Hood.
Leonardo Leo (1694-1744) and His Comic Operas Amor vuol sofferenze and Alidoro. Ph.D., Musicology, Cornell University, 1973. vii, 289 p. tbls., mus. exs., append., bibliog.
DDM Code: 41opHarG; DA no.: 34/03:1313; RILM no.: 73:3460dd; UM no.: 73-20,162
Hardie, Richard Lawrence.
"Curiously fitted and contriv'd": Production Strategies Employed by John Walsh, from 1695 to 1712, with a Descriptive Catalogue of His Instrumental Publications. Ph.D., Musicology, University of Western Ontario, 2000. 391 p. works lst., append.
Research director: Sandra Mangsen
DDM Code: 48puHarR; DA no.: 62/04:1263; RILM no.: 00:50702dd; UM no.: NQ-58171 Publication: ISBN 0-612-58171-3.
The Registration of J. S. Bach's Organ Works: A Study of German Organ-Building and Registration Practices of the Late Baroque Era. Ph.D., Performance Practice, Washington University, 1971. vii, 372 p. tbls., append., bibliog.
DDM Code: 41pfHarT; DA no.: 32/04:2119; RILM no.: 76:14619dd; UM no.: 71-27,323
Harness, Kelley A.
Amazzoni di Dio: Florentine Musical Spectacle under Maria Maddelena d'Austria and Cristina di Lorena (1620-30). Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1996. xiii, 504 p. illus., plts., tbls., mus. exs., transcr., transl., append., bibliog.
Research director: John Walter Hill
DDM Code: 41opHarK; DA no.: 57/08:3317; RILM no.: 96:3138dd; UM no.: 97-02533
Additional keywords: Andrea Salvadori, Jacopo Cicognini, Marco da Gagliano, Francesca Caccini, Jacopo Peri, Medici family, women rulers
Harper, John Martin.
The Instrumental Canzonas of Girolamo Frescobaldi: A Comparative Edition and Introductory Study. Ph.D., Music, University of Birmingham, 1975. 4 vols., vi, 978 p. tbls., mus. exs., transcr., works lst., append., bibliog., ind.
Research director: J. W. Keys
DDM Code: 41enHarJ; DA no.: RILM no.: 76:9654dd; UM no.:
Harris, Brian Lorne.
The Published Trio Sonatas of Francesco Antonio Bonporti (1672-1748). Ph.D., Musicology, University of Washington, 1980. viii, 562 p. illus., plts., tbls., mus. exs., transcr., append., bibliog.
Research director: R. Harman
DDM Code: 41chHarB; DA no.: 40/12:6060; RILM no.: UM no.: 80-13,532
Harris, Charles David.
Keyboard Music in Vienna during the Reign of Leopold I, 1658-1705. Ph.D., Musicology, University of Michigan, 1967. 323 p.
DDM Code: 41keHarC; DA no.: 28/12:5091; RILM no.: 76:9655dd; UM no.: 68-07,618
Harris, Ellen Turner.
Handel's Pastoral Genre: Its Literary and Musical Antecedents. Ph.D., Musicology, University of Chicago, 1976. vii, 445 p. tbls., facs., mus. exs., append., bibliog.
Research director: Robert Marshall
DDM Code: 41opHarE; DA no.: 37/06:3256; RILM no.: 76:494dd; UM no.: T-26056
Harris, Frances Claire.
Jean-Claude Gilliers: Theatre Musician of the Early Eighteenth Century. Ph.D., Music, University of Minnesota, 1975. 280 p.
DDM Code: 41drHarF; DA no.: 36/07:4095; RILM no.: 76:9656dd; UM no.: 76-00,405
Harris, Robert Lawton.
Music for Women's Chorus from the Venetian Ospedali by Nicola Porpora: The British Museum Manuscripts. D.M.A., Performance, University of Washington, 1979. 176 p.
Research director: Abraham Kaplan
DDM Code: 40ciHarR; DA no.: 40/06:2970; RILM no.: 79:3450dd; UM no.: 79-37802
Harrison, John Fussell.
The Secular Works of William Croft. Ph.D., Musicology, Bryn Mawr College, 1977. viii, 377 p. plts., tbls., mus. exs., transcr., thematic cat., append., bibliog.
Research director: Isabelle Cazeaux
DDM Code: 41seHarJ; DA no.: 39/12:7046; RILM no.: 78:4543dd; 77:4532dd; UM no.: 79-12987
Harriss, Ernest Charles.
Johann Mattheson's Der vollkommene Capellmeister: A Translation and Commentary. Ph.D., Musicology, George Peabody College, 1969. 1586 p.
DDM Code: 49trHarE; DA no.: 30/11:5016; RILM no.: 76:9657dd; UM no.: 70-07,632
Harshbarger, George Allen.
The Mass in G by Ignacio Jerusalem and Its Place in the California Mission Music Repertory. D.M.A., Performance, University of Washington, 1985. 247 p.
DDM Code: 41luHarG; DA no.: 46/07:1773; RILM no.: 85:2107dd; UM no.: 85-21599
Hart, Gordon Q.
A Study and Edition of the Zarzuela, Las nuevas armas de Amor, Music by Sebastián Durón, Libretto by José de Cañizares. M.Litt., Spanish, University of Newcastle upon Tyne, 1974. 2 vols., xi, 280 p. transcr., works lst., append., bibliog.
Research director: T. R. A. Mason
DDM Code: 40opHarG; DA no.: RILM no.: 74:11024dd; UM no.:
Additional keywords: Spanish theatre music, late seventeenth century, early eighteenth century
Hathaway, Janet J.
Cloister, Court and City: Musical Activity of the Monasterio de las Descalzas Reales (Madrid), ca. 1660-1700. Ph.D., Musicology, New York University, 2005. 319 p.
Research director: Stanley Boorman
DDM Code: 41saHatJ; DA no.: 65/12:4392; RILM no.: 05:7311dd; UM no.: 31-57827 Publication: ISBN 0-496-90267-9.
English Music Theory c. 1590-c. 1690: The Modal Systems, Changing Concepts, and the Development of New Classification Systems. Ph.D., Musicology, City University, London, 1997. 264 p. tbls.
DDM Code: 49moHauP; DA no.: RILM no.: 00:52382dd; UM no.: Publication: British Library Document Supply Centre no. DX202508.
J. S. Bach's Inventions and Sinfonias: An Analysis. Ph.D., Theory, University of Cincinnati, 1980. 197 p.
DDM Code: 49cpHawW; DA no.: 41/07:2821; RILM no.: 80:2702dd; UM no.: 80-29665
Hayes, Deborah.
Rameau's Theory of Harmonic Generation: An Annotated Translation and Commentary of Génération harmonique by J.-P. Rameau. Ph.D., Musicology, Stanford University, 1968. 375 p. mus. exs., bibliog.
DDM Code: 49trHayD; DA no.: 29/05:1557; RILM no.: 76:15415dd; UM no.: 68-15,055
Haynes, Maurice Brooks.
The Keyboard Works of Bernardo Pasquini (1637-1710). Ph.D., Musicology, Indiana University, 1960. 4 vols., 970 p.
DDM Code: 41keHayM; DA no.: 21/03:639; RILM no.: UM no.: LC Mic 60-2820
Heap, Harold Eugene.
Festival Odes for St. Cecilia's Day in England from Their Inception to the Time of Handel. D.M.A., Music, University of Illinois at Urbana-Champaign, 1980. 123 p.
DDM Code: 40voHeaH; DA no.: 41/06:2346; RILM no.: UM no.: 80-26516
Hedges, Stephen Austin.
Georg Gruber's Reliquiae sacrorum concentuum (1615): An Edition with Historical Commentary. Ph.D., Musicology, University of Chicago, 1983. 2 vols.,
Research director: J. Moore
DDM Code: 41saHedS; DA no.: 44/01:10; RILM no.: 83:2484dd; UM no.: 05-51619
Hedlund, Harry Jean.
A Study of Certain Representative Compositions for Woodwind Ensembles, ca. 1695-1815. Ph.D., Music Education, University of Iowa, 1959. 223 p.
DDM Code: 41enHedH; DA no.: 19/12:3321; RILM no.: UM no.: LC Mic 59-1683
Heimann, Walter.
Der Generalbass--Satz und seine Rolle in Bachs Choralsatz. Ph.D., Musicology, Freiburg im Breisgau, 1970. 278 p. mus. exs.
DDM Code: 41bcHeiW; DA no.: RILM no.: 76:499dd; UM no.:
Heine, Herbert.
Die Melodien der Mainzer Gesangbücher in der ersten Hälfte des 17. Jahrhunderts. Ph.D., Musicology, Mainz, 1975. 378 p.
DDM Code: 41saHeiH; DA no.: RILM no.: 76:7855dd; UM no.:
Heinrich, Adel Verna.
Bach's Die Kunst der Fuge: A Living Compendium of Fugal Procedures. D.M.A., Performance, University of Wisconsin at Madison, 1976. xviii, 351 p. illus., tbls., mus. exs., transcr., bibliog.
Research director: Bruce Benward and John Harvey
DDM Code: 41cpHeiA; DA no.: 37/11:6828; RILM no.: 76:15416dd; UM no.: 77-6607
Additional keywords: The Art of Fugue, counterpoint
Heisch, Elisabeth.
The Problem of Prosody in the Early English Opera, 1660-1700: A Study of the Setting of Words to Music. Ph.D., English, University of California at Los Angeles, 1971. 445 p. facs., mus. exs., bibliog.
DDM Code: 41tmHeiE; DA no.: 32/11:6377; RILM no.: 74:310dd; UM no.: 72-13617
Hell, Helmut.
Die Neapolitanische Opernsinfonie in der ersten Hälfte des 18. Jahrhunderts. N. Porpora, L. Vinci, G. B. Pergolesi, L. Leo, N. Jommelli. Ph.D., Musicology, München, 1969. 520 p. mus. exs., works lst., thematic cat., bibliog.
DDM Code: 41opHelH; DA no.: RILM no.: 70:481dd; UM no.:
Henderson, Hubert.
The Vocal Music of John Wilson. Ph.D., Music, University of North Carolina at Chapel Hill, 1962. 388 p.
DDM Code: 41voHenH; DA no.: 23/11,4376-7; RILM no.: UM no.: 63-03495
Henry, Oscar M.
The Doctrine of Affections in Selected Solo Cantatas of Alessandro Scarlatti. Ph.D., Musicology, Ohio State University, 1963. 431 p.
DDM Code: 41voHenO; DA no.: 24/11:4727; RILM no.: UM no.: 64-07022
Henry, Robert Derrick.
The Symphoniae sacrae of Heinrich Schütz: Sources and Characteristics of Their Style. Ph.D., History of Music, Yale University, 1977.
Research director: Allen Forte
DDM Code: 41saHenR; DA no.: RILM no.: UM no.:
Herissone, Rebecca Louise.
The Theory and Practice of Composition in the English Restoration Period. Ph.D., Musicology, Cambridge University, 1996.
Research director: A. V. Jones
DDM Code: 41cmHerR; DA no.: RILM no.: 96:1154dd; UM no.:
Herndon, Judith Johnson.
A Concerto in G Major for Solo Transverse Flute, Two Violins, Viola, and Bass by Leonardo Leo: An Edition. D.M.A., Flute Performance, University of Missouri at Kansas City, 1978. 2 vols., 236 p.
Research director: LeRoy Pogemiller
DDM Code: 40chHerJ; DA no.: 40/02:527; RILM no.: 78:4863dd; UM no.: 79-18410
Hettrick, William Eugene III.
The Thorough-Bass in the Works of Gregor Aichinger (1564-1628). Ph.D., Musicology, University of Michigan, 1968. xii, 445 p. plts., tbls., facs., mus. exs., works lst., bibliog.
DDM Code: 41bcHetW; DA no.: 30/01:354; RILM no.: 69:857dd; UM no.: 69-12132
Hewlett, Walter Berry.
The Vermehrter...Wegweiser of 1698: A Translation and Commentary. D.M.A., Performance, Stanford University, 1980. 146 p.
DDM Code: 41tuHewW; DA no.: 41/05:1999; RILM no.: 80:2705dd; UM no.: 80-24769
Heydon, Julia Jeanne.
Martin Peerson's Private Musicke: A Transcription, Edition and Study of an Early 17th-Century Collection of English Consort Songs. D.M.A., Music History, University of Oregon, 1990. xv, 415 p. illus., transcr., append., bibliog.
DDM Code: 41seHeyJ; DA no.: 51/04:1038; RILM no.: 90:5465dd; UM no.: 90-25,485
Hienz, William Michael Jr.
The Choral Psalms of Nicola Porpora. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1980. iv, 169 p. tbls., mus. exs., transcr., thematic cat., append., bibliog.
Research director: Nicholas Temperley
DDM Code: 41saHieW; DA no.: 41/02:453; RILM no.: UM no.: 80-17,952
Higginbottom, Edward.
The Liturgy and French Classical Organ Music: A Study of the Liturgical Background of Organ Music in France During the Seventeenth and Eighteenth Centuries. Ph.D., Music, Cambridge University, 1979.
DDM Code: 41keHigE; DA no.: RILM no.: 79:6120dd; UM no.: Publication: British Library Document Supply Centre no. D33472/81.
Higuchi, Ryuichi.
Johann Sebastian Bachs Kirchenkantaten zu Trauerfeiern und zu anderen nicht an das Kirchenjahr gebundenen Bestimmungen. Edition und kritischer Bericht. Ph.D., Musicology, Tübingen, 1979.
Research director: Georg von Dadelsen
DDM Code: 41saHigR; DA no.: RILM no.: UM no.:
Hildebrand, David K.
Musical Life in and around Annapolis, Maryland, 1649-1776. Ph.D., Musicology, Catholic University of America, 1992. 379 p. mus. exs., works lst., append.
Research director: Cyrilla Barr
DDM Code: 41mvHilD; DA no.: 53/03:657; RILM no.: 92:459dd; UM no.: 92-21882
Hill, John Walter.
The Life and Works of Francesco Maria Veracini. Ph.D., Music, Harvard University, 1972. 4 vols., iv, 1252 p. mus. exs., append.
DDM Code: 41woHilJ; DA no.: 35/01:498; RILM no.: 72:1640dd; UM no.: 74-16720
Hill, Marshall Austin.
Concertino-Ripieno Techniques in Baroque Choral Music. Ph.D., Theory, Florida State University, 1972. 112 p.
DDM Code: 49srHilM; DA no.: 33/03:1186; RILM no.: 76:15539dd; UM no.: 72-23,004
Hirschmann, Wolfgang.
Studien zum Konzertschaffen von Georg Philipp Telemann. Ph.D., Musicology, Erlangen, 1985.
DDM Code: 41oqHirW; DA no.: RILM no.: UM no.:
Hitchcock, Hugh Wiley.
The Latin Oratorios of Marc-Antoine Charpentier. Ph.D., Musicology, University of Michigan, 1954. 900 p.
DDM Code: 41saHitH; DA no.: 14/04:684; RILM no.: UM no.: 00-07663
Hoag, Barbara Brewster.
The Performance Practice of Iberian Keyboard Music of the Seventeenth Century. Ph.D., Musicology, New York University, 1980. 369 p.
DDM Code: 41pfHoaB; DA no.: 41/12:4880; RILM no.: 80:5569dd; UM no.: 81-10740
Hobbs, Wayne Clanton.
Giovanni Francesco Anerio's Teatro armonico spirituale... (1619). Ph.D., Musicology, Tulane University, 1970.
DDM Code: 41saHobW; DA no.: 32/05:2729; RILM no.: 76:9664dd; UM no.: 71-27,285
Hochradner, Thomas.
Matthias Siegmund Biechteler (1668-1743): Leben und Werk eines Salzburger Hofkapellmeisters. Ph.D., Musicology, Salzburg, 1991. 3 vols., 681 p. mus. exs., thematic cat., bibliog.
Research director: Gerhard Croll
DDM Code: 41woHocT; DA no.: RILM no.: 92:2567dd; UM no.:
Hockley, Nancy.
I due primi libri monodici di Bartolomeo Barbarino (1606 e 1607). Dip., Paleografia Musicale, University of Parma, 1970. 3 vols., 392 p. facs., mus. exs., works lst., bibliog., ind.
DDM Code: 41voHocN; DA no.: RILM no.: 74:311dd; UM no.:
Hodgkinson, Christine.
Performance and Structure of the "Bass" in Few-Voiced Seventeenth-Century Italian Instrumental Music. Ph.D., Musicology, Sheffield, 1978. 271 p.
DDM Code: 41imHodC; DA no.: RILM no.: 78:11395dd; UM no.: Publication: British Library Document Supply Centre no. D40618/82.
Hoekstra, Thomas Earl.
Tempo Considerations in the Choral Music of Johann Sebastian Bach. Ph.D., Choral Music, University of Iowa, 1974. 155 p.
DDM Code: 41pfHoeT; DA no.: 35/12:7943; RILM no.: 76:15205dd; UM no.: 75-13,762
Hoffmann, Andreas.
Tugendhafte Helden -- lasterhafte Tyrannen: Italienische Oper am ende des siebzehnten Jahrhunderts. Ph.D., Musicology, Köln, 1995. 406 p. illus., mus. exs., ind.
DDM Code: 41opHofA; DA no.: RILM no.: 96:15135bm; UM no.: Publication: Orpheus: Schriftenreihe zu Grundfragen der Musik, no. 83. Bonn: Verlag für Systematische Musikwissenschaft, 1996. ISBN 3-922626-83-1.
Hofmann, Dorothea.
Die Rhitmorum Varietas des Johannes Werlin aus Kloster Seeon. Ph.D., Musicology, Augsburg, 1992. 296 p.
Research director: Franz Krautwurst
DDM Code: 41voHofD; DA no.: RILM no.: 94:3600bm; UM no.: Publication: Collectanea musicologica, no. 7. Augsburg: Wissner, 1994. ISBN 3-928898-34-5.
Hofmann, Ulrike.
Die Serenata am Hofe Kaiser Leopold I (1658-1705). Ph.D., Musicology, Wien, 1975. 292,
DDM Code: 41voHofU; DA no.: RILM no.: 75:709dd; UM no.:
Holden, Randell Le Conte Jr.
The Six Extant Operas of Antonio Lotti (1667-1740). D.M.A., Performance, University of Washington, 1970. 2 vols., xvi, 451 p. illus., mus. exs., works lst., bibliog.
DDM Code: 41opHolR; DA no.: 32/03:1551; RILM no.: 71:2571dd; UM no.: 71-16958
Holland, Jon Burnett.
Francisco Correa de Arauxo's Facultad organica: A Translation and Study of Its Theoretical and Pedagogical Aspects. D.M.A., Performance, University of Oregon, 1985.
Research director: John Hamilton
DDM Code: 49trHolJ; DA no.: 46/11:3186; RILM no.: 85:1685dd; UM no.: 85-29515
Holmes, Robert William.
The Use of contrafacta in the Large Choral Works of J. S. Bach. Ph.D., Musicology, Boston University, 1960. 423 p.
DDM Code: 41voHolR; DA no.: 21/04:922; RILM no.: UM no.: LC Mic 60-3459
Holmes, William C.
Orontea: A Study of Changes and Development in the Libretto and Music of Mid-Seventeenth-Century Italian Opera. Ph.D., Musicology, Columbia University, 1968. 281 p.
DDM Code: 41opHolW; DA no.: 32/01:475; RILM no.: 76:9667dd; UM no.: 71-17,587
Holquist, Robert Alvin.
A Comprehensive Project in Choral Conducting with a Conductor's Analysis of Carissimi's Jephte. D.M.A., Conducting, University of Iowa, 1978. 129 p.
DDM Code: 40cnHolR; DA no.: ADD 1979; RILM no.: 78:1697dd; UM no.: 03-43650
Holst, Robert Inar.
Toward a Stylistic History of the North German 'Cantata' in the Second Half of the Seventeenth Century. Ph.D., Musicology, University of Chicago, 1995. 970 p.
Research director: Ingrid Monson
DDM Code: 41stHolR; DA no.: 56/08:2927; RILM no.: 95:12498dd; UM no.: 95-42720
Holzer, Robert Rau.
Music and Poetry in Seventeenth-Century Rome: Settings of the Canzonetta and Cantata Texts of Francesco Balducci, Domenico Benigni, Francesco Melosio, and Antonio Abati. Ph.D., Musicology, University of Pennsylvania, 1990. xi, 998 p.
Research director: Gary Tomlinson
DDM Code: 41tmHolR; DA no.: 52/01:16; RILM no.: 90:5481dd; UM no.: 91-12,575
Hooker, John Leon.
Considerations of North German Baroque Organ Registrations. D.M.A., Music, Memphis State University, 1979. 101 p.
DDM Code: 40keHooJ; DA no.: 40/09:4792; RILM no.: 79:3483dd; UM no.: 80-05748
Horn, Wolfgang.
Die Dresdner Hofkirchenmusik 1720-1745. Studien zur ihren Voraussetzungen und ihrem Repertoire. Ph.D., Musicology, Tübingen, 1986.
DDM Code: 41saHorW; DA no.: RILM no.: 87:1929bm; UM no.: Publication: Kassel: Bärenreiter, 1987.
Horrix, Christoph.
Studien zur französischen Lautenmusik im 17. Jahrhundert. Ph.D., Musicology, Tübingen, 1981.
DDM Code: 41snHorC; DA no.: RILM no.: 84:1518dd; UM no.:
Houle, George Louis.
The Musical Measure as Discussed by Theorists from 1650-1800. Ph.D., Music, Stanford University, 1960. vii, 311 p. illus.
DDM Code: 49miHouG; DA no.: 21/11:3480; RILM no.: UM no.: LC Mic 61-1230
House, Delpha LeAnn.
Jacques Hotteterre 'Le Romain': A Study of His Life and Compositional Style. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1991. 318 p.
Research director: James Haar
DDM Code: 41woHouD; DA no.: 53/02:343; RILM no.: 91:4365dd; UM no.: 92-16727
Howard, Alan D.
Purcell and the Poetics of Artifice: Compositional Strategies in the Fantasias and Sonatas. Ph.D., Musicology, King's College, University of London, 2006. 281 p. plts., tbls., mus. exs., transcr., bibliog.
Research director: Laurence Dreyfus
DDM Code: 41chHowA; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DXN111733.
The Latin Lutheran Mass of the Mid-Seventeenth Century: A Study of Andreas Hammerschmidt's Missae (1663) and Lutheran Traditions of Mass Composition. Ph.D., Musicology, Bryn Mawr College, 1983. 2 vols., xxix, 1050 p. plts., tbls., mus. exs., works lst., append., bibliog.
Research director: C. Schmidt
DDM Code: 41luHowJ; DA no.: 44/10:2921; RILM no.: 83:4813dd; UM no.: 83-29,989
Howard, P.
The Operas of Jean Baptiste Lully. Ph.D., Musicology, University of Surrey, 1974.
DDM Code: 41opHowP; DA no.: RILM no.: 75:711dd; UM no.: Publication: British Library Document Supply Centre no. D11454/75.
Howe, Carolyn.
Solo Motets of Bonifazio Graziani. Ph.D., Musicology, University of Pittsburgh, 1979. 2 vols., iv, 491 p. mus. exs., transcr., works lst., thematic cat., append., bibliog.
Research director: D. Beikman
DDM Code: 41saHowC; DA no.: 40/06:2970; RILM no.: 79:2535dd; UM no.: 79-24662
Howey, Henry Eugene.
A Translation of Daniel Speer's Vierfaches musikalisches Kleeblatt (Ulm, 1697). D.M.A., Performance, University of Iowa, 1971.
DDM Code: 41trHowH; DA no.: 32/09:5267; RILM no.: 71:446dd; UM no.: 72-08346
Hsieh, Fang-lan Lin.
The Anthems of Thomas Ford (ca. 1580-1648). Ph.D., Musicology, Louisiana State University, 1989. xviii, 321 p. illus., tbls., mus. exs., append., bibliog.
Research director: Wallace McKenzie
DDM Code: 41saHsiF; DA no.: 50/11:3509; RILM no.: 89:2513dd; UM no.: 90-02149
Huber, Calvin.
The Life and Music of William Brade. Ph.D., Music , University of North Carolina at Chapel Hill, 1965. 2 vols., xvi, 482 p.
DDM Code: 41woHubC; DA no.: 28/01:251; RILM no.: UM no.: 67-01002
Hudson, Barton.
A Portuguese Source of Seventeenth-Century Iberian Organ Music: MS 1577, loc. B, 5, Municipal Library, Oporto, Portugal. Ph.D., Musicology, Indiana University, 1961. 770 p.
DDM Code: 41mcHudB; DA no.: 22/09:3220-1; RILM no.: UM no.: 6106940
Hudson, Richard Albert.
The Development of Italian Keyboard Variations on the Passacaglio and Ciaccona from Guitar Music in the Seventeenth Century. Ph.D., Musicology, University of California at Los Angeles, 1967. xii, 456 p. mus. exs., bibliog.
DDM Code: 41keHudR; DA no.: 28/07:2714; RILM no.: 67:690dd; UM no.: 68-219
Hughes, Indra N. M.
Accident or Design? New Theories on the Unfinished Contrapunctus 14 in J. S. Bach's The Art of Fugue, BWV 1080. D.M.A., Music, University of Auckland, 2006. viii, 188 p. illus., facs., mus. exs., append., bibliog.
Research director: Fiona McAlpine
DDM Code: 40cpHugI; DA no.: RILM no.: UM no.:
Additional keywords: Johann Sebastian Bach, criticism, interpretation, Kunst der Fuge, canons, fugues, analysis, appreciation, gematria, music mathematics, counterpoint
Hughes, Royal Delaney.
The French Influence on Bach. Ph.D., Music, Harvard University, 1926. 125 p.
DDM Code: 41stHugR; DA no.: ADD 0084:157; RILM no.: UM no.: 02-55126
Hughes, Sarah Mahler.
Seventeenth-Century Dance Characteristics in the Organ Masses of François Couperin (1668-1733). D.M.A., Performance, University of Kansas, 1985. 140 p.
DDM Code: 41keHugS; DA no.: 47/02:341; RILM no.: 85:1687dd; UM no.: 86-08475
Hul, D. van Den.
Jonkheer Jacob van Eyck, Musicijn en Directeur van de Klokwercken tot Utrecht [Jacob van Eyck, Musician and Director of the Carillon in Utrecht]. Ph.D., Musicology, Utrecht, 1968. 91 p. facs., works lst., bibliog.
DDM Code: 41boHulD; DA no.: RILM no.: 69:815dd; UM no.:
Hulse, Lynn Mary.
The Musical Patronage of the English Aristocracy, c.1590-1640. Ph.D., Musicology, King's College, University of London, 1992.
DDM Code: 41woHulL; DA no.: RILM no.: 93:10244dd; UM no.: Publication: British Library Document Supply Centre no. DX191814.
Hunsley-Knowlton, Karen M.
The Secular Works of Antonio Brunelli. Ph.D., Musicology, Kent State University, 1983.
Research director: Richard Shindle
DDM Code: 41seHunK; DA no.: 44/12:3536; RILM no.: 83:4826dd; UM no.: 84-06140
Hurley, David Ross.
Handel's Compositional Process: A Study of Selected Oratorios. Ph.D., Musicology, University of Chicago, 1991.
Research director: Ellen T. Harris
DDM Code: 41cmHurD; DA no.: ADD 1992; RILM no.: UM no.: T-31627
Hurty, Jon Richard.
A Study and Critical Edition of Melchior Franck's Rosetulum musicum (1628). D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1994. 541 p. transcr.
Research director: Tom R. Ward
DDM Code: 41saHurJ; DA no.: 55/01:8; RILM no.: 94:3620dd; UM no.: 94-16376
Hust, Gerhard.
Untersuchungen zu Claudio Monteverdis Messkompositionen. Ph.D., Musicology, Heidelberg, 1970. 231 p. mus. exs.
DDM Code: 41luHusG; DA no.: RILM no.: 70:3065dd; UM no.:
Hutson, Larry Don.
A Critical Edition and Performance Guide to the Magnificat a 7 of Claudio Monteverdi. D.M.A., Music, University of Oklahoma, 1979. 217 p.
DDM Code: 40saHutL; DA no.: 40/02:529; RILM no.: 79:2537dd; UM no.: 79-18737
Hüttel, Walter Oskar.
Zur Geschichte des deutschen Volksliedes im 17. Jahrhundert. Ph.D., Music, Humboldt Universität, Berlin, 1957. 405 p. tbls., mus. exs.
DDM Code: 41voHutW; DA no.: RILM no.: UM no.:
Hyde, Fred B.
The Position of Marin Mersenne in the History of Music. Ph.D., Music History, Yale University, 1954. 631 p.
DDM Code: 49muHydF; DA no.: 28/12:5093; RILM no.: UM no.: 68-07000
Illari, Bernardo.
Polychoral Culture: Cathedral Music in La Plata (Bolivia), 1680-1730. Ph.D., Music History, University of Chicago, 2001. 4 vols., xvii, 993 p. illus., tbls., facs., mus. exs., transcr., append., bibliog.
Research director: Phil Bohlman
DDM Code: 41saIllB; DA no.: 62/10:3232; RILM no.: 01:17290dd; UM no.: 30-29501
Additional keywords: Chuquisaca, Sucre, Charcas, Juan de Araujo, Roque Jacinto de Chavarría
Inkeles, MaryAnn T.
A Study, Realization, and Performance of Unpublished Cantatas for Soprano and Basso Continuo ca. 1690-1706 of Alessandro Scarlatti. Ed.D., Music, Columbia University, 1977. ix, 378 p. illus., plts., tbls., facs., mus. exs., transl., works lst., append., bibliog., ind.
Research director: Craig Timberlake
DDM Code: 44voInkM; DA no.: 38/01:18; RILM no.: UM no.: 77-14728
Irving, John A.
The Keyboard and Consort Music of Thomas Tomkins 1572-1656. Ph.D., Musicology, Sheffield, 1980.
DDM Code: 41imIrvJ; DA no.: RILM no.: 89:2395dd; UM no.: Publication: British Library Document Supply Centre no. DX84059.
Ishii, Akira.
The Toccatas and Contrapuntal Keyboard Works of Johann Jacob Froberger: A Study of the Principal Sources. Ph.D., Musicology, Duke University, 1999. 417 p.
Research director: Alexander Silbiger
DDM Code: 41soIshA; DA no.: 60/05:1385; RILM no.: 99:5581dd; UM no.: 99-28832 Publication: ISBN 0-599-28809-4.
Ittenberg, Uriel M.
The Fugues of J. S. Bach: A Study of Their Structure, Style and Texture. Ph.D., Music, University of California at Los Angeles, 1956. 363 p.
DDM Code: 49cpIttU; DA no.: ADD 1956:135; RILM no.: UM no.: 02-70462
Jackisch, Frederick Frank.
Organ Building in Germany During the Baroque Era According to the Treatises Dating from Praetorius' Syntagma musicum (1619) to Adlung's Musica mechanica organoedi (1768). Ph.D., Musicology, Ohio State University, 1966. iv, 297 p. illus., tbls., append., bibliog.
DDM Code: 43keJacF; DA no.: 27/11:3892; RILM no.: UM no.: 67-06327
Jackson, David Lee.
Late Seventeenth-Century Italian Trumpet Concertos of the Bologna School. D.M.A., Music, North Texas State University, 1974. 45 p.
DDM Code: 40brJacD; DA no.: 35/09:6182; RILM no.: 76:507dd; UM no.: 75-07048
Jackson, John Paul.
Il terzo libro delle divine lodi musicali di Gio. Battista Riccio: An Urtext Edition. Ph.D., Performance, Washington University, 1974. vi, 57 p. illus., facs., transcr., works lst., append., bibliog.
DDM Code: 41saJacJ; DA no.: 35/10:6753; RILM no.: 76:9679dd; UM no.: 75-06,617
Jackson, Roland John.
The Keyboard Music of Giovanni Maria Trabaci. Ph.D., Music, University of California at Berkeley, 1964. 2 vols., 752 p.
DDM Code: 41keJacR; DA no.: 26/06:3393-4; RILM no.: UM no.: 64-13,023
Jacobs, Frank Charles.
English Festival Te Deums of the Late Seventeenth and Early Eighteenth Centuries. D.M.A., Performance, University of Illinois at Urbana-Champaign, 1974. 314 p.
DDM Code: 41saJacF; DA no.: 35/07:4588; RILM no.: 76:9682dd; UM no.: 75-00,338
Jaffé, Angela Maria.
The Cantatas of Johann Ludwig Bach. Ph.D., Musicology, Boston University, 1957. 542 p.
DDM Code: 41voJafA; DA no.: 17/07:1567-8; RILM no.: UM no.: 00-21557
Jaffee, Kay.
Medea among the Ancients and Moderns: Morality and Magic in French Musical Theatre of the Seventeenth Century. Ph.D., Musicology, New York University, 2001. 2 vols., xxii, 923 p. illus., plts., tbls., facs., mus. exs., transcr., transl., works lst., append., bibliog., ind.
Research director: David Burrows
DDM Code: 41opJafK; DA no.: 62/03:830; RILM no.: 01:13128dd; UM no.: 30-09324
Additional keywords: drama and music, opera
Jaksch, Werner.
H. I. F. Biber, Requiem à 15. Untersuchungen zur höfischen, liturgischen und musikalischen Topik einer barocken Totenmesse. Ph.D., Musicology, Heidelberg, 1975.
Research director: Kammerstein
DDM Code: 41luJakW; DA no.: RILM no.: 76:2036dd; UM no.:
James, David Paul.
The Sacred Vocal Music of Christian Andreas Schulze 1660-1699: A Critical Edition. Ph.D., Musicology, University of Southern California, 1988.
DDM Code: 41saJamD; DA no.: 49/09:2444; RILM no.: 88:2322dd; UM no.: 05-64064
James, Kenneth Edward.
Concert Life in Eighteenth-Century Bath. Ph.D., Musicology, Royal Holloway College, University of London, 1987. 1085 p. plts., tbls., facs., append., bibliog.
Research director: Ian Spink
DDM Code: 41mvJamK; DA no.: RILM no.: 91:7121dd; 00:52693dd; UM no.: Publication: British Library Document Supply Centre no. DX191111.
Additional keywords: Fleming, Thomas Chilcot, Christina Passerini, Thomas Linley, Franz Lamotte, William Herschel, Venanzio Rauzzini, Sir George Colebrooke
Jander, Owen H.
The Works of Alessandro Stradella Related to the Cantata and the Opera. Ph.D., Music, Harvard University, 1962. 512 p.
DDM Code: 41voJanO; DA no.: ADD 1962:156; RILM no.: UM no.: 02-60641
Janson, P.
Explicatio textus or Dramma per musica? The Function of the Church Cantatas by Georg Friedrich Kauffmann. Ph.D., Musicology, University of Victoria, 1992. xii, 323 p. tbls., mus. exs., bibliog.
DDM Code: 41saJanP; DA no.: RILM no.: 92:479dd; UM no.:
Jeanneret, Christine.
L'oeuvre en filigrane: Une étude philologique des manuscrits de musique pour clavier à Rome au XVIIe siècle. Ph.D., Musicology, Genève, 2005. viii, 511 p. illus., plts., tbls., facs., mus. exs., thematic cat., append., bibliog., ind.
Research director: Etienne Darbellay
DDM Code: 41mcJeaC; DA no.: RILM no.: UM no.:
The Autograph Manuscripts of Francesco Cavalli. Ph.D., Musicology, Princeton University, 1980. 2 vols., 504 p. illus., facs., mus. exs., works lst., bibliog.
Research director: Harold Powers
DDM Code: 41mcJefP; DA no.: 41/03:844; RILM no.: 80:453dd; UM no.: 80-19826
Jenkins, David.
Woodwind Instruments in France, 1690-1750: Their Makers, Theoreticians, and Music. Ph.D., Music, University of Edinburgh, 1973. 2 vols., 398 p. illus., bibliog.
DDM Code: 43wnJenD; DA no.: RILM no.: 73:16490dd; UM no.: Publication: British Library Document Supply Centre no. D57014/85.
Jennings, Theodore Mckinley Jr.
A Study of 503 Versos in the First and Second Volumes of Antonio Martín y Coll's Flores de Musica. Ph.D., Musicology, Indiana University, 1967. 2 vols., xvii, 1025 p. illus., plts., tbls., mus. exs.
DDM Code: 41keJenT; DA no.: 28/10:4200; RILM no.: 76:9683dd; UM no.: 68-02,307
Jensen, Claudia Rae.
Nikolai Diletskii's Grammatika (Grammar) and the Musical Culture of Seventeenth-Century Muscovy. Ph.D., Musicology, Princeton University, 1987. xiii, 476 p. tbls., mus. exs., append., bibliog.
DDM Code: 41naJenC; DA no.: 47/11:3903; RILM no.: 87:1942dd; UM no.: 87-05013
Johnson, David.
Music and Society in Lowland Scotland in the Eighteenth Century. Ph.D., Music, Cambridge University, 1970. 223 p. mus. exs., bibliog., ind.
DDM Code: 41mvJohD; DA no.: RILM no.: 74:314dd; UM no.: Publication: London: Oxford University Press, 1972; British Library Document Supply Centre no. D1563/71.
Johnson, Fredric B.
Tartini's Trattato di musica secondo la vera scienza dell'armonio: An Annotated Translation and Consideration of Its Historical Significance. Ph.D., Musicology, Indiana University, 1985.
Research director: Austin Caswell
DDM Code: 49trJohF; DA no.: 47/06:1919; RILM no.: 85:1700dd; UM no.: 86-17820
Johnson, Jane Troy.
The English Fantasia-Suite, ca. 1620-1660. Ph.D., Musicology, University of California at Berkeley, 1971. 526 p. mus. exs., transcr., thematic cat., append., bibliog.
DDM Code: 41enJohJ; DA no.: ADD 1972; RILM no.: 71:451dd; UM no.: 02-62506
Johnson, John Preston.
An Analysis and Edition of Selected Sacred Choral Works of Johann Rudolf Ahle. D.M.A., Musicology, Southern Baptist Theological Seminary, 1969. 2 vols., xviii, 516 p. tbls., mus. exs., bibliog., ind.
DDM Code: 41saJohJ; DA no.: 29/09:3171; RILM no.: 76:9685dd; UM no.: 69-04,444
Johnson, Margaret Frishe.
Agostino Agazzari (1578-1640): The Motets for One to Four Voices. Ph.D., Musicology, Tulane University, 1972. vi, 124 p. mus. exs., bibliog.
DDM Code: 41saJohM; DA no.: 33/03:1187; RILM no.: 72:1642dd; UM no.: 72-24,409
Johnston, Gregory Scott.
Protestant Funeral Music and Rhetoric in Seventeenth-Century Germany: A Musical-Rhetorical Examination of the Printed Sources. Ph.D., Musicology, University of British Columbia, 1987. 247 p. mus. exs., bibliog.
Research director: Gregory Butler
DDM Code: 41cmJohG; DA no.: 49/05:992; RILM no.: 92:14537dd; UM no.:
Additional keywords: Luther, Lutheran
Johnstone, Harry Diack.
The Life and Work of Maurice Greene (1696-1755). Ph.D., Musicology, Oxford University, 1968. 2 vols., xli, 394 p. plts., mus. exs., works lst., append., bibliog.
DDM Code: 41woJohH; DA no.: RILM no.: 70:1702dd; UM no.: Publication: British Library Document Supply Centre no. D23920/78.
Jones, Andrew Vernon.
The Motets of Carissimi. Ph.D., Musicology, Oriel College, Oxford, 1980.
DDM Code: 41saJonA; DA no.: RILM no.: 79:6167dd; UM no.: Publication: British Library Document Supply Centre no. D32377/80.
Jones, Edward Huws.
The Performance of English Song, 1610-1670. Ph.D., Musicology, University of York, 1978.
DDM Code: 41pfJonE; DA no.: RILM no.: 89:2393dd; UM no.: Publication: British Library Document Supply Centre no. D31704/80.
Jones, William John.
The Literature of the Transverse Flute in the Seventeenth and Eighteenth Centuries. Ph.D., Music, Northwestern University, 1952. xiv, 519 p.
DDM Code: 41wnJonW; DA no.: ADD 1953:252; RILM no.: UM no.: 01-91174
Jones, William Richard.
The Motets of Francesco Gasparini. Ph.D., Musicology, University of Southern California, 1981. 4 vols., ix, 1356 p. facs., transcr., bibliog.
DDM Code: 41saJonW; DA no.: 42/01:13; RILM no.: 81:2487dd; UM no.: 05-35412
Jordan, Henry Bryce.
The Music of Pelham Humfrey. Ph.D., Music, University of North Carolina at Chapel Hill, 1956. 401 p.
DDM Code: 41woJorH; DA no.: ADD 1956:136; RILM no.: UM no.: 02-70473
Jorgens, Elise Bickford.
"Let Well-Tun'd Words Amaze": Attitudes toward Poetry in English Solo Song from John Dowland to Henry Lawes. Ph.D., Musicology, City University of New York, 1975. xvii, 372 p. mus. exs., works lst., bibliog.
Research director: Cyrilla Barr
DDM Code: 41tmJorE; DA no.: 36/04:1890; RILM no.: 75:2923dd; UM no.: 75-21,330
Joyce, John Joseph.
The Monodies of Sigismondo d'India. Ph.D., Musicology, Tulane University, 1975.
DDM Code: 41voJoyJ; DA no.: 38/03:1410; RILM no.: 76:9688dd; UM no.: 77-19,081
Jung, Hans Rudolf.
Georg Philipp Telemann als Eisenacher Kapellmeister und seine weltlichen Festmusiken für den Eisenacher Hof: Ein Beitrag zur Biographie des Komponisten und zur Geschichte der Eisenacher Hofkapelle. Hab., Musicology, Halle, 1975. 2 vols., 499 p.
DDM Code: 41boJunH; DA no.: RILM no.: 76:5376dd; UM no.:
Jung, Hermann.
Die Pastorale. Studien zur Geschichte eines musikalischen Topos von den Anfängen bis zur Mitte des 18. Jahrhunderts. Ph.D., Musicology, Heidelberg, 1975.
DDM Code: 41drJunH; DA no.: RILM no.: UM no.:
Junkermann, Hilde Heubner.
The Magnificats of Johann Stadlmayr. Ph.D., Music, Ohio State University, 1966. 2 vols., xii, 431 p. tbls., mus. exs., thematic cat., bibliog.
DDM Code: 41luJunH; DA no.: 27/12:4281; RILM no.: UM no.: 67-06330
Kaehler, Winston Haverland.
The Operatic Repertoire of Madame de Pompadour's Théâtre des petits cabinets (1747-1753). Ph.D., Musicology, University of Michigan, 1971. vii, 321 p. plts., tbls., facs., mus. exs., transcr., works lst., bibliog.
DDM Code: 41opKaeW; DA no.: 32/03:1552; RILM no.: 76:10061dd; UM no.: 71-23,781
Kahleyss, Rainer.
Conrad Friedrich Hurlebusch (1691-1765): Sein Leben und Werk. Ph.D., Musicology, Freie Universität, Berlin, 1984. 201 p.
Research director: Tibor Kneif
DDM Code: 41woKahR; DA no.: RILM no.: 84:1913bm; UM no.: Publication: Frankfurt: Haag a Herchen, 1984. ISBN 3-8812-9851-7.
Kaiser, Rainer.
Tintenanalytische Untersuchungen an Bachschen Originalhandschriften mit Hilfe reflexionsspektroskopischer Methoden. Ein Beitrag zur archäometrischen Bach-Forschung. Ph.D., Musicology, Technische Universität, Berlin, 1987.
DDM Code: 41mcKaiR; DA no.: RILM no.: UM no.:
Kamp, Cecilia K. Van de.
A Study of the Duet Cantatas and Solo Cantatas with Obbligato Instrumental Accompaniment of Alessandro Scarlatti. Ph.D., Musicology, Northwestern University, 1979.
DDM Code: 41voKamC; DA no.: 40/06:2969; RILM no.: 79:377dd; UM no.: 79-27341
Kan, Rebecca.
The Concerto Adagios of Antonio Vivaldi. Ph.D., Musicology, University of Liverpool, 2002.
Research director: Michael Talbot
DDM Code: 41imKanR; DA no.: RILM no.: 02:17704dd; UM no.: Publication: British Library Document Supply Centre no. DXN063112; British Library Document Supply Centre no. DX239372.
Kang, YouYoung.
The Art of Counterpoint in stile nuovo: Sacred Polyphony in Seventeenth-Century Italy. Ph.D., Music Theory, University of Pennsylvania, 1999. xiii, 309 p. tbls., facs., mus. exs., transcr., transl., works lst., append., bibliog.
Research director: Cristle Collins Judd
DDM Code: 41cpKanY; DA no.: 60/12:4243; RILM no.: 99:12209dd; UM no.: 99-53551
Additional keywords: musica prattica, Giacomo Carissimi, Claudio Monteverdi, motet, Selva morale,Messa et salmi, Lorenzo Penna, Ludovico Zacconi, Adriano Banchieri, Giovanni Maria Bononcini
Kapeller, Ulrike.
Untersuchungen zu John Sturt's Lute Book. Ph.D., Musicology, Köln, 1988. xii, 359 p. mus. exs.
DDM Code: 41mcKapU; DA no.: RILM no.: 88:2333bm; UM no.: Publication: Kölner Beiträge zur Musikforschung, vol. 153. Regensburg: Bosse, 1988.
Karpel, Alan Marc.
The Works of Johann Matthias Leffloth, Including an Edition of the Concerto in F for Cembalo and Violin. D.M.A., Performance, University of Iowa, 1974. 71 p.
DDM Code: 41woKarA; DA no.: 35/04:2322; RILM no.: 75:779dd; UM no.: 74-21,959
Katz, Ruth Torgovnik.
The Origins of Opera: The Relevance of Social and Cultural Factors to the Establishment of a Musical Institution. Ph.D., Musicology, Columbia University, 1963. 179 p.
DDM Code: 41opKatR; DA no.: 25/02:1249; RILM no.: UM no.: 64-09191
Kauffman, Deborah A.
Chants et motets (1733): Nivers, Clérambault, and Changing Musical Style at the Maison Royale de Saint-Louis at Saint-Cyr. D.M.A., Early Music, Stanford University, 1994. ix, 226 p. plts., tbls., facs., mus. exs., transcr., transl., append., bibliog.
Research director: Albert Cohen
DDM Code: 41stKauD; DA no.: 55/07:1736; RILM no.: 94:1719dd; UM no.: 94-29886
Additional keywords: France, performance practices, petit motet
Keane, Sister Michaela Maria.
The Theoretical Writings of Jean-Philippe Rameau. Ph.D., Musicology, Catholic University of America, 1961.
DDM Code: 49trKeaM; DA no.: ADD 1961:137; RILM no.: UM no.: 02-23661
Keating, Henry John.
The Organ Settings on Vater unser im Himmelreich from 1601 to J. S. Bach: A Contribution to the Instrumental Development of a Chorale Melody. Ph.D., Musicology, University of Southern California, 1973. ii, 198 p. mus. exs., bibliog., ind.
DDM Code: 41keKeaH; DA no.: 35/04:2322; RILM no.: 75:720dd; UM no.: 74-21482
Keller, Peter.
Stadens Oper Seelewig. Ph.D., Musicology, Zürich, 1971.
DDM Code: 41opKelP; DA no.: RILM no.: 76:9693dd; UM no.:
Keller, Walter B.
The Italian Organ Hymn from Cavazzoni to Arresti: A Study of the Interrelation of Roman Plainchant and Liturgical Keyboard Music of the Sixteenth and Seventeenth Centuries. Ph.D., Music, Harvard University, 1958. 612 p.
DDM Code: 41keKelW; DA no.: ADD 1958:107; RILM no.: UM no.: 02-14334
Kelly, Clark Harold.
Johann Sebastian Bach's Eighteen Leipzig Chorale Preludes: Editorial, Formal and Cyclical Aspects of an Untitled Manuscript. D.M.A., Performance, University of Rochester, 1988.
Research director: M. Bichsel
DDM Code: 41keKelC; DA no.: 49/06:1307; RILM no.: 88:2140dd; UM no.: 88-14818
Kelly, David Terrence.
The Instrumental Ensemble Fantasias of Adriano Banchieri. Ph.D., Music Education, Florida State University, 1962. 300 p.
DDM Code: 41enKelD; DA no.: 32/05:1732; RILM no.: UM no.: 62-04615
Kelton, Raymond Harrison.
The Instrumental Music of Ascanio Mayone. Ph.D., Musicology, North Texas State University, 1961. 381 p.
Research director: Helen Hewitt
DDM Code: 41imKelR; DA no.: 21/11:3480-1; RILM no.: UM no.: LC Mic 61-1297
Kelton, Raymond Harrison Jr.
Christ Church (Oxford), Music Ms. 89: A Seventeenth-Century Organ Book. Ph.D., Musicology, Boston University, 1974. 2 vols., xxxiii, 800 p. tbls., mus. exs., transcr., works lst., append., bibliog., ind.
DDM Code: 41mcKelR; DA no.: 35/03:1687; RILM no.: 74:2134dd; UM no.: 74-20390
Kendrick, Robert L.
Genres, Generations and Gender: Nuns' Music in Early Modern Milan, c.1550-1706. Ph.D., Musicology, New York University, 1993. 1277 p.
Research director: David Burrows
DDM Code: 41saKenS; DA no.: 54/07:2379; RILM no.: 93:2311dd; UM no.: 93-33646
Kennedy, Sister Rose Alice, S.S.J.
Paraliturgical Music in Italy, 1600-1650, with Selected Examples from the Works of Giovanni Battista Beria (ca. 1610-ca. 1671). Ph.D., Musicology, Columbia University, 1969. 286 p.
DDM Code: 41saKenR; DA no.: 30/12:5471; RILM no.: 76:17194dd; UM no.: 70-07,006
Keuschnig, Peter.
Nicola Matteis junior als Balletkomponist. Ph.D., Musicology, Wien, 1968. 2 vols., 364 p. mus. exs., bibliog.
DDM Code: 41daKeuP; DA no.: RILM no.: 75:721dd; UM no.:
Keuschnig, Rainer.
Johann Jakob Löwe von Eisenach als Instrumentalkomponist. Ph.D., Musicology, Wien, 1971.
DDM Code: 41imKeuR; DA no.: RILM no.: 75:722dd; UM no.:
Kilbuck, Edith Henry.
An Analytical Study of Selected Toccatas of Johann Jakob Froberger: Some Possible Insights into Problems of Performance Practice. D.M.A., Music, University of Oregon, 1976. ix, 135 p. tbls., mus. exs., append., bibliog.
Research director: Peter Bergquist
DDM Code: 41keKilE; DA no.: 37/12:7394; RILM no.: 76:15551dd; UM no.: 77-13,198
Kilgore, Edna.
Metric Anomalies in the Well-Tempered Clavier. Ph.D., Musicology, Catholic University of America, 1973. 308 p.
DDM Code: 49miKilE; DA no.: 33/11:6390; RILM no.: 73:1781dd; UM no.: 73-11,330
Killich, Rainer.
Adriaan Poirters: Het Pelgrimken van Kevelaer--Rekonstruktion historischer Kevelaerer Wallfahrtsgesänge aus dem 17. und 18. Jahrhundert. Ph.D., Musicology, Münster, 1993.
DDM Code: 41saKilR; DA no.: RILM no.: 00:40437dd; UM no.:
Kim, Minji.
Handel's Israel in Egypt: A Three-Anthem Oratorio. An Analytical and Interpretive Study of the Original 1739 Version. Ph.D., Musicology, Brandeis University, 2005. 2 vols., 401 p. illus., tbls., facs., mus. exs., transl., append., bibliog.
Research director: Eric Chafe
DDM Code: 41voKimM; DA no.: 66/03:812; RILM no.: 05:6403dd; UM no.: 31-66240
King, Deborah Simpkin.
The Full Anthems and Services of John Blow and the Question of an English stile antico. Ph.D., Musicology, University of North Texas, 1990. xix, 397 p. tbls., mus. exs., transcr.
Research director: Cecil A. Adkins
DDM Code: 41saKinD; DA no.: 51/09:2916; RILM no.: 90:397dd; UM no.: 91-05035
King, Richard Glenn.
The Composition and Reception of Handel's Alessandro (1726). Ph.D., Musicology, Stanford University, 1992. xv, 236 p. illus., tbls., mus. exs., append., bibliog.
Research director: George Houle
DDM Code: 41opKinR; DA no.: 53/04:918; RILM no.: 92:500dd; UM no.: 92-21,634
King, Rosanne Cecilia.
The Canciones y villanescas espirituales of Francisco Guerrero and the Tradition of Sacred Song in Renaissance Spain. Ph.D., Musicology, University of Toronto, 2004. 283 p.
Research director: Timothy McGee
DDM Code: 41voKinR; DA no.: 65/10:3619; RILM no.: 04:9613dd; UM no.: NQ-94472 Publication: ISBN 0-612-94472-7.
Additional keywords: cancionero, villancico
Kirkendale, Ursula.
Antonio Caldara. Sein Leben und seine venezianisch-römischen Oratorien. Ph.D., Musicology, Bonn, 1961. 406 p. illus., facs., mus. exs., append., ind.
DDM Code: 41saKirU; DA no.: RILM no.: UM no.: Publication: Graz and Cologne: Hermann Böhlaus Nachf., 1971.
Kirwan, A. L.
Small-Scale Concertato Composition in Sacred Music Outside Italy in the First Half of the Seventeenth Century with Special Reference to Germany and the Netherlands. Ph.D., Music, University of Nottingham, 1977.
Research director: Ian Bent
DDM Code: 41saKirA; DA no.: RILM no.: 77:6315dd; UM no.:
Kish, Anne L.
Jean-Baptiste Senallié: His Life, His Time, and His Music. Ph.D., Musicology, Bryn Mawr College, 1964. 2 vols., 713 p.
DDM Code: 41woKisA; DA no.: 27/03:791; RILM no.: UM no.: 65-02351
Kitchen, John Philip.
Harpsichord Music of Seventeeth-Century France: Its Origins, Their Developments, with Particular Emphasis on Louis Couperin (1626-1661). Ph.D., Musicology, Cambridge University, 1980.
DDM Code: 41keKitJ; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D36297/81.
Kite-Powell, Jeffery Thomas.
Die Visbyer (Petri-) Tabulatur, Untersuchungen und kritische Edition. Ph.D., Musicology, Hamburg, 1976.
Research director: Constantin Floros
DDM Code: 41mcKitJ; DA no.: RILM no.: UM no.: Publication: Wilhelmshaven: Heinrichshofen, 1977.
Kjellberg, Erik.
Kungliga musiker i Sverige under stormaktstiden. Studier kring deras organisation, verksamheter och status ca. 1620 - ca. 1720 [Musicians of the Royal Court in Sweden's Age of Greatness: Studies of Their Organisation, Activities, and Status from c1620 to c1720]. Ph.D., Musicology, Uppsala, 1979. 2 vols., xxx, 862 p. illus., tbls., facs., bibliog., ind.
DDM Code: 41mvKjeE; DA no.: RILM no.: UM no.: Publication: Uppsala: Institutionen för musikvetenskap, 1979.
Klakowich, Robert John.
Keyboard Sources in Mid-Seventeeth-Century England and the French Aspect of English Keyboard Music. Ph.D., Music History, State University of New York at Buffalo, 1985. xiii, 480 p. tbls., facs., mus. exs., transcr., works lst., thematic cat., append., bibliog., ind.
Research director: Thomas Tomkins
DDM Code: 41keKlaR; DA no.: 46/08:2123; RILM no.: 85:1710dd; UM no.: 85-18759
Klein, Hans-Gunter.
Der Einfluss der Vivaldischen Konzertform im Instrumentalwerk Johann Sebastian Bachs. Ph.D., Musicology, Hamburg, 1969. 103 p. mus. exs., bibliog., ind.
DDM Code: 49srKleH; DA no.: RILM no.: 70:3155dd; UM no.:
Klenz, William.
The Life and Works of Giovanni Maria Bononcini. Ph.D., Music, University of North Carolina at Chapel Hill, 1958. iv, 559 p.
DDM Code: 41woKleW; DA no.: 19/11:2972; RILM no.: 67-150; UM no.: LC Mic 59-50
Klinka, Theodore Milton.
The Choral Music of Franz Ignaz Tuma with a Practical Edition of Selected Choral Works. Ph.D., Choral Literature, University of Iowa, 1975. x, 242 p. illus., mus. exs., works lst., append., bibliog.
DDM Code: 41saKliT; DA no.: 36/04:1891; RILM no.: 76:9695dd; UM no.: 75-23,057
Klitenic, Zelik.
The claveçin Works of Jean-Philippe Rameau. Ph.D., Musicology, University of Pennsylvania, 1955. 353 p.
DDM Code: 41keKliZ; DA no.: 15/12:2541; RILM no.: UM no.: 00-13399
Klitz, Brian Kent.
Solo Sonatas, Trio Sonatas, and Duos for Bassoon before 1750. Ph.D., Music, University of North Carolina at Chapel Hill, 1961. iv, 217 p.
DDM Code: 41wnKliB; DA no.: 22/06:2024; RILM no.: UM no.: 61-06125
Klose, Birgit.
Die erste Ästhetik der absoluten Musik: Adam Smith und sein Essay über die sogenannten Imitativen Künste. Ph.D., Musicology, Marburg, 1997. 200 p. bibliog.
DDM Code: 46aeKloB; DA no.: RILM no.: 99:29098dd; UM no.: Publication: Marburg: n.p., 1996.
Knowlton, Jean Elizabeth.
Some Dances of the Stuart Masque Identified and Analyzed. Ph.D., Musicology, Indiana University, 1966. 2 vols., 850 p. transcr.
DDM Code: 41daKnoJ; DA no.: 27/09:3073; RILM no.: UM no.: 66-14,845
Ko, Ching-Tzy.
Dynamic Markings in Bach Cello Suites. D.M.A., Performance, University of Washington, 2000. 226 p. tbls., discog., bibliog.
Research director: Toby Saks
DDM Code: 41pfKoC; DA no.: 61/06:2095; RILM no.: 00:13719dd; UM no.: 99-76010
Additional keywords: Baroque, violoncello
Koch, Hans Oskar.
Sonderformen der Blasinstrumente in der deutschen Musik vom späten 17. bis zur Mitte des 18. Jahrhunderts. Ph.D., Musicology, Heidelberg, 1981.
DDM Code: 43wiKocH; DA no.: RILM no.: 81:5985dd; UM no.:
Koch, Lars-Christian.
Zur Bedeutung der Rasa-Lehre für die zeitgenössische Nordindische Kunstmusik: Mit einem Vergleich mit der Affektenlehre des 17. und 18. Jahrhunderts. Ph.D., Musicology, Bonn, 1995. 324 p. illus., tbls., mus. exs., bibliog.
Research director: Emil Platen
DDM Code: 46aeKocL; DA no.: RILM no.: 95:15435dd; UM no.: Publication: Ravindra dhvani, vol. 2. Bonn: Holos, 1993. ISBN 3-86097-391-6.
Kock, Virginia Downman.
The Works of Domenico Ferrari (1722-1780). Ph.D., Musicology, Tulane University, 1969. 2 vols., xv, 565 p. plts., tbls., mus. exs., works lst., append., bibliog.
DDM Code: 41woKocV; DA no.: 30/06:2560; RILM no.: 76:9699dd; UM no.: 69-20,491
Köhler, Siegfried.
Heinrich Schütz und der frühbürgerliche Realismus im deutschen Musikschaffen--Anmerkungen zum Persönlichkeitsbild des Komponisten und zur Entwicklung seines Gesamtschaffens. HabSchr, Musicology, Halle, 1974. 126 p.
DDM Code: 41woKohS; DA no.: RILM no.: 76:2593dd; UM no.:
Köhler, Wolfgang.
Der Livre Cinquiesme des instruments à vent aus dem Traité des instruments der Harmonie universelle von Marin Mersenne. Ph.D., Musicology, Bochum, 1986.
DDM Code: 43trKohW; DA no.: RILM no.: UM no.:
Kohlhase, Thomas.
Johann Sebastian Bachs Kompositionen für Lauteninstrumente: Kritische Edition mit Untersuchungen zur Überlieferung, Besetzung und Spieltechnik. Ph.D., Musicology, Tübingen, 1972.
Research director: Dadelson
DDM Code: 41snKohT; DA no.: RILM no.: 73:1785dd; UM no.:
Koldau, Linda.
Die venezianische Kirchenmusik von Claudio Monteverdi. Ph.D., Musicology, Bonn, 2001. xiii, 590 p. illus., mus. exs., bibliog., ind.
Research director: Wolfram Steinbeck
DDM Code: 41saKolL; DA no.: RILM no.: 01:8108dd; UM no.: Publication: Kassel: Bärenreiter, 2001. ISBN 3-7618-1570-0.
Kong, Joanne Lan-Funn.
A Comparison of the Technical and Interpretative Qualities of the Piano and Harpsichord, Accompanied by Performance Editions of the Chromatic Fantasy and Fugue (BWV 903) by Johann Sebastian Bach. D.M.A., Piano Performance, University of Oregon, 1986. xii, 139 p. illus., tbls., mus. exs., bibliog.
Research director: Victor Steinhardt
DDM Code: 40keKonJ; DA no.: 47/09:3233; RILM no.: 86:4725dd; UM no.: 86-29566
König, Ingeborg.
Studien zum Libretto des Tod Jesu von Karl Wilhelm Remler und Karl Heinrich Graun. Ph.D., Musicology, Kiel, 1971. 163 p.
DDM Code: 41loKonI; DA no.: RILM no.: 75:958dd; UM no.: Publication: München: Katzbichler, 1972.
Konov, Yavor Svetozarov.
Parviat traktat po klavessin--Printzipite na klavessina, dyo Sen Lamber (Parizh, 1702) [The First Treatise of Harpsichord--Les principes du clavecin by Saint Lambert (Paris, 1702)]. Ph.D., Musicology, State Academy of Music "Pancho Vladigerov," Sofia, 1998. xxi, 220 p. illus., plts., facs., mus. exs., transcr., transl., works lst., bibliog.
DDM Code: 41trKonY; DA no.: RILM no.: 99:24466dd; UM no.:
Additional keywords: musical terminology, music theory, performance practice, music pedagogy, music education, harpsichord, Bulgaria
Kooiker, Anthony.
Locke's Melothesia: Its Place in the History of Keyboard Music in Restoration England. Ph.D., Musicology, University of Rochester, 1962. 410 p.
DDM Code: 41keKooA; DA no.: 26/04:2255; RILM no.: UM no.: 63-02381
Koole, Arend Johannes Christiaan.
Pietro Antonio Locatelli da Bergamo (1695-1764): "Italiaans musycqmeester tot Amsterdam". Ph.D., Musicology, Utrecht, 1949. 291 p. illus., works lst.
Research director: Albert Smijers
DDM Code: 41woKooA; DA no.: RILM no.: UM no.: Publication: Amsterdam: Jasonpers (Universiteitspers), 1949.
Kopff, René.
Johann Georg Rauch (1658-1710), organiste à la cathédrale de Strasbourg. Sa vie et son oeuvre. Ph.D., Musicology, Université de Strasbourg, 1971. 5 vols., 1163 p. mus. exs., works lst., bibliog.
DDM Code: 41woKopR; DA no.: RILM no.: 71:457dd; UM no.:
Köpp, Kai S.
Johann Georg Pisendel (1687-1755) und die Anfänge der neuzeitlichen Orchesterleitung. Ph.D., Musicology, Freiburg im Breisgau, 2003. ii, 531 p. illus., plts., tbls., facs., mus. exs., transl., works lst., thematic cat., append., bibliog.
Research director: Christoph Wolff
DDM Code: 41cnKopK; DA no.: RILM no.: 05:7557dd; UM no.: Publication: Tutzing: Schneider, 2005. ISBN 3795211409.
Additional keywords: performance practice, Dresden orchestra, Johann Sebastian Bach, Georg Friedrich Händel, Johann Adolf Hasse, Karl Graun, Johann Joachim Quantz, Franz Benda, Johann David Heinichen
Kosche, Kenneth Theodore.
Michael Praetorius Creuzburgensis: Music for the Feast of Pentecost, circa 1613. D.M.A., Choral Conducting, University of Washington, 1977. vii, 158 p. tbls., facs., mus. exs., append.
Research director: R. Harman
DDM Code: 41saKosK; DA no.: 38/06:3130; RILM no.: 78:440dd; UM no.: 77-26,839
Kosnik, James Walter.
The Toccatas of Johann Jakob Froberger: A Study of Style and Aspects of Organ Performance. D.M.A., Performance, University of Rochester, 1979. 168 p.
Research director: A. Myers
DDM Code: 41keKosJ; DA no.: 40/03:1143; RILM no.: 79:3612dd; UM no.: 79-21122
Kosovske, Yonit L.
La Douceur du Toucher: A Historical Guidebook on Harpsichord Technique for Performers and Pedagogues. D.M., Early Music, Harpsichord, Indiana University, 2008. x, 243 p. illus., mus. exs., transl., append., bibliog., ind.
Research director: Elisabeth Wright
DDM Code: 40keKosY; DA no.: RILM no.: UM no.:
The Solo Cello Concertos of Antonio Vivaldi. Ph.D., Musicology, University of Liverpool, 2000.
Research director: Michael Talbot
DDM Code: 41snKotS; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DX222484.
Additional keywords: violoncello, technique
Kotylo, Joseph A.
A Historical and Stylistic Study of the Petit Motet, 1700-1730. Ph.D., Musicology, University of Colorado at Boulder, 1979. xv, 306 p. tbls., facs., mus. exs., append., bibliog.
Research director: Alan A. Luhring
DDM Code: 41saKotJ; DA no.: 40/11:5642; RILM no.: 79:2539dd; UM no.: 80-11286
Kraemer, Une.
Die Courante in der Deutschen Orchester- und Klaviermusik des 17. Jahrhunderts. Ph.D., Musicology, Hamburg, 1968. 195 p. facs., mus. exs., bibliog.
DDM Code: 41daKraU; DA no.: RILM no.: 68:3256dd; UM no.:
Kraneis, Oskar.
Der Musikhandel in Frankfurt am Main bis zum Jahre 1700. Ph.D., Musicology, Frankfurt am Main, 1978.
DDM Code: 48pvKraO; DA no.: RILM no.: 75:4823dd; UM no.:
Krantz, Eldon LaVar.
Practical Edition of Six Sonatas for Violin and Piano by Michael Christian Festing. D.M.A., Performance, Eastman School of Music, University of Rochester, 1973. 178 p. facs., mus. exs., works lst., bibliog.
DDM Code: 40chKraE; DA no.: 34/08:5231; RILM no.: 73:3331dd; UM no.: 73-31572
Krause, David William.
The Latin Choral Music of Sebastian Knüpfer with a Practical Edition of the Extant Works. Ph.D., Choral Literature, University of Iowa, 1974. 2 vols., x, 441 p. plts., mus. exs., append., bibliog.
DDM Code: 41saKraD; DA no.: 35/07:4589-90; RILM no.: 74:2139dd; UM no.: 75-01214
Krause, Ralf.
Die Kirchenmusik von Leonardo Leo (1694-1744). Ein Beitrag zur Musikgeschichte Neapels im 18. Jahrhundert. Ph.D., Musicology, Münster, 1987.
DDM Code: 41saKraR; DA no.: RILM no.: UM no.:
Krehbiel, James Woodrow.
Harmonic Principles of Jean-Philippe Rameau and His Contemporaries. Ph.D., Theory, Indiana University, 1964. 441 p.
DDM Code: 49haKreJ; DA no.: 25/05:3220-1; RILM no.: UM no.: 64-12,049
Kremer, Joachim.
Das norddeutsche Kantorat im 18. Jahrhundert: Untersuchungen am Beispiel Hamburgs. Ph.D., Musicology, Kiel, 1993. xix, 485 p.
Research director: Arnfried Edler
DDM Code: 41saKreJ; DA no.: RILM no.: 95:17108bm; UM no.: Publication: Kieler Schriften zur Musikwissenschaft, no. 43. Kassel: Bärenreiter, 1995. ISBN 3-7618-1234-5.
Krout, Karen June.
Performance Editions of Selected Works from Johann Jakob Walther's Hortulus Chelicus with Historical and Editorial Notes. Ph.D., Fine Arts, Texas Tech University, 1982. viii, 168 p. tbls., mus. exs., append., bibliog.
Research director: J. Barber
DDM Code: 41snKroK; DA no.: 43/08:2488; RILM no.: 82:2345dd; UM no.: 05-50700
Krüger, Elke.
Stilistische Untersuchungen zu ausgewählten frühen Klavierfugen J. S. Bachs. Ph.D., Musicology, Hamburg, 1970. 135 p. mus. exs., bibliog., ind.
DDM Code: 41keKruE; DA no.: RILM no.: 70:397dd; UM no.:
Kubik, Reinhold.
Händels Rinaldo. Geschichte -- Werk -- Wirkung. 1980, Musicology, Erlangen, 1980. 280 p. facs., mus. exs., ind.
Research director: Martin Ruhnke
DDM Code: 41opKubR; DA no.: RILM no.: 81:444bm; UM no.: Publication: Neuhausen: Hanssler, 1981.
Kugler, Hartmut.
Handwerk und Meistergesang. Ambrosius Metzgers Metamorphosen - Dichtung und die Nürnberger Singschule im frühen 17. Jahrhundert. Ph.D., German Studies, Göttingen, 1974. 292 p.
DDM Code: 41voKugH; DA no.: RILM no.: 77:455dd; UM no.:
Kuhn, Ronald Greg.
Performance Edition of a Magnificat Linked to Dionigi Erba and George Frideric Handel: Suggestions for Its Performance and Observations on Its Authorship. D.M.A., Music, University of Washington, 1979. 182 p.
DDM Code: 40ebKuhR; DA no.: 40/06:2972; RILM no.: 79:3613dd; UM no.: 79-27820
Kunzmann, Vladia.
Jean-Ferry Rebel (1666-1747) and His Instrumental Works. Ph.D., Musicology, Columbia University, 1993.
DDM Code: 41imKunV; DA no.: 54/12:4301; RILM no.: 93:3593dd; UM no.: 94-12790
Kurtzman, Jeffrey G.
The Monteverdi Vespers of 1610 and their Relationship with Italian Sacred Music of the Early Seventeenth Century. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1972. 2 vols., vii, 1168 p. mus. exs., append., bibliog.
DDM Code: 41luKurJ; DA no.: 33/10:5766; RILM no.: 72:353dd; UM no.: 73-9975
Kutz, Eric.
Towards a Formal Paradigm for the Bach Cello Suite Preludes: A Study of the History, Theory, Origins, and Organization of Bach's Preludes to BWV 1007-1012, and Implications for Their Performance. D.M.A., Performance, Juilliard School, 2002. x, 146 p. mus. exs., bibliog.
Research director: Philip Lasser
DDM Code: 40snKutE; DA no.: RILM no.: 02:11521dd; UM no.:
Kyhlberg, Bengt.
Uppsalas musikhistoria under 1600-talet [The History of Music in Uppsala during the Seventeenth Century]. Ph.D., Musicology, Uppsala.
DDM Code: 41mvKyhB; DA no.: RILM no.: 75:728dd; UM no.:
La France, Albert P.
The Sacred Music of Paolo Lorenzani (1640-1713). Ph.D., Musicology, University of Victoria, 1986.
Research director: G. Lazarevich
DDM Code: 41saLafA; DA no.: 47/11:3904; RILM no.: 92:2609dd; UM no.: NL-34525 Publication: ISBN 0-315-34525-X.
La May, Thomasin K.
Monteverdi's Canzonettas and Madrigals, Books I-III: The Significance of Parody, or Imitatio, in the Genesis of His Musical Style. Ph.D., Musicology, University of Michigan, 1987.
Research director: Glenn Watkins
DDM Code: 41seLamT; DA no.: 48/03:507; RILM no.: 87:8715dd; UM no.: 87-12157
Ladd, Karen Shakley.
The Solo Cantatas of Emanuele d'Astorga. Ph.D., Music History, Ohio State University, 1982. 344 p. facs., mus. exs., works lst., thematic cat., append., bibliog.
Research director: Herbert Livingston
DDM Code: 41seLadK; DA no.: 43/02:302; RILM no.: 82:392dd; UM no.: 82-14113
Ladewig, James Leslie.
Frescobaldi's Recercari et canzoni francese (1615): A Study of the Contrapuntal Keyboard Idiom in Ferrara, Naples, and Rome, 1580-1620. Ph.D., Musicology, University of California at Berkeley, 1978. 2 vols., xv, 523 p. tbls., mus. exs., transcr., append., bibliog.
Research director: Anthony Newcomb
DDM Code: 41keLadJ; DA no.: 39/09:5200; RILM no.: 78:443dd; UM no.: 79-04,512
LaGorce, Jérôme de.
L'Opéra sous le règne de Louis XIV: Le merveilleux ou les puissances surnaturelles (1671-1715). Ph.D., Musicology, Paris, 1978.
DDM Code: 41opLagJ; DA no.: RILM no.: UM no.:
Laing, R. G.
The Disintegration of Pastoral Studies in Seventeenth-Century Theory and Practice. Ph.D., Musicology, Oxford University, 1982.
DDM Code: 41stLaiR; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D50060/84.
Laird, Paul Robert.
The Villancico Repertory at San Lorenzo El Real del Escorial, c.1630-c.1715. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1986. 2 vols., 553 p. illus., tbls., facs., mus. exs., works lst., append., bibliog.
DDM Code: 41saLaiP; DA no.: 47/08:2791; RILM no.: 86:1514dd; UM no.: 86-28,238
Lake, Mary Beth.
A Critical Edition of the Cantata Nel silentio comune by Alessandro Scarlatti, with Historical Commentary. Ph.D., Music, Michigan State University, 1980. 59 p.
DDM Code: 40voLakM; DA no.: 41/12:4881; RILM no.: 80:2713dd; UM no.: 81-12109
Laki, Peter G.
The Madrigals of Giambattista Marino and their Settings for Solo Voice (1602-1640). Ph.D., Musicology, University of Pennsylvania, 1989. 472 p. mus. exs., thematic cat., append.
Research director: Gary Tomlinson
DDM Code: 41tmLakP; DA no.: 51/02:338; RILM no.: UM no.: 90-15122
Lambert, Arthur Adams.
The Keyboard Partitas of J. S. Bach: A Study of Background, Text, and Interpretation. Ph.D., Musicology, University of Iowa, 1961. 292 p.
DDM Code: 41keLamA; DA no.: 22/08:2818-9; RILM no.: UM no.: 61-05584
Lamkin, Michael Deane.
La forza della virtù, oder Die Macht der Tugend of Reinhard Keiser. Ph.D., Musicology, University of Iowa, 1979. 685 p.
DDM Code: 41opLamM; DA no.: 40/12:6063; RILM no.: UM no.: 80-12,385
Lamott, Bruce Alan.
Keyboard Improvisation According to Nova instructio pro pulsandis organis (1670-ca. 1675) by Spiridion à Monte Carmelo. Ph.D., Musicology, Stanford University, 1980. xi, 284 p. tbls., facs., mus. exs., append., bibliog.
DDM Code: 41cmLamB; DA no.: 41/05:1828; RILM no.: 80:2714dd; UM no.: 80-24692
Landmann, Ortrun.
Quellenstudien zum italienischen Intermezzo comico per musicam und zu seiner Geschichte in Dresden. Ph.D., Musicology, University of Rostock, 1973. 3 vols., xiii, 611 p.
DDM Code: 41opLanO; DA no.: RILM no.: 74:404dd; UM no.:
Landon, Esther Abrams.
Seventeenth and Eighteenth-Century English and Colonial American Music Texts: An Analysis of Instructional Content. Ph.D., Music Education, University of California at Los Angeles, 1977. 238 p.
Research director: A. Schwadron
DDM Code: 44edLanE; DA no.: 38/11:6389; RILM no.: 78:1888dd; UM no.: 78-06503
Lang, Robert.
"Neapolitanischen Schule": Lokalstilistische Ausprägungen in der Oper des Settecento. Ph.D., Musicology, Hochschule der Künste, Berlin, 2001. 352 p. illus., mus. exs., bibliog.
DDM Code: 41opLanR; DA no.: RILM no.: 01:13389dd; UM no.: Publication: Perspektiven der Opernforschung, vol. 8. Frankfurt am Main: Lang, 2000. ISBN 3-631-37862-9.
Additional keywords: Naples, opera
Langley, Richard Douglas.
Sonate concertate in stil moderno by Dario Castello: A Transcription of Book One. Ph.D., Music, , Washington University, 1974. 211 p.
DDM Code: 41enLanR; DA no.: 35/09:6184; RILM no.: 76:9709dd; UM no.: 75-06,581
Large, William R.
The Conditions of Musical Performance in English Churches and Cathedrals from 1600-1645. Ph.D., Musicology, University of Sheffield, 1977.
DDM Code: 41pfLarW; DA no.: RILM no.: UM no.:
Larsen, Arved M. III.
Angelo Berardi (1636-1694) as Theorist: A Seventeenth-Century View of Counterpoint. Ph.D., Musicology, Catholic University of America, 1979.
Research director: Cyrilla Barr
DDM Code: 49cpLarA; DA no.: 40/03:1516; RILM no.: 74:1153dd; UM no.: 79-21065
Lasocki, David Ronald Graham.
Professional Recorder Players in England, 1540-1740. Ph.D., Musicology, University of Iowa, 1983. xxii, 985 p. illus., tbls., mus. exs., append., bibliog.
DDM Code: 41wnLasD; DA no.: 44/08:2287; RILM no.: 83:4713dd; UM no.: 83-27,401
Lauterwasser, Helmut.
Der 116. Psalm in Vertonungen des frühen 17. Jahrhunderts. Der Psalm-Motettendruck Burkhard Grossmanns von 1623. Ph.D., Musicology, Göttingen, 1994.
Research director: Martin Staehelin
DDM Code: 41saLauH; DA no.: RILM no.: 99:17394dd; UM no.:
Lawrence-White, Stephanie A.
Musical Education at the Ospedale degli Innocenti, Florence. Ph.D., Musicology, Catholic University of America, 2005. ix, 150 p. illus., tbls., mus. exs., transcr., transl., append., bibliog.
Research director: Cyrilla Barr
DDM Code: 41edLawS; DA no.: 65/11:4041; RILM no.: 05:7413dd; UM no.: 31-54386
The Chalumeau in Eighteenth-Century Music. Ph.D., Musicology, University of Aberdeen, 1976.
DDM Code: 41wnLawC; DA no.: RILM no.: 76:17499dd; UM no.:
Lazarevich, Gordana.
The Role of the Neapolitan Intermezzo in the Evolution of Eighteenth-Century Musical Style: Literary, Symphonic, and Dramatic Aspects, 1685-1735. Ph.D., Musicology, Columbia University, 1970. 2 vols., 612 p.
DDM Code: 41opLazG; DA no.: 34/03:1314; RILM no.: 76:10087dd; UM no.: 73-08,965
Leckie, Thomas Conley.
A Comparison of Thematic and Episodic Analyses of the Bach Two-Part Inventions. Ph.D., Music, University of Oklahoma, 1980. 212 p.
DDM Code: 40anLecT; DA no.: 41/03:845; RILM no.: 80:3807dd; UM no.: 80-18925
Additional keywords: Percy Goetschius, Kent Kennan, Daniel Gregory Mason, Randall Thompson
Lecoat, Gerard George.
Music and the Rhetoric of the Arts During the Age of Monteverdi. Ph.D., Musicology, University of Washington, 1973.
DDM Code: 46aeLecG; DA no.: 34/04:1953; RILM no.: 73:4425dd; UM no.: 73-22,584
Ledbetter, David J.
Harpsichord and Lute Music in Seventeenth-Century France. Ph.D., Musicology, Queen's, Oxford, 1985.
Research director: Edward Higginbottom
DDM Code: 41keLedD; DA no.: RILM no.: 88:2378bm; UM no.: Publication: Bloomington: Indiana University Press; London: Macmillan, 1987. ISBN 0-3334-2755-6; British Library Document Supply Centre no. D58044/85.
Lederer, Josef-Horst.
Lorenzo Penna und seine Kontrapunkttheorie. Ph.D., Musicology, Graz, 1970. 331 p. facs., ind.
DDM Code: 49cpLedJ; DA no.: RILM no.: 73:344dd; UM no.:
Lee, Hwaeja Yoo.
Secular Elements in André Raison's Organ Masses. D.M.A., Performance, University of Oregon, 1970. vi, 194 p. mus. exs., bibliog.
DDM Code: 41keLeeH; DA no.: 32/01:475; RILM no.: 71:462dd; UM no.: 71-16,823
Lefkowitz, Murray.
William Lawes, His Life and Works, With a Supplement of Selected Instrumental Music. Ph.D., Musicology, University of Southern California, 1963. 2 vols., 647 p.
DDM Code: 41woLefM; DA no.: 28/04:1458; RILM no.: UM no.: 64-02586
Legrand, Raphaëlle.
Dardanus de Jean-Philippe Rameau: La première version de 1739. Doct., Musicology, Université de Tours, 1991. 2 vols., 469 p. illus., tbls., facs., mus. exs., append., bibliog., ind.
DDM Code: 41opLegR; DA no.: RILM no.: 00:33805dd; UM no.:
Lehn, Edgar vom.
The Sacred Cantatas of Philipp Heinrich Erlebach (1657-1714). Ph.D., Music, University of North Carolina at Chapel Hill, 1958. 230 p.
DDM Code: 41saLehE; DA no.: 19/08:2104; RILM no.: UM no.: LC Mic 58-5973
Leich, Karl.
Girolamo Frigimelica Robertis Libretti (1694-1708). Ein Beitrag insbesondere zur Geschichte des Opernlibrettos in Venedig. Ph.D., Musicology, Münster, 1971. 180 p. illus., bibliog., ind.
Research director: Gerhard Croll
DDM Code: 41loLeiK; DA no.: RILM no.: 73:2696dd; UM no.: Publication: Schriften zur Musik, vol. 26. München: Katzbichler, 1973.
Leininger, George W.
The Odes of Henry Purcell: A Stylistic Study. Ph.D., Musicology, University of Pennsylvania, 1976. 651 p.
DDM Code: 41voLeiG; DA no.: 37/11:6829; RILM no.: 76:15558dd; UM no.: 77-10,185
Lenz, Christfried.
Studien zur Satztechnik Bachs. Untersuchung einiger vom Erscheinungsbild der Vokalpolyphonie geprägter Kompositionen. Ph.D., Musicology, Heidelberg, 1970. 181 p. mus. exs., bibliog.
DDM Code: 49cmLenC; DA no.: RILM no.: 70:3161dd; UM no.:
Leonard, Charlotte Anne.
The Role and Affekt of the Trombone in the Lutheran Church Music of Seventeenth-Century Saxony and Thuringia. Ph.D., Musicology, Duke University, 1997. 1645 p.
Research director: Peter Williams
DDM Code: 41brLeoC; DA no.: 58/03:634; RILM no.: 97:3152dd; UM no.: 97-27375 Publication: ISBN 0-591-36403-4.
Leopold, Silke.
Untersuchungen zu den weltlichen und geistlichen Vokalwerken Stefano Landis. Ph.D., Musicology, Hamburg, 1976.
DDM Code: 41voLeoS; DA no.: RILM no.: UM no.:
Leppert, Richard D.
Musical Instruments and Performing Ensembles in Flemish Paintings of the Seventeenth Century. Ph.D., Musicology, Indiana University, 1973.
DDM Code: 41icLepR; DA no.: 34/08:5232; RILM no.: 73:1569dd; UM no.: 74-392
LeRoy, Edmund Walter.
Book One of the Traitez de la voix et des chants from Marin Mersenne's Harmonie universelle: A Translation. D.M.A., Performance, The Juilliard School, 1978.
Research director: Gustave Reese
DDM Code: 41trLerE; DA no.: ADD 1978; RILM no.: UM no.: 03-35476
Levasseur-de-Rebollo, Yvonne.
Life and Works of Joseph de Torres y Martinez Bravo. Ph.D., Musicology, University of Pittsburgh, 1975. vi, 90 p. mus. exs., works lst., thematic cat., append., bibliog.
Research director: Robert Lord
DDM Code: 41woLevY; DA no.: 36/12:7721; RILM no.: 76:9714dd; UM no.: 76-14,149
Leve, James Samuel.
Humor and Intrigue: A Comparative Study of Comic Opera in Florence and Rome during the Late Seventeenth Century. Ph.D., Musicology, Yale University, 1998. 721 p.
Research director: Ellen Rosand
DDM Code: 41opLevJ; DA no.: 59/05:1389; RILM no.: 99:23577dd; UM no.: 98-35278 Publication: ISBN 0-591-88737-1.
Levin, Lia Starer.
The Recorder in the Music of Purcell and Handel. Ph.D., Musicology, International College, Los Angeles, 1981. 400 p.
DDM Code: 41wnLevL; DA no.: RILM no.: 81:451dd; UM no.:
Lewis, Edgar J. Jr.
The Use of Wind Instruments in Seventeenth-Century Instrumental Music. Ph.D., Musicology, University of Wisconsin at Madison, 1964. 2 vols., 538 p.
DDM Code: 41wiLewE; DA no.: 24/10:4223-4; RILM no.: UM no.: 64-03928
Lewis, Horace Monroe.
The Problem of the Tromba da tirarsi in the Works of J. S. Bach. Ph.D., Music History, Louisiana State University, 1975. xiii, 147 p. plts., tbls., mus. exs., bibliog.
DDM Code: 41brLewH; DA no.: 36/04:1893; RILM no.: 76:9717dd; UM no.: 75-22,215
Li, Tai-Wai.
Marc-François Beche's Collection of the Eleven Grands Motets by Esprit-Joseph-Antoine Blanchard (1696-1770). D.M.A., Choral Conducting, University of Illinois at Urbana-Champaign, 1993. 320 p.
Research director: John Walter Hill
DDM Code: 41saLixT; DA no.: 54/11:3923; RILM no.: 93:3158dd; UM no.: 94-11688
Liberman, Marc Louis.
The Organ Works of Nicolas Lebègue in the Context of Contemporary Theory and Practice. Ph.D., Music History, Northwestern University, 1984. 395 p.
Research director: William Porter
DDM Code: 41keLibM; DA no.: 45/08:2298; RILM no.: 84:1564dd; UM no.: 84-23268
Liebig, Elke.
Johann Georg Ebeling und Paul Gerhardt: Liedkomposition im Konfessionskonflikt: Die Geistlichen Andachten Berlin 1666/67. Ph.D., Musicology, Lüneburg, 2007. 387 p. tbls., mus. exs., works lst., append., bibliog.
Research director: Peter Ahnsehl
DDM Code: 41saLieE; DA no.: RILM no.: UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 253. Frankfurt am Main: Peter Lang, 2007. ISBN 978-3-631-57469-0.
Additional keywords: church music, hymn
Liebminger, Ingrid.
Wolfgang Hase als Musiktheoretiker. Ph.D., Musicology, Graz, 1969. iv, 278 p. facs., mus. exs., bibliog., ind.
DDM Code: 49muLieI; DA no.: RILM no.: 73:3340dd; UM no.:
Liebscher, Julia Maria.
Das italienische Kammerduett. Ph.D., Musicology, München, 1983. 252 p. mus. exs.
Research director: Theodor Göllner
DDM Code: 41voLieJ; DA no.: RILM no.: 87:1998bm; UM no.: Publication: Münchner Veröffentlichungen zur Musikgeschichte, vol. 42. Tutzing: Schneider, 1987. ISBN 3-7952-0502-6.
Lindberg, Dian Igor.
Literary Aspects of German Baroque Opera: History, Theory, and Practice (Christian H. Postel and Barthold Feind). Ph.D., Music, University of California at Los Angeles, 1964. 329 p.
DDM Code: 41loLinD; DA no.: 26/01:370; RILM no.: UM no.: 65-02169
Lindemann, Frayda B.
Pastoral Instruments in French Baroque Music: Musette and Vielle. Ph.D., Musicology, Columbia University, 1978. 279 p.
DDM Code: 41imLinF; DA no.: 39/08:4584; RILM no.: 78:4878dd; UM no.: 79-04098
Lindgren, Lowell Edwin.
A Bibliographic Scrutiny of Dramatic Works Set by Giovanni and His Brother Antonio Maria Bononcini. Ph.D., Music, Harvard University, 1972. xiii, 1094 p. illus., mus. exs., works lst., thematic cat.
DDM Code: 45opLinL; DA no.: 35/05:3039; RILM no.: 72:1651dd; UM no.: 74-25,641
Linfield, Eva.
Dietrich Buxtehude's Sonatas: A Historical and Analytical Study. Ph.D., Musicology, Brandeis University, 1984. 432 p.
Research director: Eric Chafe
DDM Code: 41chLinE; DA no.: 45/08:2298; RILM no.: 84:1570dd; UM no.: 84-20780
Link, Nathan.
Story and Representation in Handel's Operas. Ph.D., Music History, Yale University, 2007. xiii, 401 p. illus., tbls., mus. exs., transl., discog., bibliog.
Research director: Ellen Rosand
DDM Code: 41opLinN; DA no.: 67/12; RILM no.: UM no.: 32-43662
The Soul and Jesus Dialogue Cantatas of Johann Sebastian Bach. D.M.A., Vocal Performance, University of North Carolina at Greensboro, 2004. xi, 238 p. tbls., mus. exs., transl., append., bibliog.
Research director: William P. Carroll
DDM Code: 40voLinE; DA no.: 65/03:755; RILM no.: 04:13592dd; UM no.: 31-26789
Additional keywords: allegory, German Lutheran music
Lister, Craig George.
Traditions of Keyboard Technique from 1650 to 1750. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1979. 352 p. tbls., facs., mus. exs., transcr., append., bibliog.
Research director: Calvin Bower
DDM Code: 41pfLisC; DA no.: 40/08:4942; RILM no.: 79:1482dd; UM no.: 80-05,051
Löhlein, Harald.
Johann Sebastian Bachs Orgelbüchlein, Choralvariationen und die "Schüblerschen Choräle". Edition und Kritischer Bericht. Ph.D., Musicology, Tübingen, 1979.
Research director: Georg von Dadelsen
DDM Code: 41keLohI; DA no.: RILM no.: UM no.:
Lohmann, Ludger.
Studien zu Artikulationsproblemen bei den Tasteninstrumenten des 16. bis 18. Jahrhunderts. Ph.D., Musicology, Köln, 1981.
DDM Code: 41pfLohL; DA no.: RILM no.: UM no.:
Lohuis, Ardyth June.
Delphin Strunck: The Organ Compositions Found in Lüneburg Tablature KN 209 . D.M.A., Performance, University of Cincinnati, 1970. 194 p.
DDM Code: 41keLohA; DA no.: 33/08:4457; RILM no.: 73:1789dd; UM no.: 73-04093
Longo, Lauren M.
Pietro Gianotti's Le Guide du compositeur: A Reworking of Rameau's L'Art de la basse fondamentale. An Annotated Translation and Critical Edition of Part I. Ph.D., Musicology, City University of New York, 1997. 2 vols., xv, 751 p. plts., tbls., facs., mus. exs., transcr., transl., append., bibliog.
Research director: Joel Lester
DDM Code: 41trLonL; DA no.: 58/09:3357; RILM no.: 97:7440dd; UM no.: 98-07961
Additional keywords: composition, fundamental bass
López Speziale, Carla D.
Ignacio Jerusalem: A Transcription of Selected Pieces for One and Two Soprano Voices. D.M.A., Music, Manhattan School of Music, 1998. iv, 169 p. facs., transcr., bibliog.
Research director: Jeffrey Langford and Kenneth Cooper
DDM Code: 41voLopC; DA no.: RILM no.: UM no.:
Additional keywords: sacred Baroque music in Mexico, Mexico City cathedral, responsorios
Lorber, Richard.
Die italienische Kantaten von Johann David Heinichen (1683-1729): Ein Beitrag zur Geschichte der Musik am Dresdner Hof in der ersten Hälfte des 18. Jahrhunderts. Ph.D., Musicology, Tübingen, 1991. 499 p.
DDM Code: 41seLorR; DA no.: RILM no.: 92:2627bm; UM no.: Publication: Kölner Beiträge zur Musikforschung, vol. 166. Regensburg: Bosse, 1991.
Loskant, Christiane.
Librettologische Untersuchungen zur Opernpraxis im 17. und 18. Jahrhundert, ausgehend von Francesco Gasparinis La Statira. Ph.D., Musicology, Erlangen-Nurnberg, 1995. 215 p. illus., mus. exs., bibliog.
DDM Code: 41opLosC; DA no.: RILM no.: 96:15264dd; UM no.: Publication: Deutsche Hochschulschriften, vol. 1073. Egelsbach: Hansel-Hohenhausen, 1994. ISBN 3-8267-1073-8.
Lowe, Caroline Jane.
The Psalm Settings of Marc-Antoine Charpentier. Ph.D., Musicology, Cambridge University, 1992.
Research director: A. V. Jones
DDM Code: 41saLowC; DA no.: RILM no.: 93:10348dd; UM no.: Publication: British Library Document Supply Centre no. D062119.
Lowerre, Kathryn J.
Music in the Productions at London's Lincoln's Inn Fields Theater, 1695-1705. Ph.D., Musicology, Duke University, 1997. 2 vols., xviii, 888 p. tbls., mus. exs., append., bibliog.
Research director: Peter Williams
DDM Code: 41drLowK; DA no.: 58/03:635; RILM no.: 97:16463dd; UM no.: 97-27379
Additional keywords: English song, dramatic opera, music in plays, John Eccles, Anne Bracegirdle, William Congreve, John Dennis, incidental music
Luce, Joan.
The Virtuosity and Unique Role of the Caprices for Solo Violin in Pietro Locatelli's L'arte del violino. Ph.D., Musicology, University of Michigan, 1975. iv, 186 p. plts., tbls., mus. exs., append., bibliog.
DDM Code: 41snLucJ; DA no.: 36/03:1157; RILM no.: 76:9721dd; UM no.: 75-20,396
Luhring, Alan Alexander.
The Music of John Banister. Ph.D., Music, Stanford University, 1966. vi, 595 p.
DDM Code: 41woLuhA; DA no.: 27/10:3483; RILM no.: UM no.: 67-04397
Lumpkin, Royce Edgar.
The Sinfonie, Scherzi, Ricercari, Caprici, et Fantasie of Antonio Troilo: A Discussion and Modern Edition. D.M.A., Performance, University of Oklahoma, 1978. 174 p.
Research director: Irvin L. Wagner
DDM Code: 40chLumR; DA no.: 39/10:5793; RILM no.: 78:4881dd; UM no.: 79-08830
Luoma, Robert Gust.
Francesco Durante's Oratio Jeremiae Prophetae: A Study in the Relationship between Style, Structure, and Performance. D.M.A., Music, Stanford University, 1967. 99 p.
DDM Code: 41luLuoR; DA no.: RILM no.: 67:703dd; UM no.:
Luppi, Andrea.
"Imitation de l'harmonie universelle." Gottfried Wilhelm Liebniz e la musica. Ph.D., Philosophy, Università Cattolica del Sacro Cuore, Milan, 1986.
DDM Code: 49muLupA; DA no.: RILM no.: UM no.:
Lutterman, John K.
Works in Progress: J. S. Bach's Suites for Solo Cello as Artifacts of Improvisatory Practices. Ph.D., Musicology, University of California at Davis, 2006. xiv, 598 p. illus., tbls., facs., mus. exs., transl., works lst., bibliog.
Research director: Anna Maria Busse Berger
DDM Code: 41snLutJ; DA no.: 67/04:1147; RILM no.: UM no.: 32-12869 Publication: ISBN 978-0-54222-63489-5.
Additional keywords: work-concept, violoncello, improvisation, Johann Sebastian Bach, Friedrich Niedt, Christopher Simpson, Johann Baumgartner, partimento, continuo
Lynch, Robert Donald.
Opera in Hamburg, 1718-1738: A Study of the Libretto and Musical Style. Ph.D., Musicology, New York University, 1979. 675 p.
Research director: Jan LaRue
DDM Code: 41opLynR; DA no.: 40/05:2341; RILM no.: 79:2547dd; UM no.: 79-25491
Lynch, William David.
A Stylistic Study of Organ Works Attributed to Abraham van den Kerckhoven. D.M.A., Performance, University of Rochester, 1969. 2 vols., vi, 357 p. tbls., mus. exs., thematic cat., append., bibliog.
DDM Code: 41keLynW; DA no.: ADD 1970:249; RILM no.: 76:9722dd; UM no.: 02-65358
Maas, Martha.
Seventeenth-Century English Keyboard Music, A Study of Manuscripts Rés. 1186 and 1186bis of the Paris Conservatory Library. Ph.D., History of Music, Yale University, 1968. 2 vols., xxxvii, 554 p. mus. exs., thematic cat., append., bibliog.
DDM Code: 41keMaaM; DA no.: 30/03:1195; RILM no.: 69:892dd; UM no.: 69-13,356
Mabbett, Margaret.
The Italian Madrigal, 1620-1655. Ph.D., Musicology, King's College, University of London, 1989. 626 p. bibliog.
DDM Code: 41seMabM; DA no.: RILM no.: 00:52664dd; UM no.: Publication: British Library Document Supply Centre no. DX193359; British Library Document Supply Centre no. DX191345.
MacDonald, John Alexander.
The Sacred Vocal Music of Giovanni Legrenzi. Ph.D., Music, University of Michigan, 1964. 2 vols., 362 p.
DDM Code: 41saMacJ; DA no.: 27/11:3894; RILM no.: UM no.: 65-05342
Machatius, Franz Jochen.
Die Tempi in der Musik um 1600. Fortwirken un Auflösung einer Tradition. Ph.D., Music, Freie Universität, Berlin, 1954. 304 p.
DDM Code: 41dyMacF; DA no.: RILM no.: 77:369dd; UM no.: Publication: Laaber bei Hernau: Laaber, 1977.
Mackey, Elizabeth Jocelyn.
The Sacred Works of Johann Theile. Ph.D., Musicology, University of Michigan, 1968. 2 vols., xviii, 480 p. plts., tbls., mus. exs., works lst., append., bibliog.
DDM Code: 41saMacE; DA no.: 29/08:2741; RILM no.: 70:1713dd; UM no.: 69-02348
Macklem, Mary S.
Reforming Opera and Its Public in Early Modern Venice. Ph.D., Music, University of Pennsylvania, 2003. 426 p. illus., plts., facs., mus. exs., transl., append., bibliog.
Research director: Gary Tomlinson
DDM Code: 41opMacM; DA no.: 64/06:1899; RILM no.: 03:12541dd; UM no.: 30-95916
Additional keywords: opera reform, passions, René Descartes, Carlo Pollarolo, Alessandro Scarlatti, luxury, sumptuary laws, literary theory, Arcadian Academy
Macomber, Frank S.
Bach's Re-Use of His Own Music: A Study in Transcription. Ph.D., Music, Syracuse University, 1967. 660 p.
DDM Code: 49cmMacF; DA no.: 28/12:5094; RILM no.: 68:367dd; UM no.: 68-5475
Madock, David Carter.
A Study of the stile antico in the Masses and Motets of Antonio Lotti as Contained in the Codice Marciano Italiano IV, Venice. Ph.D., Musicology, Catholic University of America, 1996. xi, 427 p. plts., facs., mus. exs., transcr., works lst., bibliog.
Research director: Cyrilla Barr
DDM Code: 41mcMadD; DA no.: 57/05:1903; RILM no.: 96:7807dd; UM no.: 96-30246
Additional keywords: Council of Trent, prima prattica, Counter Reformation, San Marco, Johann Joseph Fux, Claudio Monteverdi, Italian Baroque
Maggs, John Anderson.
The Secular Music of Alessandro Grandi. Ph.D., Musicology, University of Michigan, 1975. 350 p.
DDM Code: 41seMagJ; DA no.: 36/03:1157; RILM no.: 76:9725dd; UM no.: 75-20,400
Mahy, Daune Sharon.
A Performance Edition of the Chamber Cantata Nel silentio comune for Soprano, Strings, and Continuo, by Alessandro Scarlatti. D.M., Voice Performance and Literature, Indiana University, 1978. 124 p.
DDM Code: 40voMahD; DA no.: RILM no.: 78:3884dd; UM no.:
Mahy, Kenneth William.
The Problem of Thorough-bass Realization in Selected Songs of Henry Purcell: A Critical Comparison of Available Editions. D.M., Performance, Indiana University, 1974. 207 p. mus. exs., bibliog.
DDM Code: 41bcMahK; DA no.: RILM no.: 74:3864dd; UM no.:
Maier, Elisabeth.
Die handschriftlich überlieferten Tabulaturen für Lauteninstrumente des 17. und 18. Jahrhunderts aus dem Bestand der österreichischen Nationalbibliothek mit dem Wiener Lautenbuch des Jacques de Saint Luc. Ph.D., Musicology, Wien, 1973.
DDM Code: 41mcMaiE; DA no.: RILM no.: 76:9726dd; UM no.:
Malinowski, Stanley Anthony Jr.
The Baroque Oratorio Passion, [with] Part II: An Edition of the St. Matthew Passion of Johann Valentin Meder. Ph.D., Musicology, Cornell University, 1978. 2 vols., vii, 595 p. facs., mus. exs., append., bibliog.
Research director: Neal Zaslaw
DDM Code: 41saMalS; DA no.: 39/01:15; RILM no.: 78:447dd; UM no.: 78-09,506
Malterer, Edward Lee.
The Employment of Ornamentation in Present Day Trombone Performance of Transcriptions of Baroque Literature. D.A., Music, Ball State University, 1979. 161 p.
DDM Code: 40brMalE; DA no.: 41/07:2823; RILM no.: 80:5570dd; UM no.: 81-02474
Additional keywords: Galliard, Benedetto Marcello, Antonio Vivaldi
Mangani, Marco.
Raffaello Rontani: Il primo libro de Le varie musiche. Edizione critica. Laurea, Musicology, Università di Pavia, 1989. 2 vols., 136 p. mus. exs., transcr., append., ind.
Research director: Anna Maria Vacchelli Monteross
DDM Code: 41seManM; DA no.: RILM no.: 94:9494dd; UM no.:
Mangsen, Sandra Joan.
Instrumental Duos and Trios in Printed Italian Sources, 1600-1675. Ph.D., Musicology, Cornell University, 1989. 2 vols., xix, 519 p. illus., tbls., mus. exs., transcr., append., bibliog.
Research director: Neal Zaslaw
DDM Code: 41chManS; DA no.: 50/03:569; RILM no.: 89:1373dd; UM no.: 89-15,081
Manning, Robert.
Purcell's Anthems: An Analytical Study of the Music and Its Context. Ph.D., Musicology, University of Birmingham, 1979. 2 vols., 338 p. mus. exs., works lst., bibliog.
DDM Code: 41saManR; DA no.: RILM no.: 79:2548dd; UM no.: CA-93314
Mansure, Victor Newell.
The Allemandes of Johann Sebastian Bach: A Stylistic Study. D.M.A., Music History, University of Oregon, 1992. 284 p. works lst., thematic cat.
Research director: Peter Bergquist
DDM Code: 41imManV; DA no.: 54/01:22; RILM no.: 92:727dd; UM no.: 93-13305
Maple, Douglas Alvin.
D'Anglebert's Autograph Manuscript, Paris, B.N. Rés 89ter: An Examination of Compositional, Editorial, and Notational Processes in Seventeenth-Century French Harpsichord Music. Ph.D., Musicology, University of Chicago, 1988.
DDM Code: 41mcMapD; DA no.: 49/02:165; RILM no.: 88:8266dd; UM no.: T-30461
Marcase, Donald E.
Adriano Banchieri, L'organo suonarino: Translation, Transcription, and Commentary. Ph.D., Musicology, Indiana University, 1970. 471 p. mus. exs., bibliog.
DDM Code: 49trMarD; DA no.: 31/07:3585; RILM no.: 70:1714dd; UM no.: 70-26,938
Marín Lopez, Miguel Ángel.
Music and Musicians in Provincial Towns: The Case of Eighteenth-Century Jaca (Spain). Ph.D., Historical Musicology, Royal Holloway College, University of London, 2000. 2 vols., 425 p. plts., facs., mus. exs., transcr., works lst., append., bibliog.
Research director: Juan José Carreras and Tess Knighton
DDM Code: 41skMarM; DA no.: RILM no.: 00:3946dd; UM no.:
Form and Scoring in J. S. Bach's Brandenburg Concertos. Ph.D., Musicology, Brandeis University, 1990.
Research director: Robert Marshall
DDM Code: 49srMarM; DA no.: 52/02:339; RILM no.: 91:4399dd; UM no.: 91-18708
Märker, Michael.
Die protestantische Dialogkomposition in Deutschland zwischen Heinrich Schütz und Johann Sebastian Bach. Hab., Musicology, Leipzig, 1990.
DDM Code: 41saMarM; DA no.: RILM no.: 95:14248dd; UM no.:
Markham, Michael Scott.
The Heritage of Campaspe: Oral Tradition and Giulio Caccini's Le nuove musiche (1602). Ph.D., Musicology, University of California at Berkeley, 2006. vii, 496 p. illus., tbls., facs., mus. exs., transcr., transl., append., bibliog.
Research director: Anthony Newcomb
DDM Code: 41voMarM; DA no.: 67/08:2807; RILM no.: UM no.: 32-28416 Publication: ISBN 978-0-542-82580-4.
Additional keywords: print culture, music and theater, court culture, orality, monody, Flaminio Scala, commedia dell'arte, presence, solo song, preformance and notation, Baldassare Castiglione, Ludovico Ariosto
Markstrom, Kurt Sven.
The Operas of Leonardo Vinci, Napoletano. Ph.D., Musicology, University of Toronto, 1993. v, 356 p. plts., mus. exs., bibliog.
Research director: Carl Morey
DDM Code: 41opMarK; DA no.: RILM no.: 93:3689dd; UM no.: AAC-NN82723 Publication: ISBN 0-315-82723-8.
Marles, Candace Ann.
Music and Drama in the Hanover Operas of Agostino Steffani (1654-1728). Ph.D., Musicology, Yale University, 1991. xii, 356 p. illus., tbls., facs., mus. exs., bibliog.
Research director: Reinhard Strohm
DDM Code: 41opMarC; DA no.: 52/07:2315; RILM no.: 91:4398dd; UM no.: 91-36164
Marsh, Carol G.
French Court Dance in England, 1706-1740: A Study of the Sources. Ph.D., Music, City University of New York, 1985. ix, 354 p. illus., plts., tbls., facs., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 41daMarC; DA no.: 46/02:296; RILM no.: 85:6568dd; UM no.: 85-08,713
Marshall, Robert Lewis.
The Compositional Process of J. S. Bach: A Study of the Autograph Scores of the Vocal Works. Ph.D., Musicology, Princeton University, 1968. 3 vols., xii, 646 p. tbls., facs., mus. exs., bibliog.
DDM Code: 49cmMarR; DA no.: 29/08:2741; RILM no.: 68:3265dd; UM no.: 69-2762
Marsoner, Karin.
Studien zur Geschichte der geistlichen französischen Kantate. Ph.D., Musicology, Graz, 1971.
DDM Code: 41saMarK; DA no.: RILM no.: UM no.:
Martin, Dennis Roy.
The Operas and Operatic Style of John Frederick Lampe (1703?-1751), with a Commentary and Critical Edition of His Most Important Work: The Dragon of Wantley. Ph.D., Musicology, University of Iowa, 1979. 2 vols., xiv, 682 p. plts., tbls., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 41opMarD; DA no.: 40/05:2342; RILM no.: 79:536dd; UM no.: 79-24,502
Martin, James Milton II.
The Compendium harmonicum (1760) of Georg Andreas Sorge (1703-1778): A Translation and Critical Commentary. Ph.D., Theory, Catholic University of America, 1981. 413 p.
Research director: H. Braunlich
DDM Code: 49trMarJ; DA no.: 42/06:2354; RILM no.: 81:2612dd; UM no.: 81-23258
Martin, Raymond Eldridge.
Eleven Selected Woodwind Concertos of Johann Melchior Molter. D.M.A., Music History and Literature, University of Missouri at Kansas City, 1973. 2 vols., xi, 476 p. mus. exs., transcr., bibliog.
DDM Code: 41wnMarR; DA no.: 34/05:2684; RILM no.: 76:9729dd; UM no.: 73-25,942
Martin, Spencer L.
Avenging the Viola: Transcribing the Six Sonatas for Organ, BWV 525-530 by Johann Sebastian Bach for Violin, Viola, and Basso Continuo. D.M.A., Music, University of Minnesota.3 vols., viii, 60 + transcriptions p. illus., mus. exs., transcr., bibliog.
Research director: Korey Konkol
DDM Code: 40snMarS; DA no.: RILM no.: UM no.:
Marvin, Clara Kelly.
Two Practices, Three Styles: The Evolution of Typologies of Compositional Genre in Sixteenth- and Seventeenth-Century Italian Writings on Music. Ph.D., Musicology, University of Toronto, 1998. 312 p.
Research director: Mary Ann Parker
DDM Code: 41stMarC; DA no.: 60/10:3570; RILM no.: 00:11256dd; UM no.: NQ-41472 Publication: ISBN 0-612-41472-8.
Mason, Kevin Bruce.
The Chitarrone and Its Repertoire in Early Seventeenth-Century Italy. Ph.D., Musicology, Washington University, 1983. 169 p. illus., mus. exs., bibliog., ind.
Research director: Curtis Price
DDM Code: 41bcMasK; DA no.: 44/05:1237; RILM no.: 97:3182bm; UM no.: 83-20564 Publication: Aberystwyth: Boethius Press, 1989. ISBN 0-86314-154-4; 0-86314-153-6.
The Lute Music of Sylvius Leopold Weiss. Ph.D., Music, University of North Carolina at Chapel Hill, 1949. vii, 404 p.
DDM Code: 41snMasW; DA no.: ADD 1950:193; RILM no.: UM no.: 01-73215
Matthen, Lida Etta Rice.
The Twenty-Two Organ Works of Johann Benn and Unknown Composer(s) in the MS British Museum, Add. 34898: A Transcription and Commentary. D.M., Performance, Indiana University, 1973. 262 p. facs., mus. exs., works lst., bibliog.
DDM Code: 41mcMatL; DA no.: RILM no.: 73:1794dd; UM no.:
Maul, Michael.
Studien zur ersten Leipziger Oper (1693-1720). Ph.D., Musicology, Freiburg im Breisgau.
Research director: Christoph Wolff
DDM Code: 41opMauM; DA no.: RILM no.: UM no.:
Additional keywords: Georg Phillipp Telemann, Johann David Heinichen, Melchior Hoffmann, Nikolaus Adam Strungk
Maul, William.
The Organ Works of Nicolas de Grigny. Ph.D., Musicology , Washington University, 1966. 186 p.
DDM Code: 41keMauW; DA no.: 26/11:6763; RILM no.: UM no.: 66-01618
Maurer, Sister Helen.
The Independent Arias of Antonio Vivaldi in Foà 28. D.M.A., Performance, Indiana University, 1974. 270 p.
DDM Code: 41voMauH; DA no.: 35/08:5449-50; RILM no.: 74:2152dd; UM no.: 74-30,065
Mautz, Susanne.
"Al decoro dell'opera ed al gusto dell'auditore": Intermedien im italienischen Theater der ersten Hälfte des 17. Jahrhunderts. Ph.D., Musicology, Karlsruhe, 2003. 261 p. illus., mus. exs.
Research director: Siegfried Schmalzriedt
DDM Code: 41tnMauS; DA no.: RILM no.: 03:12028dd; UM no.: Publication: Berlin: Logos-Verlag, 2001. ISBN 3-8325-0226-2.
Maxham, Robert Eugene.
The Contributions of Joseph Sauveur (1653-1716) to Acoustics. Ph.D., Musicology, University of Rochester, 1976. 2 vols., xi, 360 p.
DDM Code: 47acMaxR; DA no.: 37/04:1866; RILM no.: 76:4426dd; UM no.: 76-21,658
May, Ernest Dewey.
Breitkopf's Role in the Transmission of J. S. Bach's Organ Chorales. Ph.D., Musicology, Princeton University, 1975. 198 p.
DDM Code: 41keMayE; DA no.: 36/04:1894; RILM no.: UM no.: 75-23223
May, William Sevier.
Sacred Motets and Concertos of Adriano Banchieri. Ph.D., Musicology, Tulane University, 1975.
DDM Code: 41saMayW; DA no.: 36/04:1894; RILM no.: 76:9738dd; UM no.: 75-23,288
Mayeda, Akio.
Nicola Antonio Porpora als Instrumentalkomponist. Ph.D., Musicology, Wien, 1967. 2 vols., 364 p. mus. exs., bibliog.
DDM Code: 41imMayA; DA no.: RILM no.: 75:976dd; UM no.:
Mayo, John Stanford Miles.
Handel's Italian Cantatas. Ph.D., Musicology, University of Toronto, 1977.
DDM Code: 41seMayJ; DA no.: 39/07:3908; RILM no.: 78:2662dd; UM no.:
Mays, Kenneth Robert.
Harmonic Style in the Madrigals of Claudio Monteverdi. Ph.D., Theory, Indiana University, 1971. 355 p.
DDM Code: 49haMayK; DA no.: 32/05:2730-1; RILM no.: 71:344dd; UM no.: 71-29,580
McArtor, Marion E.
Francesco Geminiani, Composer and Theorist. Ph.D., Musicology, University of Michigan, 1951. 387 p.
DDM Code: 41boMcaM; DA no.: 11/02:374; RILM no.: UM no.: 00-02363
McClary, Susan.
A Study in Early Seventeenth-Century Structural Harmony. Ph.D., Music, Harvard University, 1976. 291 p.
DDM Code: 49haMccS; DA no.: 37/11:6830; RILM no.: 76:9739dd; UM no.: 77-11,168
McCleave, Sarah.
Dance in Handel's Italian Operas: The Collaboration with Marie Salle
. Ph.D., Musicology, King's College, 1993.
DDM Code: 41daMccS; DA no.: RILM no.: 93:12210dd; UM no.: Publication: British Library Document Supply Centre no. DX202862.
McCrickard, Eleanor Fowler.
Alessandro Stradella's Instrumental Music: A Critical Edition with Historical and Analytical Commentary. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1971. 2 vols., x, 517 p. tbls., mus. exs., works lst., thematic cat., append., bibliog.
DDM Code: 41imMccE; DA no.: 32/09:5272; RILM no.: 71:468dd; UM no.: 72-10,749
McDonald, James Ray.
Benedetto Marcello's Pecorelle che pascete: The Historical Background and a Stylistic Analysis with a Practical Performing Edition. D.M.A., Performance, University of Iowa, 1974. 113 p.
DDM Code: 41voMcdJ; DA no.: 35/08:5450; RILM no.: 76:9740dd; UM no.: 75-01,286
McDowell, Bonney .
Marais and Forqueray: A Historical and Analytical Study of Their Music for Solo Basse de Viole. Ph.D., Musicology, Columbia University, 1974. iii, 233 p.
DDM Code: 41snMcdB; DA no.: 35/10:6600; RILM no.: 76:9741dd; UM no.: 75-09,292
McElrath, Hugh T.
A Study of the Motets of Ignatio Donati (ca. 1575-1638). Ph.D., Musicology, University of Rochester, 1967. 962 p.
DDM Code: 41saMceH; DA no.: 28/03:1096; RILM no.: 76:9742dd; UM no.: 67-08,896
McFarland, Thomas John.
Giuseppe Colombi: His Position in the "Modenese School" during the Second Half of the Seventeenth Century. Ph.D., Musicology, Kent State University, 1987. ix, 112 p. plts., tbls., mus. exs., transcr., append.
DDM Code: 41woMcfT; DA no.: 49/03:375; RILM no.: 87:2031dd; UM no.: 88-06533
McGeary, Thomas Nelson.
English Opera Criticism and Aesthetics 1685-1747. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1985. iii, 296 p.
Research director: Nicholas Temperley
DDM Code: 46aeMcgT; DA no.: 46/04:834; RILM no.: 85:1782dd; UM no.: 85-11640
McGowan, Richard Allen.
Italian Baroque Solo Sonatas for the Recorder and the Flute. Ph.D., Musicology, University of Michigan, 1974. 2 vols., xiii, 517 p. illus., plts., tbls., facs., mus. exs., works lst., append., bibliog.
DDM Code: 41wnMcgR; DA no.: 35/07:4594; RILM no.: 74:2154dd; UM no.: 75-00756
McIntosh, Valerie Meacham.
The Twelve Cantatas Based on the Scriptures by Elizabeth-Claude Jacquet de La Guerre: Study and Transcriptions. Ph.D., Music History, University of Oregon, 1997. 411 p. transcr.
Research director: Marian Smith
DDM Code: 41saMcIV; DA no.: 58/09:3358; RILM no.: 97:3186dd; UM no.: 98-10016 Publication: ISBN 0-591-60506-6.
Additional keywords: women in music
McIntyre, Dean B.
Baroque and Classic Style in Selected Organ Works of the Bachschule. Ph.D., Fine Arts, Texas Tech University, 1998. xvi, 363 p. tbls., mus. exs., bibliog.
Research director: Wayne Hobbs
DDM Code: 41keMciD; DA no.: 59/11:4005; RILM no.: 98:7473dd; UM no.: 99-12770
McKee, Richard M.
A Critical Edition of Carlo Pallavicino's Il Vespasiano. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1989.
Research director: Howard Smither
DDM Code: 41opMckR; DA no.: 50/09:2699; RILM no.: 89:258dd; UM no.: 90-02411
McKinney, James Carroll.
The Solo Bass Voice in the Cantatas of J. S. Bach. D.M.A., Performance, University of Southern California, 1969. 330 p. illus., mus. exs., works lst., bibliog.
DDM Code: 41voMckJ; DA no.: 30/10:4481; RILM no.: 69:3675dd; UM no.: 70-05221
McLauchlan, Fiona Jane.
Handel's Opera Ottone (1723): The Composition and Performance History during the Composer's Lifetime. Ph.D., Musicology, Cambridge University, 1995.
Research director: A. V. Jones
DDM Code: 41opMclF; DA no.: RILM no.: 00:52395dd; 95:744dd; UM no.: Publication: British Library Document Supply Centre no. D197407.
McMullen, Diane Marie.
The Geistreiches Gesangbuch of Johann Anastasius Freylinghausen (1670-1739): A German Pietist Hymnal. Ph.D., Musicology, University of Michigan, 1987. 2 vols., 661 p. mus. exs., transcr., transl.
Research director: Richard Crawford
DDM Code: 41saMcmD; DA no.: 48/11:2759; RILM no.: 87:2032dd; UM no.: 87-20317
McQuaide, Rosalie.
The Crozat Concerts, 1720-1727: A Study of Concert Life in Paris. Ph.D., Musicology, New York University, 1978. vii, 303 p. illus., plts., tbls., facs., mus. exs., transcr., append., bibliog.
Research director: James Haar
DDM Code: 41mvMcqR; DA no.: 39/12:7047; RILM no.: 78:450dd; UM no.: 79-12,299
Mead, Ernest Campbell Jr.
The Ensemble Canzonas of Girolamo Frescobaldi. Ph.D., Musicology, Harvard University, 1982.
Research director: John Ward
DDM Code: 41enMeaE; DA no.: 44/03:607; RILM no.: 83:2584dd; UM no.: 83-11899
Meier, Heinz.
Typus und Funktion der Chorsätze in Georg Friedrich Händels Oratorien. Ph.D., Musicology, Frankfurt am Main, 1971. 158 p. mus. exs., ind.
DDM Code: 41saMeiH; DA no.: RILM no.: 71:3697dd; UM no.:
Meier, Siegfried.
Psalmen, Lobgesänge und geistliche Lieder: Studien zur musikalischen Exegese und biblischen Grundlegung evangelischer Kirchenmusik. Ph.D., Musicology, Frankfurt am Main, 2004. xiv, 313 p. illus., mus. exs., bibliog., ind.
Research director: Walter M. Finsch
DDM Code: 49miMeiS; DA no.: RILM no.: 04:5754dd; UM no.: Publication: Kontexte: Neue Beiträge zur Historischen und Systematischen Theologie, vol. 36. Frankfurt am Main: Peter Lang, 2004. ISBN 3-631-51575-8.
Meierott, Lenz.
Geschichte und Verwendung der hohen Flötentypen im 17. und 18. Jh. Ph.D., Musicology, Würzburg, 1977.
DDM Code: 43wnMeiL; DA no.: RILM no.: 75:2509dd; UM no.:
Meikle, Robert Burns.
Leonardo Vinci's Artaserse: An Edition with an Editorial and Critical Commentary. Ph.D., Musicology, Cornell University, 1970.
DDM Code: 41opMeiR; DA no.: 31/10:5449; RILM no.: 76:10112dd; UM no.: 71-01,070
Melamed, Daniel.
J. S. Bach and the German Motet. Ph.D., Musicology, Harvard University, 1989. xi, 333 p. tbls., facs., mus. exs., bibliog.
Research director: Christoph Wolff
DDM Code: 41saMelD; DA no.: 50/10:3103; RILM no.: 89:1058dd; UM no.: 89-26141
Mellichamp, James F.
The Organ Chorales of Dietrich Buxtehude. D.M., Organ Performance, Indiana University, 1982. 118 p.
DDM Code: 40keMelJ; DA no.: ADD 1977; RILM no.: 82:402dd; UM no.: 03-73137
Meltzer, Eugene.
The Secular Songs of Henry Purcell. Ph.D., Music, University of California at Los Angeles, 1957. 179 p.
DDM Code: 41seMelE; DA no.: ADD 1958; RILM no.: UM no.: 02-14328
Meredith, Margaret.
Christopher Simpson and the Consort of Viols. Ph.D., Musicology, Wales, 1969. 3 vols., 612 p. illus., mus. exs., transcr., works lst., bibliog.
DDM Code: 41enMerM; DA no.: RILM no.: 70:1722dd; UM no.: Publication: British Library Document Supply Centre no. D40202/82.
Messerli, Carlos Rudolph.
The Corona harmonica (1610) of Christoph Demantius and the Gospel Motet Tradition. Ph.D., Choral Literature, University of Iowa, 1974. 2 vols., xli, 550 p. illus., tbls., facs., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 41saMesC; DA no.: 35/07:4594-5; RILM no.: 74:2156dd; UM no.: 75-1232
Metz, John Richard.
Fables from the Nouvelles poésies: Historical Background, Performance Considerations, Edition. D.M.A., Harpsichord, Juilliard School, 1980. 156 p. facs., mus. exs., bibliog., ind.
DDM Code: 40keMetJ; DA no.: ADD 1980; RILM no.: 80:471dd; UM no.: 03-50256
Metzger, Herbert.
Studien zur Verbindung "Präludium und Fuge" in Bachs Orgelmusik. Ph.D., Musicology, Salzburg, 1984.
DDM Code: 41keMetH; DA no.: RILM no.: 84:1589dd; UM no.:
Metzler, Patrizia.
Aria Forms and Chorus Textures in Bach's Early Cantatas: The Influences of Neumeister, Telemann, and Rosenmueller. D.M.A., Choral Conducting and Literature, University of Illinois at Urbana-Champaign, 2007. viii, 157 p. tbls., mus. exs., transl., works lst., append., bibliog.
Research director: John Walter Hill
DDM Code: 40saMetP; DA no.: 68/07:Jan 2008; RILM no.: UM no.: 32-69978 Publication: ISBN 9780549096948.
John Playford's An Introduction to the Skill of Musick. Ph.D., Theory, Florida State University, 1961. 328 p.
DDM Code: 49trMeyR; DA no.: 22/08:2819-20; RILM no.: UM no.: 61-05650
Meyer, Ulrich.
Johann Sebastian Bachs Musik als theonome Kunst. Ph.D., Evangical Theology, Mainz, 1976. 115 p.
DDM Code: 40reMeyU; DA no.: RILM no.: 79:4145dd; UM no.:
Michalik, Hans-Ulrich.
Untersuchungen zum Chorgesangwesen im Saargebiet zur Zeit der Verwaltung durch den Völkerbund. Ph.D., Musicology, Saarbrücken, 1987. ix, 299 p. mus. exs.
Research director: Werner Braun
DDM Code: 41cmMicH; DA no.: RILM no.: UM no.:
Middleton, Alain Henri.
Jean-Philippe Rameau: Observations sur notre instinct pour la musique, Paris, 1754. Annotated Translation and Commentary. Ph.D., Musicology, Columbia University, 1990.
DDM Code: 49trMidA; DA no.: 52/04:1125; RILM no.: 90:1237dd; UM no.: 91-27927
Miehling, Klaus.
Das Tempo in der Musik von Barock und Vorklassik. Ph.D., Musicology, Freiburg im Breisgau, 1993.
DDM Code: 41pfMieK; DA no.: RILM no.: UM no.:
Miller, Frederick Staten.
The Use of the Trombone in the Music of Heinrich Schütz. D.M.A., Performance, University of Iowa, 1974. 163 p.
DDM Code: 41brMilF; DA no.: 35/074595; RILM no.: 76:15020dd; UM no.: 75-01,287
Miller, Gertrude B.
Tonal Materials in Seventeenth-Century English Treatises. Ph.D., Theory, University of Rochester, 1960. 401 p.
DDM Code: 49toMilG; DA no.: ADD 1960:132; RILM no.: UM no.: 02-27004 Publication: UR 4607.
Miller, Kenneth Eugene.
A Study of Selected German Baroque Oratorios. Ph.D., Music, Northwestern University, 1963. 377 p.
DDM Code: 41saMilK; DA no.: 25/01:523; RILM no.: UM no.: 64-05858
Miller, Stephen R.
Music for the Mass in Seventeenth-Century Rome: Messe piene, the Palestrina Tradition, and the Stile antico. Ph.D., Musicology, University of Chicago, 1998. 5 vols., xx, 1251 p. tbls., mus. exs., transcr., thematic cat., append., bibliog.
Research director: James Haar and Howard Mayer Brown
DDM Code: 41luMilS; DA no.: 59/11:4006; RILM no.: 99:22897dd; UM no.: 99-10949
Additional keywords: historicism in music, Francesco Foggia, Bonifatio Gratiani, Gregorio Allegri, source studies
Millner, Fredrick Lewis.
The Operas of Johann Adolf Hasse. Ph.D., Musicology, University of California at Berkeley, 1976. xiv, 457 p. illus., plts., tbls., facs., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 41opMilF; DA no.: 38/02:540; RILM no.: 76:1011dd; UM no.: 77-15,789
Milner, Scott Carroll.
The Blessed Death in the Church Cantatas of Johann Sebastian Bach. Ph.D., Music, Brandeis University, 1995.
DDM Code: 41saMilS; DA no.: 56/06:2038; RILM no.: 95:1601dd; UM no.: 95-32698
Mishkin, Henry George.
The Function of the Episodic Sequence in Baroque Instrumental Music. Ph.D., Music, Harvard University, 1938. 175 p.
DDM Code: 49srMisH; DA no.: ADD 1938:86; RILM no.: UM no.: 01-36585
Mitchell, James Harris.
The Works of Giuseppe Antonio Brescianello. Ph.D., Music, University of North Carolina at Chapel Hill, 1962. 351 p.
DDM Code: 41woMitJ; DA no.: 24/02:769; RILM no.: UM no.: 65-03507
Moe, Donald George.
The St. Mark Passion of Reinhard Keiser: A Practical Edition, with an Account of Its Historical Background. Ph.D., Choral Music, University of Iowa, 1968. 2 vols., xxvi, 344 p. tbls., mus. exs., append., bibliog.
DDM Code: 41saMoeD; DA no.: 29/06:1917; RILM no.: 74:326dd; UM no.: 68-16,839
Molina, Alan G.
North Italian Liturgical Music in the Early 17th Century: Its Evolution around 1600 and Its Development until the Death of Monteverdi. Ph.D., Musicology, University of Durham, 1968.
Research director: Jerome L. Roche
DDM Code: 41luMolA; DA no.: RILM no.: UM no.:
Möller, Dirk.
Besetzung und Instrumentation in den Opern Georg Friedrich Händels. Ph.D., Musicology, Hamburg, 1988. 231 p. mus. exs., bibliog.
Research director: Hans Joachim Marx
DDM Code: 41orMolD; DA no.: RILM no.: 89:9429bm; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 38. Frankfurt am Main: Peter Lang, 1989. ISSN 0271-3611.
Möller, Eberhard.
Neue Ergebnisse zur Schützforschung. Hab., Musicology, Halle, 1993.
DDM Code: 41woMolE; DA no.: RILM no.: UM no.:
Monroe, James Frank.
Italian Keyboard Music in the Interim between Frescobaldi and Pasquini. Ph.D., Music, University of North Carolina at Chapel Hill, 1959. xvi, 275 p.
DDM Code: 41keMonJ; DA no.: 20/07:2838; RILM no.: UM no.: LC Mic 59-6440
Monroe, Mary.
From "English Vein" to "Italian Notes": The Stylistic Evolution of Purcell's Chamber Music for Strings. Ph.D., Musicology, Columbia University, 1994. xii, 617 p. tbls., facs., mus. exs., works lst., bibliog.
Research director: Ian Bent, George Stauffer
DDM Code: 41stMonM; DA no.: 55/06:1415; RILM no.: 94:1793dd; UM no.: 94-27,113
Monson, Craig Alan.
Voices and Viols in England, 1600-1650: The Sources and the Music. Ph.D., Musicology, University of California at Berkeley, 1974. viii, 578 p. tbls., facs., mus. exs., bibliog.
DDM Code: 41enMonC; DA no.: ADD 1974; RILM no.: 74:2160dd; UM no.: 02-85804
Monson, Dale E.
Recitativo semplice in Italian Opera of the Early Eighteenth Century. Ph.D., Musicology, Columbia University, 1982.
Research director: T. Watkins
DDM Code: 41opMonD; DA no.: 44/08:2288; RILM no.: 83:4968dd; UM no.: 83-27266
Montagnier, Jean-Paul Claude.
The Church Music of Charles-Hubert Gervais (1671-1766), Sous-Maître de Musique at the Chapelle Royale. Ph.D., Musicology, Duke University, 1994. xix, 555 p. plts., tbls., mus. exs., works lst., thematic cat., append., bibliog.
Research director: Peter Williams
DDM Code: 41saMonJ; DA no.: 55/11:3347; RILM no.: 94:1794dd; UM no.: 95-10828
Montgomery, Sara Jane.
The Cellist's Corelli: A Performing Edition of the Twelve Sonatas of Opus V. Ph.D., Music, Michigan State University, 1978. 230 p.
DDM Code: 40snMonS; DA no.: 39/07:3909; RILM no.: 78:5972dd; UM no.: 79-00728
Moomaw, Charles Jay.
Augmented Mediant Chords in French Baroque Music. Ph.D., Theory, University of Cincinnati, 1985. xv, 410 p. tbls., mus. exs., bibliog.
Research director: Donald H. Foster
DDM Code: 49haMooC; DA no.: 46/10:2851; RILM no.: 85:5906dd; UM no.: 85-26539
Moore, Catherine J.
The Composer Michelangelo Rossi: A "Diligent Fantasy-Maker" in Seventeenth-Century Rome. Ph.D., Musicology, University of Liverpool, 1991. xiv, 367 p. illus., facs., mus. exs., transcr., bibliog.
Research director: Michael Talbot
DDM Code: 41keMooC; DA no.: RILM no.: 91:7780dd; UM no.:
Six Sonatas for Transverse Flute, Oboe or Violin and Basso Continuo, op. 20, volume II, by Johann Christian Schickhardt (ca. 1682-1762); A Performance Edition with Historical Commentary, including an Ornamented Solo Part, Figured Bass Realization and a Comparison with Other Contemporary Sonate da camera. D.M.A., Performance, Eastman School of Music, University of Rochester, 1981. 2 vols., 273 p.
Research director: Jerald Graue
DDM Code: 40chMooJ; DA no.: 42/08:3342; RILM no.: 81:6031dd; UM no.: 81-19599
Moore, James Harold.
Vespers at St. Mark's, 1625-1675: Music of Alessandro Grandi, Giovanni Rovetta and Francesco Cavalli. Ph.D., Musicology, University of California at Los Angeles, 1979. 3 vols., xix, 802 p. plts., tbls., facs., transcr., append., bibliog., ind.
DDM Code: 41luMooJ; DA no.: 40/07:3619; RILM no.: 79:2551dd; UM no.: 80-02494
Morby, John Edwin.
Musicians at the Royal Chapel of Versailles, 1683-1792. Ph.D., History, University of California at Berkeley, 1971. 248 p. plts., tbls., bibliog.
DDM Code: 41mvMorJ; DA no.: ADD 1971:207; RILM no.: 76:9757dd; UM no.: 02-36323
Morche, Gunther.
Muster und Nachahmung. Eine Untersuchung der klassischen französischen Orgelmusik. Ph.D., Musicology, Heidelberg, 1975.
DDM Code: 41keMorG; DA no.: RILM no.: UM no.:
Morehen, John.
The Sources of English Cathedral Music, c. 1617-c. 1644. Ph.D., Musicology, Cambridge University, 1968. 3 vols., 380 p. illus., mus. exs., works lst., bibliog., ind.
DDM Code: 41saMorJ; DA no.: RILM no.: 70:1727dd; UM no.: Publication: British Library Document Supply Centre no. D1112/71.
Morey, Carl Reginald.
The Late Operas of Alessandro Scarlatti. Ph.D., Musicology, Indiana University, 1965. 311 p.
DDM Code: 41opMorC; DA no.: 26/07:3395; RILM no.: UM no.: 65-10,870
Morgan, Catherine.
The Bach Fugue: A Study in Antecedents. Ph.D., Musicology, University of Pennsylvania, 1958. 266 p.
DDM Code: 41cpMorC; DA no.: 19/04:831; RILM no.: UM no.: LC Mic 58-3362
Morgan, Wesley K.
The Chorale Motet from 1650 to 1750. Ph.D., Musicology, University of Southern California, 1956. vi, 468 p. illus.
DDM Code: 41saMorW; DA no.: ADD 1958:109; RILM no.: UM no.: 02-14371 Publication: UR 4716.
Mori, Paul Alan.
Vivaldi's Bassoon Concerto Variants: A Schenkerian Approach. D.M.A., Performance, Peabody Institute, 1993. 2 vols., xxxiii, 673 p. mus. exs., append., bibliog.
Research director: Bruno Amato
DDM Code: 49srMorP; DA no.: 54/05:1589; RILM no.: 93:3754dd; UM no.: 93-27536
Morris, Robert Bower.
A Study of the Italian Solo Cantata before 1750. D.M.E., Music Education, Indiana University, 1955.
DDM Code: 41voMorR; DA no.: 15/11:2234; RILM no.: UM no.: 00-14300
Morris, Stephen Murray.
William Young 'Englishman' (?-1662), camer musici to Archduke Ferdinand Karl of Innsbruck: Fragments of His Life and Times; An Edition of His Instrumental Works for Viols and Violins. Ph.D., Historical Musicology, University of Washington, 2004.
Research director: Richard Will
DDM Code: 41woMorS; DA no.: 65/01:18; RILM no.: 92:10172dd; UM no.: 08-05989
Additional keywords: viola da gamba, bass viol, consort music
Morrongiello, Lydia Anne.
Music Symbolism in Selected Cantatas and Chorale Preludes of J. S. Bach. Ed.D., Music Education, Columbia University, 1975. 184 p.
DDM Code: 41cmMorL; DA no.: 36/03:1158; RILM no.: 76:9758dd; UM no.: 75-20,213
Mosser, Thomas R.
The Recorder Idiom in the Instrumental Music of Georg Philipp Telemann. Ph.D., Musicology, West Virginia University, 1975. iv, 433 p. tbls., facs., mus. exs., thematic cat., append., bibliog.
Research director: G. Schafer
DDM Code: 41wnMosT; DA no.: 36/11:7036; RILM no.: 76:9759dd; UM no.: 76-11,776
Mossey, Christopher J.
"Human after All": Character and Self-Understanding in Operas by Giovanni Faustini and Francesco Cavalli, 1644-52. Ph.D., Musicology, Brandeis University, 1999. 2 vols., xxi, 1006 p. illus., tbls., facs., mus. exs., transl., append., bibliog.
Research director: Eric T. Chafe
DDM Code: 41opMosC; DA no.: 60/02:282; RILM no.: 99:5430dd; UM no.: 99-17894
Additional keywords: tonality, recitative
Mracek, Jaroslav.
Seventeenth-Century Instrumental Dances in Uppsala, University Library IMhs 409: A Transcription and Study. Ph.D., Musicology, Indiana University, 1965. 2 vols., 637 p.
DDM Code: 41mcMraJ; DA no.: 26/11:6763; RILM no.: UM no.: 66-01477
Mueller, Harold.
The Musicalische Gespräche über die Evangelia of Andreas Hammerschmidt. Ph.D., Musicology, University of Rochester, 1956. 2 vols., 560 p.
DDM Code: 41saMueH; DA no.: ADD 1957:160; RILM no.: UM no.: 02-08099 Publication: UR 4774.
Mueller, John Storm.
Girolamo Frescobaldi (1583-1643): Fantasie, Ricercare, Capricci, and Canzone. D.M.A., Performance, Boston University, 1969.
DDM Code: 41keMueJ; DA no.: 32/06:33554; RILM no.: 76:9760dd; UM no.: 72-00,289
Müller, Reinhard.
Dramatischer Gesang und Instrumentalsatz bei Claudio Monteverdi. Ph.D., Musicology, München, 1978. 243 p. illus.
Research director: Theodor Göllner
DDM Code: 41bcMulR; DA no.: RILM no.: UM no.:
Müller-Buscher, Henning.
Studien zu den Choralbearbeitungen Georg Böhms (1661-1733). Ph.D., Musicology, Regensburg, 1972. 242 p. mus. exs., bibliog.
DDM Code: 41keMulH; DA no.: RILM no.: 73:1802dd; UM no.:
Mundt, Frank.
Überlegungen zu J. S. Bachs lebensgeschichtlichem Wandel am Ende der 1730er Jahre. Ph.D., Musicology, Humboldt Universität, Berlin, 1993.
DDM Code: 41boMunF; DA no.: RILM no.: UM no.:
Munson, John Kenneth.
The Musicalischer Seelenlust of Tobias Michael. Ph.D., Musicology, University of Rochester, 1953. 577 p.
DDM Code: 41saMunJ; DA no.: ADD 1953:252; RILM no.: UM no.: 01-91180 Publication: UR 4783.
Munstedt, Peter Alan.
John Playford, Music Publisher: A Bibliographic Catalogue. Ph.D., Musicology, University of Kentucky, 1983. ix, 468 p. plts., tbls., facs., works lst., append., bibliog.
Research director: Wesley Morgan
DDM Code: 48puMunP; DA no.: 44/06:1621; RILM no.: 83:78dd; UM no.: 83-22712
Murata, Margaret Kimiko.
Operas for the Papal Court with Texts by Giulio Rospigliosi. Ph.D., Musicology, University of Chicago, 1975. 2 vols., viii, 562 p. illus., facs., mus. exs., works lst., append., bibliog., ind.
DDM Code: 41opMurM; DA no.: 36/04:1895; RILM no.: 75:751dd; UM no.: T-25401
Murphy, Arthur Loring.
The Bicinia variorum instrumentorum of Johann Cristoph Pezel. Ph.D., Music Education, Florida State University, 1959. 2 vols., 425 p.
DDM Code: 41imMurA; DA no.: 20/02:690; RILM no.: UM no.: LC Mic 59-1761
Murphy, Paul Thomas.
The Thoroughbass Theory of José de Torres y Martínez Bravo with an Annotated Translation of Reglas generales (1736). Ph.D., Theory, University of Texas, 1995. 2 vols., 335 p. transcr., transl., append.
Research director: Patrick McCreless
DDM Code: 41bcMurP; DA no.: 56/06:2038; RILM no.: 95:3384dd; UM no.: 95-34901
Murray, Robert Alan.
The German Church Cantatas of Johann Schelle (1648-1701). Ph.D., Musicology, University of Michigan, 1971. vii, 362 p. plts., tbls., mus. exs., works lst., thematic cat., append., bibliog.
Research director: R. Warner
DDM Code: 41saMurR; DA no.: 32/11:6479; RILM no.: UM no.: 72-14950
Murray, Robert P.
Evolution of Interpretation as Reflected in Successive Editions of J. S. Bach's Chaconne. Ph.D., Performance, Indiana University, 1975. 225 p. illus., mus. exs., bibliog.
DDM Code: 41pfMurR; DA no.: RILM no.: 75:2573dd; UM no.:
Myers, Robert M.
Handel's Messiah, A Touchstone of Taste. Ph.D., Musicology, Columbia University, 1948. 338 p.
DDM Code: 41saMyeR; DA no.: ADD 1948:111; RILM no.: UM no.: 01-53699 Publication: New York: Macmillan, 1948.
Nagan, Doron.
A German Organ Tablature Manuscript at the Hague Gemeentemuseum. Ph.D., Musicology, Utrecht, 1979. 39 p. transcr.
DDM Code: 41imNagD; DA no.: RILM no.: UM no.:
Nash, Laura Roderic.
Aspects of an Evolving Tonal Language: A Study of Chorale-Based Compositions by the Leipzig Thomaskirche Cantors, 1618-1722. Ph.D., Music Theory, Yale University, 1990. 270 p. mus. exs., bibliog.
DDM Code: 49toNasL; DA no.: 52/03:733; RILM no.: 90:731dd; UM no.: 91-21110
Nawrot, Piotr.
Vespers Music in the Paraguay Reductions. D.M.A., Liturgical Music, Catholic University of America, 1993. 2 vols., vii, 677 p. illus., transcr., thematic cat., append., bibliog.
Research director: Cyrilla Barr
DDM Code: 41luNawP; DA no.: 54/03:729; RILM no.: 93:3779dd; UM no.: 93-18,358
Negwer, Ingo.
Laute und Theorbe in Marin Mersennes Harmonie universelle: Zur Aufführungspraxis frühbarocker Musik in Frankreich. Ph.D., Musicology, Bochum, 2000. 218 p. illus., mus. exs., bibliog.
Research director: Christian Ahrens
DDM Code: 43snNegI; DA no.: RILM no.: 00:35931dd; UM no.: Publication: Frankfurt am Main: Deutsche Lautengesellschaft, 1997. ISBN 3-934069-01-0.
Neighbarger, Randy Lyn.
Shakespeare Music on the London Stage from the Death of Purcell to the End of the Georgian Era. Ph.D., Musicology, University of Michigan, 1987.
Research director: Dale Monson
DDM Code: 41drNeiR; DA no.: 49/12:3546; RILM no.: 88:10011dd; UM no.: 89-07115
Nelson, Philip F.
Nicolas Bernier (1665-1734): A Study of the Composer and His Sacred Works. Ph.D., Music, University of North Carolina at Chapel Hill, 1958. 5 vols., ix, 270 p.
DDM Code: 41saNelP; DA no.: 19/11:2972-3; RILM no.: UM no.: LC Mic 59-53
Nelson, Russell C.
John Playford and the English Amateur Musician. Ph.D., Theory, University of Iowa, 1966. 2 vols., xiv, 563 p.
DDM Code: 41mvNelR; DA no.: 28/01:253; RILM no.: UM no.: 67-02,659
Nery, Rui Fernando Vieira.
The Music Manuscripts in the Library of King D. João IV of Portugal (1604-1656): A Study of Iberian Music Repertoire in the Sixteenth and Seventeenth Centuries. Ph.D., Musicology, University of Texas at Austin, 1989. xiv, 820 p. tbls., works lst., bibliog., ind.
Research director: Robert J. Snow
DDM Code: 41clNerR; DA no.: 52/01:17; RILM no.: 90:739dd; UM no.: 91-16940
Neschke, Karla.
Johann Balthasar Christian Freisslich (1687-1764): Leben, Schaffen und Werküberlieferung--Mit einem thematisch-systematischen Verzeichnis seiner Werke. Ph.D., Musicology, Leipzig, 2000. 432 p. illus., mus. exs., works lst., bibliog., ind.
Research director: Michael Märker
DDM Code: 41woNesK; DA no.: RILM no.: 00:35609dd; UM no.: Publication: Schriftenreihe zur mitteldeutschen Musikgeschichte, vol. 3. Oschersleben: Ziethen, 1997. ISBN 3-932090-81-0.
Neu, Ulrike.
Harmonik und Affektgestaltung in den Lautenkompositionen von Silvius Leopold Weiß. Ph.D., Musicology, Frankfurt am Main, 1995. 270 p. illus.
Research director: Lothar Hoffmann-Erbrecht
DDM Code: 49haNeuU; DA no.: RILM no.: 95:3389dd; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 141. Frankfurt am Main: Peter Lang, 1995. ISSN 0721-3611 ISBN 3-631-48382-1.
Neumann, Friedrich-Heinrich.
Die Theorie des Rezitativs im 17. und 18. Jahrhundert unter besonderer Berücksichtigung des deutschen Musikschrifttums des 18. Jahrhunderts. Ph.D., Musicology, Göttingen, 1955. l [i.e., 50], 372 p. mus. exs., bibliog.
Research director: R. Gerber
DDM Code: 41voNeuF; DA no.: RILM no.: UM no.:
Keyboard Dances and Variations in Turin, Biblioteca Nazionale,Ms. Foà 8. Ph.D., Music, University of North Carolina at Chapel Hill, 1981. 2 vols., 512 p. tbls., transcr., bibliog.
DDM Code: 41mcNewC; DA no.: 42/06:2354; RILM no.: 81:4669dd; UM no.: 81-25,608
Newman, Joel.
The Madrigals of Salamon de'Rossi. Ph.D., Musicology, Columbia University, 1962. 256 p.
DDM Code: 41voNewJ; DA no.: 24/02:769; RILM no.: UM no.: 63-06121
Newman, Joyce Enith.
Formal Structure and Recitative in the Tragédie Lyrique of Jean-Baptiste de Lully. Ph.D., Musicology, University of Michigan, 1974. vi, 303 p. mus. exs., works lst., append., bibliog.
DDM Code: 41opNewJ; DA no.: 35/08:5450; RILM no.: 76:9763dd; UM no.: 74-25,272
Newman, S. A.
The Broadside Ballads of Martin Parker: A Bibliographical and Critical Study. Ph.D., [not specified], University of Birmingham, 1976.
DDM Code: 40biNewS; DA no.: RILM no.: UM no.:
Newton, Timothy D.
A Study and Critical Edition of Samuel Capricornus's Theatrum musicum (1669, 1670) and Continuatio theatri musici (1669). D.M.A., Choral Conducting and Literature, University of Illinois at Urbana-Champaign, 2004. 492 p. illus., plts., tbls., mus. exs., transcr., transl., append., bibliog., ind.
Research director: John Walter Hill
DDM Code: 41saNewT; DA no.: 65/04:1172; RILM no.: 04:12065dd; UM no.: 31-30991
Additional keywords: sacred concertos, Lutheran, Germany, Samuel Friedrich Bockshorn, Vincenzo Albrici, Johann Caspar Kerll, Johann Heinrich Schmelzer, Giacomo Carissimi
Ng, Kah-Ming.
Figured Bass Accompaniment at the Harpsichord in Its Social and Artistic Context. Ph.D., Music, Keble College, Oxford University, 2002. 2 vols., xix, 270 p. illus., tbls., facs., mus. exs., transl., append., bibliog.
Research director: Harry Johnstone
DDM Code: 41pfNgK; DA no.: RILM no.: 02:17722dd; UM no.: Publication: British Library Document Supply Centre no. D219248.
The Use of Dialogue in Early French Organ Music. D.M.A., Performance, University of Cincinnati, 1977. 127 p.
DDM Code: 41keNieK; DA no.: 38/03:1102; RILM no.: 78:1544dd; UM no.: 77-19,802
Noisette de Crauzat, Claude.
L'orgue en Bretagne sous l'ancien régime. Ph.D., Musicology, Paris, 1973. 3 vols., 880 p. illus., bibliog., ind.
DDM Code: 43keNoiC; DA no.: RILM no.: 73:2485dd; UM no.:
Nolte, Ewald Valentin.
The Instrumental Works of Johann Pachebel (1653-1706): An Essay to Establish His Stylistic Position in the Development of the Baroque Musical Art. Ph.D., Music, Northwestern University, 1954. 360 p.
DDM Code: 41imNolE; DA no.: 14/10:1758; RILM no.: UM no.: 00-09264
Norman, Terence.
Performance Practice of the Keyboard Music of Johann Jakob Froberger. Ph.D., Music, Monash University, 1991.
DDM Code: 41pfNorT; DA no.: RILM no.: UM no.:
Norton, Richard Edward.
The Chamber Music of Giuseppe Torelli. Ph.D., Musicology, Northwestern University, 1967. xii, 226 p. mus. exs., works lst., append., bibliog., ind.
DDM Code: 41chNorR; DA no.: 28/10:4202; RILM no.: 76:9764dd; UM no.: 68-03,207
Nuys, Robert Copeland Van.
The History and Nature of the Trumpet as Applied to the Sonatas of Giuseppi Torelli. D.M.A., Performance, University of Illinois at Urbana-Champaign, 1969. viii, 123 p. illus., mus. exs., works lst., bibliog.
DDM Code: 41brNuyR; DA no.: 30/08:3498; RILM no.: 69:988dd; UM no.: 70-1013
O'Brien, George Grant.
Ruckers: A Harpsichord and Virginal Building Tradition. Ph.D., Music, University of Edinburgh, 1984.
DDM Code: 43keObrG; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D74103/87.
O'Brien, Michael Kent.
Bartolomeo Cristofori and Late Medici Florence: A Documentary History. Ph.D., Musicology, Catholic University of America, 1992.
Research director: Cyrilla Barr
DDM Code: 43keObrM; DA no.: 55/04:794; RILM no.: 94:682dd; UM no.: 94-24289
O'Donnell, Kathryn Jane.
The Secular Solo Cantatas of Antonio Lotti. Ph.D., Vocal Literature, University of Iowa, 1975. x, 170 p. plts., tbls., mus. exs., thematic cat., append., bibliog.
DDM Code: 41seOdoK; DA no.: 36/12:7723; RILM no.: 75:755dd; UM no.: 76-13430
O'Loghlin, Michael A.
The Viola da Gamba Music of the Berlin School, 1732-1772. Ph.D., Musicology, University of Queensland, 2002. xi, 377 p. illus., tbls., facs., mus. exs., transl., works lst., append., bibliog.
Research director: Denis Collins
DDM Code: 41snOloM; DA no.: RILM no.: UM no.:
Additional keywords: Princess Anna Amalia of Prussia, Carl Philipp Emanuel Bach, Franz Benda,
Frederick the Great, Friedrich der Grosse, Frederick William II, Friedrich Wilhelm II, Carl Heinrich Graun, Johann Gottlieb Graun, Ernst Christian Hesse, Ludwig Christian Hesse, Johann Gottlieb Janitsch, Johann Joachim Quantz, Christoph Schaffrath, sonata, concerto, Darmstadt, solo, duo, duett, trio, Rheinsberg, quartet, quadro, quatuor
Obelkevich, Mary Helen.
Manifestations of Philosophy and Science in the Music of Seventeenth-Century France. Ph.D., Musicology, Columbia University, 1973. iii, 334 p.
DDM Code: 46phObeM; DA no.: 34/06:3455; RILM no.: 76:16552dd; UM no.: 73-28,492
Oberacker, Betty.
The Preludes of the Well-Tempered Clavier, Vol. I of Johann Sebastian Bach: A Commentary and Analysis. D.M.A., Music, Ohio State University, 1972. 63 p.
DDM Code: 40keObeB; DA no.: 33/04:1771; RILM no.: 76:2609dd; UM no.: 72-26962
Oechsle, Manfred.
Studien zur Intavolierungspraxis der Mandora: Ein Manuskript der Schermarbibliothek Ulm, Stadtbibliothek Ulm, Signatur 132. Ph.D., Musicology, München, 1984. 104 p. illus.
Research director: Jürgen Eppelsheim
DDM Code: 41mcOecM; DA no.: RILM no.: UM no.:
Oefner, Claus.
Das Musikleben in Eisenach 1650-1750. Ph.D., Musicology, Halle, 1975.
DDM Code: 41mvOefC; DA no.: RILM no.: 76:5406dd; UM no.:
Ogletree, Mary Patricia.
Giuseppe Tartini: His Influence on Violin Technique and Literature. D.M.A., Violin Performance-Pedagogy, University of Kentucky, 1979. 101 p. facs., mus. exs., bibliog.
Research director: Wesley K. Morgan
DDM Code: 40snOglM; DA no.: 40/06:2974; RILM no.: 79:420dd; UM no.: 79-27707
Ohl, John Franklin.
The Orchestration of Bach's Vocal Works. Ph.D., Music, Harvard University, 1945. 4 vols., 771 p. tbls.
DDM Code: 49orOhlJ; DA no.: ADD 1945:54; RILM no.: UM no.: 01-58563
Olarte, Matilde.
Miguel Gómez de Irízar: epistolario y estudio de sus lamentaciones. Ph.D., Musicology, University of Valladolid, 1992.
Research director: Antonia Virigili Blanquet
DDM Code: 41luOlaM; DA no.: RILM no.: 96:15503dd; UM no.:
Oleskiewicz, Mary A.
Quantz and the Flute at Dresden: His Instruments, His Repertory and Their Significance for the Versuch and the Bach Circle. Ph.D., Musicology, Duke University, 1998. xxxv, 745 p. illus., plts., tbls., facs., mus. exs., transcr., transl., append., bibliog., ind.
Research director: Peter Williams
DDM Code: 41pfOleM; DA no.: 60/01:19; RILM no.: 98:1444dd; UM no.: 99-17377
Additional keywords: performance practice, flute, traverso, organology, Saxony, Prussia, Berlin, Johann Sebastian Bach, Carl Philipp Emanuel Bach, George Frideric Handel, Johann Adolf Hasse, Johann David Heinichen, Georg Philipp Telemann, Jan Dismas Zelenka, Friedrich der Grosse, Frederick the Great
Olivieri, Guido.
The "Fiery Genius": The contribution of Neapolitan Virtuosi to the Spread of the String Sonata (1684-1736). Ph.D., Musicology, University of California at Santa Barbara, 2005. xviii, 395 p. tbls., mus. exs., transcr., transl., append., bibliog.
Research director: William Prizer
DDM Code: 41snOliG; DA no.: 66/01:23; RILM no.: 05:5707dd; UM no.: 31-61538
Additional keywords: eighteenth-century aesthetics, Naples, France, Vienna, violin, performance practice, conservatories, Michele Mascitti, Giovanni Piani, Giovanni Guido, Pietro Marchitelli, Giuseppe Avitrano, Gian Carlo Cailò, Angelo Ragazzi
Onion, Charles Clary.
The Social Status of Musicians in Seventeenth-Century France. Ph.D., History, University of Minnesota, 1959. 208 p. tbls., bibliog.
DDM Code: 40skOniC; DA no.: 20/06:2238; RILM no.: UM no.: 59-05084
Orel, Dobroslav.
Der Mensuralkodex Speciálník: Ein Beitrag zur Geschichte der Mensuralmusik und Notenschrift in Böhmen bis 1540. Ph.D., Musicology, Wien, 1914. 460 p. facs., mus. exs., transcr., thematic cat., append., bibliog.
Research director: Guido Adler
DDM Code: 41mcOreD; DA no.: RILM no.: UM no.:
Orgass, Stefan.
Disposition und Ausarbeiten in Bachs späten Clavier-Werken (1739-1749). Ph.D., Musicology, Essen, 1995. 369 p. mus. exs.
Research director: Horst Weber
DDM Code: 41cmOrgS; DA no.: RILM no.: 96:3321dd; UM no.: Publication: Stuttgart: M und P, 1996.
Ortgies, Ibo.
Die Praxis der Orgelstimmung in Norddeutschland im 17. und 18. Jahrhundert und ihr Verhältnis zur zeitgenössischen Musikpraxis. Ph.D., Musicology, Göteborg, 2005. 317 p. tbls., transcr., transl., append., bibliog.
DDM Code: 41teOrtI; DA no.: RILM no.: 05:1593dd; UM no.:
Additional keywords: historical performance practice, organ building, pipe making, bellows treading, temperament, equal, tuning, modified meantone, well-tempered, just intonation, Chorton, choir pitch, Kammerton, chamber pitch, keyboard compass, split key, subsemitone, short octave, North Germany, Netherlands, Hanseatic cities, Hamburg, Bremen, Lübeck, Alkmaar, Zwolle, Michael Praetorius, Arp Schnitger, Frans (Franz) Caspar Schnitger, Andreas Werckmeister, Dieterich Buxtehude, organ repertoire, improvisation, ensemble playing, church account books
Oschmann, Susanne.
