CLASSICAL
Completed Dissertations, including new records and records from Doctoral Dissertations in Musicology, 2d International Edition (1984) and Doctoral Dissertations in Musicology, 2d Cumulative Edition (1996), with corrections and updates
Abbott, William W. Jr.
Certain Aspects of the Sonata-Allegro Form in Piano Sonatas of the Eighteenth and Nineteenth Centuries. Ph.D., Theory, Indiana University, 1956. 336 p.
DDM Code: 59srAbbW; DA no.: 17/04:865; RILM no.: UM no.: 19,454
Adams, F. John.
The Place of the Piano Concerto in the Career of Mozart, Vienna: 1782-1786. Ph.D., Music, Harvard University, 1972. vii, 363 p.
DDM Code: 51keAdaF; DA no.: RILM no.: 76:9893dd; UM no.:
Adams, Nelson Falls.
The Musical Sources for John Wesley's Tune-Books; the Genealogy of 148 Tunes. S.M.D., Musicology, Union Theological Seminary, 1973.
DDM Code: 51saAdaN; DA no.: 34/03:1310; RILM no.: 76:9894dd; UM no.: 73-20,041
Adams, Oliver Brantley.
Francesco Azopardi's Il musico prattico: An Annotated Translation and Critical Study of Its French Editions by Framery (1786) and Choron (1824). Ph.D., Theory, University of Texas at Austin, 1991. 2 vols., 474 p.
Research director: Patrick McCreless
DDM Code: 59trAdaO; DA no.: 52/07:2311; RILM no.: UM no.: 92-00577
Adams, Sarah Jane.
Quartets and Quintets for Mixed Groups of Winds and Strings: Mozart and His Contemporaries in Vienna c. 1780-1800. Ph.D., Musicology, Cornell University, 1994. xiv, 356 p. tbls., mus. exs., bibliog.
Research director: James Webster
DDM Code: 51chAdaS; DA no.: 55/04:786; RILM no.: UM no.: 94-22866
Adas, Jane H.
Arne's Progress: An English Composer in Eighteenth-Century London. Ph.D., Musicology, Rutgers University, 1993. 535 p.
Research director: Douglas Johnson
DDM Code: 51tnAdaJ; DA no.: 54/09:3254; RILM no.: 93:2934dd; UM no.: 94-01923
Addams, Eugene Bayne.
Source and Treatment of Thematic Material in the Developments of the Sonata-Allegro Movements in the Symphonies of Wolfgang Amadeus Mozart. Ph.D., Theory, University of Rochester, 1962. 475 p.
DDM Code: 59srAddE; DA no.: 26/04:2247-8; RILM no.: UM no.: 63-2379
Addiss, Stephen.
Uragami Gyokudó: The Complete Literati Artist. Ph.D., Musicology, University of Michigan, 1977. 2 vols., 707 p.
DDM Code: 52woAddS; DA no.: 38/06:3125; RILM no.: UM no.: 77-26,194
Adlung, Hans Philipp.
Mozarts Opera seria Mitridate, re di Ponto. Ph.D., Musicology, Hamburg, 1996. ix, 259 p. facs., mus. exs., bibliog.
Research director: Constantin Floros
DDM Code: 51opAdlH; DA no.: RILM no.: 96:14766bm; UM no.: Publication: Hamburger Beiträge zur Musikwissenschaft, no. 46. Hamburg: Wagner, 1996. ISBN 3-88979-071-2.
Adrian, John Stanley.
Design, Motive and Structure in Five Ternary Sonata Movements. Ph.D., Theory, University of Rochester, 1987.
Research director: David W. Beach
DDM Code: 59srAdrJ; DA no.: RILM no.: UM no.:
Ahn, Mieja.
A Compilation of Selected Intermediate-Level Solo Piano Repertoire from the Classical Period with an Analysis of the Inherent Performance Problems. Ed.D., Music, Pennsylvania State University, 1981. 311 p.
DDM Code: 54keAhnM; DA no.: 42/10:4193; RILM no.: 81:3544dd; UM no.: 82-05873
Aigner, Theodor.
Thematisches Verzeichnis der Werke von Johann Mederitsch detto Gallus. Ph.D., Musicology, Salzburg, 1973. xxviii, 285 p. mus. exs.
DDM Code: 55woAigT; DA no.: RILM no.: 76:59dd; UM no.: Publication: München: Katzbichler, 1974.
Alcalde, Pedro.
Strukturierung und Sinn. Die dramatische Funktion der musikalischen Form in L. da Pontes und W. A. Mozarts Don Giovanni. Ph.D., Musicology, Freie Universität, Berlin, 1989. 247 p. illus., bibliog.
DDM Code: 51opAlcP; DA no.: RILM no.: 92:10620dd; UM no.:
Alén Garabaito, Maria del Pilar.
El compositor italiano Buono Chiodi y su magisterio en Santiago de Compostela. Ph.D., Musicology, Universidad de la Laguna, 1992.
DDM Code: 51saAleP; DA no.: RILM no.: 96:3540dd; UM no.:
Alexander, Peter Marquis.
The Chamber Music of Franz Anton Danzi: Sources, Chronology, and Style. Ph.D., Musicology, Indiana University, 1986. 2 vols.,
Research director: A. Peter Brown
DDM Code: 51chAleP; DA no.: RILM no.: UM no.:
Allanbrook, Wye Jamison.
Dance As Expression in Mozart Opera. Ph.D., Music, Stanford University, 1974. 361 p.
DDM Code: 51daAllW; DA no.: 35/03:1684; RILM no.: 75:850dd; UM no.: 74-20,168
Alston, Charlotte LeNora.
Recapitulation Procedures in the Mature Symphonies of Haydn and Mozart. Ph.D., Theory, University of Iowa, 1972. 252 p.
DDM Code: 59srAlsC; DA no.: 33/07:3690; RILM no.: 76:15448dd; UM no.: 73-00,590
Altmann, Klaus.
Die Messen von Ignaz Holzbauer. Ph.D., Musicology, Bonn, 1982.
DDM Code: 51luAltK; DA no.: RILM no.: UM no.:
Amato, Bruno.
Mutation: An Examination of Its Structural Uses in Selected Works of Haydn, Mozart, and Beethoven. Ph.D., Music, Princeton University, 1974. 77 p.
DDM Code: 59srAmaB; DA no.: 35/05:3032; RILM no.: 76:15493dd; UM no.: 74-25,940
Ambrose, Holmes.
The Anglican Anthems and Roman Catholic Motets of Samuel Wesley. Ph.D., Musicology, Boston University, 1969.
DDM Code: 51saAmbH; DA no.: 30/06:2556-7; RILM no.: 69:1007dd; UM no.: 69-18,754
Amsterdam, Ellen I.
The String Quintets of Luigi Boccherini. Ph.D., Music, University of California at Berkeley, 1968. iv, 177 p. tbls., mus. exs., works lst., thematic cat., append., discog., bibliog.
DDM Code: 51chAmsE; DA no.: RILM no.: 69:1008dd; UM no.: 69-14,833
Andersen, Paul D.
The Life and Works of James Nares. Ph.D., Musicology, Washington University, 1968.
Research director: Paul Pisk
DDM Code: 51woAndP; DA no.: RILM no.: UM no.:
Anderson, Judith Ann.
The Viennese Operas of Stephen Storace. Ph.D., Musicology, Catholic University of America, 1972. 255 p. tbls., mus. exs., works lst., append., bibliog.
DDM Code: 51opAndJ; DA no.: 32/12:7026; RILM no.: 76:9900dd; UM no.: 72-18,351
Anderson, Simon Vance.
American Music During the War for Independence, 1775-1783. Ph.D., Music, University of Michigan, 1965. 315 p.
DDM Code: 51naAndS; DA no.: 26/06:3386; RILM no.: UM no.: 65-10,920
Anderson, Thomas Jerome.
Johann Friedrich Peter and the Collegium musicum Salem, 1780-90. Ph.D., Musicology, Florida State University, 1976. 268 p.
DDM Code: 51mvAndT; DA no.: 37/07:3977; RILM no.: 76:9901dd; UM no.: 76-29,414
Andrews, Harold Lee.
Tonality and Structure in the First Movements of Haydn's Solo Keyboard Sonatas. Ph.D., Music, University of North Carolina, 1967. vi, 176 p. tbls., mus. exs., bibliog.
DDM Code: 59toAndH; DA no.: 28/11:4656; RILM no.: 68:423dd; UM no.: 68-6714
Angermüller, Rudolph.
Antonio Salieri. Sein Leben und seine weltlichen Werke unter besonderer Berücksichtigung seiner "grossen" Opern. Ph.D., Musicology, Salzburg, 1970.
DDM Code: 51opAngR; DA no.: RILM no.: 74:2230dd; UM no.:
Anson-Cartwright, Mark.
The Development Section in Haydn's Late Instrumental Works. Ph.D., Music Theory, City University of New York, 1998. 2 vols., xiii, 359 p. tbls., mus. exs., bibliog.
Research director: Carl Schachter
DDM Code: 51imAnsM; DA no.: RILM no.: UM no.:
Additional keywords: sonata form
Anthony, John P.
The Organ Works of Johann Christian Kittel. Ph.D., Music History, Yale University, 1978. 650 p.
DDM Code: 51keAntJ; DA no.: 39/05:2605; RILM no.: UM no.: 78-19,693
Ardito, Linda.
A Study of Compositional Procedures in Selected Opera Overtures (1791-1821). Ph.D., Composition, City University of New York, 1994. 107 p.
Research director: Henry Burnett
DDM Code: 59cmArdL; DA no.: 55/11:3343; RILM no.: UM no.: 95-10626
Aringer-Grau, Ulrike.
Marianische Antiphonen von Wolfgang Amadeus Mozart, Michael Haydn und Salzburger Zeitgenossen. Ph.D., Musicology, München, 1999. 2 vols., 668 p. facs., mus. exs., transcr., bibliog.
Research director: Theodor Göllner
DDM Code: 51saAriU; DA no.: RILM no.: UM no.:
Additional keywords: Anton Cajetan Adlgasser, Matthias Sigismund Biechteler von Greiffenthal, Franz Ignaz Lipp, Antonio Lolli, Sigismund Neukomm, Paris, Alma redemptoris mater,Ave regina coelorum,Regina coeli, Salve regina
Armondino, Gail M.
The Opéra Comique in London, or Transforming French Comic Opera for the English Stage, 1770-1789. Ph.D., Musicology, Catholic University of America, 2000. xii, 403 p. illus., tbls., mus. exs., bibliog.
Research director: Cyrilla Barr
DDM Code: 51opArmG; DA no.: RILM no.: UM no.:
Additional keywords: André-Ernest-Modeste Grétry, Pierre-Alexandre Monsigny, Egidio Duni, William Shield, Thomas Linley, Charles Dibdin, Les Moissonneurs, Rosina, Le Déserteur, The Deserter, Zémire et Azor, Selima and Azor, Richard Coeur de Lion
Arrington, Golden Elwyn.
Nationalism and America's Music. Ph.D., Musicology, University of Texas at Austin, 1969. 240 p.
DDM Code: 51naArrG; DA no.: 30/12:5464; RILM no.: 76:13542dd; UM no.: 70-10,746
Arshagouni, Michael Hrair.
Aria Forms in Opera Seria of the Classic Period: Settings of Metastasio's Artaserse from 1760-1790. Ph.D., Musicology, University of California at Los Angeles, 1994. xv, 422 p. tbls., mus. exs., transcr., transl., append., bibliog.
Research director: Marie-Louise Göllner
DDM Code: 51opArsM; DA no.: RILM no.: UM no.:
Additional keywords: Johann Christian Bach, Cimarosa, De Majo, Mysliveczek, Piccinni, Sacchini, Zingarelli, Algarotti, Arteaga, Koch, Galeazzi, Rousseau, Sulzer, da capo, dal segno, rondo, rondeau, Wolfgang Amadeus Mozart
Aspden, Suzanne Elizabeth.
Opera and Nationalism in Mid-Eighteenth-Century Britain. Ph.D., Music, Oxford University, 1999.
Research director: Roger Parker
DDM Code: 51opAspS; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D208062.
Asti, Martha Secrest.
The Moravian Music of Christian Gregor (1723-1801): The Anthems, Arias, Duets, and Chorales. Ph.D., Musicology, University of Miami, 1982.
DDM Code: 51saAstM; DA no.: RILM no.: UM no.:
Atlas, Raphael Eric.
The Diachronic Recognition of Enharmonic Equivalence: A Theory and Its Application to Five Instrumental Movements by W.A. Mozart. Ph.D., Theory, Yale University, 1983. 2 vols., 272 p.
Research director: Leon Plantinga
DDM Code: 59ckAtlR; DA no.: 44/09:2616; RILM no.: 83:6600dd; UM no.: 83-29203
Axinn, Audrey.
The Balance between the Violin and Keyboard in the 18th-Century Duo. D.M.A., Performance, Juilliard School, 1998. ix, 148 p. facs., mus. exs., bibliog.
Research director: Pia Gilbert
DDM Code: 50chAxiA; DA no.: RILM no.: UM no.:
Badley, Allan Donald Jeffryes.
The Concertos of Leopold Hofmann (1738-1793). Ph.D., Musicology, University of Auckland, 1986. 3 vols., 1012 p. illus., mus. exs., thematic cat., bibliog.
Research director: Warren Drake
DDM Code: 51oqBadA; DA no.: RILM no.: 86:1700dd; UM no.:
Badol-Bertrand, Florence.
Évolution de la pratique du hautbois à Paris de la fin du regne de Louis XV à la fin du Premier Empire. Ph.D., Musicology, Université de Tours, 1996.
DDM Code: 51wnBadF; DA no.: RILM no.: 00:34257dd; UM no.:
Baethge, Wilhelm.
Philosophische-ästhetische Untersuchungen zur Opernreform Christoph Willibald Glucks unter Berücksichtigung musikästhetischer Aspekte. Ph.D., Musicology, Halle, 1971. 257 p.
DDM Code: 56aeBaeW; DA no.: RILM no.: 76:16947dd; UM no.:
Bagdon, Robert Joseph.
Musical Life in Charleston, South Carolina, from 1732 to 1776 as Recorded in Colonial Sources. Ph.D., Musicology, University of Miami, 1978. 234 p.
Research director: Robert Parker
DDM Code: 51mvBagR; DA no.: 39/04:1912; RILM no.: UM no.: 78-18,717
Baierle, Ilse Susanne.
Die Klavierwerke von Johann Christian Bach. Ph.D., Musicology, Graz, 1971. 328 p.
DDM Code: 51keBaiI; DA no.: RILM no.: 76:9911dd; UM no.:
Baker, Nancy Kovaleff.
From Teil to Tonstück: The Significance of the Versuch einer Anleitung zur Composition by Heinrich Christoph Koch. Ph.D., Music History, Yale University, 1975. v, 345 p. mus. exs., append., bibliog.
DDM Code: 59trBakN; DA no.: RILM no.: 75:2606dd; UM no.:
Baker, Nicole Edwina Ivy.
Italian Opera at the Court of Mannheim, 1758-1770. Ph.D., Musicology, University of California at Los Angeles, 1994. 472 p.
Research director: Marie Louise Göllner
DDM Code: 51opBakN; DA no.: 55/11:3344; RILM no.: 94:13553dd; UM no.: 95-10340
Ballam, Michael Lynn.
The Life of Johann Michael Haydn and an Examination of His Lieder Collections Auserlesene Sammlung von Liedern mit Melodien and Aoide. D.M., Vocal Performance, Indiana University, 1976. 168 p.
DDM Code: 51voBalM; DA no.: RILM no.: UM no.:
Ballard, Jeffrey Dale.
A Comparison of Vocal Requirements between the Leading Tenor Arias in Idomeneo and The Abduction from the Seraglio: How Mozart Wrote for Anton Raaff and Valentin Adamberger. D.M.A., Voice, University of Southern Mississippi, 1993. viii, 145 p. illus., mus. exs., append., discog., bibliog.
Research director: Richard M. Sanchez
DDM Code: 51vqBalJ; DA no.: 54/08:2784; RILM no.: UM no.: 94-02520
Bandur, Markus.
Form und Gehalt. Studien zur Theorie der Sonatenform in den Streichquartetten J. Haydns. Ph.D., Musicology, Freiburg im Breisgau, 1988.
DDM Code: 59srBanM; DA no.: RILM no.: UM no.:
Bard, Raimund.
Untersuchungen zur motivischen Arbeit in Haydns sinfonischem Spätwerk. Ph.D., Musicology, Universität des Saarlandes, 1980.
DDM Code: 59srBarR; DA no.: RILM no.: UM no.:
Barford, David Christopher.
The Horn Concertos of Antonio Rosetti. D.M.A., Performance, University of Illinois at Urbana-Champaign, 1980. 206 p. thematic cat., append.
DDM Code: 50wiBarD; DA no.: 41/06:2344; RILM no.: UM no.: 80-26450
Barr, Raymond Arthur.
Carl Friedrich Zelter: A Study of the Lied in Berlin During the Late Eighteenth and Early Nineteenth Centuries. Ph.D., Music, University of Wisconsin, 1968. ii, 270 p. mus. exs., transcr., thematic cat., append., bibliog.
DDM Code: 51voBarR; DA no.: RILM no.: 69:1208dd; UM no.:
Barry, Kevin M.
Language, Music and the Sign: A Study in Aesthetics, Poetics and Poetic Practice from Collins to Coleridge. Ph.D., Musicology, Cambridge University.
DDM Code: 51ltBarK; DA no.: RILM no.: UM no.:
Bartlet, M. Elizabeth C.
Étienne-Nicolas Méhul and Opera during the French Revolution, Consulate, and Empire: A Source, Archival, and Stylistic Study. Ph.D., Musicology, University of Chicago, 1982. 5 vols.,
Research director: Philip Gossett
DDM Code: 51opBarM; DA no.: 43/03:578; RILM no.: UM no.:
Bartlett, Loren Wayne.
A Survey and Checklist of Representative Eighteenth-Century Concertos and Sonatas for Bassoon. Ph.D., Performance, University of Iowa, 1961. 247 p.
DDM Code: 55wnBarL; DA no.: 22/12:2815; RILM no.: UM no.: 61-5544
Batt, Robert Gordon.
A Study of Closure in Sonata-Form First Movements in Selected Works of W. A. Mozart. Ph.D., Theory, University of British Columbia, 1988. xiii, 272 p. illus., tbls., bibliog.
DDM Code: 59srBatR; DA no.: RILM no.: UM no.:
Bauer, Carla Christine.
Blavets Flöten-Musik. Ph.D., Musicology, Freiburg im Breisgau, 1981.
DDM Code: 51wnBauC; DA no.: RILM no.: UM no.:
Bauman, Thomas Allen.
Music and Drama in Germany: The Repertory of a Traveling Company, 1767-1781. Ph.D., Musicology, University of California at Berkeley, 1977. vii, 1086 p. plts., tbls., mus. exs., bibliog.
DDM Code: 51drBauT; DA no.: RILM no.: UM no.:
Bawel, Frederick H.
A Study of Developmental Techniques in Selected Haydn Symphonies. Ph.D., Theory, Ohio State University, 1972. 251 p. mus. exs., bibliog.
DDM Code: 59srBawF; DA no.: 33/08:4450-1; RILM no.: 72:1705dd; UM no.: 73-1934
Beach, David Williams.
The Harmonic Theories of Johann Philipp Kirnberger: Their Origins and Influences. Ph.D., Theory, Yale University, 1974. iii, 248 p. mus. exs., append., bibliog.
DDM Code: 59haBeaD; DA no.: 35/07:4582; RILM no.: 74:3869dd; UM no.: 75-1338
Becker, Janet S.
The Eighteenth Century Flute Concerto: a Study and Edition of Two Manuscripts from the Fürst Thurn und Taxis Hofbibliothek, Regensburg with Reference to Contemporary Treatises. D.M., Flute Performance, Northwestern University, 1993. ix, 366 p. plts., tbls., mus. exs., transcr., append.
Research director: Frederick Hemke
DDM Code: 51imBecJ; DA no.: RILM no.: UM no.: 6194
Wechselwirkungen der Mannheimer und Pariser Musik im 18. Jahrhundert. Ph.D., Musicology, Hamburg, 1973.
DDM Code: 51msBecG; DA no.: RILM no.: 76:9532dd; UM no.:
Beckwith, Hubert Edwin.
Giovanni Battista Pergolesi and the Chamber Cantata. Ph.D., Musicology, University of Maryland, 1983. 416 p. tbls., facs., mus. exs., transcr., works lst., thematic cat., append., bibliog.
DDM Code: 51seBecH; DA no.: 45/06:1566; RILM no.: UM no.: 84-19,466
Beenk, Eugene.
Ländler Elements in the Symphonic Minuets of Joseph Haydn. Ph.D., Theory, University of Iowa, 1969. 209 p.
DDM Code: 59srBeeE; DA no.: 30/07:3037; RILM no.: 76:15502dd; UM no.: 69-21,666
Beghin, Tom.
Forkel and Haydn: A Rhetorical Framework for the Analysis of Sonata Hob. XVI:42 (D). D.M.A., Music, Cornell University, 1996. xi, 295 p. facs., mus. exs., append., bibliog.
DDM Code: 51anBegT; DA no.: RILM no.: UM no.:
Additional keywords: rhetoric, Quintilian, Johann Christoph Gottsched, Johann Georg Sulzer, C. P. E. Bach
Beicken, Suzanne Julia.
Johann Adam Hiller's Anweisung zum musikalisch-zierlichen Gesange, 1780: Translation and Commentary. Ph.D., Musicology, Stanford University, 1980. 299 p.
Research director: Leonard Ratner
DDM Code: 51trBeiS; DA no.: 41/05:1825; RILM no.: 80:2764dd; UM no.: 80-24623
Belgray, Alice Bunzl.
Gaetano Brunetti: An Exploratory Bio-Bibliographical Study. Ph.D., Musicology, University of Michigan, 1970. xiv, 214 p. plts., tbls., facs., works lst., thematic cat., bibliog.
DDM Code: 55woBelA; DA no.: 32/03:1546; RILM no.: 76:9930dd6; UM no.: 71-23,693
Benczik, Edeltraud.
Aegidius Schenk als Messenkomponist. Ein Beitrag zur Musikpflege der Steirischen Minoriten. Ph.D., Musicology, Graz, 1972. 3 vols., 564 p. mus. exs., works lst., thematic cat., bibliog., ind.
DDM Code: 51luBenE; DA no.: RILM no.: 73:3411dd; UM no.:
Benson, Norman Arthur.
The Itinerant Dancing and Music Masters of Eighteenth Century America. Ph.D., Musicology, University of Minnesota, 1963.
DDM Code: 51mvBenN; DA no.: 25/04:2551; RILM no.: UM no.: 64-7226
Benton, Rita Beatrice.
Nicolas Joseph Hüllmandel and French Instrumental Music in the Second Half of the Eighteenth Century. Ph.D., Musicology, University of Iowa, 1961. xi, 384 p. thematic cat.
DDM Code: 51keBenR; DA no.: 22/05:1653; RILM no.: UM no.: 61-4019
Berg, Darrell Matthews.
The Keyboard Sonatas of C. P. E. Bach: An Expression of the Mannerist Principle. Ph.D., Musicology, State University of New York at Buffalo, 1975. iv, 231 p. tbls., mus. exs., thematic cat., append., bibliog.
DDM Code: 51keBerD; DA no.: 36/07:4092; RILM no.: 76:9932dd; UM no.: 76-01,429
Berkenstock, James Turner.
The Smaller Sacred Compositions of Joseph Haydn. Ph.D., Musicology, Northwestern University, 1975. 2 vols., viii, 335 p. illus., tbls., mus. exs., append., bibliog.
DDM Code: 51saBerJ; DA no.: 36/07:4093; RILM no.: UM no.: 75-29,576
Betzwieser, Thomas.
Exotismus und Türkenoper in der französischen Musik von Lully bis Grétry: Untersuchungen zu einem ästhetischen Phänomen des Ancien Regime. Ph.D., Musicology, Heidelberg, 1988.
Research director: Ludwig Finscher
DDM Code: 51opBetT; DA no.: RILM no.: UM no.:
Beverly, Kristie Lynn.
Eléments de musique, théorique et pratique, suivant les principes de M. Rameau by Jean Le Rond d'Alembert: An Annotated Translation and a Comparison to Rameau's Theoretical Writings. Ph.D., Theory, Florida State University, 1984.
Research director: P. Spencer
DDM Code: 59trBevK; DA no.: RILM no.: UM no.:
Bittmann, Anne-rose.
Die Kategorie des Unwahrscheinlichkeit im opernästhetischen Schrifttum des 18. Jahrhunderts. Ph.D., Musicology, Bonn, 1991. 335 p.
DDM Code: 56crBitA; DA no.: RILM no.: 92:13193; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 85. Frankfurt am Main: Peter Lang, 1992. ISSN 0271-3611.
Black, David.
Mozart and the Practice of Sacred Music, 1781-91. Ph.D., Historical Musicology, Harvard University, 2007. xi, 454 p. tbls., facs., mus. exs., works lst., bibliog.
Research director: Christoph Wolff
DDM Code: 51saBlaD; DA no.: RILM no.: UM no.:
Additional keywords: Vienna, Joseph II, liturgical reform, mass, requiem, Johann Georg Albrechtsberger, Leopold Hofmann
Blake, Carl LeRoy.
Tempo Rubato in the Eighteenth Century. D.M.A., Music, Cornell University, 1988. xiv, 94 p. mus. exs., append., bibliog.
Research director: Neal Zaslaw
DDM Code: 51pfBlaC; DA no.: RILM no.: UM no.:
Blazin, Dwight C.
Michael Haydn and 'the Haydn Tradition': A Study of Attribution, Chronology, and Source Transmission. Ph.D., Musicology, New York University, 2004. 441 p.
Research director: Robert Bailey
DDM Code: 51chBlaD; DA no.: 65/03:747; RILM no.: UM no.: 31-27430
Blees, Gisela.
Das Cellokonzert um 1800. Eine Untersuchung der Cello-Konzerte zwischen Haydns op. 101 und Schumanns op. 129. Ph.D., Musicology, Köln, 1973.
DDM Code: 51snBleG; DA no.: RILM no.: UM no.:
Bleyle, Carl O.
Georg Andreas Sorge's Influence on David Tannenberg and Organ Construction in Eighteenth-Century America. Ph.D., Musicology, University of Minnesota, 1969. 374 p.
DDM Code: 53keBleC; DA no.: 30/08:3489; RILM no.: 76:14573dd; UM no.: 70-01,779
Bockmaier, Claus.
Entfesselte Natur in der Musik des achtzehnten Jahrhunderts. Ph.D., Musicology, München, 1991. xi, 379 p. tbls., mus. exs., ind.
Research director: Theodor Göllner
DDM Code: 51stBocC; DA no.: RILM no.: 92:13199bm; UM no.: Publication: Münchener Veröffentlichungen zur Musikgeschichte, no. 50. Tutzing: Schneider, 1992.
Boer, Bertil H. Van.
J. M. Kraus' symfonier och kyrkomusik [The Sacred Music and Symphonies of Joseph Martin Kraus]. Ph.D., Musicology, University of Uppsala, 1983.
DDM Code: 51woBoeB; DA no.: RILM no.: UM no.:
Bogard, Theresa Lynn.
An Annotated Translation with Commentary of the Cours complet pour l'enseignement du forte piano by Hélène Nervode de Montgeroult (1764-1836). D.M.A., Performance, University of Colorado at Boulder, 1990.
DDM Code: 51tuBogT; DA no.: RILM no.: UM no.:
Boland, Janice Dockendorff.
A Survey of Selected Tutors for the One-Keyed Flute. D.M.A., Performance, University of Iowa, 1985. xi, 102 p. append., bibliog., ind.
DDM Code: 51tuBolJ; DA no.: RILM no.: UM no.:
Bolen, Jane.
The Five Berlin Cembalo Concertos, P. 390, of John Christian Bach: A Critical Edition. Ph.D., Musicology, Florida State University, 1974.
DDM Code: 51keBolJ; DA no.: 35/05:3033; RILM no.: 76:9936dd; UM no.: 74-25,444
Bonds, Mark Evan.
Recapitulation, False Recapitulation, and the Concept of Return in the Instrumental Music of Joseph Haydn. Ph.D., Music, Harvard University, 1988.
Research director: Lewis Lockwood
DDM Code: 59srBonM; DA no.: RILM no.: UM no.:
Borková, Alena.
Klavírní dílo J. K. Vanhala v konfrontaci s umeleckym postredim [J. K. Vanhal's Keyboard Works in Confrontation with the Artistic Environment]. Ph.D., Musicology, Brünn, 1971.
DDM Code: 51keBorA; DA no.: RILM no.: UM no.:
Borroff, Edith.
The Instrumental Works of Jean-Joseph Cassanéa de Mondonville. Ph.D., Music, University of Michigan, 1959. 2 vols., 406 p.
DDM Code: 51imBorE; DA no.: 19/12:3319; RILM no.: UM no.: LC Mic 59-2099
Borysenko, Elena.
The Cantatas of Wilhelm Friedemann Bach. Ph.D., Musicology, University of Rochester, 1982. 2 vols., 889 p.
DDM Code: 51saBorE; DA no.: 42/12:4967; RILM no.: 82:452dd; UM no.: 82-10755
Bostian, Richard Lee.
The Works of Rinaldo di Capua. Ph.D., Music, University of North Carolina, 1961. vi, 405 p.
DDM Code: 51woBosR; DA no.: 22/10:3688; RILM no.: UM no.: 61-6091
Bostrom, Marvin John.
Keyboard Instruction Books of the Eighteenth Century. Ph.D., Music Education, University of Michigan, 1960. vii, 178 p. plts., append., bibliog.
DDM Code: 51keBosM; DA no.: 21/02:591; RILM no.: UM no.: 61-2736
Bowdidge, Mark A.
A Conductor's Analysis of the Lord Nelson Mass by Franz Joseph Haydn. D.M.A., Conducting, Southwestern Baptist Theological Seminary, 1998. xxi, 249 p. illus., append., bibliog.
Research director: C. David Keith and William Colson
DDM Code: 51ciBowM; DA no.: RILM no.: UM no.:
Additional keywords: Missa in Angustiis, Nelsonmesse, Imperial Mass, Mass in D Minor
Brand, Katharina Olivia.
The Coda in Mozart's Solo Keyboard Work: A Realization of Catharsis. D.M.A., Music, University of California at Los Angeles, 2001. ii, 92 p.
Research director: Tom Beghin
DDM Code: 50keBraK; DA no.: RILM no.: UM no.:
Additional keywords: rhetoric, performance
Branscombe, P. J.
The Connections between Drama and Music in the Viennese Popular Theatre from the Opening of the Leopoldstädter Theater (1781) to Nestroy's Opera Parodies (c. 1855) with Special Reference to the Form of Parody. Ph.D., Musicology, University of London, 1977.
DDM Code: 51drBraP; DA no.: RILM no.: UM no.:
Brantley, Daniel Lawrence.
Disputed Authorship of Musical Works: A Quantitative Approach to the Attribution of the Quartets Published as Haydn's Opus 3. Ph.D., Musicology, University of Iowa, 1977. v, 92 p. tbls., append., bibliog.
DDM Code: 51stBraD; DA no.: 38/04:1723; RILM no.: 76:516dd; UM no.: 77-21,118
Brauner, Jürgen.
Studien zu den Klaviertrios von Joseph Haydn. Ph.D., Musicology, Würzburg, 1995. xi, 492 p. mus. exs., bibliog., ind.
Research director: Wolfgang Osthoff
DDM Code: 51chBraJ; DA no.: RILM no.: 95:3738dd; UM no.: Publication: Würzburger Musikhistorische Beiträge, vol. 15. Tutzing: Schneider, 1994. ISBN 3-7952-0808-4.
Breene, Samuel.
Mozart's Violin Sonatas and the Gestures of Embodiment: The Subjectivities of Performance Practice. Ph.D., Musicology, Duke University, 2007. x, 293 p. illus., mus. exs., transl., append., bibliog.
Research director: Alexander Silbiger
DDM Code: 51snBreS; DA no.: RILM no.: UM no.:
Brenning, Ulrike.
Die Sprache der Empfindungen: Der Begriff "Vortrag" und die Musik des 18. Jahrhunderts. Ph.D., Musicology, Hamburg, 1998. 163 p. mus. exs., bibliog.
Research director: Hans Joachim Marx
DDM Code: 51tgBreU; DA no.: RILM no.: 99:26643dd; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 176. Frankfurt am Main: Peter Lang, 1996. ISSN 0721-3611. ISBN 3-631-32971-7.
Bretschneider, Wolf.
Pädagogische Bedeutung und Funktion des deutschen Kirchenliedes zwischen Aufklärung und Restauration -- dargestellt am Werk des Kaspar Anton von Mastiaux (1766-1828). Ph.D., Musicology, Bonn, 1980. 480 p.
DDM Code: 51saBreW; DA no.: RILM no.: 80:4118dd; UM no.:
Bridger, Carolyn Ann.
The Solo Clavier Sonatas of Leontzi Honauer. D.M.A., Performance, University of Iowa, 1977.
Research director: J. Simms
DDM Code: 51keBriC; DA no.: RILM no.: UM no.:
Brito, Manuel Carlos de.
Opera in Portugal in the Eighteenth Century. Ph.D., Musicology, University of London, 1986. xv, 254 p. illus., bibliog., ind.
DDM Code: 51opBriM; DA no.: RILM no.: 88:2727dd; UM no.: Publication: Cambridge: Cambridge University Press, 1989. ISBN 0-521353-12-2.
Britt, Walter Cronin.
A Critical Edition of the Magnificats of Johann Gottlieb Graun. D.M.A., Performance, University of Texas at Austin, 1977. 287 p.
Research director: Morris J. Beachy
DDM Code: 50saBriW; DA no.: 38/12:7011; RILM no.: 78:519dd; UM no.: 78-07249
Britton, Allen P.
Theoretical Introductions in American Tune-Books to 1800. Ph.D., Musicology, University of Michigan, 1950. 697 p. bibliog.
DDM Code: 59muBriA; DA no.: 10/01:97; RILM no.: UM no.: 1505
Britton, David James.
Abbé Georg Joseph Vogler: His Life and His Theories on Organ Design. D.M.A., Performance, University of Rochester, 1973. 242 p.
DDM Code: 53keBriD; DA no.: 34/11:7262; RILM no.: 76:14580dd; UM no.: 73-31,571
Brofsky, Howard.
The Instrumental Music of Padre Martini. Ph.D., Musicology, New York University, 1963. 357 p.
DDM Code: 51imBroH; DA no.: 25/01:516-7; RILM no.: UM no.: 64-6452
Broucek, Jack Wolf.
Eighteenth-Century Music in Savannah, Georgia. Ed.D., Music Education, Florida State University, 1962. 251 p.
DDM Code: 51mvBroJ; DA no.: 24/01:321; RILM no.: UM no.: 63-4381
Brown, A. Peter.
The Solo and Ensemble Keyboard Sonatas of Joseph Haydn: A Study of Structure and Style. Ph.D., Music History and Literature, Northwestern University, 1970. 3 vols., xi, 708 p. tbls., works lst., bibliog.
DDM Code: 51keBroA; DA no.: 31/08:4195; RILM no.: UM no.: 71-1805
Brown, Bruce Alan.
Christoph Willibald Gluck and Opéra comique in Vienna, 1754-1764. Ph.D., Musicology, University of California at Berkeley, 1986.
Research director: Daniel Heartz
DDM Code: 51opBroB; DA no.: RILM no.: UM no.:
Brown, Charles Stagmaier Jr.
The Art of Chorale-Preluding and Chorale Accompaniment as Presented in Kittel's Der angehende praktische Organist. D.M.A., Performance, University of Rochester, 1970. 2 vols., xxi, 580 p. tbls., mus. exs., append., bibliog.
DDM Code: 51pfBroC; DA no.: RILM no.: 70:3232dd; UM no.:
Brown, Kristi Ann.
A Critical Study of the Female Characters in Mozart's Don Giovanni and Die Zauberflöte. Ph.D., Musicology, University of California at Berkeley, 1997. v, 262 p. mus. exs., transl., bibliog.
Research director: Daniel Heartz
DDM Code: 51opBroK; DA no.: 58/07:2447; RILM no.: UM no.: 98-03138
Additional keywords: women and opera
Brown, Stephen Butler.
An Analysis of the Opera III, V, and VI Keyboard Sonatas of Giovanni Marco Placido Rutini. D.M.A., Performance, Ohio State University, 1979. 111 p.
Research director: Richard Tetley-Cardos
DDM Code: 50keBroS; DA no.: 40/07:3611; RILM no.: 79:4646dd; UM no.: 80-01680
Brown, Thomas Martin Jr.
Clarino Horn, Hunting Horn, Hand Horn: Their Comparative Roles in the Classical Music of the Eighteenth Century. D.A., Music History, Ball State University, 1978. xi, 139 p. bibliog.
DDM Code: 51brBroT; DA no.: 40/02:523; RILM no.: UM no.: 78-18,786
Brück, Marion.
Die langsamen Sätze in Mozarts Klavierkonzerten: Untersuchungen zur Form und zum musikalischen Satz. Ph.D., Musicology, München, 1993. 196 p.
Research director: Rudolf Burkhardt
DDM Code: 51keBruM; DA no.: RILM no.: 94:12224bm; UM no.: Publication: Studien zur Musik, no. 12. München: Fink, 1994. ISBN 3-7705-2914-6.
Brügge, Joachim.
Untersuchungen zum Personalstil W. A. Mozarts. Kompositionen mittels "Modell" und "Typus" am Beispiel von KV 525, Eine kleine Nachtmusik. Ph.D., Musicology, Göttingen, 1993.
Research director: M. Carlin
DDM Code: 51stBruJ; DA no.: RILM no.: UM no.:
Bryan, Paul Robey Jr.
The Symphonies of Johann Vanhal. Ph.D., Musicology, University of Michigan, 1956. 2 vols., 524 p.
DDM Code: 51oqBryP; DA no.: 17/06:1350; RILM no.: UM no.: 21,134
Buhagiar, Spiridion Vincent.
Francesco Azopardi (1748-1809): A Maltese Classical Composer, Theorist, and Teacher. Ph.D., Musicology, University of Malta, 1999. 3 vols.,
Research director: Floyd Grave
DDM Code: 51woBuhS; DA no.: RILM no.: UM no.:
Additional keywords: Naples, cathedral music, Valletta, Mdina, music theory, Alexandre Choron, thoroughbass, Jean-Philippe Rameau, fundamental bass, functional harmony, chord inversions, Lorenzo Penna, Francesco Antonio Calegari, Zaccaria Tevo, Francesco Antonio Vallotti, Luigi Antonio Sabbatini, music education
Bullmann, Franz Gerhard.
Die Orgelbauerfamilie Kleine-Roetzel-Nohl. Ein Beitrag zur Geschichte des rheinisch-westfälischen Orgelbaues im 18. und 19. Jahrhundert. Ph.D., Musicology, Münster, 1969.
DDM Code: 53maBulF; DA no.: RILM no.: UM no.:
Bungardt, Volker.
Josef Martin Kraus (1756-1792). Ein Meister des klassischen Klavierliedes. Ph.D., Musicology, Köln, 1973. 271 p. mus. exs., works lst., ind.
DDM Code: 51voBunV; DA no.: RILM no.: 74:2255dd; UM no.: Publication: Kölner Beiträge zur Musikforschung, vol. 73. Regensburg: Bosse, 1973.
Bunke, Jerome S.
Concerto in Bb (No. 2) for Clarinet by Karl Stamitz: An Annotated Reconstructed Score. Ph.D., Performance, New York University, 1971. vi, 166 p. tbls., mus. exs., append., bibliog.
DDM Code: 51wnBunJ; DA no.: 32/06:3347; RILM no.: 76:9946dd; UM no.: 71-28,527
Burdick, Michael.
A Structural Analysis of Melodic Scale-Degree Tendencies in Selected Themes of Haydn, Mozart, Schubert, and Chopin. Ph.D., Theory, Indiana University, 1977.
DDM Code: 59meBurM; DA no.: 38/04:1724; RILM no.: 76:1556dd; UM no.: 77-22,643
Burkart, Rebecca Louise.
"Young men and maidens, old men and children may praise the name of the Lord": A Comparative Study of Eighteenth-Century English Books of Psalmody with Special Emphasis on A Book of Psalmody by John Chetham. Ph.D., Musicology, Florida State University, 2001. 314 p.
Research director: Charles E. Brewer
DDM Code: 51saBurR; DA no.: 62/10:3228; RILM no.: UM no.: 30-28467 Publication: ISBN 0-493-40547-X.
Burleigh, Betsy L.
Haydn's The Seasons: Rhetorical Analysis as a Key to Performance. D.M., Choral Conducting, Indiana University, 2003. vi, 243 p. mus. exs., transl., bibliog.
Research director: Thomas Dunn
DDM Code: 50voBurB; DA no.: RILM no.: UM no.:
Burns, Ellen J.
The Dialectical Structure of W. A. Mozart's Die Zauberflöte: A Phenomenological Analysis. Ph.D., Humanities (Musicology), Florida State University, 1994. 2 vols., xvii, 752 p. illus., tbls., mus. exs., append., bibliog.
Research director: Eugene F. Kaelin
DDM Code: 56phBurE; DA no.: 55/07:1732; RILM no.: UM no.: 94-32612
Additional keywords: opera, libretto, edition, concordance, Roman Ingarden
Buschmeier, Gabriele.
Die Entwicklung von Szene und Arie in der französischen Oper von Gluck bis Spontini. Ph.D., Musicology, Mainz, 1989.
DDM Code: 51opBusG; DA no.: RILM no.: UM no.: Publication: Tutzing: Schneider, 1991.
Bush, Deanna Day.
The Orchestral Masses of Ignaz Holzbauer (1711-1783): Authenticity, Chronology, and Style, with Thematic Catalogue and Selected Transcriptions. Ph.D., Musicology, University of Rochester, 1982.
DDM Code: 51luBusD; DA no.: RILM no.: UM no.:
Bushnell, Vinson.
Daniel Read of New Haven (1757-1836): The Man and His Musical Activities. Ph.D., Music, Harvard University, 1979.
DDM Code: 51boBusV; DA no.: RILM no.: UM no.:
Butcher, Norma Perkins.
A Comparative-Analytical Study of Sonata-Allegro Form in the First Movements of the London Symphonies of Franz Joseph Haydn. Ph.D., Music Theory, University of Southern California, 1971. 179 p.
DDM Code: 59srButN; DA no.: 32/08:4647; RILM no.: 76:15450dd; UM no.: 72-06,042
Butler, Margaret R.
Operatic Reform in Turin: Aspects of Production and Stylistic Change in the 1760s. Ph.D., Musicology, Ohio State University, 2000. xviii, 436 p. illus., tbls., facs., mus. exs., transcr., transl., append., bibliog.
Research director: Lois Rosow
DDM Code: 51opButM; DA no.: RILM no.: UM no.:
Additional keywords: opera seria, Italy, Italian theater, Teatro Regio, reform opera, manuscript production, music copying, archival sources, Francesco Algarotti, Mattia Verazi, Baldassare Galuppi, Tommaso Traetta, Ferdinando Bertoni, Carlo Monza
Butler, Nicholas M.
Votaries of Apollo: The St. Cecilia Society and the Patronage of Concert Music in Charleston, South Carolina, 1766-1820. Ph.D., Musicology, Indiana University, 2004. xv, 543 p. illus., mus. exs., append., bibliog.
Research director: J. Peter Burkholder
DDM Code: 51osButN; DA no.: RILM no.: UM no.:
Music of the Moravian Liturgische Gesänge (1791-1823): From Oral to Written Tradition. Ph.D., Musicology, New York University, 1987. 669 p. illus., tbls., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 51luCalA; DA no.: RILM no.: UM no.:
Cale, John G.
French Secular Music in Saint-Domingue (1750-1795) Viewed as a Factor in America's Musical Growth. Ph.D., Music, Louisiana State University, 1971. xi, 187 p. plts., append., bibliog.
DDM Code: 51naCalJ; DA no.: 32/12:7027; RILM no.: UM no.: 72-17,750
Camp, Elinor Jane Perry.
Temporal Proportion: A Study of Sonata Forms in the Piano Sonatas of Mozart. Ph.D., Theory, Florida State University, 1968. 141 p.
DDM Code: 59srCamE; DA no.: 29/05:1544; RILM no.: 76:15509dd; UM no.: 68-16,359
Campbell, Bruce Benedict.
Beethoven's Quartets Opus 59: An Investigation into Compositional Process. Ph.D., Theory, Yale University, 1982. 359 p.
Research director: Allen Forte
DDM Code: 59srCamB; DA no.: 47/06:1917; RILM no.: 85:2159dd; UM no.: 86-19443
Campbell, Robert Gordon.
Johann Gottfried Müthel, 1728-1788. Ph.D., Musicology, Indiana University, 1966. 2 vols., 500 p.
DDM Code: 51woCamR; DA no.: 27/10:3477-8; RILM no.: UM no.: 66-14,807
Camus, Raoul François.
The Military Band in the United States Prior to 1834. Ph.D., Music Education, New York University, 1969. iv, 558 p. illus., mus. exs., append., bibliog.
DDM Code: 51baCamR; DA no.: 31/03:1305-6; RILM no.: UM no.: 70-15,955
Canave, Paz Corazon G.
A Re-evaluation of the Role Played by Carl Philipp Emanuel Bach in the Development of the Clavier Sonata. Ph.D., Musicology, Catholic University of America, 1956.
DDM Code: 51keCanP; DA no.: RILM no.: UM no.:
Cantrell, Byron.
Tommaso Traetta and His Opera Sofonisba. Ph.D., Music, University of California at Los Angeles, 1957. 256 p.
DDM Code: 51opCanB; DA no.: RILM no.: UM no.:
Capdepón, Paulino.
Die Villancicos des Padre Antonio Soler (1729-1783). Ph.D., Musicology, Hamburg, 1991. 299 p. mus. exs.
DDM Code: 51voCapP; DA no.: RILM no.: 94:4096dd; UM no.:
Carlson, David Moris.
The Vocal Music of Leopold Mozart (1719-1787): Authenticity, Chronology and Thematic Catalog. Ph.D., Musicology, University of Michigan, 1976. xviii, 284 p. plts., tbls., facs., thematic cat., append., bibliog.
DDM Code: 51saCarD; DA no.: 37/10:6128; RILM no.: 76:5504dd; UM no.: 77-07,887
Carlson, Jon Olaf.
Selected Masses of Niccolò Jommelli. Ph.D., Choral Conducting, University of Illinois at Urbana-Champaign, 1974. v, 114 p. plts., tbls., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 51luCarJ; DA no.: 35/12:7940-1; RILM no.: 74:2060dd; UM no.: 75-11,880
Carroll, Charles Michael.
François-André Danican-Philidor: His Life and Dramatic Art. Ph.D., Theory, Florida State University, 1960. 2 vols., 701 p.
DDM Code: 51opCarC; DA no.: 21/08:2316; RILM no.: UM no.: LC Mic 60-5490
Carroll, Frank Morris.
An Introduction to Antonio Soler. Ph.D., Theory, University of Rochester, 1960. 293 p.
DDM Code: 51boCarF; DA no.: RILM no.: UM no.:
Carrow, Burton Stimson.
The Relationship between the Mannheim School and the Music of Franz Beck, Henri Blanchard, and Pierre Gaveaux. Ph.D., Music Education, New York University, 1956. 2 vols., 445 p.
DDM Code: 51msCarB; DA no.: 17/04:866; RILM no.: UM no.: 17,640
Casella, Lorraine Ann.
Charles Burney the Pedagogue: A Critical Evaluation of the Great Historian as Music Educator. D.M.A., Music Education, Catholic University of America, 1979. xi, 130 p. plts., tbls., mus. exs., append., bibliog.
Research director: Cyrilla Barr
DDM Code: 54eeCasL; DA no.: 40/03:1335; RILM no.: 79:2623dd; UM no.: 79-17851
Cassel, David Cunningham.
A Conductor's Analysis of the Missae breves of Wolfgang Amadeus Mozart. D.M., Conducting, Indiana University, 1977. 331 p.
DDM Code: 50cnCasD; DA no.: RILM no.: 77:521dd; UM no.:
Castelvecchi, Stefano.
Sentimental Opera: The Emergence of a Genre, 1760-1790. Ph.D., Musicology, University of Chicago, 1996. 257 p. mus. exs., bibliog.
Research director: Philip Gossett
DDM Code: 51opCasS; DA no.: 57/07:2726; RILM no.: 96:14909dd; UM no.: 96-36784
Additional keywords: Giovanni Paisiello, Nina
Castonguay, Gerald Richard.
The Orchestral Music of Louis-Gabriel Guillemain. Ph.D., Musicology, Rutgers University, 1975.
DDM Code: 51oqCasG; DA no.: 36/05:2474; RILM no.: 76:9947dd; UM no.: 75-24,672
Catán Porteny, Daniel.
A Cure for Form and Other Stories: A Study of Three Arias and Two Duets in Mozart's Opera Don Giovanni. Ph.D., Music, Princeton University, 1977. 145 p.
DDM Code: 50opCatP; DA no.: 38/07:3790; RILM no.: 78:1813dd; UM no.: 77-28116
Catanzaro, Christine D. de.
Sacred Music in Mozart's Salzburg: Authenticity, Chronology, and Style in the Church Works of Cajetan Adlgasser. Ph.D., Musicology, University of North Carolina, 1990. xiii, 438 p. plts., tbls., mus. exs., thematic cat., append., bibliog.
DDM Code: 51saCatC; DA no.: 51/07:2191; RILM no.: UM no.:
Chamblee, James Monroe.
The Cantatas and Oratorios of Carl Philipp Emanuel Bach. Ph.D., Musicology, University of North Carolina, 1973. 2 vols., xiv, 560 p. illus., tbls., mus. exs., works lst., append., bibliog., ind.
DDM Code: 51saChaJ; DA no.: 34/05:2676; RILM no.: 73:1854dd; UM no.: 73-26,168
Charlton, David Philip.
Orchestration and Orchestral Practice in Paris, 1789 to 1810. Ph.D., Musicology, Cambridge University, 1973. 2 vols., xv, 544 p. plts., tbls., facs., transcr., append.
Research director: Hugh MacDonald
DDM Code: 51oqChaD; DA no.: RILM no.: 74:3931dd; UM no.:
Cherubini, Ralph.
Leopold Mozart's Violinschule as a Guide to the Performance of W. A. Mozart's Sonatas for Violin and Keyboard. Ph.D., Music History, Case Western Reserve University, 1976. 327 p.
DDM Code: 51pfCheR; DA no.: 38/01:15; RILM no.: 76:15195dd; UM no.: 77-11,997
Chesnut, John Hind.
Mozart as a Teacher of Elementary Music Theory. Ph.D., Musicology, University of Chicago, 1976. 2 vols., xvi, 532 p. illus., tbls., facs., mus. exs., append., bibliog.
Research director: Robert Marshall
DDM Code: 54pdCheJ; DA no.: 37/09:5427; RILM no.: 76:9949dd; UM no.:
Chevalier, Constance Renee.
Imagination in the Music of Mozart: Eighteenth-Century Guidelines to Shaping Musical Expression. Ph.D., Music, Stanford University, 1982. 444 p.
DDM Code: 50aeCheC; DA no.: 43/01:11; RILM no.: 82:461dd; UM no.: 82-14565
Chew, Geoffrey Alexander.
The Christmas Pastorella in Austria, Bohemia and Moravia and Its Antecedents. Ph.D., Musicology, University of Manchester, 1968.
Research director: Hans F. Redlich
DDM Code: 51saCheG; DA no.: RILM no.: 74:2062dd; UM no.:
Chiuminatto, Anthony Lawrence.
The Liturgical Works of Baldassare Galuppi. Ph.D., Music History and Literature, Northwestern University, 1959. 3 vols., 472 p.
DDM Code: 51luChiA; DA no.: 20/06:2321; RILM no.: UM no.: LC Mic 59-4786
Cho, Gyewan.
W. A. Mozart's Jugendopern. Ph.D., Musicology, Münster, 1993.
Research director: Maria Elisabeth Brockhoff
DDM Code: 51opChoG; DA no.: RILM no.: UM no.:
Choa, Sharon Andrea.
Sonata-Fugue in Joseph Haydn's String Quartets. Ph.D., Music, King's College, University of London, 1998. 2 vols., 353 p. mus. exs., append.
DDM Code: 51chChoS; DA no.: RILM no.: UM no.:
Choi, Yoon-Sook.
Humor in the Piano Sonatas of Wolfgang Amadeus Mozart. D.M.A., Piano, University of Washington, 2000. 108 p.
Research director: Richard Will
DDM Code: 50keChoY; DA no.: 61/06:2093; RILM no.: UM no.: 99-75967 Publication: ISBN 0-599-81697-X.
Cholij, Irena Bozena.
Music in Eighteenth-Century London Shakespeare Productions. Ph.D., Musicology, King's College, University of London, 1995. 314 p. bibliog.
DDM Code: 51drChoI; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DX224987.
Christelbaumer, Annemaire.
Kirchenmusik in der Pfarre Straßgang bei Graz von 1750- 1900. Ph.D., Musicology, Graz, 1991.
DDM Code: 51saChrA; DA no.: RILM no.: UM no.:
Christensen, Thomas Street.
Science and Music Theory in the Enlightenment: D'Alembert's Critique of Rameau. Ph.D., Theory, Yale University, 1985. 364 p.
DDM Code: 59muChrT; DA no.: 46/11:3184; RILM no.: 85:5705dd; UM no.: 86-00976
Christman, Arthur H.
Johann Joachim Quantz on the Musical Practices of His Time. S.M.D., , Union Theological Seminary, 1950. 217 p.
The Occasional Choral Works of C. P. E. Bach. Ph.D., Musicology, Princeton University, 1984. ix, 359 p. tbls., mus. exs., append., bibliog.
Research director: P. Bainard
DDM Code: 51ciClaS; DA no.: RILM no.: UM no.:
Clauser, Charles T.
François-Joseph Gossec: An Edition and Stylistic Study of Three Orchestral Works and Three Quartets. Ph.D., Music Education, University of Iowa, 1966. 2 vols., xiv, 434 p.
DDM Code: 51imClaC; DA no.: 27/05:1392-3; RILM no.: UM no.: 66-11,649
Cleary, Nelson Theodore.
The D-Major String Quintet (K.593) of Wolfgang Amadeus Mozart: A Critical Study of Sources and Editions. Ph.D., Music Education, Michigan State University, 1973. vi, 227 p. facs., mus. exs., append., bibliog.
DDM Code: 51chCleN; DA no.: 34/09:6020; RILM no.: 76:15309dd; UM no.: 74-06,022
Cleyet (Fauré), Paulette.
La vie musicale lyonnaise au XVIIIe siècle: Ses rapports avec le contexte socio-économique de la ville à cette époque; ses relations avec la vie musicale parisienne. Doct., Music, Saint-Étienne, 1981. 2 vols., 552 p.
DDM Code: 50mvCleP; DA no.: RILM no.: 81:4743dd; UM no.:
Cobb, Charlotte Elizabeth.
Poetic Rhythms in the Works of Joseph Haydn. Ph.D., Music, University of Iowa, 1971.
DDM Code: 59rhCobC; DA no.: 32/03:1547; RILM no.: 76:9952dd; UM no.: 71-22,012
Cohen, Peter.
Theorie und Praxis der Clavierästhetik C. P. E. Bachs. Ph.D., Musicology, Hamburg, 1973.
DDM Code: 56aeCohP; DA no.: RILM no.: 75:886dd; UM no.:
Cole, Catherine Jean.
'Nature' at the Opera: Sound and Social Change in France, 1750-1779. Ph.D., Historical Musicology, University of Chicago, 2003. 2 vols., viii, 452 p. illus., mus. exs., bibliog.
Research director: Martha Feldman
DDM Code: 51opColC; DA no.: 64/01:16; RILM no.: UM no.: 30-77048
Additional keywords: French opera, Jean-Phillippe Rameau, Christoph Willibald Gluck, Jean-Joseph Cassanea de Mondonville, Jean-Jacques Rousseau
Cole, Malcolm S.
The Development of the Instrumental Rondo Finale from 1750 to 1800. Ph.D., Music, Princeton University, 1964. 2 vols., ix, 399 p. append.
DDM Code: 51imColM; DA no.: 26/02:1080; RILM no.: UM no.: 65-46
Compton, Benjamin Richard.
Amateur Instrumental Music in America, 1765 to 1810. Ph.D., Music History, Louisiana State University, 1979. x, 270 p. illus., mus. exs., bibliog.
DDM Code: 51mvComB; DA no.: 40/04:1737; RILM no.: UM no.: 79-21,959
Cook, Elisabeth Ann.
The Operatic Ensemble in France, 1673-1775. Ph.D., Musicology, University of East Anglia, 1990.
Research director: David Charlton
DDM Code: 51opCooE; DA no.: RILM no.: 91:2283dd; UM no.:
Cook, James Marvin.
The Rust Hoax: A Comparison of the Original Keyboard Sonatas of Friedrich Wilhelm Rust (1739-1796) with the Editions of Wilhelm Rust (1822-1892). D.M.A., Performance, University of Texas at Austin, 1979. 84 p.
Research director: Stefan Kostka
DDM Code: 50keCooJ; DA no.: 40/06:2968; RILM no.: 79:3632dd; UM no.: 79-28249
Copland, A.
The Solo Concerto in Austria From 1740 to 1810. Ph.D., Musicology, University of Aberdeen, 1971.
DDM Code: 51imCopA; DA no.: RILM no.: UM no.:
Cornaz, Marie.
L'Édition et la diffusion de la musique à Bruxelles au XVIIIe siècle. Ph.D., Musicology, Université Libre de Bruxelles, 1996. 3 vols.,
Research director: Henri Vanhulst
DDM Code: 51pvCorM; DA no.: RILM no.: UM no.:
Additional keywords: circulation of music
Corneilson, Paul Edward.
Opera at Mannheim, 1770-1778. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1992. xii, 440 p. illus., tbls., mus. exs., works lst., append., bibliog.
Research director: James Haar
DDM Code: 51opCorP; DA no.: 54/01:18; RILM no.: UM no.: 93-09859
Cortner, Larry Lee.
Thirteen Chorale Preludes for Organ and Obbligato Instrument: Leipzig Poel. Mus. Ms. 364/2. D.M.A., Performance, University of Rochester, 1978. vi, 74 p. mus. exs., transcr., append., bibliog.
Research director: M. Bichsel
DDM Code: 51keCorL; DA no.: 39/04:1915; RILM no.: UM no.: 78-18,300
Cox, Paul Wathen.
Classic Guitar Technique and Its Evolution as Reflected in the Method Books ca. 1770-1850. Ph.D., Musicology, Indiana University, 1978. 242 p.
DDM Code: 51snCoxP; DA no.: 39/11:6386; RILM no.: UM no.: 79-09,683
Coy, Adelheid.
Die Musik der französischen Revolution zur Funktionsbestimmung von Lied und Hymne. Ph.D., Musicology, Frankfurt am Main, 1978.
DDM Code: 51mvCoyA; DA no.: RILM no.: UM no.: Publication: Salzburg: Katzbichler, 1978.
Crain, Timothy Mark.
Music in the Colonial Charleston, South Carolina Theater: 1732-1781. Ph.D., Musicology, Florida State University, 2002. 559 p.
Research director: Douglass Seaton
DDM Code: 51opCraT; DA no.: 63/05:1617; RILM no.: UM no.: 30-55751 Publication: ISBN 0-493-70440-X.
Additional keywords: cultural milieu
Cranmer, David John.
Opera in Portugal, 1793-1828: A Study in Repertoire and Its Spread. Ph.D., Musicology, University of London, 1997. 551 p. illus., bibliog.
DDM Code: 51opCraD; DA no.: RILM no.: 00:562087dd; UM no.:
Cranmer, John L.
Concert Life and the Music Trade in Edinburgh c.1780-c.1830. Ph.D., Musicology, University of Edinburgh, 1991.
DDM Code: 53keCraJ; DA no.: RILM no.: UM no.:
Craw, Howard Allen.
A Biography and Thematic Catalog of the Works of J. L. Dussek (1760-1812). Ph.D., Musicology, University of Southern California, 1964. 498 p.
DDM Code: 51woCraH; DA no.: 25/02:1246; RILM no.: UM no.: 64-9611
Crawford, Richard Arthur.
Andrew Law (1749-1821): The Career of an American Musician. Ph.D., Music, University of Michigan, 1965. 473 p.
DDM Code: 51boCraR; DA no.: 26/10:6068-9; RILM no.: UM no.: 66-5054
Crockett, Charlotte Gwen.
The Berlin Flute Sonatas of Johann Joachim Quantz: A Study of the Repertory and Its Performance Options. Ph.D., , University of Texas at Austin, 1982. xi, 350 p. illus., plts., facs., mus. exs., append., bibliog.
Research director: J. Grubbs
DDM Code: 51wnCroC; DA no.: RILM no.: UM no.:
Cross, Alan Elliott.
The Eight Concert Arias for Bass and Orchestra of W. A. Mozart. D.M.A., Vocal performance, University of Southern Mississippi, 1995. 109 p. tbls., mus. exs., transcr., thematic cat., append., bibliog.
Research director: Larry Smith
DDM Code: 51voCroA; DA no.: 56/07:2473; RILM no.: UM no.: 95-37980
Crouch, Margaret Long.
Llave de la modulación y antiguedades de la musica... by Padre Fray Antonio Soler: Translation and Commentary. Ph.D., Musicology, University of California at Santa Barbara, 1978. 457 p.
DDM Code: 59trCroM; DA no.: 39/06:3207; RILM no.: UM no.: 78-24,176
Cummings, Harmon Dean.
Andrew Adgate: Philadelphia Psalmodist and Music Educator. Ph.D., Music Education, University of Rochester, 1975. vii, 369 p. illus., mus. exs., works lst., append., bibliog.
DDM Code: 51woCumH; DA no.: 36/05:2476; RILM no.: 75:892dd; UM no.: 75-26,155
Cunha, Alcingstone Oliveira.
The Portuguese Royal Court and the Patronage of Sacred Music in Rio de Janeiro, 1808-1821. Ph.D., Musicology, Southwestern Baptist Theological Seminary, 1998. x, 150 p. tbls., works lst., append., bibliog.
Research director: R. Allen Lott
DDM Code: 51mvCunA; DA no.: RILM no.: UM no.:
Additional keywords: Jose Mauricio Nuñes Garcia, Marcos Portugal, Dom João VI, Capela Real, Rio de Janeiro, Real Teatro de São João, Sigismund Neukomm, Colonial Brazil, sacred music
Cushman, D. Stephen.
Joseph Haydn's Melodic Materials: An Exploratory Introduction to the Primary and Secondary Sources Together with an Analytical Catalogue and Tables of Proposed Melodic Correspondence and/or Variance. Ph.D., Musicology, Boston University, 1972. xxiii, 787 p. mus. exs., append.
DDM Code: 51meCusD; DA no.: 33/12:6947-8; RILM no.: 73:3428dd; UM no.: 73-14,135
Cuthbert, John A.
Raynor Taylor and Anglo-American Musical Life. Ph.D., Musicology, West Virginia University, 1980. 521 p. mus. exs., works lst., append., bibliog.
Research director: G. E. Schafer
DDM Code: 51mvCutJ; DA no.: 41/12:4879; RILM no.: 80:2772dd; UM no.: 81-10619
Czornyj, Peter.
Telemann and Graun: A Study of the Musical Atmosphere in Germany, c1750-c1760. Ph.D., Musicology, University of Hull, 1988.
Research director: A. D. Ford
DDM Code: 51mvCzoP; DA no.: RILM no.: UM no.:
Dack, James Frederick.
The Antecedents of the Mass Styles of Haydn and Mozart. Ph.D., Musicology, University of Liverpool, 1975.
DDM Code: 51luDacJ; DA no.: RILM no.: UM no.:
Danckwardt, Marianne.
Die langsame Einleitung. Ihre Herkunft und ihr Bau bei Haydn und Mozart. Ph.D., Musicology, München, 1975.
DDM Code: 59srDanM; DA no.: RILM no.: UM no.:
Daniel, Ralph Thomas.
The Anthem in New England before 1800. Ph.D., Music, Harvard University, 1955. xvii, 365 p.
DDM Code: 51saDanR; DA no.: RILM no.: UM no.:
Darlow, Mark.
"Le progres des arts": Nicolas-Etienne Framery's Contribution to Late Eighteenth-Century Musical and Theatrical Life in France. Ph.D., European Culture and Languages (French), University of Kent at Canterbury, 2000. 2 vols., 481 p. tbls., mus. exs., transl., works lst., thematic cat., append., bibliog.
DDM Code: 50mvDarM; DA no.: RILM no.: UM no.:
Additional keywords: Paris, Rouen, Comédie-Italienne, comedy, homme de lettres, ancien régime, historiography, patronage, Querrelle des Bouffons, Journal de musique, parody, intertextuality, Antonio Sacchini, Gluck-Piccinni quarrel, Giovanni Paisiello, Académie Royale, Almanach musicale, Mercure de France, French Revolution, criticism, Bureau de perception, Jean-Jacques Rousseau, Encyclopédie méthodique, Jean-François Marmontel, Pierre-Augustin Beaumarchais, Agasse, Cartier
Daufí, Xavier.
Estudi dels oratoris de Francesc Queralt (1740-1825). Fonaments de la història de l'oratori a Catalunya al segle XVIII. Ph.D., Musicology, Universitat Autònoma de Barcelona, 2001. 11 vols., 371 p. + 10 appends. (ccviii, 3068 p.) p. tbls., mus. exs., transcr., works lst., append., bibliog., ind.
Research director: Francesc Bonastre
DDM Code: 51voDauX; DA no.: RILM no.: UM no.:
Additional keywords: oratorio, Catalonia, Classic period, music history, harmony
Davies, H.
A Collection of Thirty-one Symphonies by Franz Xaver Richter. Ph.D., Musicology, Cardiff University, 1979.
DDM Code: 51oqDavH; DA no.: RILM no.: UM no.:
Davis, Shelley G.
The Keyboard Concertos of Johann Georg Lang (1722-1798). Ph.D., Musicology, New York University, 1972. 2 vols., xii, 554 p. illus., plts., facs., mus. exs., works lst., thematic cat., append., bibliog., ind.
DDM Code: 51keDavS; DA no.: 32/11:6474; RILM no.: 76:9962dd; UM no.: 72-13,345
Day-O'Connell, Sarah K.
Anatomy, Industry, and the English Canzonet (1770-1820): Placing Women in the Private Sphere. Ph.D., Musicology, Cornell University, 2004. xvii, 279 p. illus., plts., tbls., facs., mus. exs., transl., works lst., append., bibliog.
Research director: Neal Zaslaw
DDM Code: 51hiDayS; DA no.: RILM no.: UM no.:
Additional keywords: Joseph Haydn, canzonetta, gender, death, time, sigh, love, music and literature, music and visual culture, Anne Hunter, John Hunter, Johann Peter Salomon, George Frederick Pinto, James Hook, Jan Ladislav Dussek, William Jackson, Stephen Storace, Thomas Carter, William Hogarth, Mary Hays, Hannah Cowley, Samuel Rogers, Jürgen Habermas
De Cordes, Robert Clarence Christopher.
Etienne-Nicholas Méhul's Euphrosine and Stratonice: A Transition from Comédie melée d'ariettes to Opéra-comique. Ph.D., Music History and Literature, University of Southern California, 1979.
Research director: Richard Wingell
DDM Code: 51opCorR; DA no.: 40/04:1738; RILM no.: 79:2627dd; UM no.:
De Val, Dorothy Jean.
Gradus ad Parnassum: The Pianoforte in London, 1770-1820. Ph.D., Musicology, King's College, University of London, 1991. x, 404 p. tbls., mus. exs., bibliog.
Research director: Curtis Price
DDM Code: 51keDeVD; DA no.: RILM no.: UM no.:
Additional keywords: pianos, John Broadwood, Muzio Clementi, London pianoforte school
Dean, Talmage Whitman.
The Organ in Eighteenth-Century Colonial America. Ph.D., Musicology, University of Southern California, 1960. ix, 266 p. plts.
DDM Code: 53keDeaT; DA no.: 21/06:1583; RILM no.: UM no.: LC Mic 60-5474
Deaton, James Wright.
The Eighteenth-Century Six-Keyed Clarinet: A Study of Its Mechanical and Acoustical Properties and Their Relationship to Performance of Selected Literature. D.M.A., Performance, University of Texas at Austin, 1972. 137 p.
DDM Code: 53wnDeaJ; DA no.: 33:5222; RILM no.: 73:2529dd; UM no.: 73-7683
Debly, Patricia Anne.
Joseph Haydn and the dramma giocoso. Ph.D., Musicology, University of Victoria, 1993. ix, 389 p. tbls., mus. exs., append., bibliog.
Research director: Gordana Lazarevich
DDM Code: 51opDebP; DA no.: 55/09:2625; RILM no.: UM no.: NN-90118
DeCarlo, Lenora Jean Cecilia.
A Study of the Carpatho-Rusyn Chant Tradition in the Late Eighteenth Century: The Manuscript Irmoloji of Ioann Juhasevyc. Ph.D., Musicology, Florida State University, 1998. 280 p.
Research director: Charles Brewer
DDM Code: 51luDecL; DA no.: 59/03:652; RILM no.: UM no.: 98-27636 Publication: ISBN 0-591-80137-X.
DelDonna, Anthony Robert.
The Operas of Pietro Alessandro Guglielmi (1728-1804): The Relationship of His Dialect Operas to His Opere serie. Ph.D., Musicology, Catholic University of America, 1997. 338 p.
Research director: Cyrilla Barr
DDM Code: 51opDelA; DA no.: 59/03:653; RILM no.: 97:16111dd; UM no.: 98-28863 Publication: ISBN 0-591-81436-6.
DeLerma, Dominique-René.
Wolfgang Amadeus Mozart: The Works and Influences of His First Ten Years. Ph.D., Musicology, Indiana University, 1958. 331 p.
DDM Code: 51woDelD; DA no.: 19/11:2968; RILM no.: UM no.: LC Mic 58-7964
Delfausse, Robert Alan.
The Roles of Symmetrical Measure Groups in Mozart's Piano Sonatas. Ph.D., Music, City University of New York, 1988. 229 p.
Research director: Joel Lester
DDM Code: 59rhDelR; DA no.: 49/08:2012; RILM no.: 88:8386dd; UM no.: 88-21078
Demaree, Robert W. Jr.
The Structural Proportions of the Haydn Quartets. Ph.D., Theory, Indiana University, 1973.
DDM Code: 59srDemR; DA no.: 34/10:6682-3; RILM no.: 73:3432dd; UM no.: 74-9419
Demmel, Cheryl S.
A Comparative Study of Five Musical Settings of Artaserse. Ph.D., Musicology, University of California at Los Angeles, 1979.
Research director: Edwin Hanley
DDM Code: 51loDemC; DA no.: RILM no.: UM no.:
Demuth, Dieter.
Das idealistische Mozart-Bild (1785-1860). Ph.D., Musicology, Gießen, 1993. 288 p.
Research director: Erich Reimer
DDM Code: 51hiDemD; DA no.: RILM no.: 97:17522dd; UM no.: Publication: Tübinger Beiträge zur Musikwissenschaft, no. 17. Tutzing: Schneider, 1997. ISBN 3-7952-0913-7.
Derr, Ellwood Shambaugh.
Cefalo e Procri (London, 1776): Dramatic Cantata for Three Voices and Orchestra by Johann Christian Bach; Critical Edition with Performance Suggestions and Commentary. D.M.A., Composition, University of Illinois at Urbana-Champaign, 1968. 2 vols., i, 162 p. tbls., mus. exs., append., bibliog.
DDM Code: 51voDerE; DA no.: 30/02:749; RILM no.: 76:9963dd; UM no.: 69-10,681
Derry, Lisa Anne.
The Pre-Classical Concerto of Johann Christian Bach: First Movement Design in the Eighteen "London" Keyboard Concertos. Ph.D., Theory, Indiana University, 1993. xii, 243 p. tbls., mus. exs., append., bibliog.
Research director: Marianne Kielian-Gilbert
DDM Code: 59srDerL; DA no.: RILM no.: UM no.:
Destwolinski, Gail Boyd.
The Mannheim Symphonists: Their Contributions to the Technique of Thematic Development. Ph.D., Theory, University of Rochester, 1966. 386 p.
DDM Code: 59srDesG; DA no.: 27/03:789; RILM no.: UM no.: 66-7530
Di Chiera, David.
The Life and Operas of Gian Francesco De Majo. Ph.D., Music, University of California at Los Angeles, 1962. 2 vols., v, 249 p.
DDM Code: 51opDicD; DA no.: RILM no.: UM no.:
Dieckow, Almarie.
A Stylistic Analysis of the Solo Keyboard Sonatas of Antonio Soler. Ph.D., Performance, Washington University, 1971. iii, 274 p. mus. exs., append., bibliog.
DDM Code: 51keDieA; DA no.: 33/01:346; RILM no.: 76:9964dd; UM no.: 72-17,949
Diener, Betty Sue.
Irony in Mozart's Operas. Ph.D., Musicology, Columbia University, 1992.
DDM Code: 51opDieB; DA no.: RILM no.: UM no.:
Dipiazza, Joseph Anthony.
The Piano Sonatas of Clementi. D.M.A., Performance, University of Wisconsin, 1977. 115 p.
DDM Code: 51keDipJ; DA no.: 38/11:6387; RILM no.: UM no.: 78-00,009
Dlouhá-Mikotová, N.
Klavírní koncerty J. K.Vanhal [The Keyboard Concertos of J. K. Vanhal]. Ph.D., Musicology, University of Prague, 1958.
DDM Code: 51keDloN; DA no.: RILM no.: UM no.:
Dolan, Emily I.
The Idea of Timbre in the Age of Haydn. Ph.D., Musicology, Cornell University, 2006. xi, 236 p. illus., mus. exs., bibliog.
Research director: Neal Zaslaw
DDM Code: 51orDolE; DA no.: 67/07; RILM no.: UM no.: 32-27110
Additional keywords: eighteenth-century aesthetics, instruments, orchestration, effect, Johann Gottfried Herder, Immanuel Kant
Don, Gary William.
Music and Goethe's Theories of Growth. Ph.D., Theory, University of Washington, 1991. 201 p.
Research director: John Rahn
DDM Code: 51ltDonG; DA no.: 52/05:1561; RILM no.: 91:11523dd; UM no.: 91-31638
Dorenfeld, Joanne Williamson.
Ornamentation in Mozart's Concert Arias for Aloysia Weber: The Traditions of Singing and Embellishment. D.M.A., Performance, University of British Columbia, 1976. vi, 205 p. facs., mus. exs., bibliog.
Research director: Robert Morris
DDM Code: 50voDorJ; DA no.: 37/7:3978; RILM no.: 77:2595dd; UM no.:
Additional keywords: performance practice, vocal music
Doutt, Margaret Elizabeth.
The Concertos of Jan Ladislav Dussek (1760-1812). Ph.D., Musicology, University of Kentucky, 1989. xi, 452 p. mus. exs., bibliog.
DDM Code: 51oqDouM; DA no.: RILM no.: UM no.:
Downes, Edward O. D.
The Operas of Johann Christian Bach as a Reflection of the Dominant Trends in opera seria, 1750-1780. Ph.D., Music, Harvard University, 1958. 1145 p.
DDM Code: 51opDowE; DA no.: RILM no.: UM no.:
Downey, James.
The Music of American Revivalism, 1740-1800. Ph.D., Musicology, Tulane University, 1968. 228 p.
DDM Code: 51saDowJ; DA no.: 29/09:3168; RILM no.: 76:13623dd; UM no.: 69-03,792
Downs, Anneliese.
The Symphonies of Friedrich Schwindl. Ph.D., Musicology, New York University, 1973. xi, 240 p. illus., plts., mus. exs., thematic cat., append., bibliog.
DDM Code: 51oqDowA; DA no.: 34/08:5226; RILM no.: UM no.: 74-1874
Dreisbach, Tina Spencer.
The Quartets of Johann Gottlieb Janitsch (1708-ca.1763). Ph.D., Musicology, Case Western Reserve University, 1998. 236 p. mus. exs., thematic cat.
Research director: Stephen Hefling
DDM Code: 51chDreT; DA no.: 59/05:1386; RILM no.: 98:2491dd; UM no.: 98-33877 Publication: ISBN 0-591-87176-9.
Dronke, Jutta.
Ritornell und Solo in Mozarts Klavierkonzerten. Ph.D., Musicology, München, 1972.
DDM Code: 59srDroJ; DA no.: RILM no.: UM no.:
Drury, Jonathan Daniels.
Haydn's Seven Last Words: An Historical and Critical Study. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1975. iv, 371 p. tbls., facs., mus. exs., works lst.
DDM Code: 51saDruJ; DA no.: 37/01:23; RILM no.: 76:9969dd; UM no.: 76-16,125
Dubiaga, Michael Jr.
The Life and Works of Daniel Pius Dal Barba (1715-1801). Ph.D., Historical Musicology, University of Colorado at Boulder, 1977. 2 vols., xv, 519 p. illus., plts., tbls., facs., mus. exs., transcr., transl., thematic cat., append., bibliog.
Research director: Deborah Hayes
DDM Code: 51woDubM; DA no.: 38/12:7011; RILM no.: 78:525dd; UM no.: 78-08893
The First Movement of Mozart's C-Major Quintet. Ph.D., Music, Princeton University, 1980. 139 p.
DDM Code: 50chDubJ; DA no.: 41/03:843; RILM no.: UM no.: 80-18655
DuBois, Ted Alan.
C. F. D. Schubart's Ideen zu einer Ästhetik der Tonkunst: An Annotated Translation. Ph.D., Musicology, University of Southern California, 1983. vii, 513 p.
DDM Code: 56trDubT; DA no.: RILM no.: UM no.:
Dudley, W. Sherwood.
Orchestration in the Musique d'Harmonie of the French Revolution. Ph.D., Music, University of California at Berkeley, 1968. 2 vols., vi, 241 p. plts., tbls., mus. exs., append., bibliog.
DDM Code: 59orDudW; DA no.: 29/09:3168; RILM no.: 76:15474dd; UM no.: 69-03,593
Duer, Susan R.
An Annotated Edition of Four Sonatas by Alexander Reinagle (1756-1809). D.M.A., Performance, Peabody Conservatory, 1976. 406 p. illus., tbls., mus. exs., transcr., bibliog.
Research director: C. Raney
DDM Code: 51keDueS; DA no.: RILM no.: UM no.:
Dunlap, Susanne E.
Armida and Rinaldo in 18th-Century Vienna: Context, Content, and Tonal Coding in Viennese Italian Reform Operas, 1761-1782. Ph.D., Music History, Yale University, 1999. 2 vols., 1075 p. tbls., facs., mus. exs., transcr., transl., append., bibliog.
Research director: Ellen Rosand
DDM Code: 51opDunS; DA no.: RILM no.: UM no.:
Additional keywords: Vincenzo Righini, Tommaso Traetta, Antonio Salieri, Idomeneo Christoph Willibald Gluck, Wolfgang Amadeus Mozart
Durham, William E.
The Harmonic Language of Mozart: A Detailed Study of Selected Late Instrumental Works. Ph.D., Theory, University of Rochester, 1957. 343 p.
DDM Code: 59haDurW; DA no.: RILM no.: UM no.:
Dürrenmatt, Hans-Rudolph.
Die Durchführung bei Johann Stamitz (1717-1757). Ph.D., Musicology, Bern, 1967. 156 p. thematic cat., bibliog.
DDM Code: 59srDurH; DA no.: RILM no.: 68:437dd; UM no.: Publication: Bern: Paul Haupt, 1969.
Ebel, Beatrice.
Die Salzburger Requiemtradition im 18. Jahrhundert: Untersuchungen zu den Voraussetzungen von Mozarts Requiem. Ph.D., Musicology, München, 1997. 270 p.
Research director: Theodor Göllner
DDM Code: 51luEbeB; DA no.: RILM no.: 98:4841dd; UM no.: Publication: München: Universität, 1996.
Eby, John D.
François Giroust (1737-1799) and the Late Grand Motet in French Church Music. Ph.D., Musicology, King's College, University of London, 1988. 2 vols., vi, 395 p. tbls., mus. exs., thematic cat., append., bibliog.
Research director: Tom Walker
DDM Code: 51ciEbyJ; DA no.: RILM no.: UM no.:
Additional keywords: Versailles, French Revolution, Paris
Eckelmeyer, Judith Alice.
Recurrent Melodic Structures and Libretto Continuity in Mozart's Die Zauberflöte. Ph.D., Humanities, Syracuse University, 1968. vi, 301 p. mus. exs., append., bibliog., ind.
DDM Code: 51opEckJ; DA no.: 29/11:4036; RILM no.: 68:438dd; UM no.: 69-7734
Ecker, Heinz.
Die Harmoniemusik von Franz Krommer. Versuch einer kritischen Bestands-aufnahme, mit thematischem Katalog. Ph.D., Musicology, Frankfurt am Main, 2001. 2 vols., ii, 697 p. tbls., mus. exs., works lst., thematic cat., append., bibliog.
Research director: Adolf Nowak
DDM Code: 51wnEckH; DA no.: RILM no.: UM no.:
Additional keywords: Turkish music, Türkische Musik, Militär-Harmoniemusik, partita
Eckert, Stefan.
Ars Combinatoria, Dialogue Structure, and Musical Practice in Joseph Riepel's Anfangsgründe zur musicalischen Setzkunst. Ph.D., Music Theory, State University of New York at Stony Brook, 2000. xii, 245 p. illus., tbls., mus. exs., transl., append., bibliog.
Research director: Robert O. Gjerdingen and Judith Lochhead
DDM Code: 59trEckS; DA no.: RILM no.: UM no.:
Additional keywords: history of music theory, eighteenth century
Eddy, Wanda Jean Criger.
Joseph Stone (1758-1837), an Early American Tunesmith. D.M.A., Music History, University of Oregon, 1987. xiii, 159 p. illus., plts., tbls., facs., mus. exs., works lst., append., bibliog.
Research director: Peter Bergquist
DDM Code: 51saEddW; DA no.: RILM no.: UM no.:
Edge, Dexter III.
Mozart's Viennese Copyists. Ph.D., Music History and Literature, University of Southern California, 2001. xliv, 2416 p. illus., facs., mus. exs., append., bibliog.
Research director: Bruce Alan Brown
DDM Code: 51mcEdgD; DA no.: 63/09:3050; RILM no.: UM no.: 30-65782
Additional keywords: Austria, Joseph Arthofer, Johann Traeg, Wenzel Sukowaty, authenticity, paper, Le nozze di Figaro,Der Stein der Weisen
Edgerton, Sara Ann.
The Bass Part in Haydn's Early Symphonies: A Documentary and Analytical Study. D.M.A., Performance Practice, Cornell University, 1989. xiii, 242 p. tbls., mus. exs., append., bibliog., ind.
Research director: James Webster
DDM Code: 51oqEdgS; DA no.: RILM no.: UM no.: 89-24,605
Edwards, Donna O'Steen.
Iberian Elements in the Sonatas of Domenico Scarlatti. D.M.A., Performance, University of North Texas, 1980. 92 p.
DDM Code: 50keEdwD; DA no.: 41/07:2820; RILM no.: 80:2688dd; UM no.: 81-00066
Edwards, John Richard.
Christian Gottfried Krause: Mentor of the First Berlin Song School. Ph.D., Music, University of Iowa, 1973. v, 253 p. mus. exs., append., bibliog.
DDM Code: 51voEdwJ; DA no.: 35/02:1141-2; RILM no.: 73:3436dd; UM no.: 74-16,613
Edwards, Owain T.
The Concerto in England during the Eighteenth Century. Ph.D., Musicology, University of Wales at Bangor, 1967. viii, 410 p. illus., plts., tbls., facs., mus. exs., transcr., works lst., append., bibliog.
Research director: D. E. Parry Williams
DDM Code: 51oqEdwO; DA no.: RILM no.: 74:2270dd; UM no.:
Additional keywords: symphonic music, amateur music making, form, taste
Eisen, Cliff.
The Symphonies of Leopold Mozart and Their Relationship to the Early Symphonies of Wolfgang Amadeus Mozart: A Bibliographical and Stylistic Study. Ph.D., Musicology, Cornell University, 1986. xi, 366 p. illus., plts., tbls., mus. exs., thematic cat., append., bibliog.
DDM Code: 51oqEisC; DA no.: RILM no.: UM no.:
Ellsworth, Jane Elizabeth.
The Clarinet in Early America, 1758-1820. Ph.D., Musicology, Ohio State University, 2004. x, 361 p. tbls., append., bibliog.
Research director: Lois Rosow
DDM Code: 51wnEllJ; DA no.: RILM no.: UM no.:
The Instrumental Works of Peter Ritter (1763-1846). Ph.D., Music History and Literature, Northwestern University, 1967. 2 vols., viii, 490 p. tbls., facs., mus. exs., works lst., append., bibliog.
DDM Code: 51imElsJ; DA no.: RILM no.: 67:1655dd; UM no.:
Emerson, Isabelle.
The Role of Counterpoint in the Formation of Mozart's Late Style. Ph.D., Musicology, Columbia University, 1977. 321 p.
DDM Code: 51stEmeI; DA no.: 38/02:536; RILM no.: UM no.: 77-17,643
Engelhardt, Ruth.
Untersuchungen über Einflüsse Johann Sebastian Bachs auf das theoretische und praktische Wirken seines Schülers Johann Philipp Kirnberger. Ph.D., Musicology, Erlangen, 1974.
DDM Code: 51woEngR; DA no.: RILM no.: UM no.:
Engelke, Hans.
A Study of Ornaments in American Tune-Books, 1760-1800. Ph.D., Musicology, University of Southern California, 1960. xvi, 200 p. mus. exs.
DDM Code: 51otEngH; DA no.: 20/10:4130; RILM no.: UM no.: LC Mic 60-558
Erfurt-Freund, Margit.
Friedrich Heinrich Himmel (1765-1814). Zur Gattungsproblematik deutschsprachiger Bühnenwerke in Berlin um 1800. Ph.D., Musicology, Universität des Saarlandes, 1993.
DDM Code: 51opErfM; DA no.: RILM no.: UM no.:
Ericson-Roos, Catarina.
The Songs of Robert Burns: A Study of the Unity of Poetry and Music. Ph.D., English, University of Uppsala, 1977. x, 144 p. mus. exs., bibliog., ind.
DDM Code: 51tmEriC; DA no.: RILM no.: 76:1823dd; UM no.: Publication: Uppsala: Almqvist and Wiksell, 1977.
Esch, Christian.
Lucio Silla: Vier Opera-Seria-Vertonungen aus der Zeit zwischen 1770 und 1780. Ph.D., Musicology, Bonn, 1991. 2 vols., 517 p. mus. exs.
DDM Code: 51opEscC; DA no.: RILM no.: 94:4155dd; UM no.: Publication: Sammlung musikwissenschaftlicher Abhandlungen, no. 88:89. Baden-Baden: Koerner, 1994. ISBN 3-87320-588-2.
Espinosa, Alma O.
The Keyboard Works of Félix Máximo López. Ph.D., Musicology, New York University, 1976. 4 vols., v, 898 p. plts., mus. exs., transcr., works lst., thematic cat., append., bibliog., ind.
DDM Code: 51keEspA; DA no.: 38/07:3791; RILM no.: 76:5520dd; UM no.: 77-16,478
Espinosa, Sister Teresita.
Selected Unpublished Villancicos of Padre Fray Antonio Soler with Reference to the Cultural History of Eighteenth-Century Spain. D.M.A., Music Education, University of Southern California, 1969. 2 vols., 539 p. mus. exs., bibliog.
DDM Code: 51voEspT; DA no.: RILM no.: 69:3766dd; UM no.:
Estock, Joseph James.
A Biographical Dictionary of Clarinetists Born Before 1800. Ph.D., Music Literature, University of Iowa, 1972. xi, 392 p. tbls., works lst., bibliog.
DDM Code: 55boEstJ; DA no.: 33/12:6949; RILM no.: 72:1304dd; UM no.: 73-13,528
Etheridge, David Ellis.
The Concerto for Clarinet in A Major, K. 622, by W. A. Mozart: A Study of Nineteenth- and Twentieth-Century Performances and Editions. D.M.A., Performance, University of Rochester, 1973. vii, 218 p. mus. exs., append., bibliog.
DDM Code: 51wnEthD; DA no.: 34/07:4311; RILM no.: 73:4282dd; UM no.: 74-1396
Evans, J. G.
The History of English Opera in the Eighteenth Century. Mus.D., Musicology, Trinity College, University of Dublin, 1968.
DDM Code: 51opEvaJ; DA no.: RILM no.: UM no.:
Evans, Joël Thomas.
Johann Christian Fischer's "A Seventh Concerto in F" for Oboe and Orchestra: A Modern Edition with Critical Commentary. D.M.A., Performance, City University of New York, 1998. ix, 127 p. illus., plts., facs., mus. exs., bibliog.
Research director: Bruce MacIntyre and Allan Atlas
DDM Code: 51wnEvaJ; DA no.: 59/04:1001; RILM no.: UM no.: 98-30703
Evdokimova, Julija.
Stanovlenie sonatnoj formy v pred-klassi-ceskuju epohu [Formation of the Sonata Form in the Pre-Classic Era]. Ph.D., Theory, Moscow Conservatory, 1973. 173 p.
DDM Code: 59srEvdJ; DA no.: RILM no.: 75:2663dd; UM no.:
Everett, Paul.
The Manchester Concerto Partbooks. Ph.D., Music, University of Liverpool, 1984.
Research director: Michael Talbot
DDM Code: 51oqEveP; DA no.: RILM no.: UM no.:
Eyzaguirre, Roberto Anselmo.
Melchior Tapia and Music in the Lima Cathedral. Ph.D., Musicology, University of Miami, 1973. 250 p.
DDM Code: 51saEyzR; DA no.: RILM no.: 74:196dd; UM no.:
Fairbanks, Ann Kozuch.
Music for Two, Three, and Four Flutes by Friedrich Kuhlau. D.M.A., Music, Ohio State University, 1975. 85 p.
DDM Code: 53wnFaiA; DA no.: 36/08:4837; RILM no.: UM no.: 76-03360
Fairleigh, James Parkinson.
Transition and Retransition in Selected Examples of Mozart's Sonata-type Forms. Ph.D., Musicology, University of Michigan, 1973. 276 p.
DDM Code: 59srFaiJ; DA no.: 34/10:6684; RILM no.: 76:15457dd; UM no.: 74-03,620
Falconer, Joan O.
Bishop Johannes Herbst (1735-1812), an American-Moravian Musician, Collector, and Composer. Ph.D., Musicology, Columbia University, 1969. 2 vols., 543 p. mus. exs., bibliog.
DDM Code: 51woFalJ; DA no.: 32/11:6475; RILM no.: 71:2305dd; UM no.: 72-15,571
Farrar, Carol Reglin.
Seven String Instrument Treatises of Michel Corrette: Translation with Commentary. Ph.D., Musicology, North Texas State University, 1978. xxvi, 530 p. plts., facs., mus. exs., append., bibliog.
Research director: Cecil Adkins
DDM Code: 51tuFarC; DA no.: 39/07:3904; RILM no.: UM no.: 78-24,643
Farstad, Per Kjetil.
German Galant Lute Music in the 18th Century. Ph.D., Musicology, Göteborg, 2000. 513 p. illus., facs., mus. exs., transcr., works lst., append., bibliog.
Research director: Olle Edström
DDM Code: 51snFarP; DA no.: RILM no.: UM no.:
Skomoros'ja pesni v narodnoj lirike, po rukopisnym pesennikam XYIIIv [Buffoon Songs in Folk Lyrics after the Manuscript Song Books of the Eighteenth Century]. Ph.D., Folklore, Pedagogical Institute, Moscow, 1975. 185 p. bibliog.
DDM Code: 52foFedV; DA no.: RILM no.: 76:1342dd; UM no.:
Ferguson, Linda Faye.
"Col Basso" and "Generalbass" in Mozart's Keyboard Concertos: Notation, Performance Theory, and Practice. Ph.D., Musicology, Princeton University, 1983. xviii, 430 p. illus., plts., tbls., facs., mus. exs., transcr., append., bibliog., ind.
Research director: Kenneth Levy
DDM Code: 51pfFerL; DA no.: RILM no.: UM no.: 83-16,796
Fernández-Cortés, Juan Pablo.
El mecenazgo musical de las Casas de Osuna y Benavente (1733-1844). Un estudio sobre el Papel de la Música en la alta nobleza española. Ph.D., Musicology, Universidad de Granada, 2006. 2 vols., xvii, 933 p. illus., plts., tbls., facs., mus. exs., transcr., transl., works lst., append., bibliog., ind.
Research director: María Gembero Ustárroz
DDM Code: 51mvFerJ; DA no.: RILM no.: UM no.: Publication: Madrid: Sociedad Española de Musicología, 2007. ISBN13 978-84-86878-08-05.
Additional keywords: patronage, Luigi Boccherini, nobility, chamber music
Fillion, Michelle.
The Accompanied Keyboard Divertimento of Haydn and his Viennese Contemporaries (c. 1750-1780). Ph.D., Musicology, Cornell University, 1982.
Research director: James Webster
DDM Code: 51keFilM; DA no.: RILM no.: UM no.:
Fiser, Frantisek.
Varhanní tvorba J. K. Vanhal [The Organ Works of J. K. Vanhal]. Ph.D., Musicology, University of Prague, 1969.
DDM Code: 51keFisF; DA no.: RILM no.: UM no.:
Fisher, Stephen C.
Haydn's Overtures and Their Adaptations as Concert Orchestral Works. Ph.D., Musicology, University of Pennsylvania, 1985. xxxiii, 581 p. illus., tbls., facs., works lst., append., bibliog., ind.
Research director: Lawrence F. Bernstein
DDM Code: 51oqFisS; DA no.: RILM no.: UM no.: 85-23,412
Flamm, Christa.
Leopold Kozeluch. Biographie und stilkritische Untersuchung der Sonaten für Klavier, Violine und Violoncello nebst einem Beitrag zur Entwicklungsgeschichte der Klaviertrios. Ph.D., Musicology, Wien, 1968. 3 vols., 534 p.
DDM Code: 51chFlaC; DA no.: RILM no.: 75:903dd; UM no.:
Flannagan, William Patrick.
A Performing Edition and Study of the Unpublished Concerted Anthems of John Antes (1740-1811). Ph.D., Musicology, Catholic University of America, 1995. v, 71 p. tbls., facs., mus. exs., works lst., append., bibliog.
Research director: Cyrilla Barr
DDM Code: 51saFlaW; DA no.: RILM no.: UM no.:
Fletcher, Richard Wesley.
Music for Bassoon and Small String Ensemble, ca. 1700-1825. D.M.A., Performance, University of Iowa, 1974. xvii, 230 p. plts., tbls., mus. exs., works lst., thematic cat., append., bibliog.
DDM Code: 51enFleR; DA no.: 35/04:2318; RILM no.: 74:1531dd; UM no.: 74-21,958
Flothuis, Marius H.
Mozarts Bearbeitungen eigener und fremder Werke. Ph.D., Musicology, University of Amsterdam, 1969.
DDM Code: 59cmFloM; DA no.: RILM no.: 69:1054dd; UM no.:
Floyd, Samuel Russell.
The Clarinet Music of Johann Baptist Vanhall. Ph.D., Music, Michigan State University, 1988. 106 p.
Research director: T. A. Johnson
DDM Code: 51wnFloS; DA no.: 49/05:992; RILM no.: UM no.: 88-14849
Ford, Frederic Hugh.
The Court Odes of William Boyce (1711-1779). Ph.D., Music History, State University of New York at Buffalo, 1990. ix, 262 p. tbls., mus. exs., transcr., append.
DDM Code: 51ciForF; DA no.: 51/04:1083; RILM no.: 90:2671dd; UM no.: 90-22153
Additional keywords: airs, Maurice Greene, Handel, Cibber, Chapel Royal, Whitehead, overture, symphony, St. Paul's Cathedral
Forment, Bruno B.
"La terra, il cielo e l'inferno." The Representation and Reception of Greco-Roman Mythology in Opera Seria. Ph.D., Musicology, Ghent University, 2007. 2 vols., vi, 210 p. illus., plts., tbls., facs., mus. exs., transcr., transl., thematic cat., append., bibliog., ind.
Research director: Francis Maes
DDM Code: 51opForB; DA no.: RILM no.: UM no.:
Additional keywords: cultural history, poetics, Niccolò Jommeli, Apostolo Zeno, Frederick the Great, Karl Heinrich Graun, Arcadian Academy, Alessandro Guidi, Francesco de Lemene, Pietro Metastasio, Alessandro Scarlatti, dramma per musica, deus ex machina, accompagnato, L'Ifigenia, Telemaco
Forsberg, Carl Earl.
The Clavier-Violin Sonatas of W. A. Mozart. Ph.D., Musicology, Indiana University, 1964. 305 p.
DDM Code: 51keForC; DA no.: 26/02:1081-2; RILM no.: UM no.: 65-3477
Forsberg, Suzanne.
The Symphonies of Placidus von Camerloher (1718-1782) and Joseph Camerloher (1710-1743): An Investigation of Style and Authorship. Ph.D., Musicology, New York University, 1990. 605 p.
Research director: Jan LaRue
DDM Code: 51oqForS; DA no.: 51/12:3947; RILM no.: UM no.: 91-13005
Forschner, Hermann.
Instrumentalmusik Joseph Haydns aus der Sicht Heinrich Christoph Kochs. Ph.D., Musicology, Heidelberg, 1982.
DDM Code: 59muForH; DA no.: RILM no.: UM no.:
Forsius, Eeva Taina.
Der "Goût français" in den Darstellungen des Coin du Roi: Versuch zur Rekonstruktion einer "Laienästhetik" während der Pariser Buffonistenstreits 1752-1754--Haltungen, Widersprüche, Bezüge zur Vorgeschichte und zur ästhetischen Tradition. Ph.D., Musicology, Frankfurt am Main, 1982. 156 p.
Research director: Helmut Hucke
DDM Code: 51mvForE; DA no.: RILM no.: 85:7013bm; UM no.: Publication: Frankfurter Beiträge zur Musikwissenschaft, vol. 18. Tutzing: Schneider, 1985.
Forst, Inge.
Die Messen von Johann Gottlieb Naumann (1741-1801). Ph.D., Musicology, Bonn, 1987.
DDM Code: 51luForI; DA no.: RILM no.: UM no.: Publication: Bonn, 1988.
Fouts, Gordon E.
Music Instruction in America to Around 1830 as Suggested by the Hartzler Collection of Early Protestant American Tune Books. Ph.D., Music Education, University of Iowa, 1968. viii, 342 p. plts., tbls., mus. exs., works lst., append., bibliog.
DDM Code: 54edFouG; DA no.: 29/06:1915; RILM no.: 69:3394dd; UM no.: 68-16,798
Fox, Leland Stanford.
A Classic Style in French Opera (1750-1825). Ph.D., Theory, Florida State University, 1962. 274 p.
DDM Code: 51stFoxL; DA no.: 23/10:3919-20; RILM no.: UM no.: 63-1810
Fox, Pamela Ruth (Mollard).
Melodic Nonconstancy in the Keyboard Sonatas of C. P. E. Bach. Ph.D., Musicology, University of Cincinnati, 1983. vi, 299 p. tbls., mus. exs.
DDM Code: 59meFoxP; DA no.: 44/06:1618; RILM no.: UM no.: 83-23210
Fox, Pauline Marie.
Reflections on Moravian Music: A Study of Two Collections of Manuscript Books in Pennsylvania ca.1800. Ph.D., Musicology, New York University, 1997. 272 p.
Research director: Stanley Boorman
DDM Code: 51mcFoxP; DA no.: 58/04:1143; RILM no.: 97:3607dd; UM no.: 97-31394 Publication: ISBN 0-591-40770-1.
Frame, Damian A.
The Harmoniemusik of Georg Druschetzky (1745-1819). Ph.D, Musicology, Queen's University, Belfast, 1993. 2 vols., xi, 646 p. facs., mus. exs., transcr., transl., works lst., thematic cat., bibliog.
Research director: A. F. Carver
DDM Code: 51wnFraD; DA no.: RILM no.: UM no.:
Framil, Ronald Stephen.
Concerto No. 2 in A Major for Cello and Orchestra, Carl Stamitz: An Annotated Performance Edition. D.M., Music, Indiana University, 2002. xi, 117 p. mus. exs., transcr., bibliog.
Research director: Helga Winold
DDM Code: 50snFraR; DA no.: RILM no.: UM no.:
Elementi teorico-pratici di Musica by Francesco Galeazzi: An Annotated English Translation and Study of Volume I. D.M.A., Performance, University of Rochester, 1968. v, 439 p. illus., tbls., facs., bibliog.
DDM Code: 51trFraA; DA no.: RILM no.: 76:9987dd; UM no.:
Frederick, Kurt.
The Fugue from 1750 to 1827. Ph.D., Theory, University of Rochester, 1957. 363 p.
DDM Code: 59cpFreK; DA no.: RILM no.: UM no.: UR 2508
Freeman, Robert Norman.
The Practice of Music at Melk Monastery in the Eighteenth Century. Ph.D., Musicology, University of California at Los Angeles, 1971. xvii, 496 p. illus., mus. exs., works lst., append., bibliog., ind.
DDM Code: 51saFreR; DA no.: 32/07:4044; RILM no.: 71:552dd; UM no.: 72-2814
Fremar, Karen Lynn.
The Life and Selected Works of Marianna Martinez (1744-1812). Ph.D., Theory, University of Kansas, 1983. 267 p.
Research director: Stanley Shumway
DDM Code: 51boFreK; DA no.: 44/04:905; RILM no.: 83:2678dd; UM no.: 83-17966
Fruchtman, Efrim.
The Baryton Trios of Tomasini, Burgksteiner, and Neumann. Ph.D., Music, University of North Carolina, 1960. 223 p.
DDM Code: 51chFruE; DA no.: 21/11:3477-8; RILM no.: UM no.: LC Mic 60-6986
Fruehwald, Scott.
Authenticity Problems in Franz Joseph Haydn's Early Instrumental Works: A Stylistic Investigation. Ph.D., Musicology, City University of New York, 1984. vii, 289 p. tbls., mus. exs., works lst., append., bibliog.
DDM Code: 51imFruS; DA no.: RILM no.: UM no.:
Fulias, Ioannis.
Arga meri se morfes sonatas stin klassiki periodo. Symboli stin exelixi twn eidwn kai twn domikwn typwn mesa apo ta erga twn Haydn, Mozart kai Beethoven (me ekteni episkopisi tis theoritikis exelixis twn morfwn sonatas apo ton 18o ews ton 20o aiwna) [Slow Movements in Sonata Forms in the Classic Era. A Contribution to the Evolution of Genres and Structural Types through the Works of Haydn, Mozart, and Beethoven (with an Extensive Survey of the Theoretical Evolution of Sonata Forms from the 18th to the 20th Century)]. Ph.D., Musicology, University of Athens, 2005. 2 vols., xvi, 781 p. tbls., mus. exs., transl., works lst., append., bibliog.
Research director: Olympia Psychopedis-Frangou
DDM Code: 51srFulI; DA no.: RILM no.: UM no.:
Additional keywords: Wallace Berry, binary, Heinrich Birnbach, Marion Brück, cadence, cadenza, William Earl Caplin, cello, chamber, coda, codetta, concertino, concerto, Carl Czerny, Carl Dahlhaus, Johann Friedrich Daube, development, divertimento, duo, experiment, exposition, Wilhelm Fischer, function, Francesco Galeazzi, Cuthbert Morton Girdlestone, Percy Goetschius, group, harmony, Klaus Ferdinand Heimes, James Hepokoski, hybrid, idea, introduction, key, keyboard, Heinrich Christoph Koch, Ellis Bonoff Kohs, August Kollmann, Clemens Kühn, Konrad Küster, Jens Peter Larsen, Hugo Leichtentritt, Johann Christian Lobe, Rey Morgan Longyear, Adolf Bernhard Marx, Jérôme-Joseph de Momigny, monothematic, William Stein Newman, octet, orchestra, piano, Johann Gottlieb Portmann, Ebenezer Prout, Johann Joachim Quantz, quartet, quintet, Leonard Gilbert Ratner, Erwin Ratz, recapitulation, Antonín Reicha, reprise, retransition, return, reverse, Hugo Riemann, Joseph Riepel, ritornello, rondeau, rondo, Charles Rosen, Jutta Ruile-Dronke, Johann Adolph Scheibe, Arnold Schoenberg, Arnold Schönberg, section, septet, sextet, Edwin Julien Simon, solo, László Somfai, symphony, ternary, theme, theory, Hans Tischler, Rudolf von Tobel, transition, trio, truncate, tutti, variation, violin, Georg Joseph Vogler, James Webster, Klaus Weising
Funk, Vera Christa.
Klavierkammermusik mit Bläsern und Streichern in der zweiten Hälfte des 18. Jahrhunderts. Ph.D., Musicology, Detmold/Paderborn, 1993. 250 p. plts., tbls., mus. exs., transcr., works lst., thematic cat., append., bibliog.
Research director: Silke Leopold
DDM Code: 51chFunV; DA no.: RILM no.: 94:4180bm; UM no.: Publication: Detmold-Paderborner Beiträge zur Musikwissenschaft, no. 5. Kassel: Bärenreiter, 1995. ISBN 3-7618-1201-9.
Gagné, David W.
Performance Medium as a Compositional Determinant: A Study of Selected Works in Three Genres by Mozart. Ph.D., Music, City University of New York, 1988. 2 vols., 651 p.
Research director: Carl Schachter
DDM Code: 59cmGagD; DA no.: 51/12:3947; RILM no.: UM no.: 91-11460
Galand, Joel.
Rondo-Form Problems in Eighteenth- and Nineteenth Century Instrumental Music, With Reference to the Application of Schenker's Form Theory to Historical Criticism. Ph.D., Theory, Yale University, 1990. 358 p. mus. exs., bibliog.
Research director: Allen Forte
DDM Code: 59srGalJ; DA no.: RILM no.: UM no.: 93-16,059
Garbayo Montabes, Javier.
La viola y su musica en la catedral de Santiago de Compostela entre el barroco y el clasicismo. Ph.D., Musicology, Universidad de Santiago de Compostela, 1996.
Research director: José Lopez-Calo
DDM Code: 51snGarJ; DA no.: RILM no.: 96:11394dd; UM no.:
Garf, Nancy Felice.
The Role of the Tonic in the First Movement of the Early Symphony. Ph.D., Musicology, University of California at Los Angeles, 1994. xii, 200 p. tbls., mus. exs., bibliog.
Research director: Mary Louise Göllner
DDM Code: 59toGarN; DA no.: RILM no.: UM no.: 94-20501
Garlington, Aubrey Sam Jr.
The Concept of the Marvelous in French and German Opera, 1770-1840: A Chapter in the History of Opera Esthetics. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1965. 571 p.
DDM Code: 51opGarA; DA no.: 26/09:5472-3; RILM no.: UM no.: 66-4182
Garner, Chet H.
Principles of Periodic Structure in the Instrumental Music of Haydn, Mozart, and Beethoven. Ph.D., Theory, University of Iowa, 1977. xvii, 279 p. tbls., mus. exs., works lst., bibliog., ind.
Research director: W. Atcherson
DDM Code: 59srGarC; DA no.: 38/07:3791; RILM no.: 76:533dd; UM no.: 77-28,456
Garrett, Allen.
The Works of William Billings. Ph.D., Music, University of North Carolina, 1952. 177 p.
DDM Code: 51woGarA; DA no.: RILM no.: UM no.:
Gates, Robert Edward.
The Influence of the Eighteenth-Century Piano on the Works of Joseph Haydn. D.M., Music, Indiana University, 1982. 148 p.
DDM Code: 51keGatR; DA no.: RILM no.: 82:483dd; UM no.:
Gehann, Ada.
Die Solokonzerte G. B. Sammartinis und ihr oberitalienischer Umkreis. Ph.D., Musicology, Heidelberg, 1993.
Research director: Ludwig Finscher
DDM Code: 51imGehA; DA no.: RILM no.: UM no.:
Geidel, Stanley.
Mozart's Trio in E-Flat, K.V. 498, for Piano, Clarinet and Viola: An Analytical Examination of Melodic Relationships, an Investigation of Contemporary Performance Practices, and a Comparative Study of Current Editions. D.A., Music, Ball State University, 1989.
Research director: Michael Meckna
DDM Code: 51chGeiS; DA no.: RILM no.: UM no.:
Genuchi, Marvin C.
The Life and Music of Jacob French (1754-1817), Colonial American Composer. Ph.D., Music, University of Iowa, 1963. 2 vols., vii, 295 p.
DDM Code: 51woGenM; DA no.: 25/02:1247-8; RILM no.: UM no.: 64-7918
George, David Neal.
The Traité d'harmonie of Charles-Simon Catel. Ph.D., Theory, University of North Texas, 1982. 191 p.
Research director: Gene J. Cho
DDM Code: 59trGeoD; DA no.: 43/11:3451; RILM no.: UM no.: 83-07926
Gerber, Gary George.
A Conductor's Analysis of the Sacred Choral Music of Luigi Cherubini. D.M.A., Conducting, Southwestern Baptist Theological Seminary, 1993. xi, 166 p. mus. exs., thematic cat., bibliog.
DDM Code: 50ciGerG; DA no.: 54/12:4300; RILM no.: 93:10517dd; UM no.: 94-16108
Gersdorf, Lilo.
Marie Angélique Diderot und Les Leçons de Clavecin et Principes d'Harmonie von Anton Bemetzrieder. Ph.D., Musicology, Salzburg, 1993.
DDM Code: 51keGerL; DA no.: RILM no.: UM no.:
Gersthofer, Wolfgang.
Die frühen Sinfonien Mozarts. Ph.D., Musicology, Heidelberg, 1991.
Research director: Ludwig Finscher
DDM Code: 51oqGerW; DA no.: RILM no.: UM no.:
Gessele, Cynthia M.
The Institutionalization of Music Theory in France: 1764-1802. Ph.D., Musicology, Princeton University, 1989. viii, 342 p. tbls., mus. exs., append., bibliog.
Research director: Harold S. Powers
DDM Code: 59muGesC; DA no.: RILM no.: UM no.:
Gibbs, Thomas Jordan Jr.
A Study of Form in the Late Masses of Joseph Haydn. Ph.D., Musicology, University of Texas at Austin, 1972. xvii, 378 p. illus., tbls., append., bibliog.
DDM Code: 59srGibT; DA no.: 34/02:807; RILM no.: 72:3240dd; UM no.: 73-18,430
Gibson, Oscar Lee.
The Serenades and Divertimenti of Mozart. Ph.D., Musicology, North Texas State University, 1960. 394 p.
DDM Code: 51enGibO; DA no.: 21/03:638; RILM no.: UM no.: LC Mic 60-2791
Ginter, Anthony Francis.
The Sonatas of Pierre Gaviniès. Ph.D., Musicology, Ohio State University, 1976. xi, 374 p. plts., tbls., mus. exs., append., bibliog.
Research director: Herbert Livingston
DDM Code: 51snGinA; DA no.: 37/05:2479; RILM no.: 76:5531dd; UM no.: 76-24,600
Girdham, Jane Catherine.
Stephen Storace and the English Opera Tradition of the Late Eighteenth Century. Ph.D., Musicology, University of Pennsylvania, 1988.
DDM Code: 51opGirJ; DA no.: RILM no.: UM no.:
Glaesner, Ellen.
Strukturelemente der frühen Opera Comique, aufgezeigt an ausgewahlten Beispielen von Egidio Romualdo Duni. Ph.D., Musicology, Mainz, 1999. 285 p. illus., mus. exs., bibliog.
DDM Code: 51opGlaE; DA no.: RILM no.: 99:16308dd; UM no.: Publication: Schriften zur Musikwissenschaft, vol. 3. Mainz: Are, 1996. ISBN 3-924522-04-9.
Gleim, Elfrid.
Studien zur Sinfonie der Wiener Klassik: Die Eröffnung des 1.Satzes. Ph.D., Musicology, Erlangen, 1984.
Research director: Martin Ruhnke
DDM Code: 59srGleE; DA no.: RILM no.: UM no.:
Glick, David Alan.
The Five-Keyed Clarinet. D.M.A., Performance, University of Rochester, 1978. 150 p.
DDM Code: 53wnGliD; DA no.: RILM no.: 78:5913dd; UM no.:
Gmeiner, Josef.
Menuett und Scherzo. Ein Beitrag zur Entwicklungsgeschichte und Soziologie des Tanzsatzes in der Wiener Klassik . Ph.D., Musicology, Wien, 1976. 202 p. mus. exs.
DDM Code: 51daGmeJ; DA no.: RILM no.: 79:5623dd; UM no.: Publication: Wiener Veröffentlichungen zur Musikwissenschaft, vol. 15. Tutzing: Schneider, 1979.
Goerges, Horst.
Das Klangsymbol des Todes im dramatischen Werk Mozarts: Studien über ein klangsymbolisches Problem ... durch Bach, Händel, Gluck und Mozart. Ph.D., Musicology, Kiel, 1937. viii, 228 p.
Research director: Friedrich Blume
DDM Code: 51opGoeH; DA no.: RILM no.: UM no.: Publication: Kieler Beiträge zur Musikwissenschaft, vol. 5. Wolffenbüttel und Berlin: Kallmeyer, 1937; reprint, Munich: Walter Ricke, 1969.
Golub, Maria Majno.
Diderot e il teatro musicale. Ph.D., Music Aesthetics, University of Milan, 1985.
DDM Code: 56aeGolM; DA no.: RILM no.: UM no.:
Graham, Edward.
A Study and Edition of Six Keyboard Sonatas of Johann Wilhelm Hassler (1779). D.M.A., Performance, Indiana University, 1974. 154 p. illus., facs., mus. exs., bibliog.
DDM Code: 51keGraE; DA no.: RILM no.: 74:2291dd; UM no.:
Gramenz, Francis Lee.
John Stafford Smith, 1750-1836: An Early English Musicologist. Ph.D., Musicology, Boston University, 1987. 2 vols., x, 458 p. mus. exs., append., bibliog.
DDM Code: 51mwGraF; DA no.: RILM no.: UM no.:
Grant, Cecil Powell.
Kirnberger Versus Rameau: Toward a New Approach to Comparative Theory. Ph.D., Theory, University of Cincinnati, 1976. 350 p.
DDM Code: 59muGraC; DA no.: 37/09:5429; RILM no.: 76:1622dd; UM no.: 77-06,194
Grant, Kerry Scott.
Dr. Charles Burney as Critic and Historian of Music. Ph.D., Musicology, University of California at Berkeley, 1977. vii, 730 p. mus. exs., bibliog.
DDM Code: 51hiGraK; DA no.: RILM no.: UM no.:
Gratl, Franz.
Die vocalen kirchenmusikalischen Werke Johann Zachs (1699?/1713-1773). Philologische und stilkritische Studien, thematisches Verzeichnis. Ph.D., Musicology, Innsbruck, 2002. 2 vols., vi, 775 p. illus., tbls., mus. exs., thematic cat., append., discog., bibliog.
Research director: Tilman Seebaß
DDM Code: 51saGraF; DA no.: RILM no.: UM no.:
Additional keywords: church music
Graue, Jerald Curtis.
Muzio Clementi and the Development of Pianoforte Music in Industrial England. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1971. vi, 336 p. mus. exs., bibliog.
DDM Code: 51keGraJ; DA no.: RILM no.: 73:1865dd; UM no.:
Grave, Floyd Kersey.
The Process of Articulation in Mozart's Piano Concertos. Ph.D., Musicology, New York University, 1973. xiii, 267 p.
DDM Code: 59srGraF; DA no.: 34/08:5228; RILM no.: 73:452dd; UM no.: 74-1895
Grave, Margaret Grupp.
First-Movement Form as a Measure of Dittersdorf's Symphonic Development. Ph.D., Musicology, New York University, 1977. 2 vols., viii, 553 p. tbls., mus. exs., thematic cat., bibliog., ind.
Research director: Jan LaRue
DDM Code: 51oqGraM; DA no.: 38/12:7013; RILM no.: UM no.: 78-08,528
Graves, Charles Douglas.
The Theoretical and Practical Method for Cello by Michel Corrette: Translation, Commentary, and Comparison with Seven Other Eighteenth-Century Cello Methods. Ph.D., Musicology, Michigan State University, 1972. 2 vols., 415 p.
DDM Code: 51trGraC; DA no.: 33/02:777; RILM no.: 72:1030dd; UM no.: 72-22,221
Graziano, John Michael.
A Theory of Accent in Tonal Music of the Classic-Romantic Period. Ph.D., Theory, Yale University, 1975. vi, 248 p. tbls., mus. exs., append., bibliog.
Research director: Allen Forte
DDM Code: 59rhGraJ; DA no.: RILM no.: 75:2684dd; UM no.:
Greenan, April Nash.
The Instrumental Eingang in the Classical Era. Ph.D., Musicology, University of Maryland at College Park, 1997. 214 p. mus. exs.
Research director: Shelley G. Davis
DDM Code: 51imGreA; DA no.: 58/11:4119; RILM no.: 97:13012dd; UM no.: 98-16463 Publication: ISBN 0-591-67757-1.
Additional keywords: lead-in, cadenza
Grim, William E.
Form, Process and Morphology in the Sturm und Drang Symphonies of Franz Joseph Haydn. Ph.D., Musicology, Kent State University, 1985. iii, 347 p. tbls., mus. exs., transl., append., bibliog., ind.
Research director: Thomas Janson
DDM Code: 51oqGriW; DA no.: 47/01:13; RILM no.: 85:2094dd; UM no.: 86-04172 Publication: Haydn's Sturm und Drang Symphonies: Form and Meaning. Lewiston, NY: Mellon, 1990.
Additional keywords: analysis, intellectual history, Theodore de Wyzewa
DDM Code: 51woGriH; DA no.: 40/07:3615; RILM no.: UM no.: 80-02,561
Groat, James E. de.
Leben und Singspiele des Ignaz Umlauf. Ph.D., Musicology, Wien, 1984.
DDM Code: 51opGroJ; DA no.: RILM no.: UM no.:
Grolman, Ellen Kerry.
Cristiano Giuseppe Lidarti: Six String Quartets. D.M.A., Music History, University of Missouri, 1986. 302 p. facs., mus. exs., works lst., append.
Research director: LeRoy Pogemiller
DDM Code: 51chGroE; DA no.: 47/08:2789; RILM no.: UM no.: 86-27085
Groman, Mary Alyce.
The Mannheim Orchestra under the Leadership of Christian Cannabich. Ph.D., Musicology, University of California at Berkeley, 1979. 316 p.
DDM Code: 51oqGroM; DA no.: 41/01:12; RILM no.: 79:2649dd; UM no.: 80-14714
Grossman, E. Lary.
Fugal Procedures in the Symphonies of Joseph Haydn. Ph.D., Theory, Northwestern University, 1993. x, 225 p. tbls., mus. exs., works lst., append., bibliog.
Research director: Alan Stout
DDM Code: 59cpGroE; DA no.: 55/01:8; RILM no.: UM no.: 94-15735
Grossman, Orin Louis.
The Solo Piano Sonatas of Jan Ladislav Dussek. Ph.D., Musicology, Yale University, 1975. 258 p.
DDM Code: 51keGroO; DA no.: 36/05:2479; RILM no.: 76:10000dd; UM no.: 75-24,541
Grush, James.
A Guide to the Study of the Classical Oboe. D.M.A., Performance, Boston University, 1972. 272 p.
DDM Code: 53wnGruJ; DA no.: 33/04:1767; RILM no.: 76:14974dd; UM no.: 72-25,121
Gstrein, Reiner.
Die vokale Romanze in der Zeit von 1750-1850--Eine Gattungsbestimmung. Ph.D., Musicology, Innsbruck, 1986.
DDM Code: 51seGstR; DA no.: RILM no.: UM no.:
Guhr, Glenn D.
The Mask of the Seducer: Deceit, Disguise, and Seduction in the da Ponte Operas of Mozart. D.M.A., Vocal Performance, University of Washington, 2002. vi, 211 p. mus. exs., transl., append., bibliog.
Research director: Julian Patrick
DDM Code: 50opGuhG; DA no.: 63/11:3783; RILM no.: UM no.: 30-72091 Publication: ISBN 0-493-91952-X.
Additional keywords: Così fan tutte, Don Giovanni, Le nozze di Figaro, The Marriage of Figaro, Classical period, eighteenth century
Gülow, Heidi.
Studien zur instrumentalen Romance in Deutschland vor 1810. Ph.D., Musicology, Hamburg, 1986. 469 p. mus. exs.
DDM Code: 51imGulH; DA no.: RILM no.: 88:2832bm; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 23. Frankfurt am Main: Peter Lang, 1987.
Haag, Charles Robert.
The Keyboard Concertos of Karl Philipp Emanuel Bach. Ph.D., Music, University of California at Los Angeles, 1956. 244 p.
DDM Code: 51keHaaC; DA no.: RILM no.: UM no.: UR 2875
Haasnoot, Leendert.
Leven en werken van Pieter Hellendaal (1721-1799). Ph.D., Letters, Amsterdam, 1983. 149 p. mus. exs., bibliog., ind.
DDM Code: 50woHaaL; DA no.: RILM no.: 81:2583dd; UM no.:
Hadidian, Eileen.
Johann Georg Tromlitz's Flute Treatise: Evidences of Late Eighteenth-Century Performance Practice. D.M.A., Performance, Stanford University, 1979. 450 p. tbls., facs., mus. exs., bibliog.
DDM Code: 51tuHadE; DA no.: 40/07:3615; RILM no.: 79:2650dd; UM no.: 80-02043
Haenel, Waltraud.
Die Sinfonie von Johann Stamitz in ihrer gesellschaftlichen Bedingtheit. Ph.D., Musicology, Freiburg im Breisgau, 1974.
DDM Code: 51oqHaeW; DA no.: RILM no.: UM no.:
Hagberg, Karen A.
Cendrillon, by Daniel Steibelt: An Edition with Notes on Steibelt's Life and Operas. Ph.D., Musicology, University of Rochester, 1976. 2 vols., xiv, 689 p. illus., plts., facs., mus. exs., transcr., works lst., thematic cat., append., discog., bibliog., ind.
DDM Code: 51opHagK; DA no.: 37/05:2481; RILM no.: 76:2700dd; UM no.: