MIDDLE AGES
Completed Dissertations, including new records and records from Doctoral Dissertations in Musicology, 2d International Edition (1984) and Doctoral Dissertations in Musicology, 2d Cumulative Edition (1996), with corrections and updates
Abd el Hamid Ambar, Mohammed.
Le Problème de l'influence arabe sur les premiers troubadours. Thèse, Letters, Paris, 1947.
DDM Code: 21hiAbdM; DA no.: RILM no.: UM no.: Publication: Ethno 6 (1962): 191.
Adler, C.
Arabic Versions of the Psalter in Use in Muslim Spain. Ph.D., Musicology, University of St. Andrews, 1953.
DDM Code: 21luAdlC; DA no.: RILM no.: UM no.:
Allinger, Helen.
The Mozarabic Hymnal and Chant with Special Emphasis on the Hymns of Prudentius. S.M.D., Sacred Music, Union Theological Seminary, 1953. 233 p.
DDM Code: 21luAllH; DA no.: RILM no.: UM no.:
Aluas, Luminita Florea.
The Quatuor Principalia Musicae: A Critical Edition and Translation, with Introduction and Commentary. Ph.D., Musicology, Indiana University, 1996. 2 vols., vi, 777 p. mus. exs., transl., bibliog.
Research director: Thomas J. Mathiesen
DDM Code: 21trAluL; DA no.: 57/04:1373; RILM no.: 96:2371dd; UM no.: 96-27364
Additional keywords: John of Tewkesbury, music theory, England, Ars nova, Treyns, Franciscans, Oxford
Andrews, Frederick Sturges.
Mediaeval Modal Theory. Ph.D., Musicology, Cornell University, 1935. 210 p.
DDM Code: 29moAndF; DA no.: RILM no.: UM no.:
Antley, Bob Richard.
The Rhythm of Medieval Music: A Study in the Relationship of Stress and Quantity and a Theory of Reconstruction with a Translation of John of Garland's De mensurabilis musica. Ph.D., Musicology, Florida State University, 1977. 282 p. transl.
DDM Code: 29rhAntB; DA no.: 38/8:4435-6; RILM no.: UM no.:
Arlt, Wulf.
Ein Festoffizium des Mittelalters aus Beauvais in seiner liturgischen und musikalischen Bedeutung. Ph.D., Musicology, Basel, 1970. 2 vols., xxii, 643 p. mus. exs.
DDM Code: 21luArlW; DA no.: RILM no.: 74:4218dd; UM no.: Publication: Köln: Volk, 1970.
Artis, Anne-Marie Josèphe.
The Chansons of Thibaut, Count of Champagne and King of Navarre. Ph.D., Music History, Ohio State University, 1975. 494 p.
DDM Code: 21voArtA; DA no.: 36/6:3196; RILM no.: 76:5094dd; UM no.: 75-26,543
Aston, S. C.
The Poems of the Provençal Troubadour Peirol. Ph.D., [not specified], Cambridge University, 1940.
DDM Code: 20ltAstS; DA no.: RILM no.: UM no.:
Atchison, Mary.
The Structures and Scribes of the Chansonnier of the Oxford Bodleian MS Douce 308. Ph.D., Musicology, Monash University, 1995. 255 p. illus., bibliog.
DDM Code: 21voAtcM; DA no.: RILM no.: 99:31008dd; UM no.:
Atkinson, Charles Mercer.
The Earliest Settings of the Agnus Dei and Its Tropes. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1975. vii, 424 p. plts., tbls., mus. exs., transcr., append., bibliog.
DDM Code: 21luAtkC; DA no.: 36/8:4833-4; RILM no.: 75:3200dd; UM no.: 75-29,003
Aubrey, Elizabeth.
A Study of the Origins, History, and Notation of the Troubadour Chansonnier Paris, Bibliothèque National, f. fr. 22543. Ph.D., Musicology, University of Maryland, 1982. xiii, 458 p. tbls., facs., mus. exs., works lst., bibliog.
DDM Code: 21mcAubE; DA no.: RILM no.: UM no.:
Bagley, C. P.
The Influence of the Provençal Troubadours on the Gallego-Portugese Trovadores, 1200-1350. Ph.D., Musicology, University of Leeds, 1963.
DDM Code: 21msBagC; DA no.: RILM no.: UM no.:
Bagnall, Anne.
Musical Practices in Medieval English Nunneries. Ph.D., Musicology, Columbia University, 1975. iii, 226 p.
DDM Code: 21saBagA; DA no.: 36/5:2472; RILM no.: 76:9099dd; UM no.: 75-25,648
Bain, Jennifer L.
Fourteenth-Century French Secular Polyphony and the Problem of Tonal Structure. Ph.D., Music Theory, State University of New York at Stony Brook, 2001. xiii, 206 p. tbls., mus. exs., transcr., transl., bibliog., ind.
Research director: Sarah Fuller
DDM Code: 29poBaiJ; DA no.: RILM no.: UM no.: 30-44926
Additional keywords: Guillaume de Machaut, early music analysis, history of theory, cadences
Balasch, Rose.
Versdeklamation bei Machaut. Ph.D., Musicology, München, 1975.
DDM Code: 21cmBalR; DA no.: RILM no.: UM no.:
Balensuela, C. Matthew.
The Ars cantus mensurabilis mensurata per modos iuris (Coussemaker's Scriptores 3, Anonymous V): An Introduction, Critical Text, and English Translation with Commentary. Ph.D., Musicology, Indiana University, 1993. vii, 290 p. tbls., mus. exs., append., bibliog.
Research director: Thomas J. Mathiesen
DDM Code: 29trBalC; DA no.: RILM no.: UM no.: Publication: Greek and Latin Music Theory, vol. 10. Lincoln: University of Nebraska Press, 1994.
Ballke, Jürgen.
Untersuchungen zum 6. Buch des Speculum musicae des Jacobus von Lüttich unter besonderer Berücksichtigung der Tetrachord- und Moduslehre. Ph.D., Musicology, Hamburg, 1981.
DDM Code: 29moBalJ; DA no.: RILM no.: UM no.:
Baltzer, Rebecca.
Notation, Rhythm, and Style in the Two-Voice Notre Dame Clausula. Ph.D., Musicology, Boston University, 1974. 2 vols., 1605 p. transcr.
DDM Code: 29noBalR; DA no.: 35/1:493; 37/12:7388; RILM no.: UM no.: 74-14,204; 77-12,994
Bank, Joannes Antonius.
Tactus, Tempo and Notation in Mensural Music from the Thirteenth to the Seventeenth Century. Ph.D., Musicology, Amsterdam, 1972. 261 p. mus. exs., bibliog.
DDM Code: 29noBanJ; DA no.: 37/2:229-C; RILM no.: 72:2437dd; UM no.: 1/1475c
Barclay, Barbara Marian.
The Medieval Repertory of Polyphonic Untroped 'Benedicamus Domino' Settings. Ph.D., Musicology, University of California at Los Angeles, 1977. 2 vols., 956 p.
Research director: Gilbert Reaney
DDM Code: 21luBarB; DA no.: 38/10:5783; RILM no.: UM no.: 78-02588
Barr, Sister M. Cyrilla.
The laude francescane and the disciplinati of Thirteenth-Century Umbria and Tuscany: A Critical Study of the Cortona Codex 91. Ph.D., Musicology, Catholic University of America, 1965. 2 vols., xix, 444 p.
DDM Code: 21mcBarM; DA no.: 26/8:4709; RILM no.: UM no.: 66-312
Bartels, Kerstin.
Musik in deutschen Texten des Mittelalters. Ph.D., Musicology, Göttingen, 1997. 518 p.
Research director: K. Duwel
DDM Code: 21wrBarK; DA no.: RILM no.: 97:16979dd; UM no.: Publication: Europäische Hochschulschriften, series 1, Deutsche Sprache und Literatur, vol. 1601. Frankfurt am Main: Peter Lang, 1996. ISSN 0721-3301. ISBN 3-631-31106-0.
Barth-Wehrenalp, Renate.
Studien zu Adam de la Halle. Ph.D., Musicology, Wien, 1974.
DDM Code: 21woBarR; DA no.: RILM no.: 76:2386dd; UM no.:
Bartlett, R. J.
Gerald of Wales, 1146-1223. Ph.D., Musicology, Oxford University, 1978.
DDM Code: 21wrBarR; DA no.: RILM no.: UM no.:
Baumann, Dorothea.
Die dreistimmige italienische Lied-Satztechnik im Trecento. Ph.D., Musicology, Zürich, 1977. 2 vols., ix, 123 p. tbls., facs., mus. exs., transcr., works lst., append., bibliog., ind.
DDM Code: 21voBauD; DA no.: RILM no.: UM no.:
Baxter, Glen William.
Hua-Chien Chi: Songs of Tenth-Century China. A Study of the First Tz'u Anthology. Ph.D., Ethnomusicology, Harvard University, 1952. 317 p. mus. exs., transcr., bibliog.
DDM Code: 22voBaxG; DA no.: RILM no.: UM no.: Publication: Ethno 6 (1962): 192.
Becker, Hansjakob.
Das Tonale Guigos I. Ein Beitrag zur Geschichte des liturgischen Gesanges und der Ars musica im Mittelalter. Ph.D., Musicology, München, 1975. 283 p.
DDM Code: 21saBecH; DA no.: RILM no.: 76:5096dd; UM no.:
Bell, Nicolas J.
The Compilation and Notational Style of the Las Huelgas Codex. Ph.D., Musicology, Cambridge University, 2000. 234 p. tbls., facs., mus. exs., transcr., bibliog., ind.
Research director: Susan Rankin
DDM Code: 21noBelN; DA no.: RILM no.: UM no.:
Additional keywords: mensural notation, Franco of Cologne
Bellingham, Jane.
The Development of Musical Thought in the Medieval West from Late Antiquity to the Mid-Ninth Century. Ph.D., Musicology, Oxford University, 1999. vii, 253 p. bibliog.
DDM Code: 21phBelJ; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D206845.
Benedum, Richard Paul.
Ornamentation in the Faenza Codex. D.M.A., Performance, University of Oregon, 1972. vi, 310 p. tbls., mus. exs., bibliog.
DDM Code: 21otBenR; DA no.: 33/9:5220; RILM no.: 76:9102dd; UM no.: 73-07,863
Bent, Ian D.
The Early History of the English Chapel Royal, ca. 1066-1327. Ph.D., Musicology, Cambridge University, 1969. 2 vols., xxiv, 717 p. illus., facs., mus. exs., bibliog., ind.
DDM Code: 21mvBenI; DA no.: RILM no.: 70:1563dd; UM no.:
Bent, Margaret H.
The Old Hall Manuscript: A Paleographic Study. Ph.D., Musicology, Cambridge University, 1969. xi, 449 p. facs., mus. exs., bibliog., ind.
DDM Code: 21mcBenM; DA no.: RILM no.: 70:1565dd; UM no.:
Berendes, Sister M. Benedicta.
The Versus and Its Use in the Medieval Roman Liturgy. Ph.D., Musicology, University of Pittsburgh, 1973. viii, 198 p. illus., tbls., mus. exs., append., bibliog.
DDM Code: 21luBerM; DA no.: 34/9:6017; RILM no.: 73:1686dd; UM no.: 74-7030
Berger, Christian.
Hexachord, Mensur und Textstruktur: Studien zum französischen Lied des 14. Jahrhunderts. Hab., Musicology, Kiel, 1989. 305 p. facs., mus. exs., transcr.
DDM Code: 21seBerC; DA no.: RILM no.: 92:9876bm; UM no.: Publication: Beihefte zum Archiv für Musikwissenschaft, vol. 35. Stuttgart: Steiner, 1992. ISBN 3-515-06097-9.
Betts, Jane Colville.
The Marriage of Music and Rhetoric: A Study of the Use of Classical Rhetoric as a Rationale for Musical Innovation during the Middle Ages and the Renaissance. Ph.D., Musicology, University of Minnesota, 1972. 296 p.
DDM Code: 21cmBetJ; DA no.: 33/5:2315-6; RILM no.: UM no.: 72-27,832
Bezuidenhout, Morné Pierre.
New Roman Chant in the Grey Collection of the South African Library, Manuscript Grey 6B2. D.M., Musicology, University of South Africa, 1991.
DDM Code: 21mcBezM; DA no.: RILM no.: 99:27147dd; UM no.:
Bielitz, Mathias.
Musik und Grammatik. Studien zur frühmittelalterlichen Musiktheorie. Ph.D., Musicology, Heidelberg, 1974.
DDM Code: 29muBieM; DA no.: RILM no.: 76:309dd; UM no.:
Binford-Walsh, Hilde Marga.
The Melodic Grammar of Aquitanian Tropes. Ph.D., Musicology, Stanford University, 1992. 243 p.
Research director: William Mahrt
DDM Code: 29meBinH; DA no.: 53/09:3032; RILM no.: 92:11174dd; UM no.: 93-02177
Bjork, David Albert.
The Kyrie Repertory in Aquitanian Manuscripts of the Tenth and Eleventh Centuries. Ph.D., Music, University of California at Berkeley, 1976. 2 vols., vii, 672 p. tbls., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 21luBjoD; DA no.: 38/2:535; RILM no.: 76:5101dd; UM no.: 77-15,611
Boletta, William Louis.
The Role of Music in Medieval German Drama: Easter Plays and Passion Plays. Ph.D., Literature, Vanderbilt University, 1967. 225 p.
DDM Code: 21drBolW; DA no.: RILM no.: 70:223dd; UM no.:
Bonge, Dale Jay.
The Theory and Practice of Measure in Medieval Polyphony to the Ars Nova. Ph.D., Musicology, University of Michigan, 1975. viii, 167 p. illus., facs., mus. exs., bibliog.
DDM Code: 29miBonE; DA no.: 36/3:1152; RILM no.: 76:9105dd; UM no.: 75-20,300
Bonse, Billee A.
"Singing to another tune": Contrafacture and Attribution of Troubadour Song. Ph.D., Musicology, Ohio State University, 2003. xiv, 286 p. illus., tbls., facs., mus. exs., transcr., transl., append., bibliog.
Research director: Charles M. Atkinson
DDM Code: 21voBonB; DA no.: 65/01:13; RILM no.: UM no.: 31-19222 Publication: ISBN 978-0-496-66620-1.
The Cathedral of Verona as a Musical Center in the Middle Ages: Its History, Manuscripts, and Liturgical Practice. Ph.D., Musicology, University of Chicago, 1983.
DDM Code: 21saBorJ; DA no.: 44/07:1965; RILM no.: 83:4638dd; UM no.: T-28788
Bösch-Niederer, Annemarie.
Quellen und Forschungen zum Musikleben der mittelalterlichen Diözese Gurk. Ph.D., Philosophy, Wien, 1982. 305 p.
DDM Code: 26soBosA; DA no.: RILM no.: 82:251dd; UM no.:
Bower, Calvin M.
Boethius, The Principles of Music, an Introduction, Translation and Commentary. Ph.D., Musicology, George Peabody College, 1967. 518 p. transl.
DDM Code: 29trBowC; DA no.: 28/6:2279; RILM no.: 76:9106dd; UM no.: 67-15,005
Boyce, James John.
Cantica Carmelitana: The Chants of the Carmelite Office. Ph.D., Musicology, New York University, 1984. 2 vols., 929 p. mus. exs.
DDM Code: 21luBoyJ; DA no.: 46/01:11; RILM no.: 84:1012dd; UM no.: 85-05471
Boynton, Susan Leslie.
Glossed Hymns in Eleventh-Century Continental Hymnaries. Ph.D., Musicology, Brandeis University, 1997. 764 p.
Research director: Jessie Ann Owens
DDM Code: 21luBoyS; DA no.: 58/01:18; RILM no.: 97:2213dd; UM no.: 97-18573
Liturgical Ceremony at the Cathedral of Lucca, 1275-1500. Ph.D., Musicology, Yale University, 2006. 338 p.
Research director: Craig Wright
DDM Code: 21luBraB; DA no.: 67/04; RILM no.: UM no.: 32-14180 Publication: ISBN 9780542651267.
Additional keywords: plainchant, Tuscany, San Martino, Bishop Paganello, St. Martin, St. Regulus, John Hothby
Brewer, Charles E.
The Introduction of the Ars nova into East Central Europe: A Study of Late Medieval Polish Sources. Ph.D., Music, City University of New York, 1984. 2 vols., xv, 617 p. illus., tbls., facs., mus. exs., append., bibliog.
DDM Code: 21soBreC; DA no.: RILM no.: UM no.:
Brockett, Clyde W. Jr.
Antiphons, Responsories, and Other Chants of the Mozarabic Rite. Ph.D., Musicology, Columbia University, 1965. 2 vols., xiii, 407 p.
DDM Code: 21luBroC; DA no.: 26/5:2790-10; RILM no.: UM no.: 65-11,077
Brockhurst, B. J.
Bartholomew Anglicus: De proprietatibus rerum. Ph.D., Musicology, Westfield, London, 1952.
DDM Code: 29trBroB; DA no.: RILM no.: UM no.:
Brown, Terry David.
Songs for the Saints of the Schism: Liturgies for Vincent Ferrer and Catherine of Siena. Ph.D., Musicology, University of Toronto, 1995. 721 p.
Research director: Andrew Hughes
DDM Code: 21luBroT; DA no.: 56/12:4599; RILM no.: 99:19890dd; UM no.: NN-02713 Publication: ISBN 0-612-02713-9.
Browne, Alma Colk.
Medieval Letter Notations: A Survey of the Sources. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1979. 424 p. facs., append., bibliog.
DDM Code: 29noBroA; DA no.: 40/10:5239; RILM no.: UM no.: 80-89,980
Brumana, Biancamaria.
Le musiche nei jeux-partis francesi. Ph.D., Musicology, Perugia, 1970.
DDM Code: 21voBruB; DA no.: RILM no.: 77:2351dd; UM no.:
Brunner, Lance William.
The Sequences of Verona, Biblioteca Capitolare CVII and the Italian Sequence Tradition. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1977. 2 vols., xvi, 320 p. tbls., facs., mus. exs., transcr., bibliog.
DDM Code: 21luBruL; DA no.: 38/11:6385; RILM no.: 76:302dd; UM no.: 78-07,117
Brunner, Sybylle.
Die Notre-Dame Organa der Handschrift W2. Ph.D., Musicology, München, 1980.
DDM Code: 21luBruS; DA no.: RILM no.: UM no.: Publication: Münchner Veröffentlichungen zur Musikgeschichte, 1980.
Buckley, Ann I.
A Study of Old French Lyric Lais and Descorts and Related Latin Song to c. 1300. Ph.D., Musicology, Cambridge University, 1990. 1335 p. bibliog.
DDM Code: 21seBucA; DA no.: RILM no.: 00:53900dd; UM no.:
Burt, Amanda S.
The Alleluias in the Manuscript Paris, Bibliothèque nationale, f. lat. 903. Ph.D., Musicology, Catholic University of America, 1969. 233 p.
DDM Code: 21luBurA; DA no.: 30/2:749; RILM no.: 69:482dd; UM no.: 69-138501
Busch, Richard von.
Untersuchungen zum byzantinischen Heirmologion der Echos Deuteros. Ph.D., Musicology, Hamburg, 1969. 415 p. facs., mus. exs., bibliog., ind.
DDM Code: 29moBusR; DA no.: RILM no.: 70:2739dd; UM no.:
Bush, Helen Evelyn.
The Emergence of the Chordal Concept in the Polyphonic Period. Ph.D., Musicology, Cornell University, 1939. 265 p.
DDM Code: 29hoBusH; DA no.: RILM no.: UM no.: Publication: Abstracts of Theses, Cornell University, 1939.
Büttner, Fred.
Klang und Konstruktion in der englischen Mehrstimmigkeit des 13. Jahrhunderts. Ein Beitrag zur Erforschung der Stimmtauschkompositionen in den Worcester-Fragmenten. Ph.D., Musicology, München, 1988.
Research director: Marie Louise Göllner
DDM Code: 21cmButF; DA no.: RILM no.: UM no.:
Cain, Elizabeth Ann.
English Chant Tradition in the Late Middle Ages: The Introits and Graduals of the Temporale in the Sarum Gradual. Ph.D., Musicology, Harvard University, 1982. 317 p.
DDM Code: 21luCaiE; DA no.: 43/05:1338; RILM no.: UM no.: 82-22601
Calella, Michele.
Musikalische Autorschaft: Der Komponist zwischen Mittelalter und Neuzeit. Hab., Historical Musicology, Zürich, 2003. 427 p. plts., tbls., transl., bibliog.
Research director: Laurenz Lütteken
DDM Code: 21tgCalM; DA no.: RILM no.: UM no.:
Carlson, Rachel Golden.
Devotion to the Virgin Mary in Twelfth-Century Aquitanian Versus. Ph.D., Musicology, University of North Carolina at Chapel Hill, 2000. 594 p. tbls., transcr., transl., bibliog.
Research director: John Nádas
DDM Code: 21reCarR; DA no.: 61/07:2508; RILM no.: UM no.: 99-79429
Additional keywords: early polyphony, St. Martial, Limoges
Carpenter, Nan Cooke.
Music in the Medieval and Renaissance Universities. Ph.D., History of Music, Yale University, 1948. 2 vols., 581 p.
DDM Code: 24edCarN; DA no.: RILM no.: UM no.:
Casey, Sara G.
Songs for the Peregrini: Proper Chants for Irish Saints as Found in Continental Manuscripts of the Middle Ages. Ph.D., Historical Musicology, University of Pittsburgh, 2003. xiv, 562 p. illus., tbls., mus. exs., transcr., append., bibliog.
Research director: Mary Lewis
DDM Code: 21luCasS; DA no.: RILM no.: UM no.:
Additional keywords: medieval Ireland and Europe, Irish church, sequences, Gallican chant, Gregorian chant, Analecta yymnica medii aevi
Chartier, Yves.
La Musica d'Hucbald de Saint-Amand. Introduction, établissement du texte, traduction et commentaire. Doct., Musicology, Paris, 1972. 2 vols., xxi, 270 p. illus., plts., tbls., facs., mus. exs., transcr., transl., works lst., append., bibliog., ind.
DDM Code: 29trChaY; DA no.: RILM no.: 73:218dd; UM no.:
Chwalek, Jan.
Zabytki cheironomiczne Biblioteki Uniwersyteckie we Wroclawiu [The Cheironomical Sources in the University Library of Wroclaw]. Ph.D., Theology, Catholic University of Lublin, 1964.
DDM Code: 21mcChwJ; DA no.: RILM no.: UM no.:
Clark, Alice V.
Concordare cum materia: The Tenor in the Fourteenth-Century Motet. Ph.D., Music History, Princeton University, 1996. xii, 304 p. tbls., mus. exs., append., bibliog.
Research director: Margaret Bent
DDM Code: 21cmClaA; DA no.: RILM no.: UM no.:
Additional keywords: Machaut, Ivrea
Clarkson, G. Austin Elliott.
On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. Ph.D., Musicology, Columbia University, 1970. 334 p.
DDM Code: 21voClaG; DA no.: 32/1:473; RILM no.: 76:9111dd; UM no.: 71-17,475
Collamore, Lila D.
Aquitanian Collections of Office Chants: A Comparative Survey. Ph.D., Musicology, Catholic University of America, 2000. 2 vols., xviii, 650 p. illus., tbls., mus. exs., transcr., append., bibliog.
Research director: Ruth Steiner
DDM Code: 21luColL; DA no.: RILM no.: UM no.: 99-86786
Additional keywords: medieval chant, liturgy, southern France and Spain
Colton, Donald D.
The Conducti of Ms. Madrid 20486. Ph.D., Musicology, Indiana University, 1964. 292 p.
DDM Code: 21voColD; DA no.: 26/4:2250; RILM no.: UM no.: 65-3471
Colton, Lisa Marie.
Music and Sanctity in England,c.1260-c.1400. Ph.D., Musicology, University of York, 2003.
Research director: Nicky Losseff
DDM Code: 21mcColL; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DX234758.
The Introits of the Old Roman Chant. Ph.D., Music, Harvard University, 1972. v, 572 p.
DDM Code: 21luConT; DA no.: RILM no.: 76:9118dd; UM no.:
Connor, Kimberly Jane.
Machaut's Formes fixes: Towards a Nidus for Structure. Ph.D., Musicology, University of Southampton, 1999.
Research director: Daniel Leech-Wilkinson
DDM Code: 21stConK; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DX225561.
Conomos, D. E.
Byzantine Trisagia and Cheroubike in the Fourteenth and Fifteenth Centuries: A Study of Late Byzantine Chant. Ph.D., Musicology, Lincoln, Oxford, 1972.
DDM Code: 21luConD; DA no.: RILM no.: UM no.:
Constantinides, C. N.
Higher Education in Byzantium in the Thirteenth and Early Fourteenth Centuries. Ph.D., [not specified], King's College, University of London, 1979.
DDM Code: 24edConC; DA no.: RILM no.: UM no.: Publication: Texts and Studies of the History of Cyprus, vol. 11. Nicosia: Cyprus Research Center, 1982.
Cook, James Heustis.
Manuscript Transmission of Thirteenth-Century Motets. Ph.D., Musicology, University of Texas at Austin, 1978. 2 vols., xii, 847 p. tbls., mus. exs., append., bibliog.
DDM Code: 21mcCooJ; DA no.: 40/4:1914; RILM no.: UM no.: 78-17,625
Coplestone-Crow, Natasha.
Philippe de Vitry and the Development of the Early Fourteenth-Century Motet. Ph.D., Early Music/Medieval Music, University of Southampton, 1997. 2 vols., x, 202 p. plts., tbls., facs., mus. exs., transcr., bibliog.
Research director: Daniel Leech-Wilkinson
DDM Code: 21cmCopN; DA no.: RILM no.: UM no.:
The Style of the Notre Dame Conductus. Ph.D., Musicology, Indiana University, 1980. 1028 p.
DDM Code: 29stCorV; DA no.: 41/03:841; RILM no.: 80:330dd; UM no.: 80-20022
Cosart Johnson, Jann.
The Monophonic Tropes in the Tenth Fascicle of Manuscript Wolfenbüttel, Herzog August Bibliotek, 628 Helmstadiensis: An Edition with Commentary. D.M., Early Music, Indiana University, 1999. 138 p. transcr.
Research director: Wendy Gillespie
DDM Code: 21mcCosJ; DA no.: RILM no.: UM no.:
Additional keywords: Notre Dame School, Sanctus tropes, Agnus Dei tropes, Magnus Liber, St. Andrews
Crane, Frederick Baron.
A Study of Theoretical Writings on Musical Form to ca. 1460. Ph.D., Musicology, University of Iowa, 1960. viii, 310 p.
DDM Code: 29srCraF; DA no.: 21/7:1962; RILM no.: UM no.: LC Mic 60-5645
Crocker, Richard Lincoln.
The Repertoire of Proses at Saint Martial de Limoges (Tenth and Eleventh Centuries). Ph.D., History of Music, Yale University, 1957. 2 vols., 546 p.
DDM Code: 21luCroR; DA no.: 28/10:4198; RILM no.: UM no.: 68-4915
Curry, Robert M.
Fragments of Ars antiqua Music at Stary Sacz and the Evolution of the Clarist Order in Central Europe in the Thirteenth Century. Ph.D., Musicology, Monash University, 2003. xii, 274 p. plts., tbls., mus. exs., transcr., transl., works lst., bibliog.
Research director: Constant Mews and Carol Williams
DDM Code: 21mcCurR; DA no.: RILM no.: UM no.:
Additional keywords: Notre-Dame polyphony, Latin motets, conductus, Philip the Chancellor
Cuthbert, Michael Scott.
Trecento Fragments and Polyphony beyond the Codex. Ph.D., Musicology, Harvard University, 2006. xxxiv, 555 p. illus., plts., tbls., facs., mus. exs., transcr., append., bibliog.
Research director: Thomas Forrest Kelly
DDM Code: 21mcCutM; DA no.: RILM no.: UM no.: Publication: http://myke.trecento.com/dissertation/.
The Old-Roman Responsories of Mode 2. Ph.D., Musicology, Princeton University, 1969. iv, 389 p. tbls., mus. exs., append., bibliog.
DDM Code: 21luCutP; DA no.: 30/11:5012; RILM no.: 69:3451dd; UM no.: 70-8358
Czagány, Zsuzsa.
A középkori prágai officium liturgiai és zenei vizsgálata [Research into Liturgy and Music of the Medieval Prague Office]. Ph.D., Musicology, Ferenc Liszt Academy of Music (State University), 2002. iv, 234 p. tbls., mus. exs., transcr., bibliog.
Research director: László Dobszay
DDM Code: 21saCzaZ; DA no.: RILM no.: UM no.:
Additional keywords: plainchant, codicology, office repertory, ferial antiphons, early prose and versified historiae, chant transmission, Cathedral of Saint Vitus in Prague
Czernin, Martin.
Das Breviarium Monasticum Codex 290 (183) der Bundesstaatlichen Studienbibliothek in Linz. Ph.D., Musicology, Wien, 1993.
DDM Code: 21mcCzeM; DA no.: RILM no.: UM no.:
Dangel, Frohmut.
Frühgeschichte des mehrstimmigen Introitus. Ph.D., Musicology, Würzburg, 1977.
DDM Code: 21luDanF; DA no.: RILM no.: 76:5179dd; UM no.:
Davis, N. M.
The Playing of Miracles in England between c.1350 and the Reformation. Ph.D., Musicology, Cambridge University, 1977.
DDM Code: 21drDavN; DA no.: RILM no.: UM no.:
Desby, Frank Harry.
The Modes and Tuning in Neo-Byzantine Chant. D.M.A., Performance, University of Southern California, 1974. 415 p.
DDM Code: 29moDesF; DA no.: 35/6:3791; RILM no.: 76:17148; UM no.: 74-28,432
Deusen, Nancy M.Van.
An Historical and Stylistic Comparison between the Graduals of Gregorian and Old Roman Chant. Ph.D., Musicology, Indiana University, 1972. 415 p. facs., mus. exs., bibliog.
DDM Code: 21luDeuN; DA no.: RILM no.: UM no.:
DeWitt, Patricia Alice.
A New Perspective on Johannes de Grocheo's Ars musicae. Ph.D., Musicology, University of Michigan, 1973. iv, 262 p. tbls., transcr.
DDM Code: 29trDewP; DA no.: 34/8:5226; RILM no.: UM no.: 74-3609
Dolan, Diane Marie.
Le drame liturgigue de Pâques en Normandie et en Angleterre au moyen âge. Doct., Musicology, Poitiers, 1972. viii, 204 p. illus., plts., facs., mus. exs., append., bibliog., ind.
DDM Code: 21drDolD; DA no.: RILM no.: 76:2397dd; UM no.:
Dömling, Wolfgang.
Die mehrstimmigen Balladen, Rondeaux und Virelais von Guillaume de Machaut. Untersuchen zum musikalischen Satz. Ph.D., Musicology, München, 1967. 142 p. mus. exs.
DDM Code: 29srDomW; DA no.: RILM no.: 69:495dd; UM no.: Publication: Tutzing: Schneider, 1968.
Doukhan, Lilianne.
The Music of the Middle Ages in Selected French Music Histories at the Turn of the Twentieth Century (1895-1915): A Comparative and Critical Study. Ph.D., Musicology, Michigan State University, 1996. 357 p.
Research director: C. Donakowski
DDM Code: 21hiDouL; DA no.: 57/05:1899; RILM no.: 96:1945dd; UM no.: 96-31260
Douteil, Herbert Heinrich.
Studien zu Durantis Rationale divinorum officiorum ais kirchenmusikalischer Quelle. Ph.D., Musicology, Köln, 1969. xl, 428 p. mus. exs., bibliog., ind.
DDM Code: 21luDouH; DA no.: RILM no.: 69:497dd; UM no.:
Downie, Margaret Anne.
The Rebec: An Orthographic and Iconographic Study. Ph.D., Musicology, West Virginia University, 1981. 2 vols., xix, 651 p. illus., plts., tbls., mus. exs., transcr., bibliog.
DDM Code: 23snDowM; DA no.: 42/12:4967; RILM no.: 81:1515dd; UM no.: 82-07522
Doyle, Alicia Mee.
The Repertory of Tropes in Paris, Bibliotheque Nationale fonds Latin 1118: A Comparative Study of Tenth-Century Aquitanian Concordances and Transmission. Ph.D., Musicology, University of California at Santa Barbara, 2000. 592 p.
Research director: Alejandro Planchart
DDM Code: 21luDoyA; DA no.: 62/07:2279; RILM no.: 00:8577dd; UM no.: 30-20266 Publication: ISBN 0-493-31323-0.
Additional keywords: aquitanian chant
Dubowchik, Rosemary.
A Chant for Feasts of the Holy Cross in Jerusalem, Byzantium, and Medieval Europe. Ph.D., Musicology, Princeton University, 1993. xi, 168 p. tbls., mus. exs., bibliog.
Research director: Kenneth Levy
DDM Code: 21luDubR; DA no.: RILM no.: UM no.:
Dürrer, Martin.
Altitalienische Lauden--Das einstimmige Repertoire der Handschriften Cortona, Biblioteca Comunale Ms. 91 und Florenz Ms. B.R. 18. Ph.D., Musicology, Bochum, 1993.
DDM Code: 21saDurM; DA no.: RILM no.: UM no.:
Dutka, JoAnna.
The Use of Music in the English Mystery Plays. Ph.D., Medieval Studies, University of Toronto, 1972. xii, 265 p. illus., mus. exs., bibliog.
DDM Code: 21drDutJ; DA no.: 34/8:5098; RILM no.: UM no.:
Dyer, Joseph Henry.
The Offertories of Old-Roman Chant: A Musico-Liturgical Investigation. Ph.D., Musicology, Boston University, 1971. xiii, 342 p. tbls., mus. exs., append., bibliog.
DDM Code: 21luDyeJ; DA no.: 32/4:2118; RILM no.: 71:236dd; UM no.: 71-26,401
Earp, Lawrence M.
Scribal Practice, Manuscript Production and the Transmission of Music in Late Medieval France: The Manuscripts of Guillaume de Machaut. Ph.D., Music History, Princeton University, 1983. 474 p. mus. exs., works lst., bibliog.
DDM Code: 21mcEarL; DA no.: 44/04:904; RILM no.: 83:3863dd; UM no.: 83-18466
Eden, Bradford Lee.
The Thirteenth-Century Sequence Repertory of the Sarum Use. Ph.D., Musicology, University of Kansas, 1991. xi, 208 p. tbls., mus. exs., transcr., append., bibliog.
Research director: Daniel T. Politoske
DDM Code: 21luEdeB; DA no.: RILM no.: UM no.:
El Kholy, Si A.
The Function of Music in Islamic Culture (in the Period up to A.D. 1100). Ph.D., Musicology, Edinburgh, 1954.
DDM Code: 22myElkS; DA no.: RILM no.: UM no.: Publication: Ethno 6 (1962): 196.
Elcoat, G.
Le roman d'Aiquin, Chanson de geste of the Twelfth Century: A Critical Edition Based on MS 2233 (fonds français) in the Bibliothèque Nationale at Paris. Ph.D., Musicology, University of Leeds, 1953.
DDM Code: 21seElcG; DA no.: RILM no.: UM no.:
Ellinwood, Leonard Webster.
The Works of Francesco Landini. Ph.D., Musicology, University of Rochester, 1936. 2 vols., 87 p. mus. exs., transcr.
DDM Code: 21woEllL; DA no.: RILM no.: UM no.:
Ellsworth, Oliver Bryant.
The Berkeley Manuscript (olim Phillipps 4450): A Compendium of Fourteenth-Century Music Theory. Ph.D., Musicology, University of California at Berkeley, 1969. 2 vols., ix, 418 p. mus. exs., transl., append., bibliog.
DDM Code: 29trEllO; DA no.: 31/2:783; RILM no.: 76:9125dd; UM no.: 70-13,044 Publication: Greek and Latin Music Theory, vol. 2. Lincoln: University of Nebraska Press, 1984.
Engels, Stefan.
Das Antiphonar von St. Peter in Salzburg Cod. ÖNB Ser. nov. 2700 und die Skriptorien der Stadt Salzburg im 12. Jahrhundert: Eine musikwissenschaftliche Studie. Ph.D., Musicology, Salzburg, 1988. 264 p. mus. exs., bibliog.
DDM Code: 21mcEngS; DA no.: RILM no.: 88:1599dd; UM no.: Publication: Beiträge zur Geschichte der Kirchenmusik, no. 2. Paderborn: Schoningh, 1994.
Epstein, Marcy J.
'Prions en chantant': An Edition With Commentary of the Old French Devotional Songs in the Manuscripts Paris, Bibliotheque Nationale Fr. 24406 and Bibliotheque Nationale N.A. Fr. 1050. Ph.D., Medieval Studies, University of Toronto, 1981.
DDM Code: 21saEpsM; DA no.: 42/10:4480; RILM no.: UM no.: NK-58377 Publication: ISBN 0-315-10461-9.
Erickson, Raymond F.
Rhythmic Problems and Melodic Structure in Organum Purum: A Computer-Assisted Study. Ph.D., Music, Yale University, 1970. 3 vols., xiii, 396 p. illus., tbls., facs., append., bibliog., ind.
DDM Code: 29srEriR; DA no.: 31/12:6645-6; RILM no.: 70:228dd; UM no.: 71-16,231
Erwin, Stuart Mark.
The Motets of the LoD Manuscript, British Museum Add. 27630: Performance Edition and Commentary. Ph.D., Musicology, University of California at Santa Barbara, 1980. 144 p.
DDM Code: 21mcErwS; DA no.: 42/4:1363; RILM no.: 80:4423dd; UM no.: 81-20748
Escudier, Denis.
Le Scriptorium de Saint-Vaast d'Arras, des origines au XIIème siècle. Contribution à l'étude des notations neumatiques au nord de la France. Diplôme, Paleography, École des Chartes, Paris, 1970. 3 vols., 350 p. facs., mus. exs., bibliog., ind.
DDM Code: 21noEscD; DA no.: RILM no.: 70:1127dd; UM no.:
Evans, G. R.
St. Anselm and the Artes: The Influence of the Study of the Liberal Arts on the Thought of St. Anselm. Ph.D., History, University of Reading.
DDM Code: 20aeEvaG; DA no.: RILM no.: UM no.:
Evans, Paul R.
The Early Trope Repertory of Saint-Martial de Limoges. Ph.D., Music, Princeton University, 1964. 2 vols., xvii, 214 p.
DDM Code: 21luEvaP; DA no.: 25/9:5318-9; RILM no.: UM no.: 65-48
Evans, Roger William.
Amalarius of Metz and the Singing of the Carolingian Offices. Ph.D., Musicology, City University of New York, 1977. 147 p.
DDM Code: 21luEvaR; DA no.: 38/3:1094-5; RILM no.: UM no.: 77-19,546
Everist, Mark Egerton.
Polyphonic Music in Thirteenth-Century France: Aspects of Sources and Distribution. Ph.D., Music, Keeble College, Oxford University, 1985. 2 vols., xiv, 398 p. illus., plts., tbls., facs., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 21soEveM; DA no.: RILM no.: UM no.:
Falck, Robert Alan.
The Structure of the Polyphonic and Monophonic Conductus Repertories: A Study of Source Concordances and Their Relation to the Chronology and Provenance of Musical Styles. Ph.D., Musicology, Brandeis University, 1970. 3 vols., xviii, 416 p. tbls., mus. exs., bibliog.
DDM Code: 21voFalR; DA no.: 31/6:2954; RILM no.: 76:9126dd; UM no.: 70-24,626
Falkenroth-Steinbach, Christoph.
Die Musica Speculativa des Johannes de Muris: Kommentar zur Überlieferung und kritische Edition. Ph.D., Musicology, Freiburg, 1991. 320 p. illus., tbls., bibliog., ind.
DDM Code: 29trFalC; DA no.: RILM no.: 92:1796dd; UM no.: Publication: Beihefte zum Archiv für Musikwissenschaft, vol. 34. Stuttgart: Steiner, 1992. ISBN 3-515-06005-7.
Farmer, Stephen James.
The Texts and Melodies of the Gregorian Graduals and Milanese psalmelli. Ph.D. , Musicology, Cambridge University, 1992.
DDM Code: 21saFarS; DA no.: RILM no.: UM no.:
Fässler, Ewald.
Die Kadenzen der weltlichen französischen Musik von Machaut bis Dufay. Ph.D., Musicology, Innsbruck, 1973.
DDM Code: 29srFasE; DA no.: RILM no.: UM no.:
Fassler, Margot Elsbeth.
Musical Exegesis in the Sequences of Adam and the Canons of St. Victor. Ph.D., Musicology, Cornell University, 1983. 341 p.
DDM Code: 21luFasM; DA no.: 44/11:3198; RILM no.: 83:320dd; UM no.: 83-28706
Fellin, Eugene Constant.
A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce. Ph.D., Musicology, University of Wisconsin, 1970. 4 vols., xxxv, 522 p.
DDM Code: 21voFelE; DA no.: 31/1l:6097; RILM no.: 70:3011dd; UM no.: 70-24,689
Ferguson, Linda Carol.
Music in Chaucer: Troilus and the Dream Poems. D.M.A., Music History and Literature, University of Missouri at Kansas City, 1978. xii, 320 p. mus. exs., bibliog.
DDM Code: 21ltFerL; DA no.: RILM no.: UM no.:
Fickett, Martha Van Zandt.
Chants for the Feast of St. Martin of Tours. Ph.D., Musicology, Catholic University of America, 1983.
Research director: Ruth Steiner
DDM Code: 21luFicM; DA no.: RILM no.: UM no.:
Fladt, Ellinore.
Der Musikauffassung des Johannes de Grocheo im Kontext der hochmittelalterlichen Aristoteles-Rezeption. Ph.D., Musicology, Technische Universität, Berlin, 1981. 237 p.
DDM Code: 29muFlaE; DA no.: RILM no.: 81:2363dd; UM no.:
Fleming, Keith Allan.
The Editing of Some Communion Melodies in Medieval Chant Manuscripts. Ph.D., Musicology, Catholic University of America, 1979. 160 p. transcr., bibliog.
DDM Code: 21luFleK; DA no.: 40/03:1141; RILM no.: 79:2397dd; UM no.: 79-20544
Flindell, Edwin Frederick III.
The Achievements of the Notre Dame School. Ph.D., Theory, University of Pennsylvania, 1959. 464 p.
DDM Code: 21msFliE; DA no.: 20/6:2323; RILM no.: UM no.: LC Mic 59-4616
Flynn, William T.
Paris, Bibliothèque de l'Arsenal, MS 1169: The Hermeneutics of Eleventh-Century Burgundian Tropes, and Their Implications for Liturgical Theology. Ph.D., Theology, Duke University, 1992. 459 p. illus., tbls., mus. exs., transcr., transl., append., bibliog., ind.
Research director: Geoffrey Wainwright
DDM Code: 21mcFlyW; DA no.: 53/07:2421; RILM no.: UM no.: 92-37857
Foster, Genette.
The Iconology of Musical Instruments and Musical Performance in Thirteenth-Century French Manuscript Illuminations. Ph.D., Musicology, City University of New York, 1977. v, 249 p. plts., tbls., works lst., append., bibliog.
DDM Code: 21icFosG; DA no.: 33/6:3128; RILM no.: 76:136dd10; UM no.: 77-27,623
Fowler, Maria Vedder.
Musical Interpolations in Thirteenth- and Fourteenth-Century French Narratives. Ph.D., Music History, Yale University, 1979. 2 vols., xi, 559 p. tbls., mus. exs., transcr., append., bibliog.
DDM Code: 21voFowM; DA no.: 40/06:2968; RILM no.: 79:2398dd; UM no.: 79-27625
Frasch, Cheryl Crawford.
Notation as a Guide to Modality in the Offertories of Paris, B.N. Lat.903. Ph.D., Musicology, Ohio State University, 1986. 2 vols., viii, 472 p. bibliog.
Research director: Richard Hoppin
DDM Code: 21luFraC; DA no.: 47/03:705; RILM no.: UM no.: 86-12367
Freire-Nunes, Irène.
Voix et représentation de la femme dans la poésie de trobairitz et dans les cantigas d'amigo. Ph.D, Music, Paris, 1982.
DDM Code: 20ltFreI; DA no.: RILM no.: 82:2205dd; UM no.:
Freistadt, Gesine.
Zur Abhängigkeit der Liederhandschriften Kolmar und Donaueschingen. Ph.D., Musicology, Göttingen, 1967. 2 vols., 463 p.
DDM Code: 21mcFreG; DA no.: RILM no.: 76:2400dd; UM no.:
Frobenius, Wolf.
Johannes Boens Musica und seine Konsonanzenlehre. Ph.D., Musicology, Freiburg im Breisgau, 1968. 2 vols., 267 p.
DDM Code: 29trFroW; DA no.: RILM no.: 76:320dd; UM no.:
Fuller, Sarah Ann.
Aquitanian Polyphony of the Eleventh and Twelfth Centuries. Ph.D., Musicology, University of California at Berkeley, 1969. 3 vols., vii, 901 p. plts., mus. exs., append., bibliog.
DDM Code: 21saFulS; DA no.: 31/02:783-4; RILM no.: 69:3455dd; UM no.: 70-13,051
Gardiner, H. C.
The Last Days of the Medieval Religious Stage, Particularly in England. Ph.D., Musicology, Cambridge University, 1941.
DDM Code: 21drGarH; DA no.: RILM no.: UM no.:
Gardner, Johann von.
Das Problem des altrussischen demestischen Kirchengesanges und seiner linienlosen Notation. Ph.D., Musicology, München, 1965. 2 vols., 295 p. mus. exs., works lst.
DDM Code: 21luGarJ; DA no.: RILM no.: 68:4289dd; UM no.:
Garforth, Constance (Emily) Califano.
The Lo Manuscript: A Trecento Collection. Ph.D., Musicology, Northwestern University, 1983. 2 vols., 789 p. mus. exs.
DDM Code: 21mcGarC; DA no.: 44/11:3199; RILM no.: 83:4651dd; UM no.: 84-03419
Gebr, Adela.
The Role of the Franciscans in the Development of Thirteenth-Century Sacred and Secular Monophony. Ph.D., Musicology, University of Southern California, 1983.
DDM Code: 21voGebA; DA no.: RILM no.: UM no.:
Giesel, Helmut.
Studien zur Symbolik der Musikinstrumente im Schrifttum der alten und mittelalterlichen Kirche. Ph.D., Musicology, Köln, 1977. 317 p.
DDM Code: 21icGieH; DA no.: RILM no.: 78:3666dd; UM no.:
Giesen, Walter.
Zur Geschichte des buddhistichen Ritualgesangs in Japan. Traktate des 9. bis 14. Jahrhunderts zum shomyo der Tendai-Sekte. Ph.D., Musicology, Bochum, 1974.
DDM Code: 22luGieW; DA no.: RILM no.: UM no.:
Gillingham, Bryan Reginald.
A History of the Polyphonic Sequence in the Middle Ages. Ph.D., Musicology, University of Washington, 1976. x, 329 p. facs., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 21luGilB; DA no.: 37/3:1288; RILM no.: UM no.: 76-20,717
Gómez Pintor, Maria Asúncion.
Los Himnos de Juan Navarro. Ph.D., Musicology, Santiago de Compostela, 1993.
DDM Code: 21tmGomA; DA no.: RILM no.: 96:2708dd; UM no.:
Goodell, Daniel William.
Toward a Performance Edition of the Thirteenth-Century Middle English Religious Monody Worldes blis. Ph.D., Theory, Washington University, 1977. 383 p.
Research director: Curtis Price and Carter Revard
DDM Code: 29ebGooD; DA no.: 39/08:4581; RILM no.: 77:4421dd; UM no.: 79-04190
Goudesenne, Jean-François.
Les offices historiques ou Historiae composés pour les fêtes des saints du 8e au 11e siecles dans la province ecclésiastique de Reims. Ph.D., Musicologie, Université de Tours, 1997. 1800 p.
Research director: Marie-Noël Colette
DDM Code: 21luGouJ; DA no.: RILM no.: 99:15943dd; UM no.:
Additional keywords: Gregorian chant, Gallican chant, local offices, Carolingian chant, Saints' Liturgy, Sanctoral, Frankish Kingdoms, Soissons, Noyon, Amiens, Beauvais, Thérouanne, Cambrai, Compiègne, Arras, Châlons, Laon, Tournai, Monastic Schools, Saint-Amand (Elone), Saint-Vaast d'Arras, Saint-Remi de Reims, Saint-Thierry de Reims, Saint-Médard de Soissons, Saint-Bertin, Saint-Winoc, Saint-Denis, Saint-Martin de Tours, Saints' Offices, Amandus, Bertinus, Crispin et Crispnianus, Dionysius (of Paris), Firminus, Fuscianus, Gervasius et Protasius, Justus, Lucianus, Medardus, Nicasius, Quintinus, Remigius, Theodericus, Vedastus, Winnocus, Martinus
Graf, Gebhard.
Guillaume de Machaut's Lay de la fontainne--Drei Aspekte zu seinem Verständnis (Thematik, Form und Inhalt--Wort-Ton-Beziehung--Rhetorische Hintergründe). Ph.D., Musicology, Freiburg im Breisgau, 1989.
DDM Code: 21tmGraG; DA no.: RILM no.: UM no.:
Gray, John Douglas.
The Ars nova Treatises Attributed to Philippe de Vitry: Translations and Commentary. Ph.D., Musicology, University of Colorado, 1996. 311 p.
Research director: Olivier Ellsworth
DDM Code: 29trGraJ; DA no.: 57/04:1377; RILM no.: 96:2431dd; UM no.: 96-28551
Greene, Gordon Kay.
The Secular Music of Chantilly Manuscript, Musée Condé 564 (olim 1047). Ph.D., Musicology, Indiana University, 1971. 2 vols., 664 p.
DDM Code: 21mcGreG; DA no.: 32/8:4649-50; RILM no.: 71:243dd; UM no.: 72-6781
Grimminger, Rolf.
Poetik des frühen Minnesangs. Ph.D., German Philology, München, 1967. 124 p. bibliog., ind.
DDM Code: 21ltGriR; DA no.: RILM no.: 70:230dd; UM no.:
Grosdidier de Matons, J.
Romanos le Melode et les origines de l'hymnographie byzantine. Doct., Musicology, Paris, 1974. 761 p.
DDM Code: 21saGroJ; DA no.: 38:4-C; RILM no.: UM no.: 1/31c
Grossi, Henry John.
The Fourteenth-Century Florentine Laudario Magliabecchiano II, I, 122 (B.R. 18): A Transcription and Study. Ph.D., Musicology, Catholic University of America, 1979. 364 p.
DDM Code: 21mcGroH; DA no.: 40/02:527; RILM no.: 79:2400dd; UM no.: 79-17852
Gushee, Lawrence A.
The Musica disciplina of Aurelian of Réomé: A Critical Text and Commentary. Ph.D., History of Music, Yale University, 1963. 2 vols., xxii, 417 p.
DDM Code: 29trGusL; DA no.: 26/4:2251-2; RILM no.: UM no.: 64-11,873
Gushee, Marion Sibley.
Romanesque Polyphony: A Study of Fragmentary Sources. Ph.D., History of Music, Yale University, 1965. 252 p.
DDM Code: 21poGusM; DA no.: 26/4:2252; RILM no.: UM no.: 65-9676
Gwee, Nigel.
De plana musica and Introductio musice: A Critical Edition and Translation, with Commentary, on Two Treatises Attributed to Johannes de Garlandia. Ph.D., Musicology, Louisiana State University, 1996. 424 p.
Research director: Jan Herlinger
DDM Code: 29trGweN; DA no.: 58/01:20; RILM no.: 97:2262dd; UM no.: 97-20357 Publication: ISBN 0-591-28918-0.
Haas, Max.
Byzantinische und slavische Notationen. Ph.D., Musicology, Basel, 1970.
DDM Code: 29noHaaM; DA no.: RILM no.: UM no.:
Haass, Walter.
Studien zu den L'homme armé Messen des 15. und 16. Jahrhunderts. Ph.D., Musicology, Köln, 1983. 178 p.
DDM Code: 21luHaaW; DA no.: RILM no.: UM no.: Publication: Kölner Beiträge zur Musikforschung, vol. 136. Regensburg: Bosse, 1984.
Haensel, Uwe.
Musikgesehichter Kiels im Mittelalter. Ph.D., Musicology, Kiel, 1971.
DDM Code: 21mvHaeU; DA no.: RILM no.: UM no.:
Haines, John D.
The Musicography of the Manuscrit du Roi. Ph.D., Musicology, University of Toronto, 1998. vii, 246 p. illus., tbls., mus. exs., transcr., transl., bibliog.
Research director: Robert Falck
DDM Code: 21mcHaiH; DA no.: RILM no.: UM no.:
Early Dominican Mass Chants as a Witness to Thirteenth-Century Chant Style. Ph.D., Musicology, Catholic University of America, 1986. 389 p.
Research director: Ruth Steiner
DDM Code: 21luHalR; DA no.: 47/01:13; RILM no.: UM no.: 86-05265
Halmo, Joan.
Medieval Office Antiphons for the Paschal Triduum-Easter. Ph.D., Musicology, Catholic University of America, 1993. xii, 215 p. tbls., mus. exs., transcr., append., bibliog.
Research director: Ruth Steiner
DDM Code: 21luHalJ; DA no.: RILM no.: UM no.:
Halperin, David.
Contributions to a Morphology of Ambrosian Chant: A Computer-aided Analysis of the Bars hiemlias According to the British Museum Manuscript Add. 34209, Together with a Package of Computer Programs for the Analysis of Monophonic Music. Ph.D., Musicology, Tel-Aviv, 1987. viii, 180 p. mus. exs., bibliog.
DDM Code: 29anHalD; DA no.: RILM no.: UM no.:
Hammond, Frederick F.
The Summa de speculatione musicae of Walter Odington: A Critical Edition and Commentary. Ph.D., History of Music, Yale University, 1965. viii, 287 p.
DDM Code: 29trHamF; DA no.: 26/4:2253; RILM no.: UM no.: 65-9679
Hangartner, Bernhard.
Missalia Einsidlensia. Studien zu drei neumierten Handschriften des 11./12. Jahrhunderts. Ph.D., Musicology, Zürich, 1993.
Research director: Max Lütolf
DDM Code: 21mcHanB; DA no.: RILM no.: UM no.:
Hankeln, Roman.
Die Offertoriumsprosuln der aquitanischen Handschrift: Voruntersuchungen zur Edition des aquitanischen Offertoriumscorpus und seiner Erweiterungen.. Ph.D., Musicology, Regensburg, 1999. 3 vols.,
Research director: David Hiley
DDM Code: 21luHanR; DA no.: RILM no.: 99:20201dd; UM no.: Publication: Regensburger Studien zur Musikgeschichte, vol. 2. Tutzing: Schneider, 1996. ISBN 3-7952-0973-0.
Harden, Bettie Jean.
Sharps, Flats, and Scribes: Musica ficta in the Machaut Manuscripts. Ph.D., Musicology, Cornell University, 1983. 2 vols., xvi, 698 p. tbls., facs., mus. exs., transcr., append., bibliog.
Research director: Don M. Randel
DDM Code: 29noHarB; DA no.: 44/11:3199; RILM no.: 83:326dd; UM no.: 83-28707
Additional keywords: France, notation, scribal practice, formes fixes, ballades, rondeaux, virelais, polyphony, scoring
Harding, A.
An Investigation into the Use and Meaning of Medieval German Dancing Terms. Ph.D., Music, Lady Margaret Hall, Oxford, 1969.
DDM Code: 21daHarA; DA no.: RILM no.: UM no.:
Harrison, Gregory A. Jr.
The Monophonic Music in the Roman de Fauvel. Ph.D., Music, Stanford University, 1963. xi, 580 p. transcr.
DDM Code: 21voHarG; DA no.: 24/98:3780; RILM no.: UM no.: 64-1613
Hart, Josephine Spencer.
Musical Structure in the Thirteenth-Century Motet: An Analytical Study of the Motets in the Old Corpus of the Montpellier Manuscript. D.M.A., Music History, University of Oregon, 1977. vii, 272 p. tbls., mus. exs., append., bibliog.
DDM Code: 29srHarJ; DA no.: 38/3:1096; RILM no.: 76:1601dd; UM no.: 77-19,342
Hartzell, Karl Drew Jr.
The Musical Repertoire at St. Albans, England in the Twelfth Century. Ph.D., Musicology, University of Rochester, 1971. 2 vols., xxv, 370 p. plts., tbls., facs., mus. exs., append.
DDM Code: 21saHarK; DA no.: 32/2:1000; RILM no.: 76:9137dd; UM no.: 71-20,082
Hasselman, Margaret Paine.
The French Chanson of the Mid-Fourteenth Century. Ph.D., Music, University of California at Berkeley, 1970. 2 vols., xxxiii, 756 p. tbls., facs., mus. exs., bibliog.
DDM Code: 21voHasM; DA no.: 31/10:5446; RILM no.: 76:9138dd; UM no.: 71-09,830
Haug, Andreas.
Schriftlich dargestellte und gesungene Sequenz--Beobachtungen zum Schriftbild der ältesten ostfränkischen Sequenzenhandschriften. Ph.D., Musicology, Tübingen, 1985.
DDM Code: 29noHauA; DA no.: RILM no.: UM no.: Publication: Neuhausen/Stuttgart: Hänssler, 1987.
Heard, Edmund Brooks.
Alia Musica: A Chapter in the History of Music Theory. Ph.D., Music, University of Wisconsin, 1966. 245 p. facs., append.
DDM Code: 29trHeaE; DA no.: 28/3:1094; RILM no.: UM no.: 66-13,798
Heckenbach, Willibrord Alfons.
Das Antiphonar von Ahrweiler. Studien am Codex 2 A/B des Pfarrarchivs Ahrweiler (um 1400). Ph.D., Musicology, Köln, 1970. 271 p. facs., mus. exs., works lst., bibliog.
DDM Code: 21mcHecW; DA no.: RILM no.: 71:2070dd; UM no.:
Hehrer, Karen Fox.
A History of the Virelai from Its Origin to the Mid-Fifteenth Century. Ph.D., Musicology, Ohio State University, 1975. 428 p.
DDM Code: 21voHehK; DA no.: 36/8:4838; RILM no.: 76:5117dd; UM no.: 76-03,446
Heiman, Lawrence F.
The Rhythmic Value of the Final Descending Note after a Punctum in Neumes of Codex 239 of the Library of Laon. D.M.A., Sacred Music, Pontificio Istituto di Musica Sacra, 1970.
DDM Code: 29noHeiL; DA no.: RILM no.: 72:3943dd; UM no.:
Heise, Birgit.
Zu Darstellungen von Musikinstrumenten bzw. musizierenden Personen in und an sächsischen Kirchen von 1230 bis 1600. Ph.D., Musicology, Halle, 1993.
DDM Code: 23icHeiB; DA no.: RILM no.: UM no.:
Helsen, Katherine Eve.
The Great Responsories of the Divine Office: Aspects of Structure and Transmission. Ph.D., Medieval Musicology, Regensburg, 2008. 2 vols., 541 p. tbls., facs., mus. exs., transcr., append., bibliog.
Research director: David Hiley
DDM Code: 21luHelK; DA no.: RILM no.: UM no.:
Additional keywords: oral transmission, Paris fons lat. 12044, antiphonal, standard melodic elements, comparative analysis
Henderson, Robert Vladimir.
Solmization Syllables in Musical Theory, 1100 to 1600. Ph.D., Music, Columbia University, 1969. 342 p.
DDM Code: 29muHenR; DA no.: 31/3:1309; RILM no.: 76:9139dd; UM no.: 70-17,017
Hentschel, Frank.
Sinnlichkeit und Vernunft in der mittelalterlichen Musiktheorie: Strategien der Konsonanzwertung und der Gegenstand der musica sonoraum 1300. Ph.D., Musicology, Köln, 2000. 368 p. tbls., facs., mus. exs., transcr., bibliog., ind.
Research director: Klaus W. Niemöller
DDM Code: 21muHenF; DA no.: RILM no.: 00:37966dd; UM no.: Publication: Beihefte zum Archiv für Musikwissenschaft, vol. 47. Stuttgart: Steiner, 1999. ISBN 3-515-07716-2.
Additional keywords: Johannes de Muris, Jacobus Leodiensis
Herlinger, Jan W.
The Lucidarium of Marchetto of Padua: A Critical Edition, Translation and Commentary. Ph.D., Musicology, University of Chicago, 1978.
DDM Code: 29trHerJ; DA no.: 39/6:3212; RILM no.: UM no.:
Hertel, Carola.
Chanson Vertonungen des 14. Jahrhunderts in Norditalien. Untersuchungen zum Überlieferungsbestand des Codex Reina. Ph.D., Musicology, Universität des Saarlandes, 1999. 273 p. plts., tbls., facs., mus. exs., transcr., append., bibliog., ind.
Research director: Herbert Schneider
DDM Code: 21mcHerC; DA no.: RILM no.: UM no.: Publication: Hildesheim: Olms, 2002. ISBN 3-487-11710-X.
Five Aquitanian Graduals: Their Mass Propers and Alleluia Cycles. Ph.D., Musicology, University of Southern California, 1967. 268 p. works lst.
DDM Code: 21luHerA; DA no.: 28/4:1457-8; RILM no.: UM no.: 67-10,762
Hickmann, Ellen.
Musica instrumentalis. Studien zur Klassification des musikinstrumentariums im Mittelalter. Ph.D., Musicology, Hamburg, 1969.
DDM Code: 23inHicE; DA no.: RILM no.: UM no.:
Hiley, David.
The Liturgical Music of Norman Sicily: A Study Centered on Manuscripts 288, 289, 19421 and Vitrina 20-4 of the Biblioteca Nacional, Madrid. Ph.D., Musicology, University of London, 1981. 932 p. illus., facs., mus. exs., works lst., thematic cat., bibliog., ind.
DDM Code: 21luHilD; DA no.: RILM no.: 81:2370dd; UM no.:
Hirshberg, Jehoash.
The Music of the Late Fourteenth Century: A Study in Musical Style. Ph.D., Musicology, University of Pennsylvania, 1971. xvii, 423 p. mus. exs., bibliog.
DDM Code: 21stHirJ; DA no.: 32/4:2121; RILM no.: 76:9141dd; UM no.: 71-26,031
Hochadel, Matthias.
Edition, Kommentar und Übersetzung der Boethius-Kommentare Oxford, Bodleian Library, Bodley 77, und Oxford, All Souls College XC. Ph.D., Musicology, Freiburg im Breisgau, 2001.
Research director: Christian Berger
DDM Code: 29trHocM; DA no.: RILM no.: 01:8565dd; UM no.:
Höchtl, Ewald.
Die adiastematisch notierten Fragmente aus den Handschriften der Staatsbibliothek Melk--Versuch einer Bestandsaufnahme. Ph.D., Musicology, Wien, 1991.
DDM Code: 21mcHocE; DA no.: RILM no.: UM no.:
Hocking, Catherine.
Cantus Firmus Procedures in the Eton Choirbook. Ph.D., Musicology, Cambridge University, 1996.
DDM Code: 21cmHocC; DA no.: RILM no.: UM no.:
Hoffmann-Axthelm, Dagmar.
Tenor/Contratenor und Bourdon/Fauxbourdon. Beiträge zu einer Begriffsgeschichte mittelalterlicher Stimmbezeichnungen. Ph.D., Musicology, Freiburg im Breisgau, 1970. 187 p.
DDM Code: 21tgHofD; DA no.: RILM no.: 72:222dd; UM no.:
Hofmann, Klaus Erich.
Untersuchungen zur Kompositionstechik der Motette im 13. Jahrhundert, durchgeführt an den Motetten mit dem Tenor In seculum. Ph.D., Musicology, Freiburg im Breisgau, 1968. 294 p. mus. exs., ind.
DDM Code: 29cmHofK; DA no.: RILM no.: 69:517dd; UM no.:
Hofmann-Brandt, Helma.
Die Tropen zu den Responsorien des Officiums. Ph.D., Musicology, Erlangen, 1971. 2 vols., 385 p. facs., mus. exs., bibliog., ind.
DDM Code: 21luHofH; DA no.: RILM no.: 73:1691dd; UM no.:
Hogan, A. J.
The Liturgical Origin and the Didactic Purpose of the Medieval Drama. Ph.D., Musicology, Cambridge University, 1928.
DDM Code: 21drHogA; DA no.: RILM no.: UM no.:
Holbrook, Amy Kusian.
The Concept of Musical Consonance in Greek Antiquity and Its Application in the Earliest Medieval Descriptions of Polyphony. Ph.D., Theory, University of Washington, 1983. ix, 276 p. illus., tbls., mus. exs., bibliog.
Research director: James M. Beale
DDM Code: 29poHolA; DA no.: 44/01:10; RILM no.: UM no.: 83-12,147
Holladay, Richard L.
The Musica enchiriadis and Scholia enchiriadis: A Translation and Commentary. Ph.D., Theory, Ohio State University, 1977. vii, 260 p. mus. exs., transl., bibliog.
DDM Code: 29trHolR; DA no.: 38/11:6389; RILM no.: 78:2538dd; UM no.: 78-05855
Holman, Hans-Jörgen.
The responsoria prolixa of the Codex Worcester F 160. Ph.D., Theory, Indiana University, 1961. 2 vols., 855 p.
DDM Code: 21luHolH; DA no.: 22/5:1655-6; RILM no.: UM no.: 61-4447
Holschneider, Andreas.
Die Organa von Winchester. Hab., Musicology, Hamburg, 1967. 199 p. plts., facs., transcr., append., bibliog.
DDM Code: 21luHolA; DA no.: RILM no.: UM no.: Publication: Hildesheim: Olms.
Holthaus, Sister Mary Joachim, O.S.B.
Beneventan Notation in the Vatican Manuscripts. Ph.D., Musicology, University of Southern California, 1962. 230 p. plts., transcr.
DDM Code: 29noHolM; DA no.: 23/9:3407-08; RILM no.: UM no.: 62-6065
Homan, Frederic Warren.
Cadence in Gregorian Chant. Ph.D., Theory, Indiana University, 1961. 175 p.
DDM Code: 29srHomF; DA no.: 22/5:1656; RILM no.: UM no.: 61-4448
Hornby, Emma C.
A Study of the Eighth-Mode Tracts in the Gregorian and Old Roman Traditions. Ph.D., Music History, Oxford University, 1998. 2 vols., 397 p. facs., mus. exs., bibliog.
Research director: John Caldwell
DDM Code: 21luHorE; DA no.: RILM no.: 99:28197dd; UM no.:
Huestis, Robert Leland.
Contrafacta, Parodies, and Instrumental Arrangements from the Ars nova. Ph.D., Musicology, University of California at Los Angeles, 1973. 2 vols., xxv, 199 p. illus., plts., bibliog.
DDM Code: 21cmHueR; DA no.: 34/10:6686-7; RILM no.: 74:207dd; UM no.: 74-7678
Hughes, David Grattan.
A View of the Passing of Gothic Music: Line and Counterpoint, 1380-1430. Ph.D., Music, Harvard University, 1956. xxiii, 271 p.
DDM Code: 21poHugD; DA no.: RILM no.: UM no.:
Huglo, Michel.
Les tonaires--inventaire, analyse, comparaisons. Doct., Letters, Paris, 1969. 403 p. mus. exs., bibliog., ind.
DDM Code: 21luHugM; DA no.: RILM no.: 69:521dd; UM no.:
Humphrey, Illo.
Le De arithmetica et le De musica de Boèce dans l'enseignement scientifique et philosophique du Haut Moyen âge en Neustrie entre 814 et 877. Édition critique proto-philologique princeps (texte et gloses) du De institutione arithmetica basée sur le manuscrit Paris, B.N.F., latin 14064 (IXe siècle). Ph.D., Epistemology-Musicology, Paris-Nanterre, 2004. 5 vols., 762 p. illus., plts., tbls., facs., mus. exs., transcr., transl., works lst., thematic cat., append., bibliog., ind.
Research director: Iégor Reznikoff
DDM Code: 21mcHumI; DA no.: RILM no.: UM no.:
Additional keywords: Boethius, Pythagorean and Platonic traditions of scientific-philosophical knowledge, quadrivium, ars arithmetica, ars musica, philosophy and sciences of antiquity, Plato, Timaeus, liberal arts, proto-philology, paleography, repeat signs, Latin shorthand (notes tironniennes), punctuation marks
Huseby, Gerardo Victor.
The Cantigas de Santa Maria and the Medieval Theory of Mode. Ph.D., Musicology, Stanford University, 1983. 315 p. mus. exs., thematic cat.
Research director: William Peter Mahrt
DDM Code: 29moHusG; DA no.: A43/11:3451; RILM no.: UM no.: 83-07167
Hutzel, Matthias.
Das Heidelberger Conductus-Fragment (Univ.-Bibl., Hs. 2588). Edition, Untersuchungen zur Quelle, ihrer Notation und zu den Überlieferungsproblemen ihres Repertoires. Ph.D., Musicology, Kiel, 1990.
DDM Code: 21msHutM; DA no.: RILM no.: UM no.:
Ilnitchi, Gabriela.
Aribo's De musica: Music Theory in the Cross-Current of Medieval Learning. Ph.D., Musicology, New York University, 1997. 321 p.
Research director: Edward Roesner
DDM Code: 29trIlnG; DA no.: 58/01:21; RILM no.: 97:2274dd; UM no.: 97-17764 Publication: ISBN 0-591-25959-1.
Jeffreys, Catherine M.
Melodia et rhetorica: The Devotional-Song Repertory of Hildegard of Bingen. Ph.D., Musicology, University of Melbourne, 2000. xxii, 280 p. tbls., mus. exs., transcr., transl., works lst., bibliog.
Research director: John Griffiths
DDM Code: 21voJefC; DA no.: RILM no.: UM no.:
Ambrosian Chant: The Music of the Mass. Ph.D., Musicology, Indiana University, 1955. 178 p.
DDM Code: 21luJesR; DA no.: 15/8:1411; RILM no.: UM no.: 12,833
Johnson, Mildred Jane.
The Motets of the Codex Ivrea. Ph.D., Musicology, Indiana University, 1955. 2 vols., 459 p. transcr.
DDM Code: 21voJohM; DA no.: 15/9:1627; RILM no.: UM no.: 13,053
Jordan, Peter Grey.
The Liturgical Music of Medieval Brittany: A Study of the Manuscript Sources and Musical Variants. Ph.D., Musicology, Harvard University, 1978. 331 p.
Research director: David G. Hughes
DDM Code: 21mcJorP; DA no.: 40/01:19; RILM no.: 78:4766dd; UM no.: 79-14839
Justmann, Dean Richard.
Mode-One Offertories: A Critical Edition with Analysis. Ph.D., Musicology, Northwestern University, 1988. vi, 1752 p. mus. exs., append., bibliog.
DDM Code: 21luJusD; DA no.: RILM no.: UM no.:
Kähmer, Inge.
Die Offertorium - Überlieferung Rom Vat. lat. 5319. Ph.D., Musicology, Köln, 1971. 238 p. mus. exs.
DDM Code: 21luKahI; DA no.: RILM no.: 71:3589dd; UM no.:
Kaiser, Gert.
Beiträge zu den Liedern des Minnesängers Rubin. Ph.D., German Philology, Heidelberg, 1969. 136 p. bibliog., ind.
DDM Code: 21voKaiG; DA no.: RILM no.: 70:3023dd; UM no.:
Karp, Theodore.
The Works of the Châtelain de Coucy: An Analytical Study. Ph.D., Music, New York University, 1960. 2 vols., 581 p.
DDM Code: 21woKarT; DA no.: 33/3:1188; RILM no.: UM no.: 72-24,502
Katz, Daniel S.
The Earliest Sources for the Libellus cantus mensurabilis secundum Johannem de Muris. Ph.D., Musicology, Duke University, 1989. 304 p. plts., tbls., mus. exs., transcr., transl., append., bibliog.
Research director: R. Larry Todd
DDM Code: 21mcKatD; DA no.: RILM no.: UM no.:
Additional keywords: ars nova, François-Joseph Fétis, Cinoda Pistoia, notation, contrafact, Roquefort Manuscript, Berkeley Theory Manuscript
Keitel, Elizabeth Ann.
A Chronology of the Compositions of Guillaume de Machaut Based on a Study of Fascicle-Manuscript Structure in the Larger Manuscripts. Ph.D., Musicology, Cornell University, 1976. 139 p.
DDM Code: 21woKeiE; DA no.: 37/l:26-7; RILM no.: UM no.: 76-15,885
Keith, Janice Gail.
The Chansons of Thibaut de Champagne. Ph.D., Music History and Literature, Northwestern University, 1979. 2 vols., 700 p.
DDM Code: 21voKeiJ; DA no.: 40/06:2971-72; RILM no.: 79:2405dd; UM no.: 79-27382
Kelly, Stephen Kevin.
The Works of Nicolò da Perugia. Ph.D., Music History, Ohio State University, 1974. 2 vols., xi, 434 p. tbls., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 21woKelS; DA no.: 35/11:7342; RILM no.: 76:5123dd; UM no.: 75-11,371
Kelly, Thomas Forrest.
Responsory Tropes. Ph.D., Music, Harvard University, 1973. vi, 458 p.
DDM Code: 21luKelT; DA no.: RILM no.: UM no.:
Keyser, Dorothy K.
Oracy, Literacy and the Music of Adam de la Halle: The Evidence of the Manuscript Paris, Bibliothèque Nationale, f.fr. 25566. Ph.D., Musicology, University of North Texas, 1996.
Research director: Cecil Adkins
DDM Code: 21tmKeyD; DA no.: RILM no.: UM no.:
Kidwell, Susan Allison.
The Integration of Music and Text in the Early Latin Motet. Ph.D., Musicology, University of Texas at Austin, 1993. xiii, 561 p. illus., tbls., mus. exs., transcr., append., bibliog.
Research director: Rebecca Baltzer
DDM Code: 21tmKidS; DA no.: 54/05:1588; RILM no.: UM no.: 93-23450
Kirnbauer, Martin.
Hartmann Schedel und sein "Liederbuch." Studien zu einer spätmittelalterlichen Musikhandschrift (Bayerische Staatsbibliothek München, Cgm 810) und ihrem Kontext. Ph.D., Musicology, Basel, 1998. 2 vols., 380 p. tbls., facs., mus. exs., transcr., transl., works lst., thematic cat., bibliog., ind.
Research director: Wulf Arlt
DDM Code: 21mcKirM; DA no.: RILM no.: UM no.:
Additional keywords: Liederbuch, Chansonnier, Heinrich Besseler, library, contratenor
Knapp, Janet E.
The Polyphonic conductus in the Notre-Dame Epoch: A Study of the Sixth and Seventh Fascicles of the Manuscript Florence, Biblioteca Laurenziana, Pluteus 29.1. Ph.D., History of Music, Yale University, 1961. 4 vols., 340 p. append.
DDM Code: 21mcKnaJ; DA no.: RILM no.: UM no.:
Koehler, Laurie Jane.
Die Anwendung der pythagoreischen-platonischen Proportionslehre auf die Rhythmik der Ars Nova und Ars Subtilior. Ph.D., Musicology, Göttingen, 1986.
DDM Code: 29rhKoeL; DA no.: RILM no.: UM no.:
Kohlhaas, Emmanuela.
Musik und Sprache im gregorianischen Gesang. Ph.D., Musicology, Bonn, 2001. 381 p. mus. exs., bibliog., ind.
Research director: Wolfram Steinbeck
DDM Code: 21tmKohE; DA no.: RILM no.: 01:11456dd; UM no.: Publication: Beihefte zum Archiv für Musikwissenschaft, vol. 49. Stuttgart: Steiner, 2000. ISBN 3-515-07876-2.
Kohrs, Klaus Heinrich.
Untersuchungen zu Repertoire, liturgischer Ordnung und musikalischem Stil der aparallelen Sequenzen. Ph.D., Musicology, Heidelberg, 1973.
DDM Code: 21luKohK; DA no.: RILM no.: UM no.:
Kozachek, Thomas Davies.
The Repertory of Chant for Dedicating Churches in the Middle Ages: Music, Liturgy, and Ritual. Ph.D., Music, Harvard University, 1995. viii, 361 p. tbls., facs., mus. exs., append.
Research director: David G. Hughes
DDM Code: 21luKozT; DA no.: RILM no.: UM no.:
Kreutziger-Herr, Annette.
Johannes Ciconia (ca. 1370-1412): Komponieren in einer Kultur des Wortes. Ph.D., Musicology, Hamburg, 1990. 320 p. mus. exs.
Research director: Wolfgang Dömling
DDM Code: 21tmKreA; DA no.: RILM no.: 91:1998dd; UM no.: Publication: Hamburger Beiträge zur Musikwissenschaft, no. 39. Hamburg: Wagner, 1991. ISBN 3-88979-051-8.
Kruckenberg, Lori A.
The Sequence from 1050-1150: Study of a Genre in Change. Ph.D., Musicology, University of Iowa, 1997. xvii, 433 p. illus., plts., tbls., facs., mus. exs., transcr., transl., works lst., append., bibliog.
Research director: Elizabeth Aubrey and Andreas Haug
DDM Code: 21saKruL; DA no.: RILM no.: UM no.:
Additional keywords: transitional sequence, eleventh century, twelfth century
Kügle, Karl.
The Manuscript Ivrea, Biblioteca Capitolare 115: Studies in the Transmission and Composition of Ars nova Polyphony. Ph.D., Musicology, New York University, 1993. xviii, 444 p. illus., tbls., mus. exs., transcr., works lst., append., bibliog.
Research director: Edward Roesner
DDM Code: 21mcKugK; DA no.: RILM no.: UM no.: 93-33648
Kugler, Michael.
Die Tastenmusik im Codex Faenza. Ph.D., Musicology, München, 1970. 2 vols., 333 p. mus. exs., bibliog., ind.
DDM Code: 21mcKugM; DA no.: RILM no.: 73:3210dd; UM no.: Publication: Münchner Veröffentlichungen zur Musikgeschichte, 21. Tutzing: Schneider, 1972.
Kuh, Koh-nie.
A Musicological Study of the Important Tonal Systems of the T'ang Dynasty (A.D. 618-907). Ed.D., Music Education, New York University, 1942. 271 p.
DDM Code: 22moKuhK; DA no.: RILM no.: UM no.:
Kühn, Hellmut.
Das Problem der Harmonik in der Musik der Ars Nova. Ph.D., Musicology, Universität des Saarlandes, 1970.
DDM Code: 29haKuhH; DA no.: RILM no.: UM no.:
Kupper, Hubert.
Statistiche Untersuchungen zur Modusstruktur der Gregorianik. Ph.D., Musicology, Köln, 1970.
DDM Code: 29moKupH; DA no.: RILM no.: 76:9153dd; UM no.:
Kuret, Primoz.
Glasbeni instrumenti na srednjeveskih freskah na slovenskem [Musical Instruments in the Medieval Frescoes of Slovenia]. Ph.D., Musicology, Ljubljana, 1964.
DDM Code: 23icKurP; DA no.: RILM no.: UM no.: Publication: Ljubljana: Slovenska matica, 1973.
Lacoste, Debra S.
The Earliest Klosterneuburg Antiphoners. Ph.D., Musicology, University of Western Ontario, 2000. xii, 348 p. illus., plts., tbls., facs., mus. exs., transcr., append., bibliog., ind.
Research director: Terence Bailey
DDM Code: 21luLacD; DA no.: RILM no.: UM no.:
Glossing Christmas: Liturgy, Music, Exegesis, and Drama in High Medieval Laon. Ph.D., Music History, Yale University, 2004. 2 vols., x, 724 p. illus., plts., tbls., mus. exs., transcr., transl., append., bibliog.
Research director: Margot Fassler
DDM Code: 21saLagR; DA no.: RILM no.: UM no.:
Additional keywords: St. Stephen, St. John, Holy Innocents, Epiphany, Ordo Prophetarum, Ordo Stellae, magi, Ordo Joseph, Prophets' Play, Anselm of Laon, cathedral school, glossa ordinaria, liturgical drama, Laon 263, ritual studies, performative gloss
Lamb, J. A.
A Study of the Use of the Psalms in Christian Worship, as Reflected in the Pre-Reformation Liturgies and Service-Books. Ph.D., Musicology, Edinburgh, 1946.
DDM Code: 21luLamJ; DA no.: RILM no.: UM no.:
Landwehr-Melnicki, Margaretha.
Das Einstimmige Kyrie des Lateinischen Mittelalters. Ph.D., Musicology, Erlangen, 1954. 151 p. facs., mus. exs., thematic cat., bibliog., ind.
DDM Code: 21luLanM; DA no.: RILM no.: 70:3027dd; UM no.:
Lanque, David G.
Musical Imagery in the Poetry of Juan Ruiz, Guillaume de Machaut, and Chaucer: A Comparative Study. Ph.D., Literature, University of Nebraska at Lincoln, 1981. 181 p.
DDM Code: 20ltLanD; DA no.: RILM no.: 81:3889dd; UM no.:
Larkowski, Charles Stephen.
The De musica mensurabili positio of Johannes of Garlandia: Translation and Commentary. Ph.D., Theory, Michigan State University, 1977. 232 p. transl.
DDM Code: 29trLarC; DA no.: 38/10:5790; RILM no.: UM no.: 78-03,518
Layton, Billy Jim.
Italian Music for the Ordinary of the Mass, 1300-1450. Ph.D., Music, Harvard University, 1960. x, 415 p.
DDM Code: 21luLayB; DA no.: RILM no.: UM no.:
Le Roux, Sister Protase, R.S.M.
The De Harmonica and Tonarius of Regino of Prüm. Ph.D., Musicology, Catholic University of America, 1965. x, 317 p. transl.
DDM Code: 29trLerP; DA no.: 27/12:4183-4.; RILM no.: UM no.: 66-318
Ledwon, Jacob Carl.
The Winter Office of Sant' Eutizio di Norcia: A Study of the Contents and Construction of Biblioteca Vallicelliana Manuscripts C13 and C5. Ph.D., Musicology, State University of New York at Buffalo, 1986. 2 vols., 783 p. mus. exs., append., ind.
Research director: James W. McKinnon
DDM Code: 21mcLedJ; DA no.: 47/06:1920; RILM no.: 86:1063dd; UM no.: 86-19339
Lee-De Amici, Beth Anne.
Ad Sustentacionem Fidei Christiani: Sacred Music and Ceremony in Medieval Oxford. Ph.D., Musicology, University of Pennsylvania, 1999. xvi, 257 p. illus., tbls., append., bibliog.
Research director: Lawrence F. Bernstein
DDM Code: 21saLeeB; DA no.: RILM no.: UM no.:
Additional keywords: All Souls College; Merton College; New College; Magdalen College
Leech-Wilkinson, Daniel Joseph.
Compositional Procedure in the Four-Part Isorhythmic Works of Philippe de Vitry and His Contemporaries. Ph.D., Music, Cambridge University, 1983.
DDM Code: 29cmLeeD; DA no.: RILM no.: UM no.:
Lefferts, Peter M.
The Motet in England in the Fourteenth Century. Ph.D., Historical Musicology, Columbia University, 1983. xiv, 993 p. illus., tbls., mus. exs., transcr., works lst., append., bibliog.
Research director: Ernest H. Sanders
DDM Code: 21voLefP; DA no.: 44/12:3536; RILM no.: 83:04658dd; UM no.: 84-06517 Publication: Studies in Musicology, no. 94. Ann Arbor: UMI Research Press, 1986. ISBN 0-8357-1722-4.
Fragmente aus Cambrai: Ein Beitrag zur Rekonstruktion einer Handschrift mit spätmittelalterlicher Polyphonie. Ph.D., Musicology, Göttingen, 1985. 2 vols., xiv, 443 p. facs.
DDM Code: 21mcLerI; DA no.: RILM no.: 87:1391bm; UM no.: Publication: Göttinger musikwissenschaftliche Arbeiten, vol. 11. Kassel: Bärenreiter, 1987. ISBN 3-7618-0786-4.
Linklater, Christina.
Popularity, Presentation and the Chansonnier Saint Germain-des-Prés. Ph.D., Musicology, Harvard University, 2006. 160 p.
Research director: Thomas Forrest Kelly
DDM Code: 21mcLinC; DA no.: 67/05:1583; RILM no.: UM no.: 3217807
Little, Patrick L.
The Place of Music in the Medieval World-System. Ph.D., Musicology, University of Otago, 1975. ix, 276 p. illus., mus. exs., append., bibliog., ind.
DDM Code: 26phLitP; DA no.: RILM no.: 75:2985dd; UM no.:
Lloyd, Catherine A.
Ars Antiqua--Ars Nova. Ph.D., Musicology, King's College, University of London, 2002. 2 vols., 266 p. illus., mus. exs., transcr., bibliog.
Research director: Daniel Leech-Wilkinson
DDM Code: 21stLloC; DA no.: RILM no.: 02:5910dd; UM no.:
Additional keywords: motet, song
Lochner, Fabian Christian.
Dietger (Theogerus) of Metz and His Musica. Ph.D., Musicology, University of Notre Dame, 1995. 370 p.
Research director: Calvin Bower
DDM Code: 21trLocF; DA no.: 56/04:1348; RILM no.: 95:2367dd; UM no.: 95-27067
Additional keywords: Cluniac reform, chant, mode
Loewen, Peter Victor.
'Singing Men into Spiritual Joy': The Rhetoric of Franciscan Piety in the Lyrics of the Late Medieval German Passion Play and Marienklage. Ph.D., Musicology, University of Southern California, 2000. 2 vols., xxvi, 528 p. illus., plts., tbls., facs., mus. exs., transcr., transl., append., bibliog.
Research director: Richard J. Wingell
DDM Code: 21drLoeP; DA no.: RILM no.: UM no.:
Additional keywords: liturgical drama, liturgy, goliard, Latin poetry, macaronic poetry, sequence, Mary Magdalene, Blessed Virgin Mary, Debs Codex, Minnesang, Spruch, Frauenlob, Heinrich of Meissen, the Monk from Salzburg, Francis of Assisi, Franciscan spirituality, Thomas of Celano, Lamprecht of Regensburg, Jacob van Maerlant, Julian of Speyer, Berthold of Regensburg, sermons, preaching, John of Capistrano, Heinrich of Burgus, lauda, Jacopone da Todi, carol, James Ryman, sacred Dutch song, Jan Brugman, music theory, rhetoric, theology, exegesis, Johannes of Caulibus, Hendrik Herp, Conrad of Saxony, Alexander of Hales, David of Augsburg, Isidore of Seville, Bartholomaeus Anglicus, Bonaventure, Roger Bacon, Aegidius of Zamora, Adam of Fulda, medieval history, Germany, Austria, Netherlands, Jordan of Giano, Johannes of Winterthur, Salimbene de Adam, Carmina Burana, Planctus ante nescia, Flete fideles anime, Großes Benediktbeurer Passionsspiel, Wiener Passionsspielfragment, Füssener Marienklage, Erlauer Spiele, Erlauer Magdalenenspiel, Erlauer Marienklage, Alsfelder Passionsspiel, Bozener Passionsspiel, I Fioretti di Sancto Franciescho, Speculum perfectionis, Sanct Francisken Leben, Sinte Franciscus Leven, Der Seele Rat, Donna de paradiso, Stabat mater, Meditationes Vitae Christi, Theologia mystica, The Mirror of the Blessed Virgin, Glossa in quatuor libros sententiarum Petri Lombardi, De exterioris et interioris hominis compositione, Etymologiarum sive originum, De proprietatibus rerum, De reductione artium ad theologiam, Opus tertium, Ars musica, De musica
Long, Michael Paul.
Musical Tastes in Fourteenth-Century Italy: Notational Styles, Scholarly Traditions, and Historical Circumstances. Ph.D., Music History, Princeton University, 1981. 268 p.
DDM Code: 21hiLonM; DA no.: 41/10:4208; RILM no.: 81:283dd; UM no.: 81-08092
Luce, Harold T.
The Requiem Mass from Its Plainsong Beginnings to 1600. Ph.D., Music Education, Florida State University, 1958. 2 vols., 708 p.
DDM Code: 21luLucH; DA no.: 19/8:2101; RILM no.: UM no.: 58-5993
Lütolf, Max.
Die mehrstimmigen Ordinarium missae Sätze vom ausgehenden 11. bis zur Wende des 13. und 14. Jahrhunderts. Ph.D., Musicology, Basel, 1967. 2 vols., xxxii, 574 p. facs., mus. exs., bibliog.
DDM Code: 21luLutM; DA no.: RILM no.: 70:238dd; UM no.:
Maddrell, J. E.
Music and English Literature in the Middle Ages. Ph.D., Music, York, 1972.
DDM Code: 21ltMadJ; DA no.: RILM no.: UM no.:
Madian, Azza Abd-al Hamid.
Language-Music Relationshipsin Al-Farabi's Grand Book of Music. Ph.D., Musicology, Cornell University, 1992.
Research director: Don Randel
DDM Code: 29trMadA; DA no.: RILM no.: UM no.:
Mahone, Mary Margaret.
Latin Liturgical Drama and the Ludus Peregrinus: A Unique Form of Medieval Monastic Worship. Ph.D., Musicology, University of Miami, 1977. xl, 168 p. tbls., mus. exs., transl., works lst., append., bibliog.
DDM Code: 21drMahM; DA no.: RILM no.: UM no.:
Maiani, Bradford Charles.
The Responsory-Communions: Toward a Chronology of Selected Proper Chants. Ph.D., Music, University of North Carolina at Chapel Hill, 1996. ii, 246 p. tbls., mus. exs., bibliog.
Research director: James McKinnon
DDM Code: 21luMaiB; DA no.: 57/05:1904; RILM no.: 96:2466dd; UM no.: 96-31948
Maloy, Rebecca A.
The Offertory Chant: Aspects of Chronology and Transmission. Ph.D., Musicology, University of Cincinnati, 2001. 2 vols., xvi, 675 p. tbls., mus. exs., transcr., bibliog.
Research director: Edward Nowacki
DDM Code: 21luMalR; DA no.: RILM no.: UM no.:
Additional keywords: Gregorian Chant, Old Roman Chant
Malyshko, Olga Elizabeth.
The English Conductus Repertory: A Study of Style. Ph.D., Musicology, New York University, 1989. 473 p. append.
Research director: Edward Roesner
DDM Code: 21voMalO; DA no.: 50/04:825; RILM no.: 89:1888dd; UM no.: 89-16079
Manik, Liberty.
Das arabische Tonsystem im Mittelalter. Ph.D., Musicology, Freie Universität, Berlin, 1968. 152 p. illus., mus. exs., bibliog., ind.
DDM Code: 22moManL; DA no.: RILM no.: 70:239dd; UM no.:
Marett, Allan John.
Hakuga's Flute-Score: A Tenth-Century Japanese Source of Tang-Music in Tablature. Ph.D., Musicology, Cambridge University, 1976.
DDM Code: 22wnMarA; DA no.: RILM no.: 76:6586dd; UM no.:
Markham, Elizabeth Jane.
Saibara--Japanese Court Songs of the Heian Period. Ph.D., Musicology, Cambridge University, 1980.
DDM Code: 22voMarE; DA no.: RILM no.: UM no.:
Markovits, Michael.
Das Tonsystem und die Tonarten der abendländischen Musik im frühen Mittelalter. Ph.D., Musicology, Bern, 1969. 328 p. works lst., bibliog., ind.
DDM Code: 21moMarM; DA no.: RILM no.: 76:9162dd; UM no.: Publication: Bern: Paul Haupt, 1977.
Marquis, George Welton.
Contrapuntal and Harmonic Tendencies in Fourteenth-Century France. Ph.D., Music, University of Southern California, 1950. xlii, 705 p.
DDM Code: 29cpMarG; DA no.: RILM no.: UM no.: UR 4432
Marrocco, W. Thomas.
Jacopo da Bologna and His Works. Ph.D., Music, University of California at Los Angeles, 1952. 224 p.
DDM Code: 21woMarW; DA no.: RILM no.: UM no.:
Marshall, Judith Moftey.
A Late Eleventh-Century Manuscript from St. Martial de Limoges: Paris, Bibliothèque nationale, fonds lat. 1139. Ph.D., History of Music, Yale University, 1961. 328 p.
DDM Code: 21mcMarJ; DA no.: RILM no.: UM no.:
Martinez, Adrian Vidal.
The History of the Chants of the Roman Mass from c. 550 to c. 950. Ph.D., Musicology, Royal Holloway College, University of London, 1979. i, 194 p. plts., tbls., facs., mus. exs., transcr., bibliog.
Research director: Mary Berry
DDM Code: 21luMarA; DA no.: RILM no.: UM no.:
DDM Code: 21luMarJ; DA no.: RILM no.: 78:6613dd; UM no.:
Maurey, Joseph.
Music and Ceremony in Saint-Martin of Tours, 1205-1500. Ph.D., Musicology, University of Chicago, 2005. 2 vols., xx, 490 p. illus., tbls., mus. exs., transcr., transl., append., bibliog.
Research director: Anne W. Robertson
DDM Code: 21luMauJ; DA no.: RILM no.: UM no.:
Additional keywords: prosa, liturgical reform, Corpus Christi, hagiography, Guillaume de Machaut, St. Gatien, breviary, customary, canons, office, motet, responsory, chant, Berengar of Tours
Mayer, Sonja.
Studien zu den lateinischen Bußpsalmen-Zyklen des 16. Jahrhunderts.. Ph.D., Musicology, Würzburg, 2004. 2 vols., 571 p. illus., tbls., mus. exs.
Research director: Martin Just
DDM Code: 21saMayS; DA no.: RILM no.: 04:9083dd; UM no.: Publication: Collectanea musicologica, vol. 11. Augsburg: Wissner, 2002. ISBN 3-89639-377-4.
Additional keywords: psalm settings
Mayer-Martin, Donna Jean.
Melodic Materials in Trouvère Music: A Comparative Analysis of the Chansons of Châtelain de Coucy, Gace Brulé, Thibaut de Champagne, and Gillebert de Berneville. Ph.D., Musicology, University of Cincinnati, 1981. 250 p.
DDM Code: 29anMayD; DA no.: 42/05:1846; RILM no.: 81:287dd; UM no.: 81-23770
McCudden, S. J.
Les poésies de Guilhem Figueira, troubadours provençal du XIII siècle. Ph.D., Music, University of Leeds, 1962.
DDM Code: 21seMccS; DA no.: RILM no.: UM no.:
McGee, Timothy James.
The Liturgical Origin and Early History of the Quem Quaeritis Dialogue. Ph.D., Musicology, University of Pittsburgh, 1974. xix, 379 p. illus., facs., mus. exs., append., bibliog.
DDM Code: 21drMcgT; DA no.: 36/3:1158; RILM no.: 76:9165dd; UM no.: 75-18,247
McGrade, Michael.
Affirmations of Royalty: Liturgical Music in the Collegiate Church of St. Mary in Aachen, 1050-1350. Ph.D., Musicology, University of Chicago, 1998. 2 vols., xiv, 457 p. plts., tbls., mus. exs., transcr., transl., append., bibliog.
Research director: Anne Walters Robertson
DDM Code: 21luMcgM; DA no.: RILM no.: UM no.:
Additional keywords: divine office, sequence, Gregorian chant, Holy Roman Empire, Charlemagne, pilgrimage
McKinnon, James W.
The Church Fathers and Musical Instruments. Ph.D., Musicology, Columbia University, 1965. 315 p.
DDM Code: 21inMckJ; DA no.: 28/5:1837; RILM no.: UM no.: 65-9167
McShane, Margaret Mary.
The Music of the Medieval Liturgical Drama. Ph.D., Musicology, Catholic University of America, 1961. 444 p.
DDM Code: 21drMcsM; DA no.: 22/10:3692-3; RILM no.: UM no.: 62-1521
Merkley, Paul Alfred.
Modal Assignment in Eleventh- and Twelfth-Century Central and Northern Italy: Tonaries of Odo of Arezzo and Anonymous Compilers. Ph.D., Musicology, Harvard University, 1985.
Research director: Hughs
DDM Code: 21luMerP; DA no.: RILM no.: UM no.:
Metzinger, Joseph Paul.
The Liturgical Function of the Entrance Song: An Examination of the Introits and Introit Tropes of the Manuscript Piacenza, Archivio Capitolare, 65. D.M.A., Liturgical Music, Catholic University, 1993. v, 212 p. illus., mus. exs., transcr., append., bibliog.
Research director: Ruth Steiner
DDM Code: 21luMetJ; DA no.: RILM no.: UM no.:
Miazga, Tadeusz.
Antyfonarz Kielecki z XIV wieku [The Fourteenth-Century Antiphoner from Kielce]. Ph.D., Philosophy and History, Kraków, 1960.
DDM Code: 21luMiaT; DA no.: RILM no.: UM no.:
Michels, Ulrich.
Die Musiktraktate des Johannes de Muris. Mit Edition und Besprechung der Notitia artis musicae und des Compendium musicae practicae. Ph.D., Musicology, Freiburg im Breisgau, 1968. 2 vols., 462 p. facs., mus. exs., works lst., bibliog., ind.
DDM Code: 29trMicU; DA no.: RILM no.: 69:533dd; UM no.:
Milveden, Ingmar.
Zu den liturgischen 'Hystorie' in Schweden. Liturgie- und choralgeschichtliche Untersuchungen. Ph.D., Musicology, Uppsala, 1972. 46 p. bibliog.
DDM Code: 21luMilI; DA no.: RILM no.: UM no.: Publication: Contains summaries of four previously published portions.
Mitchell, Andrew W.
The Chant of the Earliest Franciscan Office. Ph.D., Music, University of Western Ontario, 2004. 2 vols.,
Research director: Terence Bailey
DDM Code: 21saMitA; DA no.: RILM no.: UM no.:
Additional keywords: plainchant
Moll, Kevin N.
Structural Determinants in Polyphony for the Mass Ordinary from French and Related Sources (ca. 1320-1410). Ph.D., Musicology, Stanford University, 1995. 553 p. mus. exs., bibliog.
Research director: William Mahrt
DDM Code: 21luMolK; DA no.: 56/01:25; RILM no.: 95:2386dd; UM no.: 95-16881
Additional keywords: Avignon, anti-pope, Ivrea, Apt, Friedrich Ludwig
Möller, Hartmut.
Das Quedlinburger Antiphonar. Musikwissenschaftliche und liturgiewissenschaftliche Untersuchungen zur Handschrift Berlin, Staatsbibliothek Preussischer Kulturbesitz Mus. ms. 40047. Ph.D., Musicology, Mainz, 1986.
DDM Code: 21mcMolH; DA no.: RILM no.: UM no.:
Moore, Marie Dolores.
The Visitatio Sepulchri of the Medieval Church: A Historical, Geographical, and Liturgical Survey. Ph.D., Musicology, University of Rochester, 1970. 2 vols., xxi, 470 p. tbls., mus. exs., append., bibliog.
DDM Code: 21drMooM; DA no.: 31/10:5450-1; RILM no.: 71:260dd; UM no.: 71-8448
Moran, Neil.
Die kalophonischen Gesänge der byzantinischen Liturgie. Ph.D., Musicology, Hamburg, 1974.
DDM Code: 21luMorN; DA no.: RILM no.: UM no.:
More, Mother Thomas.
The Performance of Plainsong in the Later Middle Ages. Ph.D., Musicology, Cambridge University, 1970.
DDM Code: 21pfMorT; DA no.: RILM no.: UM no.:
Morent, Stefan Johannes.
Studien zum Einfluß instrumentaler auf vokale Musik im Mittelalter. Ph.D., Musicology, Tübingen, 1995. i, 254 p. plts., tbls., facs., mus. exs., transcr., transl., bibliog.
Research director: August Gerstmeier
DDM Code: 21voMorS; DA no.: RILM no.: 98:4587dd; UM no.: Publication: Beiträge zur Geschichte der Kirchenmusik, Bd. 6. Paderborn: Schöningh, 1998. ISBN 3-506-70626-8.
Additional keywords: repetition in musical forms, ostinato techniques, music and language, instrumental music
Morgan, Glen Edward.
Stylistic Features of the Music of Guillaume de Machaut. Ph.D., Theory, Indiana University, 1963. 156 p.
DDM Code: 21stMorG; DA no.: 25/1:524; RILM no.: UM no.: 64-5474
Mori, Hiroko.
Modal Assignments of Office Antiphons in Ten Sources of the Region of Lake Constance from the Tenth to the Early Fifteenth Centuries. Ph.D., Musicology, Elisabeth University of Music, 2001. vi, 284 p. tbls., mus. exs., transcr., bibliog.
Research director: Paul A. Merkley and Joaquim M. Benitez
DDM Code: 21moMorH; DA no.: RILM no.: UM no.:
Additional keywords: plainchant, Gregorian chant, reform of monasteries, Switzerland
Müller, Ulrich.
'Dichtung' und 'Wahrheit' in den Liedern Oswalds von Wolkenstein: Die autobiographischen Lieder von den Reisen. Ph.D., Philology, Tübingen, 1968. xiv, 232 p. bibliog.
DDM Code: 21voMulU; DA no.: RILM no.: 73:3149dd; UM no.: Publication: Göppingen: Kümmerle, 1968.
Münxelhaus, Barbara.
Pythagoras musicus. Zur Rezeption der pythagoreischen Musiktheorie als quadrivialer Wissenschaft im lateinischen Mittelalter. Ph.D., Musicology, Bonn, 1976.
DDM Code: 29muMunB; DA no.: RILM no.: 76:9172dd; UM no.: Publication: Orpheus. Schriftenrehie zu Grungfragen der Musik, 19. Bonn-Bad Godesberg, 1976.
Murphy, Joseph Michael.
The Communions of the Old Roman Chant. Ph.D., Musicology, University of Pennsylvania, 1977. 1126 p.
DDM Code: 21luMurJ; DA no.: 38/ll:6391; RILM no.: UM no.: 78-06,625
Music, David Wayne.
Contrafacta and Parodies of the Motet Alle Psallite cum Luya/Alleluya in English Medieval Music. D.M.A., Music History, Southwestern Baptist Theological Seminary, 1977. v, 71 p. mus. exs., append., bibliog.
DDM Code: 21cmMusD; DA no.: RILM no.: UM no.:
Nádas, John L.
The Transmission of Trecento Secular Polyphony: Manuscript Production and Scribal Practices in Italy at the End of the Middle Ages. Ph.D., Musicology, New York University, 1985. 571 p. mus. exs., transcr., transl., bibliog.
DDM Code: 21stNadJ; DA no.: 46/12:3530; RILM no.: 86-04074; UM no.: 85:1208dd
Additional keywords: Florence, Biblioteca nazionale, Panciatichiano 26, E.5.5, Biblioteca Laurenziana, Mediceo Palatino 87, Squarcialupi codex, San Lorenzo 2211, Paris, Bibliothèque nationale, nouv.acq.fr. 6771, Reina codex, f.it. 568, Lucca, Archivio de stato, 184, Perugia, Biblioteca comunale Augusta, 3065, Mancini codex, Padua, Antonius dictus Zacharias de Teramo
Nadeau, Nils Andre.
"Pro sonorum diversitate vel novitate": The Singing of Scripture in the Hispano-Visigothic Votive Masses. Ph.D., Medieval Studies / Musicology, Cornell University, 1998. 2 vols., ix, 409 p. tbls., facs., mus. exs., transcr., transl., bibliog.
Research director: Don M. Randel
DDM Code: 21luNanN; DA no.: RILM no.: UM no.: 98-31,268
Additional keywords: mozarabic, plainchant, music and ritual
Nemeth, George Louis.
The Secular Music of Johannes Ciconia (c. 1335-1411). Ph.D., Musicology, Stanford University, 1977. x, 151 p. tbls., mus. exs., transcr., works lst., bibliog.
DDM Code: 21seNemG; DA no.: RILM no.: UM no.:
Nequette, Merritt Charles.
Music in the Manuscripts at the Stiftsbibliothek of Melk Abbey, Austria: An Annotated Bibliography. Ph.D., Musicology, University of Minnesota, 1983. vii, 293 p. illus., facs., append., bibliog.
DDM Code: 25mcNeqM; DA no.: RILM no.: UM no.: 83-29,569.
Newes, Virginia Ervin.
Fuga and Related Contrapuntal Procedures in European Polyphony ca. 1350-ca. 1420. Ph.D., Musicology, Brandeis University, 1987. xii, 491 p. tbls., facs., mus. exs., transcr., transl., bibliog.
Research director: Jessie Ann Owens
DDM Code: 21cmNewV; DA no.: 48/05:1051; RILM no.: UM no.: 87-15753
Additional keywords: canon, compositional process, France, Italy, England, chace, caccia
Nicholas, Martha Elizabeth Rupp.
Miracle Plays of Saint Nicholas from the Fleury Playbook: Performing Editions with Commentary and Background Material. Ph.D., College Teaching, University of Florida, 1978. 618 p.
Research director: Glen Hass and David Z. Kushner
DDM Code: 21drNicM; DA no.: 39/07:3910; RILM no.: UM no.: 79-00083
Niiyima, Fumiko.
Zum mittelalterlichen Musikleben im Benediktinerstift Nonnberg zu Salzburg. Ph.D., Musicology, Wien, 1993.
DDM Code: 21saNiiF; DA no.: RILM no.: UM no.:
Norton, Michael Lee.
The Type II Visitatio sepulchri: A Repertorial Study. Ph.D., Music History, Ohio State University, 1983. xii, 355 p. tbls., mus. exs., append., bibliog.
DDM Code: 21drNorM; DA no.: RILM no.: UM no.:
Norwood, Patricia Lynn Patterson.
A Study of the Provenance and French Motets in Bamberg, Staatsbibliothek, Lit. 115. Ph.D., Musicology, University of Texas at Austin, 1979. xii, 406 p. illus., plts., tbls., facs., mus. exs., append., bibliog.
DDM Code: 21mcNorP; DA no.: 40/03:1144; RILM no.: 79:2410dd; UM no.: 79-20179
Nowacki, Edward Charles.
Studies on the Office Antiphons of the Old Roman Manuscripts. Ph.D., Musicology, Brandeis University, 1980. 2 vols., xi, 651 p. tbls., mus. exs., transcr., append., ind.
DDM Code: 21luNowE; DA no.: 41/05:1830; RILM no.: 80:2575dd; UM no.: 80-24546
Nyberg, John Leroy.
An Examination of Vessel Flutes from Pre-Hispanic Cultures of Ecuador. Ph.D., Music, University of Minnesota, 1974. 533 p.
DDM Code: 22wnNybJ; DA no.: 35/6:3797; RILM no.: 76:15025dd; UM no.: 74-26,217
O'Connor, N.
A Study of the Sibyl Chant and Its Dramatic Performance in the Spanish Church (Ninth to Sixteenth Centuries). Ph.D., Musicology, University of St. Andrews, 1984.
DDM Code: 21drOcoN; DA no.: RILM no.: UM no.:
O'Neill, Mary Julianne Louise.
Questions of Transmission and Style in Trouvère Song. Ph.D., Musicology, Cambridge University, 1992.
DDM Code: 21voOneM; DA no.: RILM no.: UM no.:
O'Neill, P. G.
Sarugaku, Dengaku and Kusemai in the Creation of No Drama, 1300-1450. Ph.D., Musicology, London, School of Oriental and African Studies, 1956.
DDM Code: 22drOneP; DA no.: RILM no.: UM no.:
Olexy, Ronald Thomas.
The Responsories in the Eleventh-Century Aquitanian Antiphonal Toledo, Bibl. Cap. 44.2*. Ph.D., Musicology, Catholic University of America, 1980. 400 p.
DDM Code: 21luOleR; DA no.: 41/2:455; RILM no.: UM no.: 80-18,452
Pacha, Danielle J.
The Veritatem Family: Manipulation, Modeling, and Meaning in the Thirteenth-Century Motet. Ph.D., Musicology, Washington University, 2002. v, 332 p. tbls., mus. exs., transcr., transl., append.
Research director: Dolores Pesce
DDM Code: 21voPacD; DA no.: 63/09:3054; RILM no.: UM no.: 30-65079
Additional keywords: chant, plainsong, cantus firmus, Marian motet, composition
Parker, Beverly Jane Lewis.
Stimmtausch, Contrapuntal Inversion, and Related Techniques: Semantic Problems and the Techniques as Stylistic Factors in Montpellier MS H196, Fascicles 7 and 8. Ph.D., Musicology, University of Michigan, 1974. ix, 534 p. tbls., mus. exs., append., bibliog.
DDM Code: 29cmParB; DA no.: 35/7:4598; RILM no.: 76:9175dd; UM no.: 75-00,771
Parker, I. R.
Form and Melodic Structure in Troubadour and Trouvère Song. Ph.D., Musicology, Oxford, 1975. 573 p.
DDM Code: 29srParI; DA no.: 37/2:229-C; RILM no.: UM no.:
Parsoneault, Catherine J.
The Montpellier Codex: Royal Influence and Musical Taste in Late Thirteenth-Century Paris. Ph.D., Musicology, University of Texas at Austin, 2001. xvii, 366 p. plts., tbls., facs., mus. exs., append., bibliog.
Research director: Rebecca A. Baltzer
DDM Code: 21mcParC; DA no.: 62/03:834; RILM no.: UM no.: 30-08416
Additional keywords: musicology, art history, Middle Ages, codicology, Marie de Brabant, Li dis dou cerf, Paris, Ars Antiqua, polyphony
Paterson, L. M.
Concepts of Style and Methods of Composition in Certain Troubadours. Ph.D., Musicology, Cambridge University, 1970.
DDM Code: 29cmPatL; DA no.: RILM no.: UM no.:
Paucker, Günther Michael.
Das Graduale Msc. Lit. 6 der Staatsbibliothek Bamberg. Eine Handschriften-Monographie unter besonderer Berücksichtigung des Repertoires und der Notation. Ph.D., Musicology, Tübingen, 1984. 259 p. illus., mus. exs.
DDM Code: 21mcPauG; DA no.: RILM no.: 87:1404bm; UM no.: Publication: Forschungsbeiträge zur Musikwissenschaft, vol. 30. Regensburg: Bosse, 1986.
Payne, Thomas Blackburn II.
Poetry, Politics, and Polyphony: Philip the Chancellor's Contribution to the Music of the Notre Dame School. Ph.D., Musicology, University of Chicago, 1991.
DDM Code: 21msPayT; DA no.: 52/01:17; RILM no.: UM no.: T-31424
Pejovic, Roksanda.
Muzicki instrumenti na srednjovekovnim spomenicima Srbije i Makedonije [Musical Instruments on Medieval Monuments in Serbia and Macedonia]. Ph.D., Musicology, Ljubljana, 1975. xxiii, 197 p. illus., works lst., append., bibliog.
DDM Code: 23icPejR; DA no.: RILM no.: UM no.:
Pelinka, Werner.
Die Vertonungen des lateinischen Paternoster der nachklassischen Zeit. Ph.D., Musicology, Wien, 1985.
DDM Code: 21luPelW; DA no.: RILM no.: UM no.:
Pelnar, Ivana.
Die mehrstimmigen Lieder Oswalds von Wolkenstein. Ph.D., Musicology, München, 1977.
DDM Code: 21voPelI; DA no.: RILM no.: 82:3526bm; UM no.: Publication: Tutzing: Schneider, 1982.
Peraino, Judith Ann.
New Music, Notions of Genre, and the "Manuscrit du Roi" circa 1300. Ph.D., Music, University of California at Berkeley, 1995. 2 vols., vii, 475 p. tbls., mus. exs., transcr., bibliog.
Research director: Richard Crocker
DDM Code: 21mcPerJ; DA no.: 56/10:3788; RILM no.: UM no.: 96-02703
Die Theorien zum arabischen Einfluss auf die europäische Musik des Mittelalters. Ph.D., Musicology, Bonn, 1976.
DDM Code: 21hiPerE; DA no.: RILM no.: 76:9176dd; UM no.: Publication: Beiträge zur Sprach- und Kulturgeschichte des Orients, 26. Walldof, 1976.
Pesce, Dolores.
The Concept of the Affinities in Theoretical Writings from c. 900 to c. 1550. Ph.D., Musicology, University of Maryland, 1982.
DDM Code: 29muPesD; DA no.: RILM no.: UM no.:
Peters, Gretchen.
Secular Urban Musical Culture in Provence and Languedoc during the Late Middle Ages. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1994. ix, 364 p. illus., tbls., append., bibliog.
Research director: Lawrence A. Lousher
DDM Code: 21mvPetG; DA no.: RILM no.: UM no.: 95-12512
Phillips, Nancy Catherine.
Musica and Scolica enchiriadis: The Literary, Theoretical, and Musical Sources. Ph.D., Musicology, New York University, 1984. 570 p. mus. exs.
DDM Code: 29trPhiN; DA no.: 46/01:15; RILM no.: 84:1076dd; UM no.: 85-05525
Pian, Rulan Chao.
Sources of Music in the Sung Dynasty: 960-1279 A.D.. Ph.D., Music, Radcliffe College, 1960. 306 p.
DDM Code: 22mcPiaR; DA no.: RILM no.: UM no.:
Pickerodt, Erdmute.
Zeilen und Strophen in der Jenaer Liederhandschrift. Ph.D., Musicology, Göttingen, 1967.
DDM Code: 21mcPicE; DA no.: RILM no.: 76:346dd; UM no.:
Pikulik, Jerzy.
Oficja rymowane, hymny i sekwencje o sw. Wojciechu w rekopisachpolskich [Rhymed Offices, Hymns and Sequences of St. Adalbert in Polish Manuscripts]. Ph.D., Theology, Catholic University of Lublin, 1961.
DDM Code: 21luPikJ; DA no.: RILM no.: UM no.:
Pinegar, Sandra.
Textual and Conceptual Relationships Among Latin Theoretical Writings on Polyphony from Garlandia to Jacobus de Liège. Ph.D., Musicology, Columbia University, 1991.
DDM Code: 29poPinS; DA no.: RILM no.: UM no.:
Pitman, Grover Allen.
The Lenten Offertories of the Aquitanian Manuscripts. Ph.D., Musicology, Catholic University of America, 1973. 392 p.
DDM Code: 21luPitG; DA no.: 33/11:6391; RILM no.: 76:9180dd; UM no.: 73-12,885
Planchart, Alejandro Enrique.
The Repertory of Tropes at Winchester. Ph.D., Music, Harvard University, 1971. 2 vols., x, 869 p. mus. exs., works lst., thematic cat., bibliog.
DDM Code: 21luPlaA; DA no.: RILM no.: 76:9182dd; UM no.:
Planer, John H.
The Ecclesiastical Modes in the Late Eighth Century. Ph.D., Musicology, University of Michigan, 1970. xxiii, 525 p. tbls., bibliog.
DDM Code: 29moPlaJ; DA no.: 31/12:6651; RILM no.: 71:3594dd; UM no.: 71-15,270
Polk, Keith.
Flemish Wind Bands in the Late Middle Ages: A Study in Improvisatory Performance Practices. Ph.D., Music, University of California at Berkeley, 1968. i, 297 p. mus. exs., append., bibliog.
DDM Code: 21baPolK; DA no.: 39/9:3174; RILM no.: 76:15182dd; UM no.: 69-03,674
Ponte, Joseph P. III.
The Musica disciplina of Aurelianus Reomensis. Ph.D., Music, Brandeis University, 1961. 3 vols., 672 p.
DDM Code: 29trPonJ; DA no.: 23/1:258; RILM no.: UM no.: 62-1207
Porter, H. B.
Liturgical Reforms of Charlemagne. Ph.D., Music, Oxford, 1954.
DDM Code: 21luPorH; DA no.: RILM no.: UM no.:
Prisor, Lothar.
Die Motette in der Frühzeit der Ars Nova. Ph.D., Musicology, Freiburg im Breisgau, 1972.
DDM Code: 21voPriL; DA no.: RILM no.: UM no.:
Pumpe, Jutta.
Die Motetten der Madrider Notre-Dame-Handschrift. Ph.D., Musicology, München, 1987.
Research director: Theodor Göllner
DDM Code: 21voPumJ; DA no.: RILM no.: UM no.: Publication: Tutzing: Schneider, 1991.
Puskàs, Regula.
Die mittelalterlichen Mettenresponsorien der Stiftskirche Rheinau. Ph.D., Musicology, Zürich, 1982.
DDM Code: 21luPusR; DA no.: RILM no.: UM no.:
Randel, Don Michael.
The Responsorial Psalm Tones for the Mozarabic Office. Ph.D., Music, Princeton University, 1966. iv, 241 p.
DDM Code: 21luRanD; DA no.: 27/2:712; RILM no.: UM no.: 67-9610
Rankin, Susan Kathleen.
The Music of the Medieval Liturgical Drama in France and in England. Ph.D., Musicology, Cambridge University, 1981.
DDM Code: 21drRanS; DA no.: RILM no.: UM no.:
Rastall, George Richard.
Secular Musicians in Late Medieval England. Ph.D., Musicology, Manchester, 1968. 2 vols., xxxviii, 466 p. illus., bibliog.
DDM Code: 21mvRasG; DA no.: RILM no.: 70:1579dd; UM no.:
Reckow, Fritz.
Organum-Begriff und frühe Mehrstimmigkeit. Zugleich ein Beitrag zur Bedeutung des 'Instrumentalen' in der spätantiken und mittelalterlichen Musiktheorie. Ph.D., Musicology, Freiburg, 1965.
DDM Code: 21poRecF; DA no.: RILM no.: UM no.:
Reier, Ellen Jane.
The Introit Trope Repertory at Nevers: MSS Paris B.N. Lat.9449 and Paris B.N. Lat.1235. Ph.D., Music, University of California at Berkeley, 1981. 3 vols., 534 p. tbls., transcr., thematic cat.
Research director: Richard Crocker
DDM Code: 21luReiE; DA no.: 42/12:4970; RILM no.: UM no.: 82-12077
Reimer, Erich.
Johannes de Garlandia: De mensurabili musica. Kritische Edition mit Kommentar und Interpretation der Notationslehre. Ph.D., Musicology, Freiburg im Breisgau, 1969. 2 vols., xviii, 178 p. facs., mus. exs., bibliog., ind.
DDM Code: 29trReiE; DA no.: RILM no.: 75:2621dd; UM no.: Publication: Wiesbaden: Steiner, 1972.
Reinhardt, Sister Miriam Joseph, I.H.M.
An Analysis of the Melodic Characteristics of Gregorian Chant Antiphons. Ph.D., Music Education, New York University, 1971. viii, 291 p. illus., tbls., mus. exs., append., bibliog.
DDM Code: 29meReiM; DA no.: 32/5:2733; RILM no.: 76:15390dd; UM no.: 71-28,562
Remnant, M. E.
Bowed Instruments in England up to the Reformation. Ph.D., Musicology, Oxford, 1972.
DDM Code: 23snRemM; DA no.: RILM no.: UM no.:
Richenhagen, Albert.
Studien zur Musikanschauung des Hrabanus Maurus. Ph.D., Musicology, Köln, 1988.
DDM Code: 21wrRicA; DA no.: RILM no.: UM no.:
Ridder, Bro. R. Todd, S. M.
Musical and Theological Patterns Involved in the Transmission of Mass Chants for the Five Oldest Marian Feasts: An Examination of Proper Chants and Tropes in a Select Group of Medieval Manuscripts. Ph.D., Musicology, Catholic University of America, 1993. 2 vols., xx, 664 p. tbls., facs., mus. exs., transcr., works lst., append., bibliog., ind.
Research director: Ruth Steiner
DDM Code: 21luRidR; DA no.: RILM no.: UM no.:
Ristory, Heinz.
Studien zur Problematik des Einflusses der notationstechnischen Neuerungen des Petrus de Cruce auf die Mensuralnotenschrift des Früh-Trecento. Ph.D., Musicology, Wien, 1981.
DDM Code: 29noRisH; DA no.: RILM no.: UM no.:
Riviere, Sheila M.
The Musical Treatise at the Beginning of the Sterzinger Miszellaneen-Handschrift. M.A., Musicology, University of Bristol, 1992. iii, 129 p. illus., plts., tbls., facs., mus. exs., transcr., transl., works lst., append., bibliog., ind.
Research director: Wyndham Thomas
DDM Code: 21trRivS; DA no.: RILM no.: UM no.:
Additional keywords: transcription, translation
Roccasalvo, Sister Joan L.
The Plainchant Tradition of Southwestern Rus': Kiev-Lviv-Subcarpathian Rus'. Ph.D., Musicology, Catholic University of America, 1985. 190 p.
Research director: Milos Velimirovic
DDM Code: 21luRocJ; DA no.: 46/05:1125; RILM no.: UM no.: 85-15097
The Processional Antiphons of the St. Martial Repertory. Ph.D., Music, Yale University, 1971.
DDM Code: 21luRoeC; DA no.: 32/12:6876; RILM no.: 76:9189dd; UM no.: 72-17,163
Roesner, Edward H.
The Manuscript Wolfenbüttel, Herzog-August Bibliothek, 628 Helmstadiensis: A Study of Its Origins and of Its Eleventh Fascicle. Ph.D., Musicology, New York University, 1974. 2 vols., vi, 782 p. plts., facs., mus. exs., works lst., bibliog.
DDM Code: 21mcRoeE; DA no.: 35/7:4601; RILM no.: 74:1868dd; UM no.: 74-30,037
Roper, Sally E.
Medieval English Benedictine Liturgy: Studies in the Formation, Structure and Content of the Monastic Votive Office, c. 950-1540. Ph.D., Musicology, Oxford University, 1989.
DDM Code: 21saRopS; DA no.: RILM no.: 91:12693dd; UM no.:
Rubenstein, Nancy Ordelheide.
A Fortran Computer Program for Transcribing Franconian Rhythm. Ph.D., Musicology, Washington University, 1969. v, 134 p. illus., append., bibliog.
DDM Code: 29rhRubN; DA no.: RILM no.: 76:1608dd; UM no.:
Russell, Carlton T.
The Southern French Tonary in the Tenth and Eleventh Centuries. Ph.D., Music, Princeton University, 1966. viii, 243 p.
DDM Code: 21luRusC; DA no.: 27/1:223-4; RILM no.: UM no.: 67-9182
Rutter, Philip.
Paris, Bibliothèque Nationale, fonds latin 1240: A Transcription and Analysis of the Trope Repertoire. Ph.D., Musicology, Royal Holloway College, University of London, 1993. 2 vols., xxv, 574 p. plts., tbls., facs., mus. exs., transcr., append., bibliog., ind.
Research director: David Hiley
DDM Code: 21mcRutP; DA no.: RILM no.: UM no.:
Additional keywords: St. Martial, liturgy
Sachs, Klaus-Jürgen.
Der Contrapunctus im 14. und 15. Jahrhundert. Untersuchungen zum Terminus, Systematik der Lehre und zu den Quellen.