Die Oratorien Jan Dismas Zelenkas. Ph.D., Musicology, Köln, 1984.
DDM Code: 41saOscS; DA no.: RILM no.: UM no.:
Ossi, Massimo Michele.
Claudio Monteverdi and the Concertato Principle: A Study of His Concertato Madrigals. Ph.D., Musicology, Harvard University, 1989.
Research director: Christoph Wolff
DDM Code: 41cmOssM; DA no.: 50/12:3789; RILM no.: 89:910dd; UM no.: 89-26153
Ostergren, Eduardo Augusto.
A Conductor's Study of George Frideric Handel's Ode for Saint Cecilia's Day. D.M., Choral Conducting, Indiana University, 1980. 206 p. illus., mus. exs., bibliog., ind.
DDM Code: 40voOstE; DA no.: ADD 1980; RILM no.: 80:1779dd; UM no.: 03-59332
Ostrow, Isaac M.
Twelve Sonatas for Violin and Continuo, Op. 1 by Johann Adam Birkenstock: A Practical Edition. D.M.A., Performance, University of Rochester, 1970. 2 vols., ii, 258 p. mus. exs., works lst., append., bibliog.
DDM Code: 41snOstI; DA no.: ADD 1970:249; RILM no.: 76:9769dd; UM no.: 02-65361
Otterstedt, Annette.
Die Englische Lyra Viol. Instrument und Technik. Ph.D., Musicology, Technische Universität, Berlin, 1987.
Research director: Carl Dahlhaus
DDM Code: 43snOttA; DA no.: RILM no.: 89:1611dd; UM no.:
Otto, Craig Allan.
Symbol Structures in Central European Church Music: Aspects of the Word-Tone Relationship in the Mid- to Late Seventeenth Century. Ph.D., Humanities, Syracuse University, 1978. xiii, 473 p. tbls., mus. exs., works lst., bibliog.
DDM Code: 41tmOttC; DA no.: 40/01:22; RILM no.: 78:6439dd; UM no.: 79-14,243
Over, Berthold.
"Per la gloria di Dio": Solistische Kirchenmusik an den venezianischen Ospedali im 18. Jahrhundert. Ph.D., Musicology, Bonn, 1998. 487 p. bibliog.
Research director: Günther Massenkeil
DDM Code: 41saOveB; DA no.: RILM no.: 98:3294dd; UM no.: Publication: Orpheus-Schriftenreihe zu Grundfragen der Musik, vol. 91. Bonn: Verlag für Systematische Musikwissenschaft, 1994. ISBN 3-922626-91-1.
Owen, Jonathan.
The Computer Implementation of Harmonic Analysis of the Chorales of J. S. Bach. Ph.D., Musicology, University of London, 1982.
DDM Code: 49anOweJ; DA no.: RILM no.: UM no.:
Owens, Samantha K.
The Württemberg Hofkapelle c. 1680-1721. Ph.D., Musicology, Victoria University of Wellington, 1995. iii, 637 p. illus., tbls., facs., mus. exs., transcr., transl., works lst., append., bibliog.
Research director: Peter Walls
DDM Code: 41osOweS; DA no.: RILM no.: 95:12482dd; UM no.:
Additional keywords: German Baroque, performance practice
Ozolins, Egils.
The Oratorios of Bernardo Pasquini. Ph.D., Musicology, University of California at Los Angeles, 1983.
Research director: Edwin Hanley
DDM Code: 41saOzoE; DA no.: 45/01:13; RILM no.: 83:4850dd; UM no.: 84-08858
Pajerski, Fred Mitchell.
Marco Uccellini (1610-1680) and His Music. Ph.D., Musicology, New York University, 1979. 2 vols., 758 p.
DDM Code: 41woPajF; DA no.: 40/11:5643; RILM no.: 79:2556dd; UM no.: 80-10386
Palisca, Claude V.
The Beginnings of Baroque Music: Its Roots in Sixteenth-Century Theory and Polemics. Ph.D., Music, Harvard University, 1954. 399 p.
DDM Code: 41hiPalC; DA no.: ADD 1954:254; RILM no.: UM no.: 01-96702
Palmer, Merill Jay.
Henry Purcell's Dido and Aeneas: A Comparison of Editions, Ornamentation of Arias and Selected Recitatives, and a Conductor's Analysis. D.M.A., Music, University of Iowa, 1975. 160 p.
DDM Code: 40opPalM; DA no.: 36/08:4842; RILM no.: UM no.: 76-02203
Pamplin, Terence M.
The Baroque Baryton. The Origin and Development in the 17th Century of a Solo, Self-Accompanying, Bowed and Plucked Instrument Played from Tablature. Ph.D., Musicology and Organology, Kingston University, 2000.
Research director: Lawrence Dreyfus
DDM Code: 43snPamT; DA no.: RILM no.: 01:15203dd; UM no.: Publication: British Library Document Supply Centre no. DX219547.
A Professional Musician in Early Modern Rome: The Life and Print Program of Fabio Costantini, c.1579-c.1644. Ph.D., Musicology, University of Chicago, 2003. 4 vols., xii, 567 p. tbls., mus. exs., transcr., transl., works lst., append., bibliog., ind.
Research director: Robert L. Kendrick
DDM Code: 41sePaqM; DA no.: 64/10:3530; RILM no.: 03:7256dd; UM no.: 31-08102
Additional keywords: Orvieto, anthologies, music printing
Parisi, Susan Helen.
Ducal Patronage of Music in Mantua, 1587-1627: An Archival Study. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1989. xxii, 782 p.
DDM Code: 41mvParS; DA no.: 50/11:3410; RILM no.: 89:1030dd; UM no.: 90-10,979
Park, Sally Catlin.
The Seventeenth-Century Keyboard Suite in South Germany and Austria. Ph.D., Musicology, Bryn Mawr College, 1980. v, 252 p. plts., mus. exs., transcr., append., bibliog.
DDM Code: 41keParS; DA no.: 41/08:3316; RILM no.: 80:812dd; UM no.: 81-03,605
Parker, Mark Mason.
Transposition and the Transposed Modes in Late-Baroque France. Ph.D., Theory, University of North Texas, 1988. 658 p.
Research director: Gene J. Cho
DDM Code: 49moParM; DA no.: 50/02:295; RILM no.: 88:8463dd; UM no.: 89-08931
Parker-Hale, Mary Ann Elizabeth.
Handel's Latin Psalm Settings. Ph.D., Musicology, University of Rochester, 1982. vi, 154 p. tbls., mus. exs., append., bibliog.
Research director: Alfred Mann
DDM Code: 41saParM; DA no.: 42/09:4036; RILM no.: UM no.: 82-05297
Parmley, Andrew Charles.
The Pastorales, Intermèdes, and Incidental Music of Marc-Antoine Charpentier. Ph.D., Musicology, Royal Holloway College, University of London, 1988. 3 vols., 1044 p.
DDM Code: 41drParA; DA no.: RILM no.: 00:52691dd; UM no.: Publication: British Library Document Supply Centre no. DX191163.
Parsons, Pleasants Arrand.
Dissonance in the Fantasias and Sonatas of Henry Purcell. Ph.D., Music, Northwestern University, 1953. 208 p.
DDM Code: 49haParP; DA no.: 13/06:1218; RILM no.: UM no.: 00-06233
Partridge, A. J.
Drama and Music in London, 1660-1710: The Evolution of the Restoration Musical. Ph.D., Musicology, King's College, University of London, 1977.
DDM Code: 41tnParA; DA no.: RILM no.: 77:6318dd; UM no.: Publication: British Library Document Supply Centre no. D21095/77.
Patrick, Robert Lee.
A Computer-Based Thematic Index to the Works of Heinrich Schütz. D.M.A., Music Education, University of Kentucky, 1971. 367 p.
DDM Code: 45woPatR; DA no.: 33/02:778; RILM no.: 76:65dd; UM no.: 72-21475
Paymer, Marvin E.
The Instrumental Music Attributed to Giovanni Battista Pergolesi: A Study in Authenticity. Ph.D., Music, City University of New York, 1977. xix, 513 p. tbls., mus. exs., works lst., thematic cat., append., bibliog.
Research director: Cyrilla Barr
DDM Code: 41imPayM; DA no.: 38/01:20; RILM no.: 77:4542dd; UM no.: 77-13666
Pearl, Mildred.
The Suite in Relation to Baroque Style. Ph.D., Music, New York University, 1957. 286 p.
DDM Code: 41stPeaM; DA no.: 18/02:607; RILM no.: UM no.: 00-24880
Pearson, Ian David.
Johann Mattheson's Das forschende Orchestre: The Influence of Early Modern Philosophy on an Eighteenth-Century Theorist. Ph.D., Musicology, University of Kentucky, 1992. vi, 385 p. illus., append., bibliog.
Research director: Rey Longyear
DDM Code: 49trPeaI; DA no.: 53/08:2596; RILM no.: 92:13442dd; UM no.: 5712
Peckham, Mary Adelaide.
The Operas of Georg Philipp Telemann. Ph.D., Musicology, Columbia University, 1972. 302 p.
DDM Code: 41opPecM; DA no.: 33/05:2415; RILM no.: 73:1810dd; UM no.: 72-28,078
Pedrero Encabo, Agueda.
Orígenes de la sonata para teclado en España a través de la obra de Vicente Rodríguez Monllor. Ph.D., Musicology, Valladolid, 1994.
Research director: Antonia Virigili Blanquet
DDM Code: 41kePedA; DA no.: RILM no.: 96:15582dd; UM no.:
Pennington, Neil Douglas.
The Development of Baroque Guitar Music in Spain, Including a Commentary on and Transcription of Santiago de Murcia's Passacalles y obras (1732). Ph.D., Musicology, University of Maryland at College park, 1979. 2 vols., xxii, 745 p. illus., tbls., mus. exs., transcr., append., discog., bibliog.
Research director: Shelley G. Davis
DDM Code: 41snPenN; DA no.: 40/07:3619; RILM no.: 79:2557dd; UM no.: 80-02075
Pepper, William Bloomfield.
The Alternate Embellishment in the Slow Movements of Telemann's Methodical Sonatas. Ph.D., Musicology, University of Iowa, 1973. viii, 355 p. tbls., facs., mus. exs., bibliog.
DDM Code: 41otPepW; DA no.: 34/09:6027; RILM no.: 73:3517dd; UM no.: 74-7418
Perkins, Franklin E.
Keyboard and Instrumental Settings of Genevan Psalm Melodies in the Lübbenau Manuscripts. Ph.D., Musicology, Washington University, 1968. 2 vols., 396 p.
DDM Code: 41kePerF; DA no.: 29/06:1919; RILM no.: 76:9777dd; UM no.: 68-17,199
Perry, Susan Cotton.
The Development of the Italian Organ Toccata: 1550-1750. D.M.A., Music, University of Kentucky, 1990. ix, 249 p. tbls., mus. exs., append., bibliog.
Research director: Rey M. Longyear
DDM Code: 41kePerS; DA no.: 51/11:3554; RILM no.: 90:2358dd; UM no.: 91-09300
Peterman, Lewis Emanuel Jr.
The Instrumental Chamber Music of Joseph Bodin de Boismortier with Special Emphasis on the Trio Sonatas for Two Treble Instruments and Basso Continuo. Ph.D., Musicology, University of Cincinnati, 1985. 2 vols., xx, 479 p. plts., tbls., mus. exs., transcr., works lst., append., bibliog.
Research director: Donald H. Foster
DDM Code: 41chPetL; DA no.: 46/06:1437; RILM no.: 85:1822dd; UM no.: 85-18112
Peters, Alan.
Antonio Cesti's Solo Cantatas for Bass Voice. D.M.A., Performance, University of Iowa, 1968.
DDM Code: 41voPetA; DA no.: 29/12:4518; RILM no.: 69:3686dd; UM no.: 69-08831
Peters, Mark A.
Christiana Mariana von Ziegler's Sacred Cantata Texts and Their Settings by Johann Sebastian Bach. Ph.D., Historical Musicology, University of Pittsburgh, 2003. 384 p.
Research director: Don O. Franklin
DDM Code: 41loPetM; DA no.: 64/09:3133; RILM no.: 03:11524dd; UM no.: 31-04756
Additional keywords: librettist, women and literature, women and music, Leipzig
Peterson, F. Ellsworth.
Johann Hermann Schein's Cymbalum Sionium: A Liturgico-Musical Study. Ph.D., Music, Harvard University, 1966. 406 p.
DDM Code: 41saPetF; DA no.: ADD 1966:157; RILM no.: UM no.: 02-39639
Peterson, Jay Homer.
The Keyboard Works of Michelangelo Rossi. D.M.A., Performance, University of Illinois at Urbana-Champaign, 1975. 179 p.
DDM Code: 41kePetJ; DA no.: 36/05:2483; RILM no.: 76:9778dd; UM no.: 75-24,831
Philipp, Michael.
"Lappische Schildereyen?": Untersuchungen zur Konzeption von Programmusik im 18. Jahrhundert. Ph.D., Musicology, Münster, 1998. xii, 402 p. mus. exs.
Research director: Schlepphorst
DDM Code: 41imPhiM; DA no.: RILM no.: 98:5932dd; UM no.: Publication: Europäische Hochschulschriften, no. 178. Frankfurt: Lang, 1997. ISBN 3-361-33337-4.
Philippsborn, Magalie.
Studien zur frühen Drucküberlieferung des Wohltemperierten Claviers. Ph.D., Musicology, Frankfurt am Main, 1978.
DDM Code: 41ebPhiM; DA no.: RILM no.: 76:15321dd; UM no.:
Phillips, Elizabeth Van Vorst.
The Divisions and Sonatas of Henry Butler. Ph.D., Music, Washington University, 1982. viii, 120 p. transcr., works lst., append., bibliog.
DDM Code: 41snPhiE; DA no.: 43/09:2826; RILM no.: 82:2355dd; UM no.: 83-02,355
Picerno, Peter Vincent.
Ignazio Cirri, Gaetano Valeri, and the Seventeenth- and Eighteenth-Century Italian Organ Sonata. D.M.A., Performance, University of Kansas, 1983. vi, 489 p. facs., mus. exs., transcr., append., bibliog.
DDM Code: 41kePicP; DA no.: 44/04:906; RILM no.: 83:2599dd; UM no.: 83-17969
Pichierri, Louis.
Music in New Hampshire 1623-1800. Ph.D., Music, Syracuse University, 1956. 373 p.
DDM Code: 41naPicL; DA no.: 16/06:1150; RILM no.: UM no.: 00-16658
Pickard, Alexander Lindsay.
A Practical Edition of the Trumpet Sonatas of Giuseppe Jacchini. D.M.A., Performance, University of Rochester, 1974. 2 vols., xi, 279 p. tbls., mus. exs., bibliog.
DDM Code: 41brPicA; DA no.: 35/04:2325-6; RILM no.: 75:761dd; UM no.: 74-21,522
Piéjus, Anne.
Aspects de la musique à Saint-Louis de Saint-Cyr. La tragédie chrétienne à la fin du Grand Siècle. Doct., Musicologie, Université de Tours, 1996.
DDM Code: 41woPieA; DA no.: RILM no.: UM no.:
Pier, Fordyce Chilcen.
Italian Baroque Instrumental Music with Solo Trumpet from the Emilian School: Cazzati to Torelli. D.M.A., Performance, Boston University, 1979. 140 p.
DDM Code: 41brPieF; DA no.: 40/05:2345; RILM no.: 79:424dd; UM no.: 79-23,959
Piersall, Paul R.
The Bass Cantatas of Alessandro Scarlatti. D.M.A., Performance, University of Oregon, 1971. vi, 599 p. mus. exs., append., bibliog.
DDM Code: 41voPieP; DA no.: 32/06:3354; RILM no.: 76:9782dd; UM no.: 72-00,964
Pimmer, Hans.
Die Süddeutsch-Österreichische Chaconne und Passacaglia 1670-1770. Ph.D., Musicology, Bremen, 1992. 511 p.
Research director: H. Unverricht
DDM Code: 41cmPimH; DA no.: RILM no.: 92:2694dd; UM no.: Publication: Berlin, Akademie, 1992.
Pinnell, Richard Tilden.
The Role of Francesco Corbetta (1615-1681) in the History of Music for the Baroque Guitar, Including a Transcription of His Complete Works. Ph.D., Musicology, University of California at Los Angeles, 1976. 2 vols., xxi, 797 p. plts., tbls., mus. exs., append., bibliog.
Research director: Richard Hudson
DDM Code: 41snPinR; DA no.: 37/08:4687; RILM no.: 76:9784dd; UM no.: 77-01,675
Pintér, Éva.
Claudio Saracini. Leben und Werk. Ph.D., Musicology, Hamburg, 1992. 2 vols., xix, 556 p. facs., mus. exs., transcr., works lst., bibliog., ind.
Research director: Hans Joachim Marx
DDM Code: 41woPinE; DA no.: RILM no.: 92:2695dd; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 87. Frankfurt am Main: Peter Lang, 1992. ISBN 3-631-45440-6.
Pitts, Ruth Landis.
Don Juan Hidalgo, Seventeenth-Century Spanish Composer. Ph.D., Musicology, George Peabody College, 1968. 302 p. mus. exs., works lst., bibliog.
DDM Code: 41woPitR; DA no.: 29/05,1558-9; RILM no.: 68:385dd; UM no.: 68-16,348
Plank, Steven Eric.
Music for a Chigi Princess: A Study of an Anonymous Operina sacra of 1686. Ph.D., Musicology, Washington University, 1980. 149 p.
Research director: Curtis Price
DDM Code: 41saPlaS; DA no.: 41/03:846; RILM no.: 80:479dd; UM no.: 80-18753
Plotinsky, Anita Heppner.
The Keyboard Works of Johann Kaspar Ferdinand Fischer. Ph.D., Musicology, City University of New York, 1978. 221 p.
DDM Code: 41kePloA; DA no.: 38/12:7016; RILM no.: 78:463dd; 78:4891dd; UM no.: 78-08,693
Podolsky, Saul.
The Variation Canzona for Keyboard Instruments in Italy, Austria, and Southern Germany in the Seventeenth Century. Ph.D., Musicology, Boston University, 1954. 201 p.
DDM Code: 41kePodS; DA no.: ADD 1954:254; RILM no.: UM no.: 01-96691
Poladian, Sirvart.
Handel as an Opera Composer. Ph.D., Musicology, Cornell University, 1946. 481 p.
DDM Code: 41opPolS; DA no.: 19/08:2101; RILM no.: UM no.: LC Mic 58-2779
Pollard, J. Victor.
Tuning and Temperament in Southern Germany to the End of the Seventeenth Century. Ph.D., Musicology, University of Leeds, 1985.
DDM Code: 49tePolJ; DA no.: RILM no.: 00:53894dd; UM no.: Publication: British Library Document Supply Centre no. D65183/86.
Poole, Elissa.
The Sources for Christophe Ballard's Brunetes ou Petits Airs Tendres and the Tradition of Seventeenth Century French Song. Ph.D., Musicology, University of Victoria, 1984.
DDM Code: 41stPooE; DA no.: 46/08:2125; RILM no.: 91:2587dd; UM no.: NK-66315 Publication: ISBN 0-315-18406-X.
Porter, William V.
The Origins of the Baroque Solo Song: A Study of Italian Manuscripts and Prints from 1590-1610. Ph.D., Music History, Yale University, 1962. 2 vols., 386 p.
DDM Code: 41voPorW; DA no.: 27/11,3896-7; RILM no.: UM no.: 67-02748
Potter, Susan R. .
The Petit Motet in Parisian Printed Sources 1647-1689. Ph.D., Musicology, Rutgers University, 1992.
DDM Code: 41saPotS; DA no.: 53/07:2155; RILM no.: 92:784dd; UM no.: 92-32945
Poulos, Helen.
Giovanni Coperario and William Lawes: The Beginnings of Pre-Commonwealth Violin Music. D.M.A., Performance, Indiana University, 1971. 101 p. mus. exs.
DDM Code: 41snPouH; DA no.: RILM no.: 71:477dd; UM no.:
Poultney, David George.
The Oratorios of Alessandro Scarlatti: Their Lineage, Milieu, and Style. Ph.D., Musicology, University of Michigan, 1968. xii, 233 p. tbls., mus. exs., works lst., append., bibliog.
DDM Code: 41saPouD; DA no.: 30/01:358; RILM no.: 69:921dd; UM no.: 69-12213
Powell, John Scott.
Music in the Theater of Molière. Ph.D., Musicology, University of Washington, 1982. 356 p.
Research director: Laurence Starr
DDM Code: 41drPowJ; DA no.: 43/03:583; RILM no.: 82:1693dd; UM no.: 82-18733
Powell, Kenneth George.
The North German Organ Toccata (1650-1710). D.M.A., Performance, University of Illinois at Urbana-Champaign, 1969. v, 115 p. tbls., mus. exs., append., bibliog.
DDM Code: 41kePowK; DA no.: 30/08:3496; RILM no.: 76:9788dd; UM no.: 70-00,951
Powell, Newman Wilson.
Rhythmic Freedom in the Performance of French Music from 1650 to 1735. Ph.D., Music, Stanford University, 1958. xviii, 382 p. illus.
DDM Code: 41pfPowN; DA no.: 20/05:1820; RILM no.: UM no.: LC Mic 59-3719
Power, Tushaar.
J. S. Bach and the Divine Proportion. Ph.D., Musicology, Duke University, 2001. xi, 255 p. illus., transl., append., bibliog.
Research director: Peter Williams
DDM Code: 41aePowT; DA no.: 63/01:23; RILM no.: 01:17390dd; UM no.: 30-41307 Publication: ISBN 0-493-54647-2.
Additional keywords: golden section, Johannes Kepler, Andreas Werckmeister
Powers, David M.
The "Pastorale héroïque": Origins and Development of a Genre of French Opera in the Seventeenth and Eighteenth Centuries. Ph.D., Musicology, University of Chicago, 1988.
DDM Code: 41opPowD; DA no.: 49/07:1617; RILM no.: 88:10044dd; UM no.: T-30624
Presser, William Henry.
The Fugue before Bach. Ph.D., Theory, University of Rochester, 1947. 2 vols., 557 p.
DDM Code: 41cpPreW; DA no.: RILM no.: UM no.: Publication: UR 5428.
Preston, Robert Elwyn.
The Forty-Eight Sonatas for Violin and Figured Bass of Jean-Marie Leclair, l'aîné. Ph.D., Music, University of Michigan, 1959. 656 p.
DDM Code: 41snPreR; DA no.: 20/05:1821; RILM no.: UM no.: LC Mic 59-4972
Prévost, Paul.
Les préludes non mesurés chez les luthistes et les clavecinistes aux XVIIe et XVIIIe siècles. Ph.D., Musicology, École nationale des Chartres, Paris, 1978. 393 p. facs., mus. exs., bibliog., ind.
DDM Code: 41imPreP; DA no.: RILM no.: 88:2472bm; UM no.: Publication: Le prélude non mesuré pour clavecin: France 1650-1700. Collection d'études musicologiques, vol. 75. BadenBaden, Bouzwiller: Koerner, 1987.
Price, Charles Gower.
The Codification and Perseverance of a French National Style of Instrumental Composition between 1687 and 1733: Montéclair's Sérénade ou Concert (1697). Ph.D., Musicology, Stanford University, 1973. 174 p.
DDM Code: 41imPriC; DA no.: 34/05:2686; RILM no.: 76:2615dd; UM no.: 73-14,961
Price, Curtis Alexander.
Musical Practices in Restoration Plays with a Catalogue of Instrumental Music in the Plays 1665-1713. Ph.D., Music, Harvard University, 1974. ix, 326 p. plts., tbls., append., bibliog.
DDM Code: 41drPriC; DA no.: ADD 1974; RILM no.: 76:9790dd; UM no.: 02-84787
Price, Gale Richard.
Il Sedecia: A Seventeenth-Century Oratorio by Giovanni Legrenzi. D.M.A., Music, University of Kentucky, 1980. 268 p.
Research director: D. Ivey
DDM Code: 41saPriG; DA no.: 41/11:4537; RILM no.: 80:5573dd; UM no.: 81-10215
Prinz, Ulrich.
Studien zum Instrumentarium J. S. Bachs mit besonderer Berücksichtigung der Kantaten. Ph.D., Musicology, Tübingen, 1979. 255 p.
Research director: W. Gerstenberg
DDM Code: 49orPriU; DA no.: RILM no.: 79:4615dd; UM no.: Publication: Tübingen: Vogler, 1979.
Proctor, George Alfred.
The Works of Nicola Matteis, Sr. Ph.D., Musicology, University of Rochester, 1960. 2 vols., 324 p. append.
DDM Code: 41woProG; DA no.: ADD 1960:132; RILM no.: UM no.: 02-27005 Publication: UR 5458.
Prud'Homme, Bryan.
A Source Study and Thematic Catalog of the Robert de Visée Theorbo Works. Ph.D., Musicology, University of Colorado at Boulder, 1992. vi, 503 p. bibliog.
Research director: Alan Luhring
DDM Code: 41snPruB; DA no.: 53/10:3406; RILM no.: 92:2708dd; UM no.: 93-04598
Pruett, James Worrell.
The Works of Filippo Vitali. Ph.D., Music, University of North Carolina at Chapel Hill, 1962. 2 vols., xi, 397 p.
DDM Code: 41woPruJ; DA no.: 24/04:1644; RILM no.: UM no.: 63-03512
Pruiksma, Rose A.
"Dansé par le roi": Constructions of French Identity in the Court Ballets of Louis XIV. Ph.D., Musicology, University of Michigan, 1999. 452 p.
Research director: Louise K. Stein
DDM Code: 47daPruR; DA no.: 61/02:420; RILM no.: UM no.: 99-59844 Publication: ISBN 0-599-63321-2.
Additional keywords: costume, ballet de cour
Pruitt, William.
The Organ Works of Guillaume-Gabriel Nivers (1632-1714). Ph.D., Musicology, University of Pittsburgh, 1969. vi, 164 p. tbls., works lst., append., bibliog.
DDM Code: 41kePruW; DA no.: 31/03:1314-5; RILM no.: 69:3692dd; UM no.: 70-14,834
Psychoyou, Theodora.
L'évolution de la pensée théorique en France de Marin Mersenne à Jean-Philippe Rameau. Ph.D., Musicology, Université de Tours, 2003. 2 vols., 1131 p. illus., plts., tbls., facs., mus. exs., transcr., transl., works lst., thematic cat., append., bibliog., ind.
Research director: Jean Duron and Michelle Biget
DDM Code: 41muPsyT; DA no.: RILM no.: UM no.:
Additional keywords: rhetoric, aesthetics, music and architecture, acoustics, Querelle des Anciens et des Modernes
Quetin, Laurine .
La thème de Lucio Silla dans l'opéra italien de 1683 à 1778. Ph.D., Musicology, Paris, 1988. 1124 p. mus. exs., append., bibliog.
DDM Code: 41opQueL; DA no.: RILM no.: UM no.:
Raedeke, Barbara Ann.
The Organ Works of Nicolaus Bruhns: A Study of Form, Style, and Performance Practice. D.M.A., Performance, University of Rochester, 1983.
Research director: Robert Bailey
DDM Code: 41keRaeB; DA no.: 44/03:607; RILM no.: 83:2602dd; UM no.: 83-15557
Ralph, R. G.
An Edition of John Weaver's An Essay Towards an History of Dancing (1712), with a Critical Account of His Life, Writings, and Theatrical Productions, and an Introduction. Ph.D., Musicology, Oxford University, 1977.
DDM Code: 41trRalR; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D38531/81.
Raney, Carolyn.
Francesca Caccini, Musician to the Medici, and her Primo Libro (1618). Ph.D., Music Education, New York University, 1971. v, 240 p. illus., facs., mus. exs., works lst., append., discog., bibliog.
DDM Code: 41voRanC; DA no.: 32/05:2732; RILM no.: 74:2180dd; UM no.: 71-28556
Raridon, C. Wade.
Soprano-Tenor Chamber Duets of Agostino Steffani and a Prepared Performance Edition of Steffani's Chamber Duet, E Cosi Mi Compatite. D.M.A., Performance, University of Iowa, 1972. 129 p.
DDM Code: 41voRarC; DA no.: 32/12:7032; RILM no.: 76:9798dd; UM no.: 72-17,597
Rarig, Howard Raymond Jr.
The Instrumental Sonatas of Antonio Vivaldi. Ph.D., Musicology, University of Michigan, 1958. 455 p.
DDM Code: 41imRarH; DA no.: 19/06:1406; RILM no.: UM no.: LC Mic 58-7779
Rasch, Rudolf Alexander.
De cantiones natalitiae en het kerkelijke muziekleven in de Zuidelijke Nederlanden gedurende de zeventiende eeuw [Christmas Songs in the Religious Musical Life of the Southern Low Countries during the Seventeenth Century]. Ph.D., Musicology, Utrecht, 1985. 2 vols.,
Research director: Willem Elders
DDM Code: 41saRasR; DA no.: RILM no.: 90:2386bm; UM no.: Publication: Utrecht: Vereniging voor Nederlandse Muziekgeschiedenis, 1985.
Raschl, Erich.
Die weltlichen Vokalwerke des Giovanni Felice Sances (ca. 1600-1679). Ph.D., Musicology, Graz, 1968. 293 p. mus. exs.
DDM Code: 41seRasE; DA no.: RILM no.: 76:538dd; UM no.:
Rathey, Markus.
Johann Rudolph Ahle 1625-1673: Lebensweg und Schaffen. Ph.D., Musicology, Münster, 1999. 643 p. mus. exs., bibliog., ind.
Research director: Winfried Schlepphorst
DDM Code: 41woRatM; DA no.: RILM no.: 99:31851dd; UM no.: Publication: Eisenach: Karl Dieter Wagner, 1998. ISBN 3-88979-081-X.
Rave, Wallace John.
Some Manuscripts of French Lute Music 1630-1700: An Introductory Study. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1972. 459 p.
DDM Code: 41mcRavW; DA no.: 33/10:5769; RILM no.: UM no.: 73-10031
Rawson, Robert.
From Olomouc to London: The Early Music of Gottfried Finger (c. 1655-1730). Ph.D., Musicology, Royal Holloway College, University of London, 2001. 2 vols., x, 386 p. plts., tbls., facs., mus. exs., transcr., transl., works lst., thematic cat., bibliog., ind.
Research director: Tim Carter
DDM Code: 41woRawR; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DX224902.
Additional keywords: Moravia, Bohemia, England, Austria, Germany, Heinrich Biber, Guillelmus-Carolus Di Martinelli, James Sherard, Pavel Josef Vejvanovsky, Kromeriz, viola da gamba, trumpet, pastorella, stylus phantasticus
Ray, Alice E.
The Double-Choir Music of Juan de Padilla, Seventeenth-Century Composer in Mexico. Ph.D., Musicology, University of Southern California, 1953. 2 vols., 547 p. mus. exs.
DDM Code: 41saRayA; DA no.: ADD 1953:252; RILM no.: UM no.: 01-91187
Rayl, David.
Nine Settings of the Litanies de la Vierge by Marc-Antoine Charpentier. D.M.A., Choral Conducting, University of Iowa, 1988. xi, 465 p. tbls., mus. exs., works lst., append., bibliog.
Research director: Richard J. Bloesch
DDM Code: 41luRayD; DA no.: RILM no.: 88:11743dd; UM no.:
Rayner, Clare Grill.
A Little-Known Seventeenth-Century Composer, Christopher Gibbons (1615-1676). Ph.D., Musicology, Indiana University, 1963. 2 vols., 594 p.
DDM Code: 41boRayC; DA no.: 26/11:6765; RILM no.: UM no.: 64-05483
Read, Tamar Clothylde.
A Critical Study and Performance Edition of Emilio de' Cavalieri's Rappresentatione di anima e di corpo. D.M.A., Church Music, University of Southern California, 1969. 2 vols., 395 p. illus., facs., mus. exs., bibliog.
DDM Code: 41saReaT; DA no.: 30/11:5020; RILM no.: 69:3696dd; UM no.: 70-08539
Reardon, Colleen Ann.
The Polyphonic Works of Agostino Agazzari. Ph.D., Musicology, University of California at Los Angeles, 1987.
Research director: Frank D'Accone
DDM Code: 41voReaC; DA no.: 49/02:165; RILM no.: 87:2097dd; UM no.: 88-03641
Reddick, Harvey Phillips.
Johann Mattheson's Forty-Eight Thorough-Bass Test-Pieces: Translation and Commentary. Ph.D., Music, University of Michigan, 1956. 2 vols., 327 p.
DDM Code: 49trRedH; DA no.: 17/01:152; RILM no.: UM no.: 00-19715
Reilly, Allyn D.
Georg Andreas Sorge's Vorgemach der musikalischen Composition: A Translation and Commentary. Ph.D., Theory, Northwestern University, 1980. 3 vols., 720 p.
DDM Code: 49trReiA; DA no.: 41/06:2348; RILM no.: UM no.: 80-26,907
Renken, Alice Brin.
Marin Marais's Alcione: An Edition with Commentary. Ph.D., Music, Washington University, 1981. 328 p.
DDM Code: 41opRenA; DA no.: 42/04:1369; RILM no.: 81:2520dd; UM no.: 81-22753
Renwick, William Jonathan Michael.
Voice-Leading Patterns in the Fugal Expositions of J. S. Bach's Well-Tempered Clavier. Ph.D., Musicology, City University of New York, 1987. 375 p.
DDM Code: 49cpRenW; DA no.: 48/03:509; RILM no.: 87:7155dd; UM no.: 87-13790
Restle, Konstantin.
Bartolomeo Cristofori und die Anfänge des Hammerklaviers. Quellen, Dokumente und Instrumente des 15. bis 18. Jahrhunderts. Ph.D., Musicology, München, 1990. xiii, 448 p.
Research director: Jürgen Eppelsheim
DDM Code: 43keResK; DA no.: RILM no.: 91:8377bm; UM no.: Publication: Münchener Arbeiten zur Musiktheorie und Instrumentenkunde, no. 1. München: Maris, 1991. ISBN 3-925801-07-3.
Retif, Thomas Newton.
1. The Solo Bass Voice in the Oratorios of Franz Joseph Haydn: A Singer's Analysis 2. The Solo Bass Voice in Selected Sacred Cantatas from the Italian Baroque. D.M.A. , Vocal Performance, Southwestern Baptist Theological Seminary, 1980. 2 vols., 360 p.
DDM Code: 40voRetT; DA no.: 41/06:2348; RILM no.: 80:1573dd; UM no.: 05-34150
Reul, Barbara M.
The Sacred Cantatas of Johann Friedrich Fasch (1688-1758). Ph.D., Systematic Musicology, University of Victoria, 1997. xii, 307 p. tbls., mus. exs., append., bibliog.
Research director: Erich Schwandt
DDM Code: 49saReuB; DA no.: 59/11:4008; RILM no.: 96:7798dd; UM no.: NQ-32766
Additional keywords: Baroque, Zerbst, Oranienbaum, Sachsen-Anhalt, Staatsbibliothek Berlin
Rhea, Claude H. Jr.
The Sacred Oratorios of Georg Philipp Telemann (1681-1767). Ed.D., Music Education, Florida State University, 1958. 2 vols., 406 p.
DDM Code: 41saRheC; DA no.: 19/08:2102; RILM no.: UM no.: LC Mic 58-5995
Rice, Paul Francis.
The Fontainebleau Operas of Jean-Philippe Rameau: A Critical Study. Ph.D., Musicology, University of Victoria, 1982.
Research director: Erich Schwandt
DDM Code: 41opRicP; DA no.: 43/08:2490; RILM no.: 91:11340dd; UM no.: NK-58621 Publication: ISBN 0-315-10707-3.
Richards, James E.
The 'Grand Motet' of the Late Baroque in France as Exemplified by Michel-Richard de Lalande and a Selected Group of His Contemporaries. Ph.D., Music, University of Southern California, 1950. 2 vols., xiii, 840 p.
DDM Code: 41saRicJ; DA no.: ADD 1950:193; RILM no.: UM no.: 01-73229 Publication: UR 5659.
Richter, Klaus Peter.
Orgelchoral und Ensemblesatz bei J. S. Bach. Ph.D., Musicology, München, 1980. 262 p. tbls., mus. exs.
Research director: Jürgen Eppelsheim
DDM Code: 41keRicK; DA no.: RILM no.: 82:4567bm; UM no.: Publication: Münchner Veröffentlichungen zur Musikgeschichte, vol. 37. Tutzing: Schneider, 1982.
Richter, Winfried.
Die Gottorfer Hofmusik. Studie zur Musikkultur eines absolutistischen Hofstaates im 17. Jahrhundert. Ph.D., Musicology, Kiel, 1986.
DDM Code: 41mvRicW; DA no.: RILM no.: UM no.:
Ridder, Liselotte de.
Der Anteil der Commedia dell'Arte an der Entstehungs- und Entwicklungsgeschichte der komischen Oper. Studien zum Libretto der Oper im 17. Jahrhundert. Ph.D., Theater, Köln, 1971. xii, 259 p.
DDM Code: 41loRidL; DA no.: RILM no.: 75:772dd; UM no.:
Riedel, Herbot Hugo.
Recognition and Re-Cognition: Bach and The Well-Tempered Clavier. Ph.D., Musicology, University of California at Berkeley, 1970.
DDM Code: 41keRieH; DA no.: 31/02:788; RILM no.: 76:9801dd; UM no.: 70-13,149
Riepe, Juliane.
Die Arciconfraternita di S. Maria della Morte in Bologna. Beiträge zur Geschichte des italienischen Oratoriums im 17. und 18. Jahrhundert. Ph.D., Musicology, Bonn, 1994. 604 p. illus., plts., facs., transcr., works lst., append., bibliog., ind.
Research director: Günther Massenkeil
DDM Code: 41saRieJ; DA no.: RILM no.: 99:26624dd; UM no.: Publication: Beiträge zur Geschichte der Kirchenmusik, vol. 5. Paderborn: Schöningh, 1998. ISBN 3-506-70625-X.
Additional keywords: oratorio, Italian confraternities
Riley, James W.
William Gregory the Younger: Musitian of the King's Musick. Ph.D., Musicology, University of Rochester, 1959. 2 vols., 259 p.
DDM Code: 41boRilJ; DA no.: ADD 1959:120; RILM no.: UM no.: 02-10764
Riley, Maurice Winton.
The Teaching of Bowed Instruments from 1511 to 1756. Ph.D., Musicology, University of Michigan, 1954. 446 p.
DDM Code: 44pdRilM; DA no.: 14/07:1089; RILM no.: UM no.: 00-08236
Rimbach, Evangeline Lois.
The Church Cantatas of Johann Kuhnau. Ph.D., Musicology, University of Rochester, 1966. 2 vols., 1357 p. transcr.
DDM Code: 41saRimE; DA no.: 27/05:1397; RILM no.: UM no.: 66-11,543
Rishton, Timothy J.
Thomas Chilcot and His Concertos. Ph.D., Musicology, University of Wales at Bangor, 1991.
DDM Code: 41woRisT; DA no.: RILM no.: 91:7798dd; UM no.: Publication: British Library Document Supply Centre no. DX201197.
Risinger, Mark Preston.
Handel's Compositional Premises and Procedures: Creative Adaptation and Assimilation in Selected Works, 1733-1744. Ph.D., Musicology, Harvard University, 1996. 557 p.
Research director: Christopher Wolff
DDM Code: 41cmRisM; DA no.: 57/05:1907; RILM no.: 96:3368dd; UM no.: 96-31574
Rivera, Benito V.
Johannes Lippius and His Musical Treatises: A Study of German Musical Thought in the Early Seventeenth Century. Ph.D., Musicology, Rutgers University, 1974. 378 p.
Research director: George J. Buelow
DDM Code: 49muRivB; DA no.: 35/10:6755; RILM no.: 76:9802dd; UM no.: 75-08,434
Rober, Russell Todd.
Form, Style, Function, and Rhetoric in Gottlob Harrer's Sinfonias: A Case Study in the Early History of the Symphony. Ph.D., Musicology, University of North Texas, 2003. vi, 535 p. tbls., mus. exs., transcr., bibliog.
Research director: Deanna Bush and Lester Brothers
DDM Code: 41oqRobT; DA no.: 64/09:3133; RILM no.: UM no.: 31-06907
Additional keywords: hunt, Dresden, Saxony, Germany, galant, topics, march, dance, Heinrich von Bruhl
Roberts, Ronald Ralph.
The Cantates françoises of André Campra. D.M.A., Performance, Louisiana State University, 1972. 236 p.
DDM Code: 41voRobR; DA no.: 33/05:2416; RILM no.: 76:9804dd; UM no.: 72-28,371
Robertson, Michael N.
The Consort Suite in the German-Speaking Lands, 1660-1705. Ph.D., Historical Musicology, University of Leeds, 2004.
Research director: Peter Holman
DDM Code: 41chRobM; DA no.: RILM no.: 04:15630dd; UM no.: Publication: British Library Document Supply Centre no. DXN085876; British Library Document Supply Centre no. DX242038.
Robinson, Susannah Lucy.
The Forquerays and the French Viol Tradition. Ph.D., Musicology, Cambridge University, 1980-81.
DDM Code: 41snRobS; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D42773/82.
Roche, Jerome L. A.
North Italian Liturgical Music in the Early Seventeenth Century: Its Evolution around 1600 and Its Development until the Death of Monteverdi. Ph.D., Musicology, Cambridge University, 1968. 560 p. mus. exs., works lst., bibliog.
DDM Code: 41luRocJ; DA no.: RILM no.: 70:1751dd; UM no.:
Roe, Horton Lawrence.
The Camerata de' Bardi and the Foundations of Music Drama. Ph.D., Italian and Music, University of Wisconsin at Madison, 1951. 200 p.
DDM Code: 41opRoeH; DA no.: ADD 1952:222; RILM no.: UM no.: 01-84012
Roeckle, Charles Albert.
Eighteenth-Century Neapolitan Settings of the Requiem Mass: Structure and Style. Ph.D., Musicology, University of Texas at Austin, 1978. xxxiii, 624 p. tbls., mus. exs., bibliog.
DDM Code: 41luRoeC; DA no.: 39/07:3910; RILM no.: 78:2674dd; UM no.: 79-00,627
Roehrig, Helmut Joseph.
The St. John Passion by J. S. Bach in the Light of the Neue Bach-Ausgabe (Edition 1973). D.M., Choral Conducting, Indiana University, 1981.
DDM Code: 40saRoeH; DA no.: ADD 1981; RILM no.: UM no.: 03-58276
Rogers, Helen Olive.
The Development of the Concept of Modulation in Theory from the Sixteenth to the Early Eighteenth Century. Ph.D., Theory, Indiana University, 1955. 482 p.
DDM Code: 49muRogH; DA no.: 16/02:351; RILM no.: UM no.: 00-14665
Rogers, Patrick John.
Thoroughbass Accompaniment in Handel's Operas and Oratorios. Ph.D., Musicology, Claremont, 1987.
DDM Code: 41bcRogP; DA no.: 47/05:1527; RILM no.: 86:5083dd; UM no.: 86-19083
Rogers, Vanessa L.
Writing Plays "in the Sing-Song Way": Henry Fielding's Ballad Operas and Early Musical Theater in Eighteenth-Century London. Ph.D., Musicology, University of Southern California, 2007. xxii, 339 p. illus., tbls., facs., mus. exs., works lst., append., bibliog.
Research director: Bruce Alan Brown
DDM Code: 41tnRogV; DA no.: 68/10; RILM no.: 07:9538dd; UM no.: 32-83527
Additional keywords: burlesque operas, musical theatre, plays with music, literary works
Rogerson, Brewster.
Ut musica poesis: The Parallel of Music and Poetry in Eighteenth-Century Criticism. Ph.D., English, Princeton University, 1946. vi, 181 p. bibliog.
DDM Code: 40ltRogB; DA no.: 12/03:308; RILM no.: UM no.: 00-03034
"The Energy of English Words": A Linguistic Approach to Henry Purcell's Methods of Setting Texts. Ph.D., Musicology, Princeton University, 1980. ix, 267 p. illus., tbls., facs., mus. exs., bibliog.
Research director: J. Knapp
DDM Code: 41tmRohK; DA no.: 41/03:846; RILM no.: 80:4535dd; UM no.: 80-19830
Roller, Joachim.
Die Ausführung des Orgelcontinuo vornehmlich in den Rezitativen der geistlichen Kantaten und Passionen von Johann Sebastian Bach. Ph.D., Musicology, Bayreuth, 2001. 220 p. illus., bibliog., ind.
Research director: Reinhard Wiesend
DDM Code: 41bcRolJ; DA no.: RILM no.: 01:8365dd; UM no.: Publication: Kirchenmusikalische Studien, vol. 6. Sinzig: Studio, 2000. ISSN 0941-2573. ISBN 3-89564-075-1.
Additional keywords: recitative
Romanstein, Stanley E.
Giovanni Battista Buonamente and Instrumental Music of the Early Baroque. Ph.D., Musicology, University of Cincinnati, 1990. 2 vols., 1376 p. facs., mus. exs., works lst., append., bibliog.
Research director: Phillip D. Crabtree
DDM Code: 41imRomS; DA no.: 52/03:735; RILM no.: 90:1004dd; UM no.: 91-24216
Ronish, Martha Jean.
The Autographs of George Frideric Handel: A Catalogue. Ph.D., Musicology, University of Maryland, 1984.
Research director: Howard Serwer
DDM Code: 45mcRonM; DA no.: 46/06:1437; RILM no.: UM no.: 05-56134
Rorke, Margaret Ann.
The Spiritual Madrigals of Paolo Quagliati and Antonio Cifra. Ph.D., Musicology, University of Michigan, 1980. 331 p. mus. exs., transcr., works lst., append., bibliog.
DDM Code: 41saRorM; DA no.: 41/05:1830; RILM no.: 80:2733dd; UM no.: 80-25758
Rosand, Ellen.
Aria in the Early Operas of Francesco Cavalli. Ph.D., Musicology, New York University, 1971. x, 390 p. tbls., mus. exs., bibliog.
DDM Code: 41opRosE; DA no.: 32/07:4050; RILM no.: 71:2254dd; UM no.: 72-3120
Rose, Gloria.
The Cantatas of Carissimi. Ph.D., History of Music, Yale University, 1960. 241 p.
DDM Code: 41voRosG; DA no.: 26/04:2250; RILM no.: UM no.: 64-11,905
Rose, Stephen.
Music, Print and Authority in Leipzig during the Thirty Years' War. Ph.D., Historical Musicology, Cambridge University, 2002. 2 vols., xiii, 278 p. illus., plts., tbls., facs., mus. exs., transcr., transl., append., bibliog.
Research director: John Butt
DDM Code: 41pvRosS; DA no.: RILM no.: 02:8948dd; UM no.: Publication: British Library Document Supply Centre no. D227487.
Additional keywords: Johann Hermann Schein, Tobias Michael, Heinrich Schütz, publishing, printing, occasional music
Rosow, Lois Ann.
Lully's Armide at the Paris Opéra: A Performance History, 1686-1766. Ph.D., Music History, Brandeis University, 1981. xiv, 716 p. illus., tbls., facs., mus. exs., append., bibliog.
DDM Code: 41opRosL; DA no.: 42/06:2356; RILM no.: 81:2522dd; UM no.: 81-26893
Ross, Sylvia L.
A Comparison of Six Miserere Settings from the Eighteenth-Century Venetian Conservatories. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1972. 599 p.
DDM Code: 41luRosS; DA no.: 34/02:814; RILM no.: 76:10176dd; UM no.: 73-17,391
Rosteck, Oliver.
Bremische Musikgeschichte von der Reformation bis zur Mitte des 18. Jahrhunderts. Ph.D., Musicology, Münster, 1999. 374 p.
Research director: Klaus Hortschansky
DDM Code: 41mvRosO; DA no.: RILM no.: 99:14291dd; UM no.: Publication: Lilienthal: Eres, 1998. ISBN 3-87204-431-1.
Rothgeb, John E.
Harmonizing the Unfigured Bass: A Computational Study. Ph.D., Theory, Yale University, 1968. 198 p. illus., tbls., mus. exs., append., bibliog.
DDM Code: 49haRotJ; DA no.: 30/03:1197; RILM no.: 69:4204dd; UM no.: 69-13,799
Rotondi, Joseph Emilio.
Literary and Musical Aspects of Roman Opera, 1600-1650. Ph.D., Musicology , University of Pennsylvania, 1959. 287 p.
DDM Code: 41opRotJ; DA no.: 20/01:320; RILM no.: UM no.: LC Mic 59-2265
Rowel, Lois Irene.
The Repertoire of French Liturgical Organ Music in Brussels, Bibliothèque Royale, MSS III 926. Ph.D., Musicology, Ohio State University, 1984. xvi, 276 p. thematic cat., bibliog.
DDM Code: 41mcRowL; DA no.: 45/01:14; RILM no.: UM no.: 84-10423
Rowell, Lewis E. Jr.
Four Operas of Antonio Vivaldi. Ph.D., Theory, University of Rochester, 1959. 344 p.
DDM Code: 41opRowL; DA no.: ADD 1958:108; RILM no.: UM no.: 02-14362 Publication: UR 5812.
Rowell, Thomas Lamar.
A Performer's Analysis of Selected Tenor Recitatives and Arias from Oratorios by George Frederic Handel Based upon Old Testament Characters Composed between 1718 and 1751. D.M.A., Vocal Performance, Southwestern Baptist Theological Seminary, 1998. xii, 179 p. tbls., transcr., ind.
Research director: David Robinson
DDM Code: 41anRowT; DA no.: 59/11:4008; RILM no.: 99:24036dd; 99:23349dd; UM no.: 99-13716
Additional keywords:
Rowen, Ruth H.
Early Chamber Music. Ph.D., Musicology, Columbia University, 1950. 188 p.
DDM Code: 41chRowR; DA no.: ADD 1950:192; RILM no.: UM no.: 01-73203 Publication: New York: King's Crown Press, 1949.
Royster, Don Lee.
Pierre Guédron and the air de cour 1600-1620. Ph.D., Music History, Yale University, 1972. 406 p. append., bibliog., ind.
DDM Code: 41voRoyD; DA no.: 34/01,354-5; RILM no.: 72:1674dd; UM no.: 73-16,386
Ruhle, Sara.
An Anonymous Seventeenth-Century German Oratorio in the Düben Collection (Uppsala, University Library, Vok. mus. i hskr. 71). Ph.D., Musicology, University of North Carolina at Chapel Hill, 1983.
Research director: James Haar
DDM Code: 41saRuhS; DA no.: 44/04:906; RILM no.: 83:2607dd; UM no.: 83-16658
Russell, Craig Henry.
Santiago de Murcia: Spanish Theorist and Guitarist of the Early Eighteenth Century. Transcription and Translation of Santiago de Murcia's Complete Works. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1981. 2 vols., 1028 p.
Research director: J. Pruett
DDM Code: 41boRusC; DA no.: 43/02:303; RILM no.: 81:4687dd; UM no.: 82-11645
Russell, Eleanor A.
Villancicos and other Secular Polyphonic Music of Juan Vásquez: A Courtly Tradition in Spain's Siglo Del Oro. Ph.D., Musicology, University of Southern California, 1970. 331 p.
DDM Code: 41voRusE; DA no.: 31/01:417; RILM no.: 76:9807dd; UM no.: 70-11,387
Rusterholz, Barbara Lomax.
Diderot's Musical Hieroglyph. Ph.D., Literature, University of Minnesota, 1977. 174 p.
DDM Code: 46ltRusB; DA no.: 39/01:311; RILM no.: 77:3955dd; UM no.: 78-09736
Rutherford, Charles Leonard.
The Instrumental Music of Johann Joseph Fux (1660-1741). Ed.D., Music, Colorado State College, 1967. 450 p. illus., facs., mus. exs., works lst., thematic cat., bibliog., ind.
DDM Code: 41imRutC; DA no.: 28/10:4202; RILM no.: 68:1891dd; UM no.: 68-00454
Rutschman, Edward Raymond.
The Minato-Cavalli Operas: The Search for Structure in Libretto and Solo Scene. Ph.D., Musicology, University of Washington, 1979. vi, 357 p. illus., tbls., mus. exs., bibliog.
DDM Code: 41opRutE; DA no.: 40/06:2976; RILM no.: 79:2568dd; UM no.: 79-27864
Ryan, Michael Joseph.
Music in the Chapel of the Dukes of Braganca, Vila Vicosa, Portugal c. 1571-1640. Ph.D., Musicology, University of London (external), 2002.
DDM Code: 41saRyaM; DA no.: RILM no.: UM no.:
Rye, Charles Stanton.
Editions of Selected Motets from Concerti sacri, Opus 2 by Alessandro Scarlatti (1660-1725). D.M.A., Music, University of Oklahoma, 1981. 261 p. works lst., bibliog.
Research director: Eugene J. Enrico
DDM Code: 40saRyeC; DA no.: 42/07:2929; RILM no.: 81:2524dd; UM no.: 81-29421
Sadowsky, Rosalie D. Landres.
Jean-Baptiste Abbé Dubos: The Influence of Cartesian and Neo-Aristotelian Ideas on Music Theory and Practice. Ph.D., Music History, Yale University, 1960. xii, 278 p.
DDM Code: 46aeSadR; DA no.: 31/05:2425; RILM no.: UM no.: 70-20,362
Sajak, Rainer.
Sebastian de Brossard als Lexikograph, Bibliograph und Bearbeiter. Ph.D., Musicology, Bonn, 1973. 276 p.
DDM Code: 41woSajR; DA no.: RILM no.: 74:2195dd; UM no.:
Sametz, Steven Paul.
Jubilus Bernhardi of Samuel Capricornus (Bockshorn): A Performing Edition of Ten Sections with Commentary and Critical Notes. D.M.A., Choral Conducting, University of Wisconsin at Madison, 1980. 319 p. illus., facs., mus. exs.
DDM Code: 41saSamS; DA no.: 42/01:16; RILM no.: 80:487dd; UM no.: 81-07048
Samuel, Harold Eugene.
The Cantata in Nuremberg during the Seventeenth Century. Ph.D., Musicology, Cornell University, 1963. 733 p.
DDM Code: 41voSamH; DA no.: 24/02:770; RILM no.: UM no.: 63-04810
Sanchez, Marta.
Villancicos of Juan Francés de Iribarren (1698-1767). Ph.D., Musicology, University of Pittsburgh, 1978. 2 vols., i, 295 p. tbls., mus. exs., transcr., works lst., append., bibliog.
Research director: Robert S. Lord
DDM Code: 41saSanM; DA no.: 40/02:533; RILM no.: 78:4896dd; UM no.: 79-17,496
Sandberger, Wolfgang.
Das Bach-Bild Philipp Spittas: Ein Beitrag zur Geschichte der Bach-Rezeption im 19. Jahrhundert. Ph.D., Musicology, Hamburg, 1997. 323 p. discog., bibliog.
Research director: Hans Joachim Marx
DDM Code: 41hiSanW; DA no.: RILM no.: 99:29899dd; UM no.: Publication: Beihefte zum Archiv für Musikwissenschaft, vol. 39. Stuttgart: Steiner, 1996. ISBN 3-515-07008-7.
Sander, Elizabeth Clara.
Social Dancing in Russia at the End of the Petrine Era: Friedrich Wilhelm von Bergholz's Tagebuch, 1721-1725. Ph.D., Music, University of Western Ontario, 2003. viii, 216 p. tbls., transl., append., bibliog., ind.
Research director: Richard Semmens
DDM Code: 41daSanE; DA no.: 65/11:4027; RILM no.: 02:10584dd; UM no.: NQ-96726 Publication: Social Dancing in Peter the Great's Russia: Observations by Holstein Nobleman Friedrich Wilhelm von Bergholz, 1721 to 1725. With a Foreword by Walter Salmen. Hildesheim: Olms, 2007.
Pirke Ha-huslka Bassefer Shiltey haGiborim The Chapters on Music in Abraham Portaleone's Shiltey haGiborim: A Critical Edition. Ph.D., Musicology, Tel-Aviv University, 1981. ix, 211 p. illus., bibliog., ind.
Research director: Hanoch Avenary
DDM Code: 41trSanD; DA no.: RILM no.: 90:2101dd; UM no.: Publication: Tel-Aviv, 1980.
Sandman, Susan Goertzel.
Wind Band Music under Louis XIV: The Philidor Collection, Music for the Military and the Court. Ph.D., Music, Stanford University, 1974. 437 p.
DDM Code: 41baSanS; DA no.: 35/06:3798; RILM no.: 76:9809dd; UM no.: 74-27103
Sanford, Sally Allis.
Seventeenth- and Eighteenth-Century Vocal Style and Technique. D.M.A., Performance, Stanford University, 1979. 249 p.
DDM Code: 41vqSanS; DA no.: 40/07:3621; RILM no.: 79:5432dd; UM no.: 80-02045
Sanhuesa Fonseca, María.
Educación, pensamiento y teoría de la música en la España del siglo XVII. Ph.D., Musicology, University of Oviedo, 1998. 3 vols., 1250 p. tbls., mus. exs., transl., bibliog., ind.
Research director: Ángel Medina Álvarez
DDM Code: 41edSanM; DA no.: RILM no.: 98:4585dd; UM no.:
Additional keywords: teaching, music education, dance education, music education of women, theorists, treatises, literary style, private chamber music, seventeenth-century Spanish novels, Spanish Habsburg court, Philip III, Philip IV, Charles II, music historiography, criticism
Sankey, Li Ting.
The Transcription for Double Bass of Two French Suites for Viola da Gamba by Roland Marais and Joseph de Boismortier. D.M.A., Performance, University of Miami, 1993. 136 p.
Research director: Lucas Drew
DDM Code: 41snSanL; DA no.: 54/11:3926; RILM no.: 93:2809dd; UM no.: 94-12925
Sargent, George Quimby.
An Edition of Elizabeth Rogers' Virginal Book (British Museum Add. Ms. 10337). Ph.D., Theory, Indiana University, 1965. 237 p.
DDM Code: 41mcSarG; DA no.: 27/02:791-2; RILM no.: UM no.: 66-01493
Sauerzapf, Dörte.
Untersuchungen zu Dramaturgie und Wirkungsweise der Opern G. F. Händels zwischen 1733 und 1735, dargestellt an Ariodante und Alcina. Ph.D., Musicology, Halle-Saale, 1991. 251 p.
DDM Code: 41opSauD; DA no.: RILM no.: UM no.:
Saunders, Harris Sheridan Jr.
The Repertoire of the Teatro Grimani a San Giovanni Crisostomo in Venice: 1678-1714. Ph.D., Musicology, Harvard University, 1985.
Research director: Christoph Wolff
DDM Code: 41opSauH; DA no.: 46/08:2125; RILM no.: 85:2235dd; UM no.: 85-20281
Saunders, Steven E.
Sacred Music at the Austrian Imperial Court, 1619-49: The Latin Vocal Works of Giovanni Priuli and Giovanni Valentini. Ph.D., Musicology, University of Pittsburgh, 1990.
Research director: Don Franklin
DDM Code: 41saSauS; DA no.: 51/06:1823; RILM no.: 90:1027dd; UM no.: 90-28486
Sauter, Wolfram.
Die frühen Querflötenschulen und ihre musikhistorische Einordnung. Ph.D., Musicology, München, 1998. 182 p. mus. exs., bibliog.
Research director: Theodor Göllner
DDM Code: 41wnSauW; DA no.: RILM no.: 99:27895dd; UM no.: Publication: Schriftenreihe Schriften zur Kulturwissenschaft, vol. 16. Hamburg: Kovac, 1997. ISBN 3-86064-699-0.
Saville, Lara Rae.
Alessandro Besozzi (1702-1793), Virtuoso Oboist and Composer: An Essay and Scholarly Edition. D.M.A., Music Performance, Arizona State University, 2004. 74 p. transcr.
Research director: Martin Schuring
DDM Code: 40wiSavL; DA no.: 65/11:4045; RILM no.: 04:11202dd; UM no.: 31-52452 Publication: ISBN 0-496-12795-0.
Additional keywords: oboe concerto
Sawkins, Lionel Herbert.
The Sacred Music of Michel-Richard de Lalande (1657-1726). Ph.D., Musicology, University of London, 1992. 2 vols.,
DDM Code: 41saSawL; DA no.: RILM no.: 93:10239dd; UM no.: Publication: British Library Document Supply Centre no. DX228597.
Sawyer, John Evan.
An Anthology of Lyra Viol Music in Oxford, Bodleian Library, Manuscripts Music School d245-7. Ph.D., Musicology, , University of Toronto, 1972. 2 vols., xxii, 566 p. tbls., facs., mus. exs., thematic cat., append., bibliog., ind.
DDM Code: 41mcSawJ; DA no.: 35/02:1148; RILM no.: 75:790dd; UM no.:
Sayce, Lynda.
The Development of the Italianate Continuo Lutes. Ph.D., Music, Open University, 2001. 2 vols., xxiii, 387 p. illus., tbls., facs., mus. exs., transcr., transl., works lst., discog., bibliog.
Research director: Jeremy Montagu and Martin Clayton
DDM Code: 43snSayL; DA no.: RILM no.: 01:17554dd; UM no.: Publication: British Library Document Supply Centre no. DX222802.
The Anthems of William Croft (1678-1727). Ph.D., Music, University of Washington, 1961. 1828 p.
DDM Code: 41saScaR; DA no.: 23/01,258-9; RILM no.: UM no.: 62-02093
Scarpetta, Umberto.
Ritratto di un musicista barocco: Giovanni Legrenzi. Ph.D., Musicology, Università Cattolica del Sacro Cuore, 1976. 2 vols., 256 p. mus. exs., works lst., bibliog.
DDM Code: 41woScaU; DA no.: RILM no.: 77:2550dd; UM no.:
Schaal, Susanne.
Die Musica scenica des Giovanni Battista Doni: Antikenrezeption und musikalisches Erbe in der Operntheorie des frühen 17. Jahrhunderts. Ph.D., Musicology, Freiburg im Breisgau, 1991. 295 p.
Research director: S. Damam
DDM Code: 41trSchS; DA no.: RILM no.: 93:12916bm; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 96. Frankfurt am Main: Peter Lang, 1993. ISBN 3-631-45993-9; ISSN 0271-3611.
Schacht-Pape, Ute.
Das Messenschaffen von Alessandro Scarlatti. Ph.D., Musicology, Hamburg, 1993. xi, 290 p. mus. exs.
DDM Code: 41luSchU; DA no.: RILM no.: 93:2814dd; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 102. Frankfurt am Main: Peter Lang, 1993. ISSN 0721-3611. ISBN 3-631-46382-0.
Schaefer, Hartmut.
Frankfurter Musikdrucker und Musikverleger von 1630 bis gegen 1800. Ph.D., Musicology, Frankfurt am Main, 1981.
DDM Code: 48puSchH; DA no.: RILM no.: 76:17099dd; UM no.:
Schaeffer, John Gerhardt.
The Influence of the Late Baroque Instrumental Concerto on Bach's Free Forms for Organ and Clavier. D.M.A., Performance, University of Illinois at Urbana-Champaign, 1970.
DDM Code: 41keSchJ; DA no.: 31/12:6652; RILM no.: 76:9811dd; UM no.: 71-14,938
Scharlau, Ulf.
Athanasius Kircher (1601-1680) als Musikschriftsteller. Ein Beitrag zur Musikanschauung des Barock. Ph.D., Musicology, Frankfurt am Main, 1969. 403 p. facs., bibliog., ind.
DDM Code: 49muSchU; DA no.: RILM no.: 69:949dd; UM no.:
Scharnberg, William Michael.
Performance Editions of Four Works for Horn Selected from the Manuscript Katalog Wenster Litteratur I/1-17b. D.M.A., Performance, University of Iowa, 1977. v, 164 p. mus. exs., append., bibliog.
DDM Code: 41brSchW; DA no.: 38/07:3797; RILM no.: 76:1453dd; UM no.: 77-28,532
Schedensack, Elisabeth.
Die Solomotetten Isabella Leonardas (1620-1704). Analysen sämtlicher Solomotetten und ausgewählte Transkriptionen. Ph.D., Musicology, Göttingen, 1998. 2 vols., xvi, 341 p. mus. exs., works lst., bibliog.
Research director: Ursula Günther
DDM Code: 41saSchE; DA no.: RILM no.: 98:4509dd; UM no.: Publication: Musicological Studies and Documents, no. 50. Neuhausen-Stuttgart: Hänssler, 1997. ISBN 3-7751-2376-8 and 3-7751-3190-6.
Schempf, William H.
Seventeenth-Century Magnificats. Ph.D., Musicology, University of Rochester, 1960. 2 vols., 664 p.
DDM Code: 41luSchW; DA no.: ADD 1960:132; RILM no.: UM no.: 02-27007
Schenk-Güllich, Dagmar.
Die Anfänge der Musikkritik im 18. Jahrhundert. Ph.D., Musicology, Erlangen, 1972.
DDM Code: 46crSchD; DA no.: RILM no.: 76:7592dd; UM no.:
Schepping, Wilhelm.
Die Wettener Liederhandschrift und ihre Beziehungen zu den niederländischen Cantiones-Natalitiae des 17. Jahrhunderts. Ph.D., Musicology, Köln, 1977. 222 p. illus., facs., mus. exs., bibliog., ind.
DDM Code: 41mcSchW; DA no.: RILM no.: 78:4898dd; UM no.:
Schick, Paul Christopher.
Concordia Discourse: Polyphony and Dialogue in Willaert, Wert, and Monteverdi. Ph.D., Musicology, Yale University, 1997. 323 p.
Research director: Ellen Rosand, Thomas M. Greene
DDM Code: 41voSchP; DA no.: 58/04:1147; RILM no.: 97:2753dd; UM no.: 97-31069 Publication: ISBN 0-591-40467-2.
Schiffner, Markus.
Zu Johann Sebastian Bachs Klavierübung (Teil I-III): Ordnungsprinzipien und zyklische Gestaltungskonzeption. Ph.D., Musicology, Halle-Saale, 1981.
DDM Code: 41keSchM; DA no.: RILM no.: 83:6319dd; UM no.:
Schink, William Paul.
Four Sonatas for Bassoon and Piano by Lewis Mercy: Edition and Commentary. D.M.A., Music , University of Northern Colorado, 1981. 123 p. facs., mus. exs.
DDM Code: 40wnSchW; DA no.: 42/10:4196; RILM no.: 81:2530dd; UM no.: 82-06184
Schlage, Thomas.
Die Vokalmusik Johann Erasmus Kindermanns, 1616-1655: Eine sozial-und kompositionsgeschichtliche Untersuchung. Ph.D., Musicology, Heidelberg, 1996. 342 p. illus., mus. exs.
Research director: Walter M. Finsch
DDM Code: 41saSchT; DA no.: RILM no.: 99:10026dd; UM no.: Publication: Neckargemund: Manneles, 1996. ISBN 3-933968-11-9.
Schleifer, Eliyahu Arieh.
The Mexican Choirbooks at the Newberry Library (Case MS VM 2147 C 36). Ph.D., Musicology, University of Chicago, 1979.
DDM Code: 40mcSchE; DA no.: 40/04:1743; RILM no.: 79:2575dd; UM no.: T-27375
Schleiner, Roberta Louise Gittings.
Herbert's "Divine and Moral Songs": Song-Text Features in The Temple and Their Importance for Herbert's Poetic Idiom. Ph.D., Language and Literature, Brown University, 1973. 270 p.
DDM Code: 41ltSchR; DA no.: 34/10:6659; RILM no.: UM no.: 74-03070
Schlichte, Joachim.
Thematischer Katalog der kirchlichen Musikhandschriften des 17. und 18. Jahrhunderts in der Stadt- und Universitätsbibliothek Frankfurt am Main. Ph.D., Musicology, Frankfurt am Main, 1979.
DDM Code: 45soSchJ; DA no.: RILM no.: 79:86dd; UM no.:
Schmalzriedt, Siegfried.
Heinrich Schütz und andere zeitgenössische Musiker in der Lehre Giovanni Gabrielis. Studien zu ihren Madrigalen. Ph.D., Musicology, Tübingen.
DDM Code: 41voSchS; DA no.: RILM no.: 70:1762dd; UM no.:
Schmid, Irmgard.
Rupert Ignaz Mayr (1646-1712): Die Kompositionen für das Musiktheater. Neue Beiträge zu Leben und Werk des Komponisten. Ph.D., Musicology, Salzburg, 1989.
Research director: Gerhard Croll
DDM Code: 41drSchI; DA no.: RILM no.: 89:639dd; UM no.:
Schmidt, Carl B.
The Operas of Antonio Cesti. Ph.D., Music, Harvard University, 1973. 2 vols., iv, 1583 p. illus., tbls., mus. exs., works lst., append., bibliog.
DDM Code: 41opSchC; DA no.: ADD 1973; RILM no.: 75:797dd; UM no.: 02-78819
Schmidt, Jack W.
The Musicalische Andachten of Andreas Hammerschmidt. Ph.D., Musicology, Northwestern University, 1993. 2 vols., xii, 1709 p. tbls., mus. exs., thematic cat., append., bibliog.
Research director: William V. Porter
DDM Code: 41saSchJ; DA no.: 55/01:9; RILM no.: 93:4001dd; UM no.: 94-15,815
Schmidt, René R.
The Christmas Cantatas of Christoph Graupner (1683-1760). Ph.D., Musicology, University of North Texas, 1992. 601 p. tbls., facs., mus. exs., bibliog.
Research director: Cecil A. Adkins
DDM Code: 41saSchS; DA no.: 53/08:2597; RILM no.: 92:818dd; UM no.: 93-00648
Schmidt, Warren Frederick.
The Organ Chorales of Johann Gottfried Walter (1684-1784). Ph.D., Theory, University of Iowa, 1961. vii, 219 p.
DDM Code: 41keSchW; DA no.: 22/08:2822; RILM no.: UM no.: 61-05605
Schmitt, Theodore.
Kompositionen des Ordinariums Missae im süddeutschen konzertierenden Stil den 17. Jahrhunderts. Ph.D., Musicology, Universität des Saarlandes, 1981. vi, 193 p. works lst., bibliog.
DDM Code: 41luSchT; DA no.: RILM no.: 81:2531dd; UM no.:
Schmitz, Eberhard.
Die Messen Johann David Heinichens. Ph.D., Musicology, Hamburg, 1967. 321 p. mus. exs., works lst., thematic cat.
DDM Code: 41luSchE; DA no.: RILM no.: 73:3381dd; UM no.:
Schmitz, Frauke.
Giulio Caccini, Nuove musiche (1602/1614): Texte und Musik. Ph.D., Musicology, Freiburg im Breisgau, 1995. x, 277 p. mus. exs., bibliog.
DDM Code: 41seSchF; DA no.: RILM no.: 95:3523dd; UM no.: Publication: Musikwissenschaftliche Studien, vol. 17. Pfaffenweiler: Centaurus, 1994. ISBN 3-89085-987-9.
Schneider, Herbert.
Die französische Kompositionslehre in der ersten Hälfte des 17. Jh. Ph.D., Musicology, Mainz, 1972. 304 p.
DDM Code: 41cmSchH; DA no.: RILM no.: 72:1681dd; UM no.: Publication: Mainzer Studien zur Musikwissenschaft, 3.
Schneider, Herbert.
Die Rezeption der Lully-Oper im 17. und 18. Jahrhundert in Frankreich. Hab., Musicology, Mainz, 1976.
DDM Code: 41opSchH; DA no.: RILM no.: UM no.:
Schneider, Matthias.
Buxtehudes Choralphantasien. Texdeutung oder "phantastischer Stil"?. Ph.D., Musicology, Basel, 1995. x, 218 p. illus., tbls., facs., mus. exs., works lst., bibliog.
Research director: Wulf Arlt
DDM Code: 41stSchM; DA no.: RILM no.: UM no.:
Additional keywords: stylus phantasticus, organ music, Northern Germany
Schneider-Cuvay, Maria Michaela.
Die Instrumentalwerke Johann Ernst Eberlins. Ph.D., Musicology, Salzburg, 1975. 2 vols., 370 p. illus.
DDM Code: 41imSchM; DA no.: RILM no.: 76:2621dd; UM no.:
Schnell, Dagmar.
In lucem edidit: Der Deutsche Notendruck der ersten Hälfte des 17. Jahrhunderts als Kommunikationsmedium. Dargestellt an den Vorreden. Ph.D., Musicology, Technische Universität Berlin, 2003. 366 p. mus. exs.
Research director: Axel Beer
DDM Code: 48puSchD; DA no.: RILM no.: 03:11090dd; UM no.: Publication: Osnabrück: Der Andere Verlag, 2002. ISBN 3-89959-131-3.
Additional keywords: Germany, music history, music publishers, publishing houses
Schnitzler, Rudolf.
The Sacred Dramatic Music of Antonio Draghi. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1971. xi, 422 p. illus., plts., tbls., facs., mus. exs., works lst., append., bibliog., ind.
DDM Code: 41saSchR; DA no.: 32/10,5830-1; RILM no.: 71:488dd; UM no.: 72-10,770
Schnoebelen, Sister Mary Nicole.
The Concerted Mass at San Petronio in Bologna, ca. 1660-1730: A Documentary and Analytical Study. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1966. ix, 474 p. append., bibliog.
DDM Code: 41luSchM; DA no.: 27/06:2170-1; RILM no.: UM no.: 66-12,426
Scholz, Robert Victor.
Seventeenth-Century Magnificats for the Lutheran Service. D.M.A., Choral Conducting, University of Illinois at Urbana-Champaign, 1969. 383 p.
DDM Code: 41luSchR; DA no.: 31/02:789-90; RILM no.: 69:3709dd; UM no.: 70-13,473
Schott, Howard M.
A Critical Edition of the Works of J. J. Froberger. Ph.D., Musicology, Oxford University, 1977.
DDM Code: 41woSchH; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D026953.
Schreiner, Norman Frederick Jr.
An Analytical Study for the Performance of Cantata No. 55 and Cantata No. 160 of Johann Sebastian Bach. D.M., Voice Performance, Indiana University, 1981. 118 p.
DDM Code: 40voSchN; DA no.: ADD 1981; RILM no.: 80:489dd; UM no.: 03-58277
Schultz, Ingo.
Studien zur Musikanschauung und Musiklehre Johann Heinrich Alsteds (1588-1638). Ph.D., Musicology, Köln, 1967. 236 p. mus. exs., works lst., bibliog.
DDM Code: 49muSchI; DA no.: RILM no.: 69:952dd; UM no.:
Schultz, John Ahern.
The Solo-Tutti Concept in the Choral Works of Johann Sebastian Bach. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1979. 161 p.
DDM Code: 41ciSchJ; DA no.: 41/02:456; RILM no.: UM no.: 80-17,978
Schultz, Timothy Paul.
Performing French Classical Music: A Case Study Based on the Premiere Suitte of François Chauvon (fl. 1712-1736). D.M.A., Performance, City University of New York, 1994. 162 p. transcr.
Research director: Raymond Erickson
DDM Code: 41pfSchT; DA no.: 55/11:3349; RILM no.: 94:11507dd; UM no.: 95-10716
Schulze, Hendrik.
Die Figur des Odysseus in der venezianischen Oper des 17. Jahrhunderts. Ph.D., Musicology, Heidelberg, 2002. xv, 432 p. illus., mus. exs., bibliog.
Research director: Silke Leopold
DDM Code: 41loSchH; DA no.: RILM no.: 04:7454dd; UM no.: Publication: Odysseus in Venedig. Sujetwahl und Rollenkonzeption in der venezianischen Oper des 17. Jahrhunderts. Perspektiven der Opernforschung, vol. 11. Frankfurt: Peter Lang, 2004. ISBN 3-631-50495-0.
Additional keywords: Claudio Monteverdi, Francesco Cavalli, Giovanni Legrenzi, Benedetto Pallavicino, Carlo Francesco Pollarolo, Alessandro Scarlatti, Antonio Sartorio, Domenico Freschi, Giovanni Francesco Busenello, Matteo Noris, Aurelio Aureli, Giacomo Badoaro, Homer, libretto, literature, Italy
Schulze-Kurz, Ekkehard B.
Die Laute und ihre Stimmungen in der ersten Hälfte des 17. Jahrhunderts. Ph.D., Musicology, Tübingen, 1990. 467 p.
DDM Code: 41snSchE; DA no.: RILM no.: 90:7837dd; UM no.:
Schurr, Walter W.
Francesco Antonio Calegari (d. 1740): Music Theorist and Composer. Ph.D., Musicology, Catholic University of America, 1969. 2 vols., vi, 464 p. facs., mus. exs., works lst., bibliog.
DDM Code: 41woSchW; DA no.: 30/06:2563; RILM no.: 76:9819dd; UM no.: 69-19,715
Schwandt, Erich Paul.
The Ornamented Clausula diminuta in the Fitzwilliam Virginal Book. Ph.D., Music, Stanford University, 1967. vii, 129 p. append.
DDM Code: 41keSchE; DA no.: 28/07:2720; RILM no.: 76:9820dd; UM no.: 67-17,500
Schwarze, Penny.
Styles of Composition and Performance in Leclair's Concertos. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1983. 361 p.
Research director: James Haar
DDM Code: 41oqSchP; DA no.: 44/04:907; RILM no.: 83:2616dd; UM no.: 83-16663
Schwendowios, Barbara.
Die solistische Gambenmusik in Frankreich von 1650 bis 1740. Ph.D., Musicology, Köln, 1970. 242 p. mus. exs.
DDM Code: 41snSchB; DA no.: RILM no.: 70:3193dd; UM no.:
Scogno, Flavio Emilio.
La musica nel duomo di Savona dal XVI al XVIII secolo. Ph.D., Music, Bologna, 1980. 156 p. mus. exs., thematic cat., bibliog., ind.
DDM Code: 41saScoF; DA no.: RILM no.: 80:2527dd; UM no.:
Scooler, Evan Daniel.
J. S. Bach's Changing Conception of the "Great Eighteen" Chorales. Ph.D., Musicology, Brandeis University, 2003. 343 p.
Research director: Robert Marshall
DDM Code: 41keScoE; DA no.: 64/02:335; RILM no.: UM no.: 30-81828 Publication: ISBN 0-496-29691-4.
Seagrave, Barbara Anne Garvey.
The French Style of Violin Bowing and Phrasing from Lully to Jacques Aubert (1650-1730). Ph.D., Music, Stanford University, 1958. xviii, 291 p. illus.
DDM Code: 41pfSeaB; DA no.: 19/12:3322; RILM no.: UM no.: LC Mic 59-1452
Seefrid, Gisela.
Die Airs de danse in den Bühnenwerken von Jean-Philippe Rameau. Ph.D., Musicology, Frankfurt am Main, 1969. 254 p. mus. exs.
DDM Code: 41daSeeG; DA no.: RILM no.: 69:954dd; UM no.:
Seelkopf, Martin.
Die geistlichen Kompositionen Alessandro Grandis (1630), ohne die mehrchörigen Werke, Messen und Litaneien. Ph.D., Musicology, Würzburg, 1977.
DDM Code: 41saSeeM; DA no.: RILM no.: 74:2203dd; UM no.:
Seidler, Richard D.
The Bassoon Concertos of Antonio Vivaldi. Ph.D., Musicology, Catholic University of America, 1974. 787 p.
DDM Code: 41wnSeiR; DA no.: 34/12:7811-2; RILM no.: 75:804dd; UM no.: 74-13,169
Seifert, Herbert.
Giovanni Buonaventura Viviani. Leben, instrumental- und vokale Kammermusikwerke. Ph.D., Musicology, Wien, 1970. 229 p. facs., mus. exs., works lst., thematic cat., bibliog.
DDM Code: 41woSeiH; DA no.: RILM no.: 70:414dd; UM no.:
Seifert, Herbert.
Die Oper am Wiener Kaiserhof im 17. Jahrhundert. Hab., Musicology, Wien, 1981. 2 vols., 949 p. illus., facs., mus. exs.
DDM Code: 41opSeiH; DA no.: RILM no.: 81:481dd; UM no.:
Seletsky, Robert Eric.
Improvised Variation Sets for Short Dance Movements in Violin Repertory circa 1680-1800, Exemplified in Period Sources for Corelli's Violin Sonatas, Opus 5. D.M.A., Performance Practice, Cornell University, 1989. viii, 169 p. tbls., facs., mus. exs., works lst., append., discog., bibliog.
Research director: Neal Zaslaw
DDM Code: 41pfSelR; DA no.: 50/09:2701; RILM no.: 89:1353dd; UM no.: 89-24606
Selfridge, Eleanor.
Venetian Instrumental Ensemble Music in the Seventeenth Century. Ph.D., Music, Oxford, 1969. 2 vols., 505 p. illus., mus. exs., works lst., thematic cat., bibliog.
DDM Code: 41enSelE; DA no.: RILM no.: 69:959dd; UM no.: Publication: British Library Document Supply Centre no. D12955/75.
Semmens, Richard Templar.
Etienne Loulié as Music Theorist: An Analysis of Items in Ms. Paris, Bibliothèque Nationale, fonds fr. n.a. 6355. Ph.D., Musicology, Stanford University, 1980. 223 p. append., bibliog.
Research director: Albert Cohen
DDM Code: 49muSemR; DA no.: 41/02:456; RILM no.: UM no.: 80-16,862
Sennal, Jiri.
Kapela olomouckého Biskupa Karla Liechtensteina-Castelcorna (1664-1695) [The Musical Resources of the Bishop of Olmütz, Karl Liechtenstein-Castelcorn (1664-1695)]. Ph.D., Musicology, Brno, 1970. 371 p. facs., bibliog., ind.
DDM Code: 41mvSenJ; DA no.: RILM no.: 70:1764dd; UM no.:
Sentieri, Alfred Richard.
A Method for the Specification of Style Change in Music: A Computer-Aided Study of Selected Venetian Sacred Compositions from the Time of Gabrieli to the Time of Vivaldi. Ph.D., Musicology, Ohio State University, 1978. 244 p.
DDM Code: 41stSenA; DA no.: 39/05:2612; RILM no.: 78:4002dd; UM no.: 78-19663
Sevier, Zay V. David.
The Theoretical Works and Music of Johann Georg Ahle (1651-1706). Ph.D., Musicology, University of North Carolina at Chapel Hill, 1974. vii, 246 p. plts., facs., mus. exs., works lst., append., bibliog., ind.
DDM Code: 41woSevZ; DA no.: 35/08:5452; RILM no.: 74:2204dd; UM no.: 75-04869
Shaffer, Jeanne Ellison.
The Cantus Firmus in Alessandro Scarlatti's Motets. Ph.D., Music Education, George Peabody College, 1970. 392 p. mus. exs., works lst., bibliog., ind.
DDM Code: 41saShaJ; DA no.: 31/06:2962; RILM no.: 70:1765dd; UM no.: 70-23,345
Shannon, John R.
The Mylauer Tabulaturbuch, A Study of the Preludial and Fugal Forms in the Hands of Bach's Middle-German Predecessors. Ph.D., Music, University of North Carolina at Chapel Hill, 1961. 2 vols., xiv, 330 p.
DDM Code: 41mcShaJ; DA no.: 23/01:259-260; RILM no.: UM no.: 62-03149
Shapiro, Martin Lewis.
The Treatment of Form in the Violin Concertos of Tomaso Albinoni. Ph.D., Musicology, University of California at Santa Barbara, 1971. xviii, 292 p. tbls., mus. exs., bibliog.
DDM Code: 49srShaM; DA no.: 32/12:7033; RILM no.: 76:9828dd; UM no.: 72-18,248
Sharp, Nan Orthmann.
The Use of Flutes and Recorders in the Church Cantatas of Johann Sebastian Bach. D.M.A., Performance, University of Rochester, 1975. xxxvi, 406 p. mus. exs., works lst., append., bibliog.
DDM Code: 41wnShaN; DA no.: 36/03,1160-1; RILM no.: 75:812dd; UM no.: 75-20,068
Shaw, Erwin.
The Concertos of Johann David Heinichen (1683-1729): A Critical Edition and Commentary. M.A., Musicology, Belfast, 1981.
DDM Code: 41imShaE; DA no.: RILM no.: UM no.:
Shaw, Gertrude Jean.
The Violoncello Sonata Literature in France during the Eighteenth Century. Ph.D., Musicology, Catholic University of America, 1963. 346 p.
DDM Code: 41snShaG; DA no.: 24/02:771; RILM no.: UM no.: 63-06559
Shay, Edmund.
Notes Inégales and François Couperin's Messe à l'Usage des Paroisses (Mass for the Parishes). D.M.A., Music, University of Cincinnati, 1969. 117 p.
DDM Code: 41pfShaE; DA no.: 30/12:5475; RILM no.: 69:2688dd; UM no.: 70-09795
Shay, Robert Stuart.
Henry Purcell and "Ancient" Music in Restoration England. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1991. ix, 277 p. tbls., mus. exs., append., bibliog.
DDM Code: 41stShaR; DA no.: 52/10:3473; RILM no.: 91:4085dd; UM no.: 92-07994
Shearon, Stephen Mark.
Latin Sacred Music and Nicola Fago: The Career and Sources of an Early Eighteenth-Century Neapolitan Maestro di Capella. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1993. 5 vols., xxxv, 1138 p. mus. exs., transcr., works lst., append.
Research director: Howard E. Smither
DDM Code: 41saSheS; DA no.: 54/08:2792; RILM no.: 93:2830dd; UM no.: 94-02182
Sheets, Randall Craig.
A Study of Melchior Franck's Collection of Motets and Sacred Concertos, Dulces mundani exilij deliciae (1631). D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1988. 598 p. transcr.
Research director: Tom Ward
DDM Code: 41saSheR; DA no.: 50/02:297; RILM no.: 88:2534dd; UM no.: 89-08839
Sheldon, David Alden.
The Chamber Music of Johann Friedrich Fasch. Ph.D., Musicology, Indiana University, 1968. x, 243 p. illus., mus. exs.
DDM Code: 41chSheD; DA no.: 29/04:1246; RILM no.: 68:512dd; UM no.: 68-13,704
Sheveloff, Joel Leonard.
The Keyboard Music of Domenico Scarlatti: A Re-evaluation of the State of Knowledge in the Light of the Sources. Ph.D., Music, Brandeis University, 1970. 3 vols., xiv, 803 p. tbls., facs., mus. exs., thematic cat., append., bibliog.
DDM Code: 41keSheJ; DA no.: 31/06:2963; RILM no.: 70:415dd; UM no.: 70-24,658
Shigihara, Susanne Elisabeth.
Die Kirchenmusik Bonifazio Grazianis (1605-1664). Ph.D., Musicology, Bonn, 1982.
Research director: Günther Massenkeil
DDM Code: 41saShiS; DA no.: RILM no.: 85:1919dd; UM no.: Publication: Bonn, 1984.
Sicard, Michel T. A.
École française de viole de gamba de Maugars à Marin Marais. Doct., Musicology, Paris, 1979.
DDM Code: 41snSicM; DA no.: RILM no.: UM no.:
Siedentopf, Henning.
Beobachtungen zur Spieltechnik in der Klaviermusik Johann Sebastian Bachs. Ph.D., Musicology, Tübingen, 1967. 135 p. mus. exs., bibliog.
DDM Code: 41pfSieH; DA no.: RILM no.: 70:3942dd; UM no.:
Silbiger, Alexander.
Italian Manuscript Sources of Seventeenth-Century Keyboard Music. Ph.D., Music History, Brandeis University, 1976. xxiii, 323 p. tbls., mus. exs., bibliog., ind.
DDM Code: 41mcSilA; DA no.: 37/05:2487; RILM no.: 76:5443dd; UM no.: 76-25,326
Sillanoli, Marie-Hélène.
La vie et l'oeuvre de Michel de la Barre (ca. 1675-15 Mars 1745), flûtiste de la chambre et compositeur français. Doct., Musicology, Paris, 1984. 4 vols., iii, 755 p. illus., plts., tbls., facs., mus. exs., transcr., transl., works lst., thematic cat., append., discog., bibliog., ind.
Research director: Edith Weber
DDM Code: 41woSilM; DA no.: RILM no.: UM no.:
Additional keywords: glossary
Simon, Carl Geoffrey.
Musical Iconography in the Sacred Cantatas of Johann Sebastian Bach. D.M.A., Music, Johns Hopkins University, 1980. xxiii, 255 p. mus. exs., append., bibliog., ind.
DDM Code: 41tmSimC; DA no.: 41/04:1277; RILM no.: 80:494dd; UM no.: 80-21963
Sirman, Mitchel Neil.
The Wind Sonatas in Daniel Speer's Musicalisch-Türckischer Eulen-Spiegel of 1688. Ph.D., Music, University of Wisconsin at Madison, 1972. 183 p.
DDM Code: 41wiSirM; DA no.: 33/08:4462; RILM no.: 76:9836dd; UM no.: 72-29,512
Sites, Caroline O.
Benedetto Marcello's Chamber Cantatas. Ph.D., Music, University of North Carolina at Chapel Hill, 1959. iv, 128 p.
DDM Code: 41voSitC; DA no.: 20/07:2839; RILM no.: UM no.: LC Mic 59-6448
Skupnik, Reinhard.
Der hannoversche Orgelbauer Christian Vater 1679-1756. Ph.D., Musicology, Münster, 1976.
DDM Code: 43maSkuR; DA no.: RILM no.: 75:4355dd; UM no.: Publication: Orgelwissenschaftliche Forschungsstelle, Ed. 8, Kassel: Bärenreiter, 1976.
Sleeper, William Allen.
Harmonic Style of Four-Part Viol Music of Jenkins, Locke, and Purcell. Ph.D., Theory, University of Rochester, 1964. 250 p.
DDM Code: 49haSleW; DA no.: 27/12:4291; RILM no.: UM no.: 66-02364
Smith, Arthur Timothy.
Charles Butler's The Principles of Music in Singing and Setting, with the Twofold Use Thereof, Ecclesiastical and Civil (1636): A Computer-Assisted Transliteration of Book I and the First Chapter of Book II, with Introduction, Supplementary Notes, Commentary, and Appendices. Ph.D., Theory, Ohio State University, 1974. xvii, 539 p. illus., plts., tbls., facs., transcr., append., bibliog., ind.
DDM Code: 49trSmiA; DA no.: 35/08:5453; RILM no.: 76:5444dd; UM no.: 75-03,198
Smith, Ayana Okeeva.
Opera in Arcadia: Rome, Florence and Venice in the Primo Settecento. Ph.D., Musicology, Yale University, 2001. 317 p.
Research director: Ellen Rosand
DDM Code: 41opSmiA; DA no.: 62/10:3236; RILM no.: UM no.: 30-30830 Publication: ISBN 0-493-43845-9.
Additional keywords: Alessandro Scarlatti, Antonio Caldara, George Frideric Handel, Francesco Maria Ruspoli, Ferdinando de' Medici, Arcadian Academy, operatic reform, L'Anagilda, Rodrigo, Agrippina, Il Mitridate Eupatore
Smith, Charles Samuel.
Leonhard Euler's Tentamen novae theoriae musicae: A Translation and Commentary. Ph.D., Theory, Indiana University, 1960. 365 p.
DDM Code: 49trSmiC; DA no.: 21/03:642; RILM no.: UM no.: LC Mic 60-2844
Smith, Christine Dee.
André Campra's Idomenée: A Study of Its Structural Components and a Critical Edition of the Work. Ph.D., Musicology, University of Kentucky, 1988. xi, 1002 p. tbls., mus. exs., transcr., append., bibliog.
Research director: Rey Longyear
DDM Code: 41opSmiC; DA no.: 49/07:1618; RILM no.: 88:2548dd; UM no.: 88-22117
Additional keywords: tragédie lyrique, opera, French music
Smith, David Bruce.
Trombone Technique in the Early Seventeenth Century. D.M.A., Music, Stanford University, 1982. 101 p.
DDM Code: 40brSmiD; DA no.: 43/11:4642; RILM no.: 82:1432dd; UM no.: 82-08865
Smith, Douglas Alton.
The Late Sonatas of Sylvius Leopold Weiss. Ph.D., Musicology, Stanford University, 1977. viii, 270 p. plts., facs., mus. exs., transcr., works lst., thematic cat., append., bibliog.
DDM Code: 41snSmiD; DA no.: 38/06:3135; RILM no.: 76:490dd; UM no.: 77-25,730
Smith, Helen Margaret.
F. M. Veracini's Il Trionfo della prattica musicale. Ph.D., Musicology, Indiana University, 1963. 303 p.
DDM Code: 49trSmiH; DA no.: 25/01:527; RILM no.: UM no.: 64-05496
Smith, Michael John.
The Church Music of Michael Wise. D.M., Musicology, University of Edinburgh, 1970. 2 vols., 198 p. mus. exs., works lst., append.
DDM Code: 41saSmiM; DA no.: RILM no.: UM no.:
Snyder, Kerala Johnson.
Johann Rosenmüller's Music for Solo Voice. Ph.D., History of Music, Yale University, 1970. 2 vols., xxix, 572 p. illus., mus. exs., works lst., append., bibliog.
DDM Code: 41saSnyK; DA no.: 32/02:1004; RILM no.: 70:1767dd; UM no.: 71-20,107
Solie, John E.
Form in the Concertos and Sinfonias of Tomaso Albinoni. Ph.D., Musicology, University of Chicago, 1974. 279 p. mus. exs., works lst., append., bibliog.
DDM Code: 49srSolJ; DA no.: ADD 1975; RILM no.: 76:15464dd; UM no.: T-25229
Soluri, James Joseph.
The Concerti ecclesiastici of Lodovico Grossi di Viadana. Ph.D., Music, University of Michigan, 1967. 329 p.
DDM Code: 41saSolJ; DA no.: 28/07:2720-1; RILM no.: 67:729dd; UM no.: 67-15,699
Somer, Avo.
The Keyboard Music of Johann Jakob Froberger. Ph.D., Music, University of Michigan, 1963. 525 p.
DDM Code: 41keSomA; DA no.: 24/02:771; RILM no.: UM no.: 63-05019
Spacht, Thomas.
Sweelinck's Organ Music: A Study of Structure and Style. D.M.A., Music, Eastman School of Music, University of Rochester, 1975. 82 p.
DDM Code: 40keSpaT; DA no.: 38/03:1109; RILM no.: 75:816dd; UM no.: 77-19168
Spagnoli, Gina Gail.
The Letters and Documents of Heinrich Schütz, 1656-1672: An Annotated Translation. Ph.D., Musicology, Washington University, 1987. 2 vols., 545 p. facs., transcr., transl., thematic cat.
DDM Code: 41soSpaG; DA no.: 48/07:1581; RILM no.: 87:2180dd; UM no.: 87-22476
Additional keywords: correspondence
Sparger, Avealoie Dennis.
The Sacred Music of Andrzej Hakenberger. D.M.A., Choral Conducting, University of Illinois at Urbana-Champaign, 1981. 369 p. mus. exs., works lst., thematic cat.
DDM Code: 41saSpaA; DA no.: 42/11:4642; RILM no.: 81:2541dd; UM no.: 82-03601
Speer, Klaus.
A Portuguese Manuscript of Keyboard Music from the Late Seventeenth Century: MS No. 1607, loc. G, 7, Municipal Library, Oporto, Portugal. Ph.D., Musicology, Indiana University, 1956. 2 vols., xv, 342 p.
DDM Code: 41mcSpeK; DA no.: 16/12:2477; RILM no.: UM no.: 00-17979
Spell, Lota May Harrigan.
Musical Education in North America during the Sixteenth and Seventeenth Centuries. Ph.D., Education, University of Texas at Austin, 1923. 127 p. illus., plts.
DDM Code: 44edSpeL; DA no.: RILM no.: UM no.: Publication: Ethno 4 (1960): 33.
Sperry, James Willard.
The Concerti ecclesiastici, Quarto Libro di Giacomo Moro. Ph.D., Musicology, Washington University, 1975. 190 p.
DDM Code: 41saSpeJ; DA no.: 36/12:7726; RILM no.: UM no.: 76-14075
Spindler, Wolfgang.
Untersuchungen zum Wort-Ton-Verhältnis in den Kantaten Johann Sebastian Bachs. Ph.D., Musicology, Erlangen, 1973.
Research director: Martin Ruhnke
DDM Code: 41voSpiW; DA no.: RILM no.: 74:2206dd; UM no.:
Sponheim, Kristin Marie.
The Anthologies of Ambrosius Profe (1589-1661) and the Transmission of Italian Music in Germany. Ph.D., Music History, Yale University, 1995. 298 p.
Research director: Eva Linfield
DDM Code: 41saSpoK; DA no.: 56/07:2479; RILM no.: 95:3558dd; UM no.: 95-38693
Sprague, Cheryl Ruth.
A Comparison of Five Musical Settings of Metastasio's Artaserse. Ph.D., Music, University of California at Los Angeles.401 p.
DDM Code: 41opSprC; DA no.: 40/06:2977; RILM no.: 79:3924dd; UM no.: 79-26081
Spring, Matthew G.
The Lute in England and Scotland after the Golden Age, 1620-1750. Ph.D., Musicology, Magdalen College, Oxford University, 1987.
DDM Code: 41snSprM; DA no.: RILM no.: 91:2668dd; UM no.: Publication: British Library Document Supply Centre no. D77794.
Springthorpe, Nigel Richard.
Passion Composition and the Composers of Passion Music Associated with the Court of Anhalt-Zerbst. Ph.D., Musicology, University of Surrey, 1997.
Research director: Owen Rees
DDM Code: 41saSprN; DA no.: RILM no.: 00:52390dd; UM no.: Publication: British Library Document Supply Centre no. DX229911.
Additional keywords: Johann Friedrich Fasch, Johann Georg Roelling
Stahlke, Mary Benson.
Johann Krieger and Sacred Vocal Music in Zittau, 1682-1735. Ph.D., Musicology, University of Southern California, 2002. 615 p.
Research director: Bruce Alan Brown
DDM Code: 41voStaM; DA no.: 64/06:1904; RILM no.: 02:15287dd; UM no.: 30-93421 Publication: ISBN 0-496-41124-1.
Stalmaker, William Park Jr.
The Beginnings of Opera in Naples. Ph.D., Musicology, Princeton University, 1968. vi, 343 p. tbls., mus. exs., bibliog.
DDM Code: 41opStaW; DA no.: 29/08:2745; RILM no.: 76:9842dd; UM no.: 69-02,784
Stanley, Jerome.
William Holder: His Position in Seventeenth-Century Philosophy and Music Theory. Ph.D., Theory, University of Cincinnati, 1983.
Research director: Ph. Crabtree and J. Kramer
DDM Code: 49muStaJ; DA no.: 45/03:861; RILM no.: 83:528dd; UM no.: 84-13709
Staplin, Carl B.
Stylistic Changes in the Chorale Preludes of J. S. Bach. Ph.D., Performance, Washington University, 1966. 230 p.
DDM Code: 41keStaC; DA no.: 28/02:714; RILM no.: UM no.: 67-07049
Stauffer, George Boyer.
The Organ Preludes of Johann Sebastian Bach. Ph.D., Musicology, Columbia University, 1978. 322 p.
DDM Code: 41keStaG; DA no.: 39/04:1921; RILM no.: 78:480dd; UM no.: 78-19446 Publication: Ann Arbor: UMI Research Press, 1980.
Stein, Beverly Ann.
Between Key and Mode: Tonal Practice in the Music of Giacomo Carissimi. Ph.D., Musicology, Brandeis University, 1994. ix, 341 p. tbls., facs., mus. exs., transcr., transl., works lst., append., bibliog.
Research director: Eric Chafe
DDM Code: 49toSteB; DA no.: 55/05:1139; RILM no.: 94:1886dd; UM no.: 94-25827
The French Te Deum from 1677-1744: Its Esthetic, Style, and Development. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1974. iv, 618 p. plts., tbls., mus. exs., works lst., append., bibliog.
DDM Code: 41saSteD; DA no.: 35/07:4602-3; RILM no.: 74:2208dd; UM no.: 75-00440
Stein, Louise Kathrin.
Music in the Seventeenth-Century Spanish Secular Theater, 1598-1690. Ph.D., Musicology, University of Chicago, 1987. 2 vols.,
Research director: Howard M. Brown
DDM Code: 41drSteL; DA no.: 48/03:510; RILM no.: 87:2187dd; UM no.: T-30178
Steinheuer, Joachim.
Chamäleon und Salamander: Neue Wege der Textvertonung bei Tarquinio Merula. Ph.D., Musicology, Paderborn, 1999. 556 p. works lst.
Research director: Silke Leopold
DDM Code: 41seSteJ; DA no.: RILM no.: 99:17470dd; UM no.: Publication: Kassel: Bärenreiter, 1998. ISBN 3-7618-1428-3.
Steinzor, Curt Efram.
Dance Music Published in Italy, 1600-1640. Ph.D., Musicology, State University of New York at Buffalo, 1996. xii, 399 p. tbls., mus. exs., works lst., bibliog.
DDM Code: 41daSteC; DA no.: 57/09:3745; RILM no.: 96:7799dd; UM no.: 97-04943
Additional keywords: baroque instrumental
Stevens, Blake Christopher.
Solitary Persuasions: The Concept of the Monologue in French Opera from Lully to Rameau. Ph.D., Musicology, Stanford University, 2007. xiv, 368 p. tbls., mus. exs., transcr., append., bibliog.
Research director: Karol Berger
DDM Code: 41opSteB; DA no.: 68/09; RILM no.: UM no.: 32-81954
Stevens, William Henry.
Selected Psalm Settings of Johann Friedrich Fasch with Modern Editions. D.M.A., Music, University of Oklahoma, 1981. 354 p.
DDM Code: 40saSteW; DA no.: 42/09:3805; RILM no.: 81:4707dd; UM no.: 81-29407
Stewart, Brian D.
Georg Philipp Telemann in Hamburg: Social and Cultural Background and Its Musical Expression. Ph.D., Musicology, Stanford University, 1985.
DDM Code: 41stSteB; DA no.: 47/02:343; RILM no.: 85:1944dd; UM no.: 86-02545
Stillings, Frank Stuart.
Arcangelo Corelli. Ph.D., Music, University of Michigan, 1956. 356 p.
DDM Code: 41boStiF; DA no.: 17/01:153; RILM no.: UM no.: 00-19718
Stinson, Russell.
The Bach Manuscripts of Johann Peter Kellner and His Circle. Ph.D., Musicology, University of Chicago, 1985. x, 493 p. illus., facs., mus. exs., bibliog.
DDM Code: 41mcStiR; DA no.: 46/08:2127; RILM no.: 85:1947dd; UM no.: T-29360 Publication: Durham: Duke University Press, 1990. ISBN 08-223-10-066.
Stoll, Albrecht.
Figur und Affekt. Zur höfischen Musik und zur bürgerlichen Musiktheorie der Epoche Richelieus. Ph.D., Musicology, Frankfurt am Main, 1974.
DDM Code: 41hiStoA; DA no.: RILM no.: 78:2690dd; UM no.:
Stoltzfus, Ila Hartzler.
The Lyra Viol in Consort with Other Instruments. Ph.D., Music History, Louisiana State University, 1982. 248 p.
Research director: Wallace McKenzie
DDM Code: 41enStoI; DA no.: 43/08:2491; RILM no.: 82:3463dd; UM no.: 82-29515
Stompor, Stephan.
Die deutschen Aufführungen von Opern Händels in der ersten Hälfte des 18. Jahrhunderts. Ph.D., Musicology, Halle, 1975. 3 vols., xiv, 606 p.
DDM Code: 41opStoS; DA no.: RILM no.: 76:5451dd; UM no.:
Stone, Reppard.
An Evaluative Study of Alexander Malcolm's Treatise of Music: Speculative, Practical and Historical. Ph.D., Theory, Catholic University of America, 1974. 108 p.
Research director: G. Jones
DDM Code: 49trStoR; DA no.: 35/01:504-5; RILM no.: 75:2642dd; UM no.: 74-14,948
Stover, Edwin L.
The Instrumental Music of G. B. Pergolesi. Ph.D., Theory, Florida State University, 1964. 160 p.
DDM Code: 41imStoE; DA no.: 26/03:1690; RILM no.: UM no.: 65-00306
Stratford, Michael David.
A Bibliographical Survey of the Recorder and Its Music in England, c.1675-c.1790. Ph.D., Musicology, University of Hull, 1984.
DDM Code: 45wnStrM; DA no.: RILM no.: UM no.:
Stravová, Theodora.
Hudba u Brynickych Collaltu u. 17. a 18. Století [Music in Pirnitz, the Residence of the Collalto Family in the Seventeenth and Eighteenth Centuries]. C.Sc., Musicology, Brno, 1967. 2 vols., 247 p. illus., mus. exs., bibliog., ind.
DDM Code: 41mvStrT; DA no.: RILM no.: 68:1999dd; UM no.:
Streck, Harald.
Die Verskunst in den poetischen Texten zu den Kantaten J. S. Bachs. Ph.D., Philology, Hamburg, 1971. 214 p. bibliog., ind.
DDM Code: 41ltStrH; DA no.: RILM no.: 71:4527dd; UM no.:
Streetman, Richard David.
Christoph Bernhard. Ph.D., Musicology, North Texas State University, 1967. 2 vols., vi, 543 p. mus. exs., append., bibliog.
Research director: Cecil A. Adkins
DDM Code: 41woStrR; DA no.: 28/09:3709; RILM no.: 76:9850dd; UM no.: 67-15,022
Strohm, Reinhart.
Studien zu den italienischen Opernarien um 1720-30. Ph.D., Musicology, Technische Universität, Berlin, 1971.
DDM Code: 41opStrR; DA no.: RILM no.: 76:5452dd; UM no.:
Struemper, Marc.
Die Viola da gamba am Österreichischen Kaiserhof. Ph.D., Musicology, Wien, 2001. 387 p. illus., plts., tbls., facs., mus. exs., transcr., transl., works lst., thematic cat., append., bibliog., ind.
Research director: Theophil Antonicek
DDM Code: 41snStrM; DA no.: RILM no.: UM no.:
A Comprehensive Performance Project in Trombone Literature with an Essay Consisting of the Use of the Trombone in Selected Chamber Compositions of Biagio Marini. D.M.A., Performance, University of Iowa, 1981. 239 p.
DDM Code: 41brStuD; DA no.: 42/05:1847; RILM no.: 81:3599dd; UM no.: 81-23382
Studebaker, Donald.
The Choral Music of John Amner. D.A., Choral Conducting, University of Northern Colorado, 1988.
Research director: Howard Skinner
DDM Code: 41ciStuD; DA no.: 49/08:2018; RILM no.: 88:2574dd; UM no.: 88-21336
Studebaker, Mary Katherine.
A Stylistic Analysis of the Cantatas with Violin Obbligato from Der harmonische Gottesdienst by Georg Philipp Telemann. D.A., Performance, University of Northern Colorado, 1989. 79 p.
Research director: Donald Hamann
DDM Code: 40snStuM; DA no.: 50/10:3104; RILM no.: 89:1057dd; UM no.: 90-07414
Sturgis, Alfred E.
The Te Deum Settings of Marc-Antoine Charpentier. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1990. 198 p. transcr.
Research director: Nicholas Temperley
DDM Code: 41saStuA; DA no.: 52/03:736; RILM no.: 90:2472dd; UM no.: 91-14426
Stutzenberger, David Ray.
Belshazzar, An Oratorio by George Frideric Handel: An Edition, Critical Report, and Performance Tape. D.M.A., Performance, University of Maryland at College Park, 1980. 3 vols., 1142 p.
DDM Code: 40voStuD; DA no.: 42/04:1371; RILM no.: 80:4545dd; UM no.: 81-17390
Suehs, Hermann Charles.
The Development, Implementation, and Assessment of a Course of Study for Instruction in Certain Improvisational Techniques in the Performance of Baroque Music from 1679 to 1741. D.M.A., Performance, Catholic University of America, 1979. 158 p.
DDM Code: 40pdSueH; DA no.: 40/02:535; RILM no.: 79:3790dd; UM no.: 79-18582
Suess, John G.
Giovanni Battista Vitali and the sonata da chiesa. Ph.D., Music History, Yale University, 1963. 267 p.
DDM Code: 41imSueJ; DA no.: 30/06:2564; RILM no.: UM no.: 69-20,385
Summerfield, Susan W.
A Performing Edition of Seven Concerti Ecclesiastici by Lodovico Grossi da Viadana. D.M.A., Performance, Stanford University, 1979. 185 p.
DDM Code: 40saSumS; DA no.: 40/07:3623; RILM no.: 79:2593dd; UM no.: 80-02047
Suokko-Hixson, Ulla.
Music and Rhetoric: The Eloquent Flauto Traverso of Johann Sebastian Bach (1685-1750). D.M.A., Performance, Juilliard School, 1998. vii, 164 p. mus. exs., bibliog.
Research director: Pia Gilbert
DDM Code: 40wnSuoU; DA no.: RILM no.: UM no.:
Sutton, Everett Lavern.
The Solo Vocal Works of Nicola Porpora: An Annotated Thematic Catalogue. Ph.D., Musicology, University of Minnesota, 1974. 313 p.
DDM Code: 45voSutE; DA no.: 35/06:3801; RILM no.: 76:8272dd; UM no.: 74-26,244
Swack, Jeanne Roberta.
The Solo Sonatas of Georg Philipp Telemann: A Study of the Sources and Musical Style. Ph.D., Musicology, Yale University, 1988. 335 p. works lst.
DDM Code: 41chSwaJ; DA no.: 50/12:3790; RILM no.: 88:2576dd; UM no.: 90-09474
Swaim, Snavely Daniel.
A Suite for Double Bass Transcribed from Pièces à une et à deux violes by Marin Marais. D.M.A., Music, North Texas State University, 1982. 63 p.
DDM Code: 40snSwaS; DA no.: 43/11:3453; RILM no.: 82:2370dd; UM no.: 83-07953
Swale, John David.
A Thematic Catalogue of the Music of Giovanni Legrenzi. Ph.D., Music, University of Adelaide, 1984. 3 vols., 1185 p.
DDM Code: 41opSwaJ; DA no.: RILM no.: 83:2217dd; UM no.:
Swanson, Jean Phyllis.
The Use of the Organ in the Church of England (1660-1800). Ph.D., Music, University of Minnesota, 1969. viii, 320 p. tbls., mus. exs., append., bibliog., ind.
DDM Code: 41saSwaJ; DA no.: 30/10:4484; RILM no.: 69:971dd; UM no.: 70-5611
Synofzik, Thomas.
Heinrich Grimm (1592/93-1637) "Cantilena est loquela canens": Studien zu Überlieferung und Kompositionstechnik. Ph.D., Musicology, Köln, 1998. viii, 543 p. tbls., facs., mus. exs., works lst., thematic cat., append., bibliog.
Research director: Dietrich Kämper
DDM Code: 41woSynT; DA no.: RILM no.: 00:4303dd; UM no.: Publication: Eisenach: Wagner, 2000. ISBN 3-88979-088-7.
Additional keywords: Michael Praetorius, Heinrich Schütz, Johann Hermann Schein, Samuel Scheidt, Thomas Selle, Melchior Franck
Syré, Wolfram.
Vincent Lübeck (1654-1740). Leben und Werk. Ph.D., Musicology, Technische Universität, Chemnitz/Zwickau, 2000. 462 p. illus., mus. exs.
DDM Code: 41woSyrW; DA no.: RILM no.: 00:36026dd; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 205; Veröffentlichungen der Gesellschaft der Orgelfreunde, Bd. 175. Frankfurt am Main: Peter Lang, 2000. ISBN 3-631-36423-7.
Szeskus, Reinhard.
Die musikalische Thematik in den Choralkantaten Johann Sebastian Bachs. Quellen, Gestalt und Entwicklung. Eine stilkritische Studie. Ph.D., Musicology, Leipzig, 1979. 250 p. mus. exs., works lst., append.
DDM Code: 41saSzeR; DA no.: RILM no.: 83:4889dd; UM no.: Publication: Leipzig, Karl-Marx-Universität, 1979.
Szweykowski, Zygmunt M.
Technika Koncertujaca w polskiej muzyce wokalno-instrumentalnej okresu baroku [Concertato Technique in Polish Vocal-Instrumental Music of the Baroque Period]. Ph.D., Philosophy, Kraków, 1964.
DDM Code: 41cmSzwZ; DA no.: RILM no.: UM no.:
Talbot, Michael.
The Instrumental Music of Tomaso Albinoni (1671-1741). Ph.D., Musicology, Cambridge University, 1969. 3 vols., 707 p. illus., facs., mus. exs., works lst., thematic cat., bibliog.
DDM Code: 41imTalM; DA no.: RILM no.: 70:1776dd; UM no.: Publication: British Library Document Supply Centre no. D2240/72.
Tam, Grace T.
The Penitential Theology of Henry Purcell as Expressed in His Sacred Songs. Ph.D., Musicology, University of California at Los Angeles, 2005. 242 p. illus., tbls., mus. exs., bibliog.
Research director: Susan McClary
DDM Code: 41reTamG; DA no.: 67/02:395; RILM no.: UM no.: 32-08348
Additional keywords: guilt, sujectivity, religion, Church of England, Restoration
Tan, Agnes Y.
A Conductor's Analysis of the Messe de Minuit pour Noël H.9 and Te Deum, H.146 of Marc-Antoine Charpentier. D.M.A., Conducting, Southwestern Baptist Theological Seminary, 1999. xx, 223 p. tbls., mus. exs., append., bibliog.
Research director: David Keith
DDM Code: 41ciTanA; DA no.: 60/04:1059; RILM no.: 99:5532dd; UM no.: 99-25111
Additional keywords: Midnight Mass
Tanenbaum, Faun.
The Partbook Collections from the Ospedale della Pietà and the Sacred Music of Giovanni Porta. Ph.D., Musicology, New York University, 1993. 2 vols., vi, 496 p. illus., facs., mus. exs., transcr., works lst., thematic cat., append., bibliog., ind.
Research director: Stanley Boorman
DDM Code: 41saTanF; DA no.: 54/11:3926; RILM no.: 93:4095dd; UM no.: 94-11146
Additional keywords: Venice, Italy, Vivaldi
Tarrant, Fredrick A.
John Blow's Verse Anthems with Organ Accompaniment. Ph.D., Musicology, Indiana University
, 2000. ix, 468 p. mus. exs., transcr., works lst., append., discog., bibliog.
Research director: George J. Buelow
DDM Code: 41saTarF; DA no.: 68/03:817; RILM no.: 00:6508dd; UM no.: 99-66091
Additional keywords: Anglican, church music, Restoration, Book of Common Prayer, Chapel Royal
Taubald, Richard.
Die Oper als Schule der Tugend und des Lebens im Zeitalter des Barock. Die enkulturierende Wirkung einer Kunstpflege. Ph.D., Pedagogy, Erlangen, 1972. 622 p.
DDM Code: 41mvTauR; DA no.: RILM no.: 73:1990dd; UM no.:
Taylor, Carole Mia.
Italian Operagoing in London, 1700-1745. Ph.D., Musicology, Syracuse University, 1991. 397 p.
Research director: George E. Nugent
DDM Code: 41opTayC; DA no.: 53/06:2061; RILM no.: 91:2703dd; UM no.: 92-30868
Taylor, Ralph M.
Georg Falck's Idea Boni Cantoris: Translation and Commentary. Ph.D., Musicology, Louisiana State University, 1971. 362 p.
DDM Code: 49trTayR; DA no.: 32/12:7034; RILM no.: 76:9858dd; UM no.: 72-17,814
Taylor, Thomas Fuller.
The Life and Works of Jeremiah Clarke (ca. 1673-1707). Ph.D., Music History and Literature, Northwestern University, 1967. vi, 250 p. plts., mus. exs., works lst., append., bibliog.
DDM Code: 41woTayT; DA no.: 28/09:3709; RILM no.: 68:407dd; UM no.: 68-3229
Tcharos, Stefanie Stella.
Beyond the Boundaries of Opera: Conceptions of Musical Drama in Rome, 1676-1710. Ph.D., Musicology, Princeton University, 2002. xi, 228 p. illus., mus. exs., append., bibliog.
Research director: Wendy Heller and Carolyn Abbate
DDM Code: 41voTchS; DA no.: 63/08:2745; RILM no.: 02:14659dd; UM no.: 30-62522
English Literary Criticism of Music in the Age of Handel. Ph.D., [not specified], Trinity College, University of Dublin, 1954.
DDM Code: 40crTeaF; DA no.: RILM no.: UM no.:
Telle, Karina.
Tanzrhythmen in der Vokalmusik Georg Friedrich Händels. Ph.D., Musicology, Heidelberg, 1973.
DDM Code: 41daTelK; DA no.: RILM no.: 77:4569dd; UM no.:
Tennyson, Robert Scott.
Five Anonymous Seventeenth-Century Chamber Works with Trombone Parts, from the Castle Archives of Kromeriz. D.M.A., Performance, University of Maryland, 1973. 142 p.
DDM Code: 41chTenR; DA no.: 34/06:3459; RILM no.: 76:9860dd; UM no.: 73-28,906
Térey-Smith, Mary.
Jean-Philippe Rameau: Abaris ou Les Boréades: A Critical Edition. Ph.D., Musicology, University of Rochester, 1972. 2 vols., v, 568 p.
DDM Code: 41opTerM; DA no.: 32/12:7035; RILM no.: 76:9861dd; UM no.: 72-18222
Termini, Olga.
Carlo Francesco Pollaroli: His Life, Time, and Music With Emphasis on the Operas. Ph.D., Musicology, University of Southern California, 1970. 728 p. facs., mus. exs., works lst., thematic cat., bibliog.
DDM Code: 41woTerO; DA no.: 31/05:2427; RILM no.: 70:426dd; UM no.: 70-23,190
Terry, Carole Ruth.
Franz Anton Maichelbeck's Die auf dem Clavier Lehrende Caecilia: Translation and Commentary, Part II, and Its Application to Keyboard Performance Practice. D.M.A., Performance Practice, Stanford University, 1977.
Research director: George Houle
DDM Code: 41pfTerC; DA no.: ADD 1978; RILM no.: 78:1713dd; 78:5980dd; UM no.: 03-37702
Thalhammer, Manfred.
Studien zur Messenkomposition Antonio Caldaras (um 1670-1736). Ph.D., Musicology, Würzburg, 1971. 152 p.
DDM Code: 41luThaM; DA no.: RILM no.: 74:359dd; UM no.:
Thomas, Joseph Edgar III.
The Keyboard Music of Johann Krieger, 1651-1735. Ph.D., Theory, Ohio State University, 1976. 273 p.
DDM Code: 41keThoK; DA no.: 37/08:4690; RILM no.: 76:5455dd; UM no.: 77-02,519
Thomas, Orlan Earl.
Music for Double-Reed Ensembles from the Seventeenth and Eighteenth Centuries: "Collection Philidor". D.M.A., Performance, University of Rochester, 1973. x, 194 p. plts., facs., mus. exs., append., bibliog., ind.
DDM Code: 41enThoO; DA no.: 35/03:1691; RILM no.: 75:829dd; UM no.: 74-20475
Thompson, Clyde H.
The Music of Marin Marais. Ph.D., Music, University of Michigan, 1957. 628 p.
DDM Code: 41woThoC; DA no.: 18/04:1454; RILM no.: UM no.: LC Mic 58-1006
Thorburn, Hugh Alexander Robert.
Seventeenth Century Venetian Opera: The Collaborative Context of a Commercial Synaesthesic Art Form. Ph.D., Musicology, University of Toronto, 2006. x, 332 p. illus., tbls., transcr., transl., works lst., append., bibliog.
Research director: William Bowen
DDM Code: 41opThoH; DA no.: RILM no.: 06:12170dd; UM no.:
Dialogue Techniques in Lutheran Sacred Music of Seventeenth-Century Germany. Ph.D., Musicology, University of Toronto, 2003. xv, 374 p. illus., mus. exs., transcr., transl., works lst., append., bibliog.
Research director: Gregory S. Johnston
DDM Code: 41saTilJ; DA no.: RILM no.: 03:12564dd; UM no.:
The Harpsichord Music of Jean Nicolas Geoffroy: A New Harmonic Language with Implications for Temperament and Performance. D.M.A., Early Music, Harpsichord, Indiana University, 1995. 156 p. tbls., mus. exs., transcr., transl., append., bibliog.
Research director: Austin Caswell and David Lasocki
DDM Code: 40keTilM; DA no.: RILM no.: 95:2117dd; UM no.:
Additional keywords: dissonance, consonance, tuning, keyboard suite
Timms, Colin Ronald.
The Chamber Duets of Agostino Steffani (1654-1728), With Transcriptions and Catalogue. Ph.D., Music, University of London, 1976. 2 vols., x, 662 p. tbls., mus. exs., transcr., works lst., append., bibliog.
Research director: B. L. Trowell
DDM Code: 41seTimC; DA no.: RILM no.: 76:5456dd; UM no.: Publication: British Library Document Supply Centre no. D007484.
Tobiska, Janet Satre.
The Noels of the Eighteenth-Century French Organ School. D.M.A., Performance, University of Washington, 1980. 236 p. append.
Research director: Vilem Sokol
DDM Code: 40keTobJ; DA no.: 41/05:1833; RILM no.: 80:2748dd; UM no.: 80-26323
Torelli, Daniele.
La messa d'organo e il canto piano in Italia tra XVI e XVII secolo: Il manoscritto organistico della Collegiata di Spello. Ph.D., Musicology, Università di Pavia, 1995. 352 p. illus., tbls., facs., mus. exs., bibliog., ind.
DDM Code: 41woTorD; DA no.: RILM no.: 99:21372dd; UM no.:
Torres, George.
Seventeenth-Century Pièces de luth: An Examination of the Manuscript Anthology Tradition with a Special Emphasis on the Barbe Manuscript. Ph.D., Musicology, Cornell University, 1998. xvii, 363 p. tbls., facs., mus. exs., transcr., transl., works lst., thematic cat., append., bibliog.
Research director: Don M. Randel
DDM Code: 41mcTorG; DA no.: 59/07:2247; RILM no.: 99:23329dd; UM no.: 98-39895
Additional keywords: Baroque lute, lute manuscripts, performance practice, Denis Gaultier, Charles Mouton, Gallot, style brisé, French melody
Traficante, Frank.
The Mansell Lyra Viol Tablature. Ph.D., Musicology, University of Pittsburgh, 1965. 2 vols., xii, 369 p.
DDM Code: 41mcTraF; DA no.: 28/02:715; RILM no.: UM no.: 66-13,494
Trayers, Roger-Claude.
La maladie de Vivaldi. Ph.D., Music, Poitiers, 1981.
DDM Code: 40piTraR; DA no.: RILM no.: 82:2374dd; UM no.:
Treacy, Susan.
English Devotional Song of the Seventeenth Century in Printed Collections from 1638-1693: A Study of Music and Culture. Ph.D., Musicology, University of North Texas, 1986. xiii, 470 p. mus. exs., append., bibliog.
Research director: Cecil A. Adkins
DDM Code: 41saTreS; DA no.: 47/04:1112; RILM no.: 86:1657dd; UM no.: 86-16059
Trinkle, Karen Marie.
Telemann's Concertouverturen. Ph.D., Musicology, Washington University, 2004. 477 p.
Research director: Craig Monson
DDM Code: 41stTriK; DA no.: 66/01:26; RILM no.: 04:10289dd; UM no.: 31-62174 Publication: ISBN 0-496-96301-5.
Trowles, Tony Albert.
The Musical Ode in Britain c.1670-1800. Ph.D., Musicology, Oxford University, 1992.
DDM Code: 41seTroT; DA no.: RILM no.: 00:52778dd; UM no.: Publication: British Library Document Supply Centre no. D177062.
Troy, Charles.
The Comic Intermezzo in Eighteenth-Century Italian opera seria. Ph.D., Music, Harvard University, 1972. xii, 336 p.
DDM Code: 41opTroC; DA no.: ADD 1972:267; RILM no.: 76:10239dd; UM no.: 02-32157
Turnbull, Robert Edward.
The Changing Musical Scene in England, 1642-70. Ph.D., English, Cambridge University, 1979.
DDM Code: 41mvTurR; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D30798/80.
Turnbull, T. M.
A Critical Edition of Psyche, an Opera with Words by Thomas Corneille and Philippe Quinault, and Music by Jean-Baptiste Lully. Ph.D., Musicology, Pembroke, Oxford, 1982.
DDM Code: 41opTurT; DA no.: RILM no.: 00:53933dd; UM no.: Publication: British Library Document Supply Centre no. D43723/82.
Turner, Jet E.
Notes Inégales: Treatises by Bacilly, Loulié, and Démotz: Their Application to the Mass for the Convents by F. Couperin. D.M.A., Performance, University of Wisconsin at Madison, 1974. 162 p. mus. exs.
DDM Code: 41pfTurJ; DA no.: 35/03:1692; RILM no.: 75:2576dd; UM no.: 74-16,234
Turner, Katherine L.
The Musical Culture of La Concezione: Devotion, Politics and Elitism in Post-Tridentine Florence. Ph.D., Musicology, University of Texas at Austin, 2008. viii, 293 p. transl., bibliog.
Research director: Andrew Dell'Antonio
DDM Code: 41mvTurK; DA no.: RILM no.: UM no.:
Additional keywords: convent, nun, Medici, il monastero nuovo
Ullom, Jack Ralph.
Michele Mascitti: An Analysis and Performing Edition of Three Sonatas for Violin and Cembalo, Opus 1, Nos. 1 and 3, and Opus 4, No. 8. D.M.A., Performance, University of Oregon, 1978. 216 p.
Research director: Lawrence Maves
DDM Code: 40chUllJ; DA no.: 39/10:5796; RILM no.: 78:4921dd; UM no.: 79-07508
Umstaedt, Monica Johanna.
The Early Organ Preludes, Fugues, Toccatas and Fantasias of Johann Sebastian Bach as a Culmination of Italian and German Organ Literature of the 15th to 17th Centuries. D.M.A., Performance, Ohio State University, 1980. 177 p.
DDM Code: 40keUmsM; DA no.: 41/01:17; RILM no.: 80:507dd; UM no.: 80-15941
Additional keywords: Dietrich Buxtehude, Johann Adam Reincken, Nicolaus Bruhns, Georg Böhm, Johann Pachelbel, Johann Jacob Froberger, Johann Caspar Kerll, Johann Gottfried Walther, Johann Caspar Ferdinand Fischer, Nicolaus Adam Strungk
Underwood, T. Jervis.
The Life and Music of Jacques-Christophe Naudot. Ph.D., Theory, North Texas State University, 1970. xvi, 348 p. illus., plts., tbls., mus. exs., thematic cat., bibliog.
Research director: Cecil A. Adkins
DDM Code: 41woUndT; DA no.: 31/07:3588; RILM no.: 70:1780dd; UM no.: 71-573
Urban, Darrell Eugene.
Stromenti da Tirarsi in the Cantatas of J. S. Bach. Ed.D., Music Education, Washington University, 1977. 643 p.
DDM Code: 41brUrbD; DA no.: 38/04:1733; RILM no.: 78:1661dd; UM no.: 77-21,042
Urban, Timothy P.
Il Secondo Libro delle divine lodi (Venice: 1614) of Giovanni Battista Riccio: A Study of Early Seventeenth-Century Compositional Practice. Ph.D., Music History, Rutgers University, 2003. 548 p.
Research director: Floyd Grave
DDM Code: 41saUrbT; DA no.: 64/06:1905; RILM no.: 03:12554dd; UM no.: 30-92998 Publication: ISBN 0-496-40702-3.
Urbanek, Elisabeth.
Giovanni Valentini als Messenkomponist. Ph.D., Musicology, Wien, 1975.
DDM Code: 41luUrbE; DA no.: RILM no.: 75:3555dd; UM no.:
Urness, David E.
A Catalogue of the Vocal Works of Dietrich Buxtehude. D.M.A., Choral Conducting, University of Iowa, 1975.
DDM Code: 45voUrnD; DA no.: 36/12:7726; RILM no.: UM no.: 76-13454
Urquhart, M. I. J.
Style and Technique in the Pièces de violes of Marin Marais. Ph.D., Music, University of Edinburgh, 1970.
DDM Code: 41snUrqM; DA no.: RILM no.: 75:3556dd; UM no.: Publication: British Library Document Supply Centre no. D78458.
Vaillancourt, Michael Grant.
Instrumental Ensemble Music at the Court of Leopold I (1658-1705). Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1991. 564 p. transcr.
Research director: John W. Hill
DDM Code: 41enVaiM; DA no.: 52/07:2319; RILM no.: 91:4139dd; UM no.: 91-36755
Van Nest, Sharon R.
Leonardo Leo's F Major Dixit Dominus: An Edition and Commentary. D.M.A., Choral Conducting, University of Missouri at Kansas City, 1997. xii, 320 p. illus., facs., mus. exs., transcr., transl., append., bibliog.
Research director: Eph Ehly
DDM Code: 41ciVanS; DA no.: 58/08:2902; RILM no.: 97:15272dd; UM no.: 98-04200
Additional keywords: Neapolitan
Van Wymeersch, Brigitte M.
Descartes et l'évolution de l'esthétique musicale. Ph.D., Musicology, Université Catholique de Louvain, 1997. 265,
Research director: Y. Lenoir and D. Lories
DDM Code: 46aeWymB; DA no.: RILM no.: 97:3801dd; UM no.:
Additional keywords: philosophy, Gioseffo Zarlino, Jean Philippe Rameau, beauty
Varwig, Bettina Gisela.
Expressive Forms: Rethinking Rhetoric in the Music of Heinrich Schütz. Ph.D., Music, Harvard University, 2006. 244 p. tbls., mus. exs., transl., bibliog.
Research director: Christoph Wolff
DDM Code: 41muVarB; DA no.: 67/05; RILM no.: UM no.: 32-17913
Additional keywords: Desiderius Erasmus, Joachim Burmeister, Giovanni Gabrieli, musica poetica
Vavoulis, Vassilis.
Antonio Sartorio--Giacomo Francesco Bussani: Two Makers of Seventeenth-Century Venetian Opera. Ph.D., Musicology, Oxford University, 2002.
Research director: Reinhard Strohm
DDM Code: 41opVavV; DA no.: RILM no.: 02:17720dd; UM no.: Publication: British Library Document Supply Centre no. D219229.
Additional keywords: Venice
Vedder, Gregor.
Der Orgelbau in den Kreisen Iserlohn und Unna vor 1800. Ein Beitrag zur Geschichte des westfälischen Orgelbau. Ph.D., Musicology, Köln, 1970. 360 p. bibliog.
DDM Code: 43keVedG; DA no.: RILM no.: 70:2463dd; UM no.:
Venables, Eleanor Caluori.
The Cantatas of Luigi Rossi. Ph.D., Musicology, Brandeis University, 1972. 2 vols., 566 p. append.
DDM Code: 41voVenE; DA no.: 33/07:3704; RILM no.: 76:9875dd; UM no.: 72-32,123
Verba, Esther Cynthia.
A Hierarchic Interpretation of the Theories and Music of Jean-Philippe Rameau. Ph.D., Musicology, University of Chicago, 1979.
DDM Code: 49muVerE; DA no.: 40/11:5645; RILM no.: 79:2599dd; UM no.: T-27496
Vertrees, Julie Anne.
The Bass Viol in French Baroque Chamber Music. Ph.D., Musicology, Cornell University, 1978. 352 p.
DDM Code: 41snVerJ; DA no.: 39/04:1922; RILM no.: 78:495dd; UM no.: 78-17,846
Villanueva Abelairas, Carlos.
Los villancicos gallegos de la Catedral de Mondoñedo. Ph.D., Musicology, Universidad de Santiago de Compostela, 1990.
DDM Code: 41saVilC; DA no.: RILM no.: 94:16660dd; UM no.: Publication: Teses en microficha, vol. 68. Santiago de Compostela: Universidad de Santiago de Compostela, 1990. ISBN 84-7191-583-9.
Vinquist, Mary.
Recorder Tutors of the Seventeenth and Eighteenth Centuries: Technique and Performance Practice. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1974. vii, 328 p. illus., plts., tbls., mus. exs., append., bibliog., ind.
DDM Code: 41wnVinM; DA no.: 36/01:23-4; RILM no.: 76:15242dd; UM no.: 75-15,714
Vogan, Charles E.
The French Organ School of the Seventeenth and Eighteenth Centuries. Ph.D., Musicology, University of Michigan, 1949. 422 p.
DDM Code: 41keVogC; DA no.: 9/03:152; RILM no.: UM no.: 00-01358
Voggenreiter, Ernst.
Untersuchungen zu den Opern von Attilio Ariosti (1666-ca. 1729). Ph.D., Musicology, Bonn, 1978. 214 p.
Research director: Günther Massenkeil
DDM Code: 41opVogE; DA no.: RILM no.: 79:2601dd; UM no.: Publication: Bad Godesberg: Voggenreiter Verlag, 1978.
Volckmar-Waschk, Heide.
Die Cantiones sacrae von Heinrich Schütz: Entstehung, Texte, Analysen. Ph.D., Musicology, Bonn, 2001. vii, 313 p. mus. exs., bibliog., ind.
Research director: Wolfram Steinbeck
DDM Code: 41saVolH; DA no.: RILM no.: 01:12643dd; UM no.: Publication: Kassel: Bärenreiter, 2000. ISBN 3-7618-1504-2.
Vollen, Gene Earl.
The French Cantata: A Survey and Thematic Catalog. Ph.D., Musicology, North Texas State University, 1970. xv, 893 p. illus., plts., tbls., mus. exs., thematic cat., bibliog., ind.
Research director: Cecil A. Adkins
DDM Code: 41voVolG; DA no.: 31/04:1834; RILM no.: 76:8277dd; UM no.: 70-17,987
Voloshin, Metro John.
The Secular Cantatas of Nicolas Bernier. Ph.D., Musicology, University of Kentucky, 1984. 2 vols., xx, 408 p. mus. exs., transcr., bibliog.
Research director: Wesley Morgan
DDM Code: 41seVolM; DA no.: 45/09:2691; RILM no.: 84:1726dd; UM no.: 84-28440
Vos, Wesley Marvin.
English Dramatic Recitative before ca. 1685. Ph.D., Musicology, Washington University, 1967. 2 vols., 432 p. tbls., mus. exs., append., bibliog.
DDM Code: 41opVosW; DA no.: 28/07:2724; RILM no.: 69:3727dd; UM no.: 67-17,200
Vree, Marion Frances.
The Development of Netherlands Psalmody from 1565-1773 Through the Study of the Bourgeois Tune for Psalm 42. D.M.A., Performance, University of Southern California, 1975. 370 p.
DDM Code: 41saVreM; DA no.: 36/01:24; RILM no.: 76:17249dd; UM no.: 75-15,592
Waczkat, Andreas.
Parodietechniken in deutschen Messenkompositionen des 17. Jahrhunderts. Untersuchungen zu Theorie und kompositorischer Praxis. Ph.D., Musicology, Rostock, 1997. 2 vols., vi, 440 p. mus. exs., transcr., transl., works lst., append., bibliog., ind.
Research director: Karl Heller
DDM Code: 41saWacA; DA no.: RILM no.: 00:37194dd; UM no.: Publication: "Ein ehrenhaftes Spielen mit Musik": Deutsche Parodiemessen des 17. Jahrhunderts. Kassel: Bärenreiter, 2000. ISBN 3-7618-1484-4.
Additional keywords: imitatio, rhetoric, Georg Quitschreiber
Wagner, Irvin LeRoy.
The Sinfonie musicali of Lodovico Viadana: A Discussion and Modern Edition. D.M.A., Performance, University of Rochester, 1968. xi, 888 p. facs., mus. exs., append., bibliog.
DDM Code: 41enWagI; DA no.: ADD 1968:203; RILM no.: 69:3728dd; UM no.: 02-53059
Wagner, J. David.
The Keyboard Works of Antonio Caldara. Ph.D., Performance, Washington University, 1966. 2 vols., 225 p.
DDM Code: 41keWagJ; DA no.: 27/12:4293; RILM no.: UM no.: 67-07052
Wagstaff, George Grayson.
Music for the Dead: Polyphonic Settings of the "Officium" and "Missa pro defunctis" by Spanish and Latin American Composers before 1630. Ph.D., Musicology, University of Texas at Austin, 1995. 687 p.
Research director: Robert J. Snow
DDM Code: 41luWagG; DA no.: 56/10:3791; RILM no.: 95:15497dd; UM no.: 96-03974
Wainwright, Jonathan Peter.
The Musical Patronage of Christopher, First Baron Halton (1605-1670). Ph.D., Musicology, Cambridge University, 1993. 2 vols., xviii, 382 p. plts., tbls., append., bibliog., ind.
Research director: A. V. Jones
DDM Code: 41soWaiJ; DA no.: RILM no.: 00:52690dd; 93:10237dd; UM no.: Publication: British Library Document Supply Centre no. D063191.
Waldschmidt, Carl.
Georg Boehm, His Life and Works. Ph.D., Music History and Literature, Northwestern University, 1962. 260 p.
DDM Code: 41woWalC; DA no.: 23/12:4710; RILM no.: UM no.: 63-03452
Walker, Paul Mark.
Fugue in German Theory from Dressler to Mattheson. Ph.D., Musicology, State University of New York at Buffalo, 1987. 677 p.
DDM Code: 49cpWalP; DA no.: 48/02:247; RILM no.: 87:2228dd; UM no.: 87-10763
Walsh, T. J.
Opera in Dublin during the Eighteenth Century (1705-97). Ph.D., Music, Trinity College, University of Dublin, 1972.
DDM Code: 41opWalT; DA no.: RILM no.: 75:3559dd; UM no.:
Walter, Elaine Raftery.
The Masses of Antonio Caldara. Ph.D., Musicology, Catholic University of America, 1973. 239 p.
DDM Code: 41luWalE; DA no.: 33/12:6958; RILM no.: 76:9880dd; UM no.: 73-14,329
Walter, Horst.
Musik Geschichte der Stadt Lüneburg, vom Ende des 16. bis zum Anfang des 18. Jahrhunderts. Ph.D., Musicology, Köln, 1962. 333 p. illus., facs., mus. exs., bibliog., ind.
DDM Code: 41mvWalH; DA no.: RILM no.: 68:1911dd; UM no.:
Walton, Robin Bradshaw.
Carlo Pallavicino: A Critical Edition of His Opera Bassiano. Ph.D., Historical Musicology, University of the Witwatersrand, Johannesburg, South Africa, 1979.
DDM Code: 41opWalR; DA no.: 41/03:847; RILM no.: 98:4036dd; UM no.:
Wampler, Stephen G.
A Brass Players' Guide to the Transcription and Performance of J. S. Bach's Six Suites for Violoncello Solo. D.M.A., Performance, University of Washington, 1998. vi, 204 p. mus. exs., transcr., append., discog., bibliog.
Research director: Stuart Dempster
DDM Code: 41brWamS; DA no.: 59/06:1961; RILM no.: 99:23352dd; UM no.: 98-36274
The Fantasia in the Works of John Jenkins. Ph.D., Musicology, University of Michigan, 1951. 2 vols., 331 p.
DDM Code: 41enWarR; DA no.: 11/02:378; RILM no.: UM no.: 00-02365
Warner, Thomas Everett.
Indications of Performance Practice in Woodwind Instruction Books of the Seventeenth and Eighteenth Centuries. Ph.D., Musicology, New York University, 1964. 459 p.
DDM Code: 41pfWarT; DA no.: 25/10:5982; RILM no.: UM no.: 65-01678
Warren, Jerry L.
The Motetti a voce sola of Mauritio Cazzati. D.M.A., Musicology, Southern Baptist Theological Seminary, 1967.
DDM Code: 41saWarJ; DA no.: 28/06:2286; RILM no.: 68:412dd; UM no.: 67-14911
Wattenbarger, James Albert.
The Turmmusik of Johann Pezel. Ph.D., Music, Northwestern University, 1957. 298 p.
DDM Code: 41brWatJ; DA no.: 18/02:609; RILM no.: UM no.: 00-24932
Watts, Sanford Earl.
The Stylistic Features of the Bolognese Concerto. Ph.D., Theory, Indiana University, 1964. 334 p.
DDM Code: 41imWatS; DA no.: 26/02:1084-5; RILM no.: UM no.: 64-12,101
Weaver, Andrew H.
Piety, Politics, and Patronage: Motets at the Habsburg Court in Vienna during the Reign of Ferdinand III (1637-1657). Ph.D., Musicology, Yale University, 2002. 2 vols., xv, 654 p. illus., tbls., mus. exs., transcr., append., bibliog.
Research director: Ellen Rosand
DDM Code: 41ciWeaA; DA no.: 63/10:3418; RILM no.: 02:14972dd; UM no.: 30-68371
Florentine Comic Operas of the Seventeenth Century. Ph.D., Music, University of North Carolina at Chapel Hill, 1958. xii, 410 p.
DDM Code: 41opWeaR; DA no.: 19/08:2104; RILM no.: UM no.: LC Mic 58-5975
Webber, Geoffrey A.
A Study of Italian Influence on North German Church and Organ Music in the Second Half of the 17th Century, with Special Reference to the Collection of Gustav Duben. Ph.D., Musicology, New College, Oxford University, 1988.
DDM Code: 41stWebG; DA no.: RILM no.: 91:2734dd; UM no.: Publication: British Library Document Supply Centre no. D170782.
Weeks, Douglas Edwin.
Marco Marazzoli's Music for Pope Alexander VII: An Edition with Commentary of Chigi Q VIII 178. Ph.D., Musicology, Washington University, 1996. 763 p. transcr.
Research director: Orland Johnson
DDM Code: 41mcWeeD; DA no.: 57/09:3746; RILM no.: 96:3494dd; UM no.: 97-04456 Publication: ISBN 0-591-11053-9.
Weinert, William.
A Critical Edition of the Five- and Six-Voice Motets from Melchior Franck's Geistliche Gesänge und Melodeyen (1608). D.M.A., Choral Conducting, University of Wisconsin at Madison, 1985.
DDM Code: 41saWeiW; DA no.: 47/01:17; RILM no.: 85:1428dd; UM no.: 85-24299
Welter, Kathryn J.
Johann Pachelbel: Organist, Teacher, Composer. A Critical Reexamination of His Life, Works, and Historical Significance. Ph.D., Musicology, Harvard University, 1998. ix, 384 p. illus., plts., tbls., facs., mus. exs., transl., works lst., bibliog.
Research director: Christoph Wolff
DDM Code: 41woWelK; DA no.: 59/05:1396; RILM no.: 98:4629dd; UM no.: 98-32527
Additional keywords: Charles Theodore Pachelbel
Wendel, Alfred.
Eine studentische Musiksammlung der Reformationszeit: Die Handschrift Misc. 236 a-d der Schermar Bibliothek in Ulm . Ph.D., Musicology, Göttingen, 1991. 3 vols., 646 p. illus., tbls., mus. exs.
Die Trios der Brüder Johann Gottlieb und Carl Heinrich Graun. Ph.D., Musicology, Bonn, 1982. 140 p. mus. exs., thematic cat.
Research director: S. Kross
DDM Code: 41chWenM; DA no.: RILM no.: 84:2116dd; UM no.:
Wernli, Andreas.
Studien zum literarischen und musikalischen Werk Adriano Banchieris. Ph.D., Musicology, Zürich, 1975.
Research director: Kurt von Fischer
DDM Code: 41woWerA; DA no.: RILM no.: UM no.:
Wessel, Frederick T.
The Affecktenlehre in the Eighteenth-Century. Ph.D., Musicology, Indiana University, 1955. 433 p.
DDM Code: 46aeWesF; DA no.: 16/01:134; RILM no.: UM no.: 00-14674
West, Patricia Williams.
A Performance Project in Eighteenth-Century Music for the Clarinet: Michel Yost's Concerto No. 11 in B-Flat for Clarinet and Orchestra. D.M.A., Performance, University of Nebraska at Lincoln, 1991. 217 p.
Research director: Reist, Wesley J.
DDM Code: 43wnWesP; DA no.: 53/02:345; RILM no.: 91:3403dd; UM no.: 92-19392
Westlund, Paul Harry.
An Edition and Analysis of Three Masses by Tarquinio Merula. D.M.A., Performance, University of Illinois at Urbana-Champaign, 1977. 392 p.
DDM Code: 41luWesP; DA no.: 38/06:3137; RILM no.: 77:4579dd; UM no.: 77-26,777
Whaples, Miriam Karpilow.
Exoticism in Dramatic Music, 1600-1800. Ph.D., Musicology, Indiana University, 1958. 415 p.
DDM Code: 41stWhaM; DA no.: 19/11:2975; RILM no.: UM no.: LC Mic 58-7938
Whenham, E. John.
Italian Secular Duets and Dialogues c1600-1643. Ph.D., Music, Oxford University, 1979.
Research director: D. Arnold
DDM Code: 41seWheE; DA no.: RILM no.: 78:11410dd; UM no.: Publication: British Library Document Supply Centre no. D28028/79.
White, Andrew C.
"Good Invention Paid Back with Interest": The Importance of Borrowing in Bach's Compositional Process. Ph.D., Musicology, City University of New York, 2001. 380 p. tbls., mus. exs., bibliog.
Research director: George Stauffer
DDM Code: 41cmWhiA; DA no.: 62/03:838; RILM no.: 01:14191dd; UM no.: 30-08882
The Oratorios of Johann Joseph Fux. Ph.D., Musicology, Trinity College, University of Dublin, 1986.
DDM Code: 41saWhiH; DA no.: RILM no.: 91:7097dd; UM no.:
White, John Perry Jr.
The Life and Vocal Music of Benjamin Rogers (1614-1698). Ph.D., Choral Music, University of Iowa, 1973. xv, 247 p. tbls., mus. exs., works lst., append., bibliog.
DDM Code: 41voWhiJ; DA no.: 35/01:507; RILM no.: 73:397dd; UM no.: 74-16,696
White, Mary Gray.
The Violin Sonatas of Francesco Maria Veracini: Some Aspects of Italian Late Baroque Instrumental Style Exemplified. Ph.D., Music, University of North Carolina at Chapel Hill, 1967. xxii, 545 p. plts., tbls., mus. exs., works lst., bibliog.
DDM Code: 41snWhiM; DA no.: 28/02:4657; RILM no.: 68:413dd; UM no.: 68-6728.
Whitehead, Paul Alister.
Austro-German Printed Sources of Instrumental Ensemble Music, 1630-1700. Ph.D., Musicology, University of Pennsylvania, 1996. 2 vols., xii, 682 p. tbls., works lst., append., bibliog.
Research director: Eugene K. Wolf
DDM Code: 41enWhiP; DA no.: 57/04:1387; RILM no.: 96:8222dd; UM no.: 96-28024
Hymnody of the Early American Indian Missions. Ph.D., Music, Catholic University of America, 1971. 344 p.
DDM Code: 41saWhiJ; DA no.: 32/04:2126; RILM no.: 76:13887dd; UM no.: 71-25,237
Whittaker, Robert Edmund.
A Study of the Psalms and Hymns of William Barton (1598-1678). D.M.A., Performance, University of Oregon, 1976. 242 p.
Research director: P Bergquist
DDM Code: 41saWhiR; DA no.: 37/06:3263; RILM no.: 76:2040dd; UM no.: 76-27,692
Whittemore, Joan Margaret.
Revision of Music Performed at the Venetian Ospedali in the Eighteenth Century. D.M.A., Choral Conducting, University of Illinois at Urbana-Champaign, 1986. 316 p.
Research director: John Walter Hill
DDM Code: 40chWhiJ; DA no.: 47/07:2368; RILM no.: 86:1675dd; UM no.: 86-23438
Wiberg, Janice Lane.
Opera Sçenica; deduzida de la guerra de los jigantes by Sebastián Durón: An Edition. D.M.A., Music History, University of Missouri, 1979. 2 vols., xviii, 303 p. facs., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 41opWibJ; DA no.: 40/10:5245; RILM no.: UM no.: 80-09,379
Wichmann-Zemke, Helga.
Untersuchungen zur Harmonik in den Werken von Heinrich Schütz. Ph.D., Musicology, Kiel, 1967. 235 p. mus. exs., bibliog.
DDM Code: 49haWicH; DA no.: RILM no.: 70:435dd; UM no.:
Wiebe, George David.
The Musikalische Exequien of Heinrich Schütz: A Conductor's Analysis for Performance. D.M., Conducting, Indiana University, 1980. 2 vols., 333 p. tbls., mus. exs., bibliog.
DDM Code: 40cnWieG; DA no.: ADD 1981; RILM no.: 80:1549dd; UM no.: 03-58273
Wiermann, Barbara.
Die Entwicklung vokal-instrumentalen Komponierens im protestantischen Deutschland bis zur Mitte des 17. Jahrhunderts. Ph.D., Musicology, Freiburg im Breisgau, 2002. ix, 650 p. illus., mus. exs., bibliog., ind.
Research director: Christoph Wolff
DDM Code: 41saWieB; DA no.: RILM no.: UM no.: Publication: Abhandlungen zur Musikgeschichte, vol. 14. Göttingen: Vanderhoeck und Ruprecht, 2005. ISBN 3525279132.
Wierzbicki, James Eugene.
Burlesque Opera in London: 1729-1737. Ph.D., Music, University of Cincinnati, 1979. 511 p.
DDM Code: 41opWieJ; DA no.: 40/08:4795; RILM no.: 79:2604dd; UM no.: 80-02147
Wigness, Clyde Robert.
The Soloistic Use of the Trombone in Selected Works of Eighteenth-Century Viennese Imperial Court Composers. D.M.A., Performance, University of Iowa, 1970. v, 91 p. tbls., append., ind.
DDM Code: 41brWigC; DA no.: 31/09:4828; RILM no.: 76:15058dd; UM no.: 71-05,853
Wilbert, Hermann-Josef.
Die Messen des Adriano Banchieri. Ph.D., Musicology, Mainz, 1969. 174 p. mus. exs., works lst.
DDM Code: 41luWilH; DA no.: RILM no.: 69:997dd; UM no.:
Wilkens, Randall Philip.
Articulation in the Keyboard Music of François Couperin. D.M.A., Performance, University of Kansas, 1990. xix, 160 p. tbls., facs., mus. exs., append., bibliog.
Research director: J.B. Clark
DDM Code: 41pfWilR; DA no.: 51/11:3556; RILM no.: 90:1405dd; UM no.: 91-10935
Wilkinson, Christopher.
The Sacred Music of Tarquinio Merula. Ph.D., Musicology, Rutgers University, 1978. 3 vols.,
DDM Code: 41saWilC; DA no.: 39/11:6392; RILM no.: 78:4926dd; UM no.: 79-10,454
Willer, Monika.
Die Konzertform der Brüder Carl Heinrich und Gottlieb Graun. Ph.D., Musicology, Bonn, 1992.
DDM Code: 49srWilM; DA no.: RILM no.: 95:14521dd; UM no.:
Williams, Hermine W.
Francesco Bartolomeo Conti: His Life and Operas. Ph.D., Musicology, Columbia University, 1964. 338 p.
DDM Code: 41opWilH; DA no.: 28/05:1840; RILM no.: UM no.: 67-10,348
Williams, J. G.
The Life, Work and Influence of J. C. Pepusch. Ph.D., Music, University of York, 1976.
DDM Code: 41woWilJ; DA no.: RILM no.: 75:4871dd; UM no.: Publication: British Library Document Supply Centre no. D67210/86.
Williams, John Graham.
The Influence of English Music and Society on G. F. Handel. Ph.D., Musicology, University of Leeds, 1969. 2 vols., 400 p. mus. exs., bibliog., ind.
DDM Code: 41boWilJ; DA no.: RILM no.: 72:1699dd; UM no.:
Williams, Robert Fortson.
Marin Mersenne: An Edited Translation of the Fourth Treatise of the Harmonie universelle. Ph.D., Theory, University of Rochester, 1972. 3 vols., xii, 964 p. illus., tbls., mus. exs., bibliog.
DDM Code: 49trWilR; DA no.: 33/07:3705; RILM no.: 76:9882dd; UM no.: 73-00,983
Willner, Channan.
Durational Pacing in Handel's Instrumental Works: The Nature of Temporality in the Music of the High Baroque. Ph.D., Music, City University of New York, 2005. 3 vols., xxi, 790 p. illus., facs., mus. exs., transcr., transl., append., bibliog.
Research director: Carl Schachter
DDM Code: 49srWilC; DA no.: 65/12:4398; RILM no.: 05:138dd; UM no.: 31-59267 Publication: http://www.channanwillner.com/dissertation.htm. ISBN 0-496-92308-0.
Vivaldi's Bassoon Concertos: A Study Including Ornamentation. D.M.A., Music, Stanford University, 1982. 184 p.
DDM Code: 40wnWilS; DA no.: 43/07:2152; RILM no.: 82:2382dd; UM no.: 82-20574
Wilson, David James.
Selected Masses of Johann Adolf Hasse. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1973. 376 p.
DDM Code: 41luWilD; DA no.: 34/12:7815; RILM no.: 75:843dd; UM no.: 74-12293
Wilson, Joyce Anne.
The Johann Sebastian Bach Ouvertüre in B Minor (BWV 1067): Studies in Genre, Style, and Chronology. D.M.A., Performance , University of Wisconsin at Madison, 1983.
DDM Code: 41oqWilJ; DA no.: 45/09:2692; RILM no.: UM no.: 84-15589
Wilson, Richard Todd.
The Development of the German Keyboard Canzona and Its Reflection in the Work of Gottlieb Muffat. Ph.D., Musicology, University of Rochester, 1992. 352 p. mus. exs.
DDM Code: 41keWilR; DA no.: 53/08:2599; RILM no.: 92:1960dd; UM no.: 92-37174
Wilson, Ruth Mack.
Anglican Chant and Chanting in England and America: 1660-1811. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1988. 424 p.
Research director: Nicholas Temperley
DDM Code: 41luWilR; DA no.: 49/09:2447; RILM no.: 88:11767dd; UM no.: 88-23292
Windszus, Wolfram.
Georg Friedrich Händel. Aci, Galatea e Polifemo, Cantata, Acis and Galatea, Masque, sowie die zweisprachige Fassung von 1732, Serenata. Edition und Kritischer Bericht. Ph.D., Musicology, Hamburg, 1975.
DDM Code: 41voWinW; DA no.: RILM no.: UM no.:
Winemiller, John Thomas.
Handel's Borrowing and Swift's Bee: Handel's "Curious" Practice and the Theory of Transformative Imitation. Ph.D., Musicology, University of Chicago, 1994. 298 p.
Research director: Ellen Harris
DDM Code: 41cmWinJ; DA no.: 55/12:3682; RILM no.: 94:3982dd; UM no.: 95-14038
Winzenburger, Walter P.
The Music of Franz Tunder. Ph.D., Theory, University of Rochester, 1965. 184 p.
DDM Code: 41woWinW; DA no.: 27/06:1860-1; RILM no.: UM no.: 66-02367
Witherell, Anne Louise.
Louis Pécour's 1700 Recueil de Dances. Ph.D., Musicology, Stanford University, 1981. 368 p.
Research director: George Houle
DDM Code: 41daWitA; DA no.: 41/11:4538; RILM no.: 81:3855dd; 81:1828dd; UM no.: 81-09,017
Witzenmann,Wolfgang .
Domenico Mazzocchi (1592-1665) Dokumente und Interpretationen. Ph.D., Musicology, Tübingen, 1970. 281 p. mus. exs., works lst., bibliog.
DDM Code: 41woWitW; DA no.: RILM no.: 70:1787dd; UM no.:
Wohlfart, Roland.
Die Liederhandschrift des Petrus Fabricius. Kgl. Bibliothek Kopenhagen, Thott 4 o 841. Eine Studentenliederhandschrift aus dem frühen 17. Jahrhundert und ihr Umfeld. Ph.D., Musicology, Göttingen, 1989.
DDM Code: 41mcWohR; DA no.: RILM no.: UM no.:
Wojnar, William Anthony.
Hieronymus Florentinus Quehl: 205 Chorale Fugues. Transcription and Commentary. Ph.D., Music, University of Iowa, 1995. 585 p. mus. exs., bibliog.
Research director: Dolores R. Bruch
DDM Code: 41mcWojW; DA no.: 56/10:3791; RILM no.: 95:3655dd; UM no.: 96-03102
Wolf, Robert Peter.
Jean-Philippe Rameau's Comédie lyrique Les Paladins (1760): A Critical Edition and Study. Ph.D., Music History, Yale University, 1977. 2 vols., xii, 601 p. tbls., facs., mus. exs., transcr., append., bibliog.
DDM Code: 41opWolR; DA no.: 39/03:1185; RILM no.: 76:500dd; UM no.: 78-17,158
Wolf, Uwe.
Notation und Aufführungspraxis: Studien zum Wandel von Notenschrift und Notenbild in italienischen Musikdrucken der Jahre 1571 - 1630. Ph.D., Musicology, Göttingen, 1991. 2 vols., 504 p. illus., tbls., facs., mus. exs., bibliog., ind.
DDM Code: 41noWolU; DA no.: RILM no.: 92:10205dd; UM no.: