RENAISSANCE
Completed Dissertations, including new records and records from Doctoral Dissertations in Musicology, 2d International Edition (1984) and Doctoral Dissertations in Musicology, 2d Cumulative Edition (1996), with corrections and updates
Abbey, Hermione.
An Historical and Stylistic Chronology of the English Fancy: Music for Viol Consorts. Ph.D., Musicology, University of Utah, 1974. xii, 210 p. illus., plts., tbls., facs., mus. exs., transcr., works lst., thematic cat., append., discog., bibliog., ind.
DDM Code: 31enAbbH; DA no.: 35/11:7339; RILM no.: 76:9225dd; UM no.: 75-10,115
Adams, Courtney S.
The Three-Part Chanson during the Sixteenth Century: Changes in Its Style and Importance. Ph.D., Musicology, University of Pennsylvania, 1974. 677 p.
DDM Code: 31voAdaC; DA no.: 36/01:15; RILM no.: 74:1892dd; UM no.: 75-14,532
Adams, Robert Lee.
The Development of a Keyboard Idiom during the English Renaissance. Ph.D., Musicology, Washington University, 1960. 3 vols., 617 p. thematic cat.
DDM Code: 31keAdaR; DA no.: 21/11:3476; RILM no.: UM no.: LC Mic 60-4680
Agee, Richard J.
The Privilege and Venetian Music Printing in the Sixteenth Century. Ph.D., Musicology, Princeton University, 1982. x, 404 p. plts., mus. exs., append., bibliog.
DDM Code: 38pvAgeR; DA no.: RILM no.: 82:04414dd; UM no.:
Alden, Jane Elise.
Makers of a Songbook: The Scribes of the Laborde Chansonnier. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1999. xxiii, 292 p. tbls., facs., mus. exs., append., bibliog.
Research director: John Nádas
DDM Code: 31soAldJ; DA no.: RILM no.: UM no.: 99-54593
Additional keywords: manuscript compilation, music scribes, chronology, Loire Valley
Alexander, James Heywood.
Nicholas du Chemin's Moduli undecim festorum of 1554. S.M.D., Sacred Music, Union Theological Seminary, 1967. vii, 367 p.
DDM Code: 31saAleJ; DA no.: 29/03:921; RILM no.: UM no.: 68-11,909
Allaire, Gaston Georges.
The Masses of Claudin de Sermisy. Ph.D., Musicology, Boston University, 1960. 941 p.
DDM Code: 31luAllG; DA no.: 21/05:1211; RILM no.: UM no.: LC Mic 60-3432
Allinson, David J.
The Rhetoric of Devotion: Some Neglected Elements in the Context of the Early Tudor Motet. Ph.D., Musicology, University of Exeter, 1999. 2 vols., xi, 289 p. illus., plts., tbls., transl., bibliog.
Research director: Nick Sandon
DDM Code: 31reAllD; DA no.: RILM no.: UM no.:
Additional keywords: votive antiphon, theories of prayer, criticism, culture, analysis, education, textual analysis, Passion, Virgin Mary, Thomas Tallis, Robert Fayrfax, Nicholas Ludford, Richard Davy, William Pashe, Eton choirbook
Allsen, J. Michael.
Style and Intertextuality in the Isorhythmic Motet 1400-1440. Ph.D., Musicology, University of Wisconsin, 1992. xiii, 608 p. tbls., mus. exs., works lst., append., bibliog., ind.
Research director: Lawrence M. Earp
DDM Code: 31saAllJ; DA no.: RILM no.: UM no.: 92-31,671
Altena, Jean W. van.
The Textless Duo in Italian Printed Sources of the Sixteenth and First Half of the Seventeenth Centuries. Ph.D., Music History, Northwestern University, 1979. 3 vols., 1451 p.
DDM Code: 31imAltJ; DA no.: 40/06:2979; RILM no.: 79:2486dd; UM no.: 79-27471
Amati-Camperi, Alexandra Daniela.
An Italian Genre in the Hands of a Frenchman: Philippe Verdelot as Madrigalist, with Special Emphasis on the Six-Voice Pieces. Ph.D., Musicology, Harvard University, 1994. 2 vols., xxi, 546 p. tbls., facs., mus. exs., transcr., works lst., append., bibliog.
Research director: Lewis Lockwood
DDM Code: 31seAmaA; DA no.: RILM no.: UM no.:
Ames-Lewis, Francis A.
The Library and Manuscripts of Piero di Cosimo de' Medici. Ph.D., Musicology, University of London, 1978.
DDM Code: 35clAmeF; DA no.: RILM no.: UM no.:
Ammel, Winfried.
Michael Keinspeck und sein Musiktraktat Lilium musice plane Basel 1496. Ph.D., Musicology, Marburg, 1969.
DDM Code: 39trAmmW; DA no.: RILM no.: UM no.:
Amos, Charles Nelson.
Lute Practice and Lutenists in Germany between 1500 and 1750. Ph.D., Musicology, University of Iowa, 1975. 316 p.
DDM Code: 31snAmoC; DA no.: 36/04:1884; RILM no.: 76:14779dd; UM no.: 75-23,008
Anderson, Gary Lee.
The Canzonetta Publications of Simone Verovio: 1586-1595. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1976. 209 p.
DDM Code: 31voAndG; DA no.: 37/05:2474; RILM no.: 76:9231dd; UM no.: 76-24,036
Anderson, John H.
The Cadence in the Madrigals of Gesualdo. Ph.D., Musicology, Catholic University of America, 1964. 141 p.
DDM Code: 39srAndJ; DA no.: 25/05:3013; RILM no.: UM no.: 64-11,076
Anderson, Ronald Eugene.
Richard Alison's Psalter (1599) and Devotional Music in England to 1640. Ph.D., Vocal Literature, University of Iowa, 1974. 2 vols., xv, 706 p. facs., mus. exs., transcr., works lst., append., discog., bibliog.
DDM Code: 31saAndR; DA no.: 35:2314; RILM no.: 75:627dd; UM no.: 74-21,869
Anderson, Terrance A.
The Metrical Psalmody of Jan Pieterzoon Sweelinck, with a Practical Performing Edition of the Livre Quatrième et Conclusional des Pseaumes de David (1621). Ph.D., Choral Music, University of Iowa, 1968. 2 vols., 834 p.
DDM Code: 31saAndT; DA no.: 29/01:284; RILM no.: 76:9232dd; UM no.: 68-10,644
Angerer, Joachim.
Die liturgisch-musikalische Erneuerung der Melker Reform. Studien zur Erforschung der Musikpraxis in den Benediktinerklöstern des 15. Jahrhunderts. Ph.D., Musicology, Wien, 1973.
DDM Code: 31luAngJ; DA no.: RILM no.: 76:9233dd; UM no.:
Anglo, S.
Public Spectacle in Early Tudor Policy, 1485-1547. Ph.D., Economics, University of London, 1958.
DDM Code: 31mvAngS; DA no.: RILM no.: UM no.:
Annoni, Maria Therese.
Tuning, Temperament and Pedagogy for the Vihuela in Juan Bermudo's Declaración de instrumentos musicales (1555). Ph.D., Music Theory, Ohio State University, 1989. xiii, 206 p. illus., tbls., append., bibliog.
Research director: Richard D. Green
DDM Code: 33trAnnM; DA no.: RILM no.: UM no.:
Ansbacher, Barbara Kimball.
The Masses of Paolo Isnardi (ca. 1536-1596). Ph.D., Music, University of Cincinnati, 1972. 2 vols., 369 p. mus. exs., works lst., thematic cat., bibliog.
DDM Code: 31luAnsB; DA no.: 33/08:4449-50; RILM no.: 72:245dd; UM no.: 73-4092
Aplin, John James.
Structural Devices in Vernacular Music of the English Church, c. 1545-1570. Ph.D., Musicology, Reading, 1977. 2 vols., ix, 360 p.
DDM Code: 39srAplJ; DA no.: RILM no.: UM no.:
Appelhans, Wolfgang.
Die volkssprachigen Sequenzen des Böddeker Gebetbuches. Studien zur Tradition, Herkunft und Sangbarkeit des Codex PA AV 224. Ph.D., Musicology, Münster, 1975.
DDM Code: 31mcAppW; DA no.: RILM no.: UM no.:
Archetto, Maria Anne.
Francesco Portinaro and the Academies of the Veneto in the Sixteenth Century. Ph.D., Musicology, University of Rochester, 1991. 5 vols., 393 p. tbls., mus. exs., works lst., append., bibliog.
Research director: Patrick Macey
DDM Code: 31mvArcM; DA no.: RILM no.: UM no.:
Arias, Enrique Alberto.
The Masses of Sebastian de Vivanco (ca. 1550-1622): A Study of Polyphonic Settings of the Ordinary in Late Renaissance Spain. Ph.D., Music History and Literature, Northwestern University, 1971. 2 vols., x, 522 p. tbls., mus. exs., works lst., thematic cat., append., bibliog.
DDM Code: 31luAriE; DA no.: 32/06:3345; RILM no.: 76:9234dd; UM no.: 71-30,731
Armstrong, Kerchal Foss.
Musical Settings of the Penitential Psalm Cycle, c. 1560-1620. D.M.A., Choral Conducting, University of Illinois at Urbana-Champaign, 1974. 121 p. illus., tbls., mus. exs., transcr., works lst., bibliog.
DDM Code: 31saArmK; DA no.: 35/07:4581; RILM no.: 74:1894dd; UM no.: 75-256
Armstrong, Robin Elise.
Courtly Collectors: Fifteenth-Century Instrumental Music for the Italian Nobility. Ph.D., Musicology, University of Michigan, 1992.
Research director: David Crawford
DDM Code: 31imArmR; DA no.: RILM no.: UM no.:
Asper, Ulrich.
Aspekte zum Werden der deutschen Liedsätze in Johann Walters Geistlichem Gesangbüchlein (1524-1551). Ph.D., Musicology, Zürich, 1985.
DDM Code: 31saAspU; DA no.: RILM no.: UM no.:
Atcherson, Walter Thomas.
Modal Theory of Sixteenth-Century German Theorists. Ph.D., Theory, Indiana University, 1960. 178 p.
DDM Code: 39moAtcW; DA no.: 21/09:2736; RILM no.: UM no.: LC Mic 60-6280
Atlas, Allan W.
Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII.27 and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. Ph.D., Musicology, New York University, 1972. 2 vols., xx, 650 p. tbls., mus. exs., transcr., works lst., bibliog., ind.
DDM Code: 31mcAtlA; DA no.: 32/10:5820; RILM no.: 76:9235dd; UM no.: 72-13,335
Atwell, Scott D.
Cadence, Linear Procedures, and Pitch Structure in the Works of Johannes Ockeghem. Ph.D., Musicology, Michigan State University, 2001. 2 vols., xx, 562 p. tbls., facs., mus. exs., transl., works lst., append., bibliog.
Research director: Dale J. Bonge
DDM Code: 31anAtwS; DA no.: RILM no.: UM no.:
Additional keywords: musica ficta, chromatic alteration, manuscript accidentals, modal profiles, partial and like-signatures, structurally defining voices, tonal types
Austern, Linda Phyllis.
Music in English Children's Drama, 1597-1613. Ph.D., Musicology, University of Chicago, 1984.
Research director: Howard M. Brown
DDM Code: 31drAusL; DA no.: 45/08:2294; RILM no.: 84:6488dd; UM no.: T-29100
Baade, Colleen Ruth.
Music and Music-Making in Female Monasteries in Seventeenth-Century Castile. Ph.D., Performance Practice, Duke University, 2001. 388 p.
Research director: Peter Williams
DDM Code: 31luBaaC; DA no.: 63/02:401; RILM no.: UM no.: 30-41558 Publication: ISBN 0-493-54837-8.
Bain, Susan Elizabeth.
Music Printing in the Low Countries in the Sixeenth Century. Ph.D., Musicology, Cambridge University, 1974. ix, 200 p. illus., plts., tbls., facs., works lst., append., bibliog., ind.
DDM Code: 38pvBaiS; DA no.: RILM no.: 75:3163dd; UM no.:
Baker, Norma Klein.
An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. Ph.D., Musicology, University of Maryland, 1978. 2 vols., viii, 1033 p. illus., plts., transcr., thematic cat., append., bibliog., ind.
DDM Code: 31mcBakN; DA no.: 40/02:523; RILM no.: UM no.: 79-15,798
Ballard, William Joseph.
The Sources, Development, and Culmination of the Dramatic Madrigal. Ph.D., Music, Northwestern University, 1957. v, 234 p.
DDM Code: 31voBalW; DA no.: 18/03:1061; RILM no.: UM no.: 24,894
Ballweg, David Brent.
The Choral Artistry of Paul Salamunovich: An Emphasis on Stylistic Philosophies and Rehearsal Techniques Regarding the Interpretation and Performance of Renaissance Choral Music by the Mixed Choir. D.M.A., Choral Conducting, University of Missouri at Kansas City, 1987. 209 p. illus., mus. exs., bibliog.
DDM Code: 30ciBalD; DA no.: 48/11:2756; RILM no.: 87:5880dd; UM no.: 88-00636
Barber, Elinore Louise.
Antonio de Cabezón's cantus-firmus Compositions and Transcriptions. Ph.D., Music, University of Michigan, 1960. 3 vols., 766 p.
DDM Code: 31imBarE; DA no.: 20/12:4678; RILM no.: UM no.: LC Mic 60-1737
Barbosa, Maria Augusta.
Vincentinus Lusitanus, ein portugiesischer Komponist und Theoretiker des 16. Jahrhunderts. Ph.D., Musicology, Köln, 1970.
DDM Code: 31boBarM; DA no.: RILM no.: 76:339dd; UM no.:
Barker, Laurence Earl.
The Eight-Voice Polychoral Motets of Marc Antonio Ingegneri: A Transcription, Analysis, and Evaluation. Ed.D., Education, Arizona State University, 1974. 178 p.
DDM Code: 31saBarL; DA no.: 35/07:4581; RILM no.: 76:9237dd; UM no.: 75-01,662
Barret, Charles Edward Jr.
A Critical Edition of the Dijon Chansonnier: Dijon, Bibliothèque de la Ville, Ms. 517 (ancien 295). Ph.D., Musicology, Vanderbilt University, 1981. 2 vols., 1531 p. tbls., mus. exs., transcr., works lst., append., bibliog., ind.
DDM Code: 31mcBarC; DA no.: 42/10:4194; RILM no.: 81:308dd; UM no.: 82-05801
Bartels, Katrin.
Musikalisch-rhetorische Figuren in kompositorischer Praxis: Untersuchungen zur deutschen Evangelienmotette um 1600. Ph.D., Musicology, Göttingen, 1991. 276 p. illus., mus. exs., bibliog.
Research director: Martin Staehelin
DDM Code: 31cmBarK; DA no.: RILM no.: 98:2108dd; UM no.: Publication: Berichte aus der Musikwissenschaft. Aachen: Shaker, 1997. ISBN 3-8265-2494-2.
Barton, Josephine.
Settings of the Lamentations of Jeremiah by English Composers, 1460-1620. Ph.D., Musicology, University of London, 1997. 525 p. bibliog.
DDM Code: 31luBarJ; DA no.: RILM no.: 00:52356dd; UM no.:
Bashour, Frederick Joseph.
A Model for the Analysis of Structural Levels and Tonal Movement in Compositions of the Fifteenth Century. Ph.D., Theory, Yale University, 1974. 295 p.
DDM Code: 39anBasF; DA no.: 36/05:2473; RILM no.: 76:15500dd; UM no.: 75-24,499
Bastian, James George Jr.
The Sacred Music of Claudio Merulo. Ph.D., Musicology, University of Michigan, 1967. 768 p.
DDM Code: 31saBasJ; DA no.: 28/12:5084; RILM no.: 68:210dd; UM no.: 68-7557
Bayes, Jack Russell.
The Proposed Use of Improvised Embellishment in the Instrumental Ensemble Music of Giovanni Gabrieli: The Canzone and Sonate from the Sacrae Symphoniae of 1597. D.M.A., Performance, University of Washington, 1977. 119 p. mus. exs.
Research director: Vilem Sokol
DDM Code: 30imBayJ; DA no.: 39/02:531; RILM no.: 78:1683dd; UM no.: 78-14406
Becker, Frederick Otto.
The Maîtrise in Northern France and Burgundy during the Fifteenth Century. Ph.D., Music Education, George Peabody College, 1967.
DDM Code: 34edBecF; DA no.: 28/11:4656; RILM no.: 68:163dd; UM no.: 68-2891
Beder, Jodi.
The Fitzwilliam Virginal Book Dances: The Fusion of Rhythm and Tonal Structure in the Late Renaissance. Ph.D., Musicology, City University of New York, 1982. 2 vols., xix, 449 p. tbls., mus. exs., bibliog.
DDM Code: 31keBedJ; DA no.: 43/05:1337; RILM no.: 82:1538dd; UM no.: 82-22926
Beebe, Ellen Scott.
Mode, Structure, and Text Expression in the Motets of Jacobus Clemens non Papa: A Study of Style in Sacred Music. Ph.D., Music History, Yale University, 1976. 2 vols., viii, 406 p. tbls., mus. exs., transcr., works lst., append., bibliog.
Research director: Allen Forte
DDM Code: 31saBeeE; DA no.: 38/01:14; RILM no.: 76:5163dd; UM no.: 77-14,020
Beikman, Donald R.
The Uses of Terms for Music: Johannes Ockeghem. Ph.D., Music, University of Chicago, 1957. iii, 109 p.
DDM Code: 31tgBeiD; DA no.: RILM no.: UM no.:
Bell-Flament, Caroline Sue.
Deux Retables de Jean Bellegambe de Douai (v. 1479-v. 1534) et la Légende de la Sainte Chandelle d'Arras. Une interprétation d'iconographie musicale dans le contexte historique et social du XVIe siècle dans le Nord de la France. Ph.D., Musicology, Université de Tours, 1990. 3 vols., 766 p. illus., plts., tbls., facs., mus. exs., works lst., thematic cat., append., bibliog., ind.
DDM Code: 31icFlaC; DA no.: RILM no.: 90:10610dd; UM no.:
Bellingham, Bruce Allan.
The Bicinium in the Lutheran Latin Schools during the Reformation Period. Ph.D., Musicology, University of Toronto, 1971. 2 vols., xiii, 504 p. illus., plts., tbls., facs., mus. exs., transcr., append., bibliog.
DDM Code: 34edBelB; DA no.: RILM no.: 71:291dd; UM no.: 33/01:345-A Publication: Micofilm copy available from the National Library of Canada, Ottawa.
Benfield, Judith.
Music in Verona, c. 1480-1530. Ph.D., Musicology, Cambridge University, 1986.
Research director: Ian Fenlon
DDM Code: 31mvBenJ; DA no.: RILM no.: UM no.:
Benham, Hugh Raymond.
The Music of John Taverner: A Study and Assessment. Ph.D., Musicology, Southhampton, 1970. 255 p. mus. exs., works lst., bibliog.
DDM Code: 31woBenH; DA no.: RILM no.: 70:1590dd; UM no.:
Bennett, K. M.
The Six-Voice Secular Madrigals of Luca Marenzio: An Edition with Commentary. Ph.D., Musicology, Brasenose, Oxford, n.d..
Research director: Denis Arnold
DDM Code: 31seBenK; DA no.: RILM no.: UM no.:
Bente, Martin.
Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Ein Beitrag zur Musikgeschichte des Reformationszeitalters. Ph.D., Musicology, Tübingen, 1968. 391 p. illus., facs., mus. exs., works lst., bibliog., ind.
DDM Code: 31woBenM; DA no.: RILM no.: 68:1684dd; UM no.:
Bergenfeld, Nathan.
The William Raylton Virginal Book, Tokyo, Nanki Music Library MS N.3.35: Transcription and Commentary. Ph.D., Musicology, New York University, 1983. 527 p. mus. exs., transcr., thematic cat., append.
Research director: Edward Roesner
DDM Code: 31keBerN; DA no.: 44/12:3534; RILM no.: 83:4753dd; UM no.: 84-06280
Berger, Karol.
Theories of Chromatic and Enharmonic Music in Italy in the Second Half of the Sixteenth Century. Ph.D., Music History, Yale University, 1975. iv, 243 p. bibliog.
DDM Code: 39ckBerK; DA no.: RILM no.: UM no.:
Bergquist, Ed Peter Jr.
The Theoretical Writings of Pietro Aaron. Ph.D., Musicology, Columbia University, 1964. 582 p.
DDM Code: 39trBerE; DA no.: 27/12:4275; RILM no.: UM no.: 65-7496
Bergsagel, John D.
A Study of the English Polyphonic Mass of the Early Tudor Period, with Special Reference to the Contents of Two Manuscript Collections: Oxford, Bodleian Library, Mus. Sch. e. 376-81, and London, British Museum Add. 17802-5. Ph.D., Music, Magdalen, Oxford, 1969.
DDM Code: 31luBerJ; DA no.: RILM no.: UM no.:
Bernstein, Jane Agar.
The Chanson in England 1530-1640: A Study of Sources and Styles. Ph.D., Musicology, University of California at Berkeley, 1974. lx, 400 p. tbls., mus. exs., append., bibliog.
DDM Code: 31voBerJ; DA no.: RILM no.: 74:1900dd; UM no.:
Bernstein, Lawrence F.
Cantus Firmus in the French Chanson for Two and Three Voices, 1500-1550. Ph.D., Musicology, New York University, 1969. 3 vols., ix, 762 p. tbls., mus. exs., append., bibliog.
DDM Code: 31voBerL; DA no.: 31/07:3579; RILM no.: 70:1593dd; UM no.: 70-27,253
Bernstein, Melvin.
The Sacred Vocal Music of Giaches de Wert. Ph.D., Music, University of North Carolina, 1964. 2 vols., xii, 523 p. tbls., mus. exs., thematic cat., bibliog.
DDM Code: 31saBerM; DA no.: RILM no.: UM no.:
Berz, Ernst-Ludwig.
Die Notendrucker und ihre Verlager in Frankfurt-am-Main von den Anfängen bis etwa 1630. Eine bibliographische und drucktechnische Studie zur Musikpublikation. Ph.D., Musicology, Frankfurt am Main, 1967. 3 vols., 1285 p. illus., facs., bibliog., ind.
DDM Code: 38pvBerE; DA no.: RILM no.: 69:3099dd; UM no.:
Bethel, Walter Leroy.
The Burgundian Chanson (1400-1477): A Study in Musical Style. Ph.D., Musicology, University of Pennsylvania, 1950. 204 p.
DDM Code: 31voBetW; DA no.: 11/02:372; RILM no.: UM no.: 2367
Bettley, John Christopher.
North Italian Liturgical Music in the Late 16th Century: A Study of the Polyphonic Vocal Repertory from c.1570 to c.1605. Ph.D., Musicology, University of Durham, 1981. 2 vols., iii, 229 p. transcr., bibliog.
Research director: Jerome Roche
DDM Code: 31voBetJ; DA no.: RILM no.: UM no.:
Bezdeck, Sister John Joseph.
The Harmonic and Contrapuntal Style of Orlando Lasso. Ph.D., Theory, University of Rochester, 1946. 2 vols., 528 p.
DDM Code: 39haBezJ; DA no.: RILM no.: UM no.: UR 3531
Biggle, Lloyd Jr.
The Masses of Antoine Brumel. Ph.D., Musicology, University of Michigan, 1953. 439 p.
DDM Code: 31luBigL; DA no.: 13/05:831; RILM no.: UM no.: 5760
Bill, Oswald.
Das Frankfurter Gesangbuch von 1569 und seine späteren Ausgaben. Ph.D., Musicology, Marburg, 1969. 299 p. illus., facs., mus. exs., bibliog., ind.
DDM Code: 31saBilO; DA no.: RILM no.: 69:593dd; UM no.:
Birkendorf, Rainer.
Der Codex Pernner: Quellenkundliche Studien zu einer Musikhandschrift des Frühen 16. Jahrhunderts (Regensburg, Bischofliche Zentralbibliothek, Sammlung Proske, Ms. C 120). Ph.D., Musicology, Göttingen, 1994. 2 vols., vii, 267 p. illus., facs., mus. exs.
DDM Code: 31mcBirR; DA no.: RILM no.: 94:2842dd; UM no.: Publication: Collectanea musicologica, vol. 6. Augsburg: Wissner, 1992. ISBN 3-928898-27-2.
Birmingham, Hugh M.
Schedel's Song Book and Its Role in the Development of the German Tenor Song. Ph.D., Musicology, Indiana University, 1973. 415 p.
DDM Code: 31voBirH; DA no.: 34/09:6018; RILM no.: 73:3170dd; UM no.: 74-4661
Bisgrove, Mildred E.
Sacred Choral Music in the Calvinistic Tradition of the Protestant Reformation in Switzerland and France from 1541 to 1600. Ph.D., Music Education, New York University, 1969. 2 vols., 332 p. mus. exs.
DDM Code: 31saBisM; DA no.: 30/08:3489; RILM no.: 69:3493dd; UM no.: 70-720
Bishop, Shirley Dianne.
British Library Additional Manuscripts 17802-17805: Latin Liturgical Polyphony in Reformation England. Ph.D., Musicology, University of Toronto, 1978. 2 vols., xi, 558 p. illus., plts., tbls., mus. exs., append., bibliog., ind.
DDM Code: 31mcBisS; DA no.: 40/02:523; RILM no.: UM no.:
Bishop, T. G.
Hans Sachs and the Reformation. Ph.D., Musicology, University of Leeds, 1958.
DDM Code: 31reBisT; DA no.: RILM no.: UM no.:
Bisson, Noël.
English Polyphony for the Virgin Mary: The Votive Antiphon, 1430-1500. Ph.D., Musicology, Harvard University, 1998. 394 p.
Research director: Lewis Lockwood
DDM Code: 31saBisN; DA no.: 59/10:3688; RILM no.: 99:23127dd; UM no.: 99-10047 Publication: ISBN 0-599-08195-3.
Blachly, Alexander.
Mensuration and Tempo in 15th-Century Music: Cut Signatures in Theory and Practice. Ph.D., Musicology, Columbia University, 1995. vi, 579 p. tbls., mus. exs., transcr., transl., append., bibliog.
Research director: Ernest H. Sanders and Leeman Perkins
DDM Code: 31muBlaA; DA no.: RILM no.: UM no.:
Additional keywords: proportions, tactus, mensura
Blackburn, Bonnie J.
The Lupus Problem. Ph.D., Music, University of Chicago, 1970. 2 vols., xv, 437 p. tbls., mus. exs., works lst., append.
DDM Code: 31stBlaB; DA no.: RILM no.: 71:3602dd; UM no.:
Blazekovic, Zdravko.
Music Symbolism in Medieval and Renaissance Astrological Imagery. Ph.D., Musicology, City University of New York, 1997. 2 vols., xxii, 549 p. illus., plts., tbls., facs., transl., bibliog.
Research director: Barbara Russano Hanning
DDM Code: 36phBlaZ; DA no.: 58/09:3353; RILM no.: 97:17207dd; UM no.: 98-07907
Additional keywords: music iconography
Blezzard, J. H.
The Sacred Music of the Lumley Books (British Museum Mss. Roy. App. 74-76): An Edition and Critical Study. Ph.D., Musicology, University of Leeds, 1972.
DDM Code: 31mcBleJ; DA no.: RILM no.: 75:541dd; UM no.:
Block, Adrienne Fried.
Pierre Sergent's Les grans noelz, ca. 1537, and the Early French Parody Noël. Ph.D., Musicology, City University of New York, 1979. 2 vols., xl, 1055 p. tbls., facs., mus. exs., transcr., append., bibliog., ind.
DDM Code: 31voBloA; DA no.: 39/12:7043; RILM no.: UM no.: 79-13,115
Blount, Gilbert L.
The Sacred Vocal Music of John Mundy: A Critical Edition. Ph.D., Musicology, University of California at Los Angeles, 1974. 2 vols., 635 p.
DDM Code: 31saBloG; DA no.: 35/09:6177; RILM no.: 76:9242dd; UM no.: 75-05,686
Bloxam, Mary Jennifer.
A Survey of Late Medieval Service Books from the Low Countries: Implications for Sacred Polyphony 1460-1520. Ph.D., Musicology, Yale University, 1987. 2 vols., xii, 733 p. illus., mus. exs., transcr., append., bibliog.
DDM Code: 31saBloM; DA no.: RILM no.: UM no.: 88-10,617.
Böker-Heil, Norbert.
Die Motetten von Philippe Verdelot. Ph.D., Musicology, Frankfurt am Main, 1967. 438 p. mus. exs., works lst., thematic cat., bibliog.
DDM Code: 31saBokN; DA no.: RILM no.: 68:213dd; UM no.:
Bond, Lawrence Bigelow.
An Analysis and Practical Performance Edition of Ten Madrigals by Philippe Verdelot. D.M., Performance, Indiana University, 1969. 2 vols., 274 p. mus. exs., works lst., bibliog.
DDM Code: 31voBonL; DA no.: RILM no.: 69:596dd; UM no.:
Bonime, Stephen.
Anne de Bretagne (1477-1514) and Music: An Archival Study. Ph.D., Musicology, Bryn Mawr College, 1975. 189 p.
DDM Code: 31boBonS; DA no.: 39/02:531; RILM no.: UM no.: 78-13,834
Bonvalot, Antony.
The Round of Shakespeare's Age in England and Scotland: Three Collectors and Their Store, 1580-1612. Ph.D., Music, Harvard University, 1966. x, 451 p.
DDM Code: 31voBonA; DA no.: RILM no.: UM no.:
Boone, Graeme M.
Dufay's Early Chansons: Chronology and Style in the Manuscript Oxford, Bodleian Library, Canonici misc. 213. Ph.D., Musicology, Harvard University, 1987.
DDM Code: 31seBooG; DA no.: RILM no.: UM no.:
Boorman, Stanley.
Petrucci at Fossombrone: A Study of Early Music Printing, with Special Reference to the Motetti de la Corona (1514-1519). Ph.D., Musicology, University of London, 1976. 477 p. illus., plts., facs., mus. exs.
DDM Code: 31saBooS; DA no.: RILM no.: UM no.:
Borgerding, Todd M.
The Motet and Spanish Religiosity, ca. 1550-1610. Ph.D., Musicology, University of Michigan, 1997. xi, 400 p. tbls., mus. exs., transcr., transl., works lst., append., bibliog.
Research director: Louise K. Stein
DDM Code: 31reBorT; DA no.: RILM no.: UM no.:
The Musices liber primus of Diego Ortiz: Spanish Musician. Ph.D., Musicology, University of Southern California, 1952. 3 vols., iii, 1084 p. illus.
DDM Code: 31saBorR; DA no.: RILM no.: UM no.:
Bosi, Carlo.
The Secular Works of Du Fay and Binchois: Melody, Mode, Sonority. Ph.D., Early Music, Oxford University, 2003. xii, 259 p. tbls., mus. exs., append., bibliog.
Research director: Reinhard Strom
DDM Code: 31voBosC; DA no.: RILM no.: UM no.:
Additional keywords: modality, secular polyphony
Bosi-Monteath, Kathryn Lees.
The Five-Part Madrigals of Benedetto Pallavicino. Ph.D., Music, Otago, 1982.
DDM Code: 31seBosK; DA no.: RILM no.: UM no.:
Bossuyt, Ignace.
Alexander Utendal (ca. 1543/1545-1581) Een bijdrage tot de studie van de Nederlandse polyfonie in de tweede helft van de zestiende eeuw [Alexander Utendal (ca. 1543/1545-1581): A Contribution to the Study of Netherlandish Polypbony in the Second Half of the Sixteenth Century]. Ph.D., Musicology, Catholic University of Leuven, 1978. 10 vols., 2232 p. illus., mus. exs., transcr., works lst., append., bibliog., ind.
DDM Code: 31woBosI; DA no.: RILM no.: UM no.:
Bottoms, J. F.
The Development and Influence of the English Court Entertainment in the Sixteenth-Century. Ph.D., Musicology, University of Sheffield, 1984.
DDM Code: 31mvBotJ; DA no.: RILM no.: UM no.:
Boucher, Joan Anne.
The Religious Music of Gilles Binchois. Ph.D., Musicology, Boston University, 1963. iv, 199 p. illus., tbls.
DDM Code: 31saBouJ; DA no.: 24/06:2509-10; RILM no.: UM no.: 64-373
Bowen, Richard Leon.
Tonal Structure in the Polyphonic Magnificat of the Sixteenth Century. Ph.D., Musicology, University of Cincinnati, 2001. 1178 p.
Research director: Edward Nowacki
DDM Code: 39moBowR; DA no.: 62/01:16; RILM no.: 01:12978dd; UM no.: 30-02640 Publication: ISBN 0-493-11563-3.
Bowen, William Roy.
Music and Number: An Introduction to Renaissance Harmonic Science. Ph.D., Music, University of Toronto, 1984. iii, 316 p. bibliog.
Research director: Maria Rika Maniates
DDM Code: 39haBowW; DA no.: 45/09:2686; RILM no.: UM no.:
Bowers, Roger Davies.
Choral Institutions within the English Church: Their Constitution and Development, 1340-1500. Ph.D., History, University of East Anglia, 1975. x, 522 p. tbls., transcr., append., bibliog., ind.
DDM Code: 31saBowR; DA no.: RILM no.: 75:3205dd; UM no.:
Additional keywords: cathedral, vicar choral, liturgy, Lady Mass, prebendal canon, chantry chapel, precentor, succentor, hospital, university, Chapel Royal, polyphony, household chapel, magnate, patronage, Windsor, St. George's Chapel, New College, Oxford, Winchester College, St. Mary, Warwick, Maidstone, Fotheringhay, Manchester, Stoke-by-Clare, Higham Ferrers, Duke of Clarence, votive antiphon, organ, Worcester, Bristol, Ely, Durham, Lollardy, florid style, Instructor of Choristers, boys' choirs
Boyd, Morrison Comegys.
Elizabethan Music and Musical Criticism. Ph.D., Music, University of Pennsylvania, 1932. xi, 347 p.
DDM Code: 36crBoyM; DA no.: RILM no.: UM no.:
Boynton, John Henry.
Studies in the English Ballad Refrain with a Collection of Ballad and Early Song Refrains. Ph.D., Music, Harvard University, 1897. 619 p. tbls., bibliog.
DDM Code: 31voBoyJ; DA no.: RILM no.: UM no.:
Bradley, Robert John.
Musical Life and Culture at Savoy, 1420-1450. Ph.D., Musicology, City University of New York, 1992. 2 vols., x, 249 p. tbls., mus. exs., append., bibliog.
Research director: Andrew Tomasello
DDM Code: 31mvBraR; DA no.: 53/01:11; RILM no.: 92:1993dd; UM no.: 92-18,225
Bradshaw, Murray C.
The History of the Falsobordone from Its Origins to 1750. Ph.D., Musicology, University of Chicago, 1969. xvi, 363 p. tbls., mus. exs., append., bibliog.
DDM Code: 31luBraM; DA no.: RILM no.: 76:9245dd; UM no.:
Braithwaite, James R.
The Introduction of Franco-Netherlandish Manuscripts to Early Tudor England: The Motet Repertory. Ph.D., Musicology, Boston University, 1967. 5 vols., xxii, 1352 p. plts., tbls.
DDM Code: 31saBraJ; DA no.: 28/08:3206; RILM no.: 67:622dd; UM no.: 67-13,330
Brattain, David Leon.
The Organ Ricercars of Hans Leo Hassler and Christian Erbach. Ph.D., Music History, Ohio State University, 1979. 390 p.
DDM Code: 31keBraD; DA no.: 40/07:3610; RILM no.: 79:2432dd; UM no.: 80-01701
Braun, Gundi.
Das spanische Vihuela-Lied im 16. Jahrhundert. Ph.D., Musicology, Heidelberg, 1993.
DDM Code: 31seBraG; DA no.: RILM no.: UM no.:
Brauner, Mitchell Paul.
The Parvus Manuscripts: A Study of Vatican Polyphony, c. 1535-80. Ph.D., Music History, Brandeis University, 1982.
DDM Code: 31woBraP; DA no.: 31/06:2953; RILM no.: 70:262dd; UM no.: 70-25,082
Brawley, John Gray Jr.
The Magnificats, Hymns, Motets, and Secular Compositions of Johannes Martini. Ph.D., History of Music, Yale University, 1968. 2 vols., 410 p. mus. exs., works lst., append., bibliog.
DDM Code: 31voBraJ; DA no.: 29/11:4035; RILM no.: 76:9247dd; UM no.: 69-08,321
Bray, R. W.
The Interpretation of Musica Ficta in English Sources, c. 1490-c. 1580. Ph.D., Music, Magdalen, Oxford, 1970.
DDM Code: 39noBraR; DA no.: RILM no.: UM no.:
Brednich, Rolf Wilhelm.
Die Liedpublizistik im Flugblatt des 15. bis 17. Jahrhunderts. I: Abhandlung. II: Katalog der Liedflugblätter des 15. und 16. Jahrhunderts. Hab., Folk Music, Freiburg im Breisgau, 1973. 2 vols., 634 p.
DDM Code: 31pvBreR; DA no.: RILM no.: 76:2431dd; UM no.:
Breshears, Donald Lee.
The Three-Part Psalms of Claude Le Jeune, Premier Livre: A Performance Edition and Commentary. Ph.D., Musicology, University of Iowa, 1966. 2 vols., 226 p.
DDM Code: 31saBreD; DA no.: 28/01:249; RILM no.: UM no.: 67-2602
Bridges, Thomas W.
The Publishing of Arcadelt's First Book of Madrigals. Ph.D., Music, Harvard University, 1982. 2 vols., x, 768 p. plts., tbls., facs., append., bibliog.
Research director: John M. Ward
DDM Code: 38pvBriT; DA no.: RILM no.: 82:01825dd; UM no.:
Bright, Robert Houston.
The Early Tudor Part-Song from Newarke to Cornyshe. Ph.D., Musicology, University of Southern California, 1952. ix, 463 p. transcr.
DDM Code: 31voBriR; DA no.: RILM no.: UM no.:
Brill, Patrick John.
The Parody Masses of Tomas Luis de Victoria. Ph.D., Musicology, University of Kansas, 1995. viii, 517 p. tbls., mus. exs., bibliog.
Research director: Daniel Politoske
DDM Code: 31luBriP; DA no.: 57/03:912; RILM no.: 95:2555dd; UM no.: 96-23325
Additional keywords: Renaissance, sacred music, liturgical music
Brink, Paul Robert.
The Archicembalo of Nicola Vicentino. Ph.D., Music, Ohio State University, 1966. 180 p.
DDM Code: 33keBriP; DA no.: 27/09:3071; RILM no.: UM no.: 67-2420
Brinzing, Armin.
Studien zur instrumentalen Ensemblemusik im deutschsprachigen Raum des 16. Jahrhunderts. Ph.D., Musicology, Göttingen, 1998. 2 vols., i, 693 p. illus., plts., tbls., facs., mus. exs., transcr., works lst., bibliog.
Research director: Martin Staehelin
DDM Code: 31imBriA; DA no.: RILM no.: UM no.: Publication: Abhandlungen zur Musikgeschichte, vol. 4. Göttingen: Vandenhoeck und Rupprecht, 1998. ISBN 3-525-27903-5.
Additional keywords: German dance music, English dance music, French dance music, Spanish dance music, Polish dance music, Italian dance music, instrumental music, performance practice, manuscripts, carmen, music for viols, cornets, shawms, crumhorns, trombones, Paul Hess, Bartholomaeus Hess, Martin Agricola, Hans Gerle, Jorg Wiltzell, Hieronymus Formschneider, Breslau, Augsburg, Nuremberg, Graz
Bristiger, Michal.
Forma wariacyjna w muzyce instrumentalnej Renesansu. [The Variation Form in Instrumental Music of the Renaissance]. Ph.D., History, Warsaw, 1963.
DDM Code: 31cmBriM; DA no.: RILM no.: UM no.:
Brobeck, John Thomas.
The Motet at the Court of Francis I. Ph.D., Musicology, University of Pennsylvania, 1991. 675 p.
Research director: Lawrence F. Bernstein
DDM Code: 31saBroJ; DA no.: 52/08:2748; RILM no.: 91:1854dd; UM no.: 92-00318
Broisat-Richard, Pascale.
La musique à Genève au XVI siècle. Doct., Musicology, Saint-Étienne, 1981. 324 p.
DDM Code: 31naBroP; DA no.: RILM no.: 81:4520dd; UM no.:
Brookes, Virginia Sheila.
The Sources of British Keyboard Music to c.1660. Ph.D., Musicology, University of London, 1990. 554 p. bibliog.
DDM Code: 31soBroV; DA no.: RILM no.: 00:52077dd; UM no.:
Brooks, Catherine.
Antoine Busnois as a Composer of Chansons. Ph.D., Music, New York University, 1951. 2 vols., 527 p.
DDM Code: 31voBroC; DA no.: RILM no.: UM no.:
Brooks, Laura Jeanice.
French Chanson Collections on the Texts of Pierre de Ronsard, 1570-1580. Ph.D., Musicology, Catholic University of America, 1990. 2 vols., viii, 704 p. tbls., mus. exs., transcr., append., bibliog.
Research director: Ruth Steiner
DDM Code: 31seBroL; DA no.: RILM no.: UM no.:
Brothers, Thomas.
Genre, Style and Compositional Technique in French Music of the Fifteenth Century. Ph.D., Musicology, University of California at Berkeley, 1991.
Research director: Richard Taruskin
DDM Code: 31naBroT; DA no.: RILM no.: UM no.:
Brown, Alan Martin.
A Critical Edition of the Keyboard Music of William Byrd. Ph.D., Musicology, Cambridge University, 1970. 3 vols., xxxvii, 728 p. illus., facs., bibliog.
DDM Code: 31keBroA; DA no.: RILM no.: 70:1596dd; UM no.:
Brown, Howard Mayer.
The Chanson in the French Theater of the Fifteenth and Early Sixteenth Centuries: Moralities, Farces, Sotties, and Monologues. Ph.D., Music, Harvard University, 1959. 2 vols., 821 p.
DDM Code: 31drBroH; DA no.: RILM no.: UM no.:
Brown, Samuel Emmons Jr.
The Motets of Ciconia, Dunstable, and Dufay. Ph.D., Musicology, Indiana University, 1962. 361 p.
DDM Code: 31saBroS; DA no.: 23/06:2163; RILM no.: UM no.: 62-5016
Bruch, Delores Ruth.
The Early Development of Organ Pedals in Northern Europe. D.M.A., Performance, University of Kansas, 1979. ii, 142 p. illus., mus. exs., append., bibliog.
Research director: Daniel T. Politoske
DDM Code: 33keBruD; DA no.: 40/08:4291; RILM no.: UM no.: 80-02811
Bruinsma, Henry A.
The Souterliedekens and Its Relation to Psalmody in the Netherlands. Ph.D., Musicology, University of Michigan, 1949. 588 p.
DDM Code: 31saBruH; DA no.: 9/01:148; RILM no.: UM no.: 1160
Bruner, G. Edward.
Editions and Analysis of Five Missa Beata Virgine Maria by the Spanish Composers: Morales, Guerrero, Victoria, Vivanco, and Esquivel. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1980. 344 p.
DDM Code: 31luBruG; DA no.: 41/06:2344; RILM no.: UM no.: 80-26,460
Brusniak, Friedhelm.
Conrad Rein (ca. 1475-1522), Schulmeister und Komponist. Ph.D., Musicology, Frankfurt am Main, 1980. 408 p.
DDM Code: 31boBruF; DA no.: RILM no.: 80:2596dd; UM no.:
Bryant, David Douglas.
Liturgy, Ceremonial and Sacred Music in Venice at the Time of the Counter-Reformation. Ph.D., Musicology, King's College, University of London, 1981.
DDM Code: 31saBryD; DA no.: RILM no.: UM no.:
Buch, Laura Ann.
Seconda prattica and the Aesthetic of Meraviglia: The Canzonettas and Madrigals of Tomaso Pecci (1576-1604). Ph.D., Musicology, University of Rochester, 1993. 2 vols., xi, 633 p. tbls., facs., mus. exs., transcr., works lst., append., bibliog.
Research director: Patricia Macey
DDM Code: 31seBucL; DA no.: RILM no.: UM no.:
Buggert, Robert W.
Alberto da Ripa: Lutenist and Composer. Ph.D., Music, University of Michigan, 1956. 440 p.
DDM Code: 31boBugR; DA no.: 17/06:1350; RILM no.: UM no.: 21,154
Buja, Maureen Elizabeth.
Antonio Barrè and Music Printing in Mid-Sixteenth-Century Rome. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1996. xxi, 574 p. illus., facs., transl., works lst., bibliog.
Research director: James Haar
DDM Code: 38puBujM; DA no.: 57/05:1899; RILM no.: 96:17418dd; UM no.: 96-31884
Additional keywords: Italy, renaissance, Giovanni Pierluigi da Palestrina, Orlandus Lassus
Buker, Alden Putnam.
Choralbearbeitung from Johann Walther to Dietrich Buxtehude. Ph.D., Musicology, Boston University, 1953. 216 p.
DDM Code: 31saBukA; DA no.: RILM no.: UM no.:
Bullard, Beth.
Musical Instruments in the Early Sixteenth Century: A Translation and Historical Study of Sebastian Virdung's Musica getutscht (Basel 1511). Ph.D., Musicology, University of Pennsylvania, 1987. 446 p.
Research director: Lawrence Bernstein
DDM Code: 33trBulB; DA no.: 48/08:1923; RILM no.: UM no.: 87-25143
Burkart, Marie Annette, S.N.D.
Gioseffo Zarlino's Practice of Counterpoint: A Musical Supplement to Part III of Le istitutioni harmoniche, 1558. M.A., Musicology, Boston University, 1978. 2 vols., xv, 323 p. facs., transcr., append., bibliog.
DDM Code: 39cpBurM; DA no.: RILM no.: UM no.:
Burn, David J.
The Mass-Proper Cycles of Henricus Isaac: Genesis, Transmission, and Authenticity. Ph.D., Musicology, Merton College, Oxford University, 2002.
Research director: Reinhard Strohm
DDM Code: 31luBurD; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D219233.
Burne, Reverend Martin Joseph.
Mass Cycles in Early Graduals: A Study of the Ordinary of the Mass Cycles Found in Mediaeval and Renaissance Graduals in Libraries in the United States. Ph.D., Music Education, New York University, 1956. 237 p.
DDM Code: 31luBurM; DA no.: 16/10:1915; RILM no.: UM no.: 17,638
Burns, Betty Beryl.
An Electronic Data Processing System for the Organization and Documentation of the Sixteenth-Century Motet. Ph.D., Musicology, University of Cincinnati, 1972. 243 p.
DDM Code: 31saBurB; DA no.: 33/07:3619; RILM no.: 73:4532dd; UM no.: 72-31,755
Burns, Joseph Albert.
Neapolitan Keyboard Music from Valente to Frescobaldi. Ph.D., Music, Harvard University, 1953. 2 vols., 397 p. plts., append.
DDM Code: 31keBurJ; DA no.: RILM no.: UM no.:
Burstyn, Shai.
Fifteenth-Century Polyphonic Settings of Verses from the Song of Songs. Ph.D., Musicology, Columbia University, 1972. 420 p.
DDM Code: 31saBurS; DA no.: 35/10:6749; RILM no.: 76:9253dd; UM no.: 75-09,320
Burton, Martin C.
Changing Concepts of Rhythm in English Musical Writings, 1500-1700. Ph.D., Musicology, University of Rochester, 1956. 386 p.
DDM Code: 39rhBurM; DA no.: RILM no.: UM no.:
Busarow, Donald Arthur.
Melodies Associated with Chorale Texts by Martin Luther, as Found in Das Babst Gesangbuch (1545): A Study of Representative Musical Settings for Congregation, Choir, and Organ, 1523-1969. Ph.D., Musicology, Michigan State University, 1973. 229 p.
DDM Code: 31saBusD; DA no.: 34/09:6019-20; RILM no.: 74:1389dd; UM no.: 74-6014
Busch, Gabriele Christiane.
Ikonographische Studien zur Geschichte des Solotanzes vor 1600. Ph.D., Musicology, Innsbruck, 1980.
Research director: Walter Salmen
DDM Code: 31icBusG; DA no.: RILM no.: UM no.:
Bush, Douglas Earl.
The Liturgical Use of the Organ in German Regions Prior to the Protestant Reformation: Contracts, Consuetudinaries, and Musical Repertories. Ph.D., Musicology, University of Texas at Austin, 1982. iii, 319 p. tbls., facs., mus. exs., thematic cat., append., bibliog.
DDM Code: 31keBusD; DA no.: 43/03:579; RILM no.: 82:1325dd; UM no.: 82-17831
Butchart, David S.
The Madrigal in Florence, 1560-1620. Ph.D., Musicology, New, Oxford, 1979.
DDM Code: 31seButD; DA no.: RILM no.: UM no.:
Butler, Bartlett R.
Liturgical Music in Sixteenth-Century Nürnberg. A Socio-Musical Study. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1970. xvii, 1049 p. illus., tbls., facs., mus. exs., append., bibliog.
DDM Code: 31luButB; DA no.: 31/12:6644; RILM no.: 76:9255dd; UM no.: 71-14,690
Byler, Arthur William.
Italian Currents in the Popular Music of England in the Sixteenth Century. Ph.D., Music, University of Chicago, 1952. 206 p.
DDM Code: 31ppBylA; DA no.: RILM no.: UM no.:
Cambon, Elise.
The Laude in the Fifteenth Century. Ph.D., Musicology, Tulane University, 1975.
DDM Code: 31saCamF; DA no.: 36/05:2474; RILM no.: 76:9258dd; UM no.: 75-23,269
Candelaria, Lorenzo Francisco.
The "Rosary cantorales" of Early Modern Spain: An Interdisciplinary Study in Attribution. Ph.D., Musicology, Yale University, 2001. 341 p.
Research director: Craig Wright
DDM Code: 31mcCanL; DA no.: 62/03:828; RILM no.: UM no.: 30-07322 Publication: ISBN 9780493166551.
Additional keywords: art history, liturgiology, codicology, kyriale, Josquin des Prez, Missa sine nomine, Albrecht Dürer
Canguilhem, Philippe.
Les deux éditions de Fronimo (1568 et 1584) et la place du luth dans la pensée musicale de Vincenzo Galilei. Ph.D., Musicology, Université de Tours, 1994. 2 vols., 342 p. illus., plts., tbls., facs., mus. exs., transcr., bibliog.
DDM Code: 31trCanP; DA no.: RILM no.: UM no.:
Cannon, Clawson.
The 16th- and 17th-Century Organ-Mass: A Study in Musical Style. Ph.D., Musicology, New York University, 1968. 3 vols., xiii, 1199 p. tbls., mus. exs., bibliog.
DDM Code: 31keCanC; DA no.: 29/12:4515; RILM no.: 76:926024; UM no.: 69-07,938
Carapetyan, Armen.
The Musica nova of Adriano Willaert, With a Reference to the Humanistic Society of Sixteenth-Century Venice. Ph.D., Music, Harvard University, 1945. 338 p.
DDM Code: 31voCarA; DA no.: RILM no.: UM no.:
Cardamone, Donna Gina.
The Canzone villanesca alla napolitana and Related Italian Vocal Part-Music: 1537 to 1570. Ph.D., Music, Harvard University, 1972. 2 vols., xii, 702 p. plts., tbls., mus. exs., append., bibliog.
DDM Code: 31voCarD; DA no.: 36/06:3197-8; RILM no.: UM no.: 75-26,110
Carpenter, Hoyle.
The Works of Antonio de Cabezón. Ph.D., Music, University of Chicago, 1957. 417 p.
DDM Code: 31woCarH; DA no.: RILM no.: UM no.:
Carruth, Carroll Dodson.
Antoine de Betrand: French Chromatic Chanson Composer of the Sixteenth Century. Ph.D., Music, George Peabody College, 1961. vi, 380 p.
DDM Code: 31boCarC; DA no.: 22/09:3217-8; RILM no.: UM no.: 61-5801
Carruthers-Clement, Carol Ann.
The Madrigals and Motets of Vittoria/Raphaella Aleotti. Ph.D., Theory, Kent State University, 1982. 470 p.
Research director: J. Waters and R. Shindle
DDM Code: 31voCleC; DA no.: 43/07:2148; RILM no.: 82:294dd; UM no.: 82-27951
Carter, Joel Jackson.
English Dramatic Music to the Seventeenth Century, and Its Availability for Modern Productions. Ph.D., Musicology, Stanford University, 1956. 565 p.
DDM Code: 31drCarJ; DA no.: 16/04:762; RILM no.: UM no.: 16,016
Carvell, Bruce Ray.
A Practical Guide to Musica Ficta: Based on an Analysis of Sharps Found in the Music Prints of Ottaviano Petrucci (1501-1519). Ph.D., Musicology, Washington University, 1987. 174 p. mus. exs.
Research director: O. Johnson
DDM Code: 39noCarB; DA no.: 43/05:1338; RILM no.: UM no.: 82-23771
Carver, Anthony Frederick.
The Development of Sacred Polychoral Music to 1580. Ph.D., Music History, University of Birmingham, 1980.
DDM Code: 31saCarA; DA no.: RILM no.: UM no.:
Casey, William Sherman.
Printed English Lute Instruction Books, 1568-1610. Ph.D., Music Education, University of Michigan, 1960. 2 vols., xi, 253 p. plts., facs., transcr., bibliog.
DDM Code: 31snCasW; DA no.: 21:349; RILM no.: UM no.: 60-2514
Caspari, Roll.
Lied Tradition im Stilwandel um 1600. Das Nachleben des deutschen Tenorliedes in den gedruckten Liedersammlungen von Le Maistre (1566) bis Schein (1626). Ph.D., Musicology, Kiel, 1970. 2 vols., 323 p. mus. exs., works lst., discog., bibliog., ind.
DDM Code: 31voCasR; DA no.: RILM no.: 71:299dd; UM no.:
Cavanaugh, Philip Stephen.
A Liturgico-Musical Study of German Polyphonic Mass Propers, 1490-1520. Ph.D., Musicology, University of Pittsburgh, 1972. iv, 297 p. tbls., mus. exs., thematic cat., append., bibliog., ind.
DDM Code: 31luCavP; DA no.: 33/09:5221; RILM no.: 76:17171dd; UM no.: 73-05,010
Cavanaugh, Robert William.
The Anthems in Musica Deo Sacra by Thomas Tomkins. Ed.D., Music Education, University of Michigan, 1953. 468 p.
DDM Code: 31saCavR; DA no.: 13/05:832; RILM no.: UM no.: 5649
Cazeaux, Isabelle A.
The Secular Music of Claudin de Sermisy. Ph.D., Musicology, Columbia University, 1961. 2 vols., 932 p.
DDM Code: 31seCazI; DA no.: 25/0l:517; RILM no.: UM no.: 64-7169
Chapman, Catherine Weeks.
Andrea Antico. Ph.D., Music, Harvard University, 1964.
DDM Code: 38boChaC; DA no.: RILM no.: UM no.:
Chapman, James Gliem.
The Works of Pierre Moulu: A Stylistic Analysis. Ph.D., Musicology, New York University, 1965. 2 vols., 569 p.
DDM Code: 31woChaJ; DA no.: 26/03:1684-5; RILM no.: UM no.: 65-6623
Charles, Sydney Robinson.
The Music of the Pepys Ms 1236. Ph.D., Music, University of California at Berkeley, 1959. 2 vols., 436 p.
DDM Code: 31mcChaS; DA no.: RILM no.: UM no.:
Charteris, Richard.
John Coprario (Cooper) c. 1575-1626: A Study and Complete Critical Edition of His Instrumental Music. Ph.D., Musicology, University of Canterbury, New Zealand, 1976.
Research director: J. M. Jennings
DDM Code: 31imChaR; DA no.: RILM no.: 76:9264dd; UM no.:
Chater, James M.
Luca Marenzio and the Italian Madrigal, 1577-1593. Ph.D., Musicology, Univerity of Exeter, Oxford University, 1980.
DDM Code: 31seChaJ; DA no.: RILM no.: UM no.:
Chi, In Soon.
A Comparative Study of the Mid-Sixteenth-Century Motet in Southern France: Pierre Cadéac and Guillaume Le Heurteur. Ph.D., Musicology, University of Kentucky, 1980. 2 vols., xvi, 538 p. plts., tbls., mus. exs., transcr., append., bibliog.
Research director: Rey M. Longyear
DDM Code: 31saChiI; DA no.: 41/06:2345; RILM no.: UM no.: 80-27,972
Chung, Robert Ming Hsueh.
Zur musikwissenschaftlichen Bedeutung Dschu Dsyi-yüs. (Dem Erfinder der gleichschwebenden Temperatur des Zwölftonsystems). Ph.D., Musicology, Wien, 1973. 2 vols., 365 p. illus., bibliog.
DDM Code: 32teChuR; DA no.: RILM no.: 75:2609dd; UM no.:
Ciacchi, Linda Mary.
Rhythm, Text, and Formal Design in the Ostinato Madrigals of Claudio Monteverdi. Ph.D., Theory, Yale University, 1993. 471 p.
Research director: Ellen Rosand
DDM Code: 39rhCiaL; DA no.: 55/05:1135; RILM no.: 93:10839dd; UM no.: 94-26191
Clendenin, William Ritchie.
The Use of the French Chanson in Some Polyphonic Masses by French and Netherlands Composers, 1450-1550. Ph.D., Musicology, University of Iowa, 1952. 2 vols., xviii, 825 p.
DDM Code: 31luCleW; DA no.: RILM no.: UM no.: UR 1508
Clinkscale, Edward.
The Complete Works of Antoine de Févin. Ph.D., Music, New York University, 1965. 2 vols., 785 p. facs., mus. exs., append.
DDM Code: 31woCliE; DA no.: 27/06:1848-49; RILM no.: UM no.: 66-5651
Cobin, Marian W.
The Aosta Manuscript: A Central Source of Early-Fifteenth-Century Sacred Polyphony. Ph.D., Musicology, New York University, 1978. 2 vols., ix, 488 p. illus., tbls., mus. exs., works lst., append., bibliog.
DDM Code: 31mcCobM; DA no.: 39/06:3206; RILM no.: UM no.: 78-24,204
Cohen, Vered.
Zarlino on Modes: An Annotated, Indexed Translation, with Introduction and Commentary, of Part IV of Le istitutioni harmoniche. Ph.D., Music, City University of New York, 1977. lxxiv, 392 p. illus., tbls., mus. exs., transcr., transl., works lst., append., bibliog., ind.
DDM Code: 39trCohV; DA no.: RILM no.: UM no.:
Colin, Marie-Alexis.
Eustache Du Caurroy et le motet en France à la fin du XVIe siècle. Ph.D., Musicology, Université de Tours, 2001. 2 vols., xx, 300 p. tbls., mus. exs., transcr., transl., works lst., append., bibliog., ind.
Research director: J. M. Vaccaro, F. Dobbins, and J. Barbier
DDM Code: 31saColM; DA no.: RILM no.: UM no.:
Additional keywords: Pierre Attaingnant, Robert Ballard, Anthoine Bertrand, Guillaume Boni, Antoine Brumel, Marin Caietain, Pierre Certon, Catherine de Medicis, Charles IX, Nicolas Du Chemin, Henri III, Josquin des Prez, Orlande de Lassus, Guillaume Le Heurteur Le Roy, Jean Maillard, Jacques Moderne, Philippe de Monte, Jean Mouton, Claudin de Sermisy, Tomás Luis de Victoria, Adrian Willaert, Gioseffo Zarlino, antiennes, fantaisies, imitation, paraphrase, psaumes, musique mesurée à l'antique, Contre-réforme, Counter-Rreformation
Colla, Virginia Covert.
The Sacred Music of Robert Johnson (c.1500-c.1560). D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1986. 383 p.
Research director: Tom Ward
DDM Code: 31saCovV; DA no.: 47/11:3902; RILM no.: 86:1134dd; UM no.: 87-01467
Collins, Michael Bruce.
The Performance of Coloration, Sesquialtera, and Hemiolia (1450-1750). Ph.D., Music, Stanford University, 1963. v, 338 p.
DDM Code: 31pfColM; DA no.: 24/08:3364-5; RILM no.: UM no.: 64-1598
Collins, Walter Stowe.
The Anthems of Thomas Weelkes. Ph.D., Musicology, University of Michigan, 1960. 2 vols., 494 p.
DDM Code: 31saColW; DA no.: 21/08:2317; RILM no.: UM no.: LC Mic 60-6853
Columbro, Sister Mary Electa, S.N.D.
Ostinato Technique in the Franco-Flemish Motet: 1480-ca. 1562. Ph.D., Musicology, Case Western Reserve University, 1974. 2 vols., xxvi, 754 p. mus. exs., works lst., append., bibliog.
DDM Code: 39cmColM; DA no.: 35/11:7341; RILM no.: UM no.: 75-5056
Comberiati, Carmelo Peter.
Polyphonic Settings of the Mass Ordinary at the Court of Rudolf II (1576-1612). Ph.D., Musicology, University of Michigan, 1983. xvii, 339 p. tbls., mus. exs., transcr., works lst., thematic cat., append., bibliog.
Research director: David Crawford
DDM Code: 31luComC; DA no.: RILM no.: UM no.:
Condit, Jonathan.
Sources for Korean Music, 1450-1600. Ph.D., Musicology, Cambridge University, 1977.
DDM Code: 32soConJ; DA no.: RILM no.: 76:6539dd; UM no.:
Congleton, Jennie Lou.
The Chansons of Josquin des Prez. Ph.D., Musicology, Washington University, 1981. 277 p. transcr.
Research director: O. Johnson
DDM Code: 31voConJ; DA no.: 42/04:1362; RILM no.: 81:323dd; UM no.: 81-22728
Constant, John G.
Sixteenth-Century Manuscripts of Polyphony at the Cathedral of Padua. Ph.D., Musicology, University of Michigan, 1975. 449 p.
DDM Code: 31mcConJ; DA no.: 36/10:6358; RILM no.: 76:9267dd; UM no.: 76-09,374
Cook, Larry Don.
The German Troped Polyphonic Magnificat. Ph.D., Musicology, University of Iowa, 1976. 2 vols., xviii, 685 p. tbls., facs., mus. exs., transcr., append., bibliog.
Research director: Richard J. Bloesch
DDM Code: 31luCooL; DA no.: 37/12:7389; RILM no.: 76:9268dd; UM no.: 77-13,701
Corona-Alcalde, Antonio Benigno Felipe.
The Players and Performance Practice of the Vihuela and Related Instruments, the Lute and the Guitar, from 1450 to c. 1650, as Revealed by a Study of Musical, Theoretical, Literary and Archival Sources. Ph.D., Musicology, Royal Holloway College, University of London, 2000. 402 p. illus., plts., append., bibliog.
DDM Code: 31snCorA; DA no.: RILM no.: UM no.:
Couchman, Jonathan Paul.
Felice Anerio's Music for the Church and for the Altaemps Cappella. Ph.D., Musicology, University of California at Los Angeles, 1989. xiv, 673 p. tbls., mus. exs., works lst., append., bibliog.
Research director: Frank A. d'Accone
DDM Code: 31saCouJ; DA no.: RILM no.: UM no.:
Court, Suzanne Elizabeth.
Giovanni Antonio Terzi and the Lute Intabulations of Late Sixteenth-Century Italian . Ph.D., Music, University of Otago, 1988. 2 vols., 723 p. mus. exs., transcr.
Research director: John H. Steele and Howard Mayer Brown
DDM Code: 31snCouS; DA no.: RILM no.: 88:7940dd; UM no.:
Cox, Bobby Wayne.
The Motets of Manuscript Bologna, Civico Museo Bibliografico Musicale, Q15. Ph.D., Musicology, North Texas State University, 1977. 3 vols., xv, 1091 p. illus., plts., tbls., mus. exs., transcr., append., bibliog.
Research director: Cecil Adkins
DDM Code: 31mcCoxB; DA no.: 38/03:1093-4; RILM no.: UM no.: 77-19,663
Crabtree, Phillip D.
The Vocal Works of Gioseffo (ca. 1540-1611) and Francesco Guami (ca. 1544-1601). Ph.D., Musicology, University of Cincinnati, 1971. 2 vols., xviii, 590 p. plts., tbls., mus. exs., works lst., append., bibliog.
DDM Code: 31voCraP; DA no.: 32/12:7027-8; RILM no.: 71:304dd; UM no.: 72-18,314
Cramer, Eugene Casjen.
The Officium hebdomadae sanctae of Tomás Luis de Victoria: A Study of Selected Aspects and an Edition and Commentary. Ph.D., Musicology, Boston University, 1973. 2 vols., xvi, 676 p. tbls., mus. exs., append., bibliog.
DDM Code: 31luCraF; DA no.: RILM no.: 73:3286dd; UM no.:
Cramer, Susanne.
Johannes Heugel (ca. 1510-1584/85)--Studien zu seinen lateinischen Motetten. Ph.D., Musicology, Köln, 1993.
DDM Code: 31saCraS; DA no.: RILM no.: UM no.:
Crawford, David Eugene.
Vespers Polyphony at Modena's Cathedral in the First Half of the Sixteenth Century. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1967. 2 vols., 693 p. illus., tbls., mus. exs., thematic cat., append., bibliog.
DDM Code: 31luCraD; DA no.: 28/12:5087; RILM no.: 67:630dd; UM no.: 68-8043
Crist, Buckley Harris.
The 'Professional Amateur': Noble Composers, Court Life, and Musical Innovation in Late Sixteenth-Century Italy. Ph.D., Musicology, Yale University, 2004. 225 p.
Research director: Ellen Rosand
DDM Code: 31mvCriB; DA no.: 65/03:749; RILM no.: UM no.: 31-25178 Publication: ISBN 0-496-72468-1.
Crook, David W.
Orlando di Lasso's Magnificats ad imitationem for Counter-Reformation Munich. Ph.D., Musicology, Princeton University, 1991. 394 p.
Research director: Harold S. Powers
DDM Code: 31luCroD; DA no.: RILM no.: UM no.:
Cross, Ronald.
Matthaeus Pipelare, A Historical and Stylistic Study. Ph.D., Music, New York University, 1961. 2 vols., 467 p.
DDM Code: 31woCroR; DA no.: 23/02:647-8; RILM no.: UM no.: 62-3317
Cumming, Julie Emelyn.
Concord Out of Discord: Occasional Motets of the Early Quattrocento. Ph.D., Musicology, University of California at Berkeley, 1987. xii, 413 p. tbls., mus. exs., works lst., append., bibliog.
DDM Code: 31voCumJ; DA no.: RILM no.: UM no.:
Cummings, Anthony Michael.
A Florentine Sacred Repertory from the Medici Restoration (Manuscript II. I. 232 of the Biblioteca Nazionale Centrale, Firenze). Ph.D., Musicology, Princeton University, 1980. 519 p. works lst., append.
Research director: Kenneth Levy
DDM Code: 31mcCumA; DA no.: 40/10:5239; RILM no.: UM no.: 80-09,530
Cunningham, Caroline Manning.
Estienne du Tertre, savant musicien, Jean d'Estrée, Joueur de Hautbois du Roy, and the Mid-Sixteenth-Century Franco-Flemish Chanson and Ensemble Dance. Ph.D., Musicology, Bryn Mawr College, 1969. 3 vols., 655 p. plts., tbls., facs., mus. exs., works lst., append., bibliog.
DDM Code: 31voCunC; DA no.: 30/12:5466; RILM no.: UM no.: 70-10,005
Cunningham, David Winn Jr.
Music Notation in Netherlandish Painting of the Fifteenth and Sixteenth Centuries. Ph.D., Music History, Ohio State University, 1978. 186 p.
Research director: Richard Hoppin
DDM Code: 31icCunD; DA no.: 39/10:5789; RILM no.: UM no.: 74-08,133
Cunningham, Walker Evans.
The Keyboard Music of John Bull. Ph.D., Musicology, University of California at Berkeley, 1981. 520 p.
Research director: Philip Brett
DDM Code: 31keCunW; DA no.: 42/07:2921; RILM no.: UM no.: 82-00,068
Curnew, B. L.
Of the Influence of Savonarola from His Arrival in Florence to the End of the Sixteenth Century. Ph.D., , Oxford, 1976.
DDM Code: 31mvCurB; DA no.: RILM no.: UM no.:
Curry, Jerry Lee.
A Computer-Aided Analytical Study of Kyries in Selected Masses by Johannes Ockeghem. Ph.D., Theory, University of Iowa, 1969. vii, 224 p. tbls., mus. exs., append., bibliog.
DDM Code: 39srCurJ; DA no.: 30/09:3969; RILM no.: 69:3501dd; UM no.: 70-4344
Curtis, Alan Stanley.
Sweelinck's Keyboard Works: A Study of English Elements in Dutch Secular Music of the Gouden Eeuw. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1963. vi, 373 p.
DDM Code: 31keCurA; DA no.: 24/10:4221-2; RILM no.: UM no.: 64-2870
Curtis, Gareth Richard K.
The English Masses of Brussels, Bibliothèque Royale, MS 5557. Ph.D., Musicology, University of Manchester, 1979.
DDM Code: 31mcCurG; DA no.: RILM no.: UM no.:
Curtis, Liane Renée.
Music Manuscripts and Their Production in Fifteenth-Century Cambrai. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1991. 323 p.
Research director: James Haar
DDM Code: 31mcCurL; DA no.: 53/01:12; RILM no.: UM no.: 92-16701
Curtis, Rhian Samuel.
Modality, Tonality, and Musica Ficta in the Sixteenth-Century Chanson. Ph.D., Theory, Washington University, 1978. 215 p. tbls., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 39moCurR; DA no.: 39/03:1179; RILM no.: 78:1734dd; UM no.: 78-16,422
Curtis, Stephen Milne.
Mellange de chansons: Transcribed and Edited, with Commentary. Ph.D., Performance Practice, Washington University, 1975. 2 vols., iv, 606 p. mus. exs., bibliog., ind.
DDM Code: 31voCurS; DA no.: 36/04:1887; RILM no.: 76:9275dd; UM no.: 75-21,709
Cusick, Suzanne G.
Valerio Dorico, Music Printer in Sixteenth-Century Rome. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1975. vi, 354 p. tbls., facs., mus. exs., works lst., append., bibliog., ind.
DDM Code: 38boCusS; DA no.: 36/10:6359; RILM no.: 76:17078dd; UM no.: 76-09,231
Cuyler, Louise Elvera.
The Choralis Constantinus Book III of Heinrich Issac (ca. 1445-1517). Ph.D., Musicology, University of Rochester, 1948. 3 vols., 517 p.
DDM Code: 31luCuyL; DA no.: RILM no.: UM no.:
Cyrus, Cynthia J.
Polyphonic Borrowings and the Florentine Chanson Reworking, 1475-1515. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1990. ix, 167 p. mus. exs., bibliog.
Research director: James Haar
DDM Code: 31voCyrC; DA no.: RILM no.: UM no.: 91-06095
Additional keywords: imitation, parody, models, borrowing, compositional process, De tous biens plaine,D'ung aultre amer,J'ay pris amours
Czepiel, Tomasz M. M.
Music at the Royal Court and Chapel in Poland during the Second Half of the Sixteenth Century. Ph.D., Musicology, Hertford College, Oxford University, 1991.
DDM Code: 31mvCzeT; DA no.: RILM no.: 00:40348dd; UM no.:
D'Accone, Frank A.
A Documentary History of Music at the Florentine Cathedral and Baptistry in the Fifteenth Century. Ph.D., Music, Harvard University, 1960. 2 vols., 569 p. append.
DDM Code: 31saDacF; DA no.: RILM no.: UM no.:
Dahlenburg, Jane Elizabeth.
The Motet c. 1580-1630: Sacred Music Based on the Song of Songs. Ph.D., Historical Musicology, University of North Carolina at Chapel Hill, 2001. xi, 312 p. illus., tbls., facs., mus. exs., transcr., transl., append., bibliog.
Research director: James Haar
DDM Code: 31saDahJ; DA no.: RILM no.: UM no.:
Additional keywords: Giovanni Pierluigi da Palestrina, Antonio Cifra, Adriano Banchieri, Severo Bonini, Serafino Patta, post-Tridentine liturgy, music and exegesis
Daniels, Arthur Michael.
The De Musica Libri VII of Francisco de Salinas. Ph.D., Musicology, University of Southern California, 1962. 535 p. transl.
DDM Code: 39trDanA; DA no.: 23/06:2163-4; RILM no.: UM no.: 62-6046
Danner, Peter Kolb.
The Miserere mihi and the English Reformation. Ph.D., Music, Stanford University, 1967. vii, 259 p.
DDM Code: 31luDanP; DA no.: 28/07:2708-9; RILM no.: UM no.: 67-17,407
Davis, Barbara R.
Sorrow, Death, and Musical Rhetoric in the Sacred Music of Carlo Gesualdo. Ph.D., Musicology, Southwestern Baptist Theological Seminary, 2000. xvii, 254 p. tbls., mus. exs., bibliog.
Research director: R. Allen Lott
DDM Code: 31saDavB; DA no.: RILM no.: UM no.:
The Works of Johannes Vincenet. Ph.D., Music, University of North Carolina, 1960. xiii, 550 p.
DDM Code: 31woDavB; DA no.: 21/12:3807-8; RILM no.: UM no.: LC Mic 60-6981
Davison, N. St. J.
The Motets of Pierre de la Rue. D.Mus., Music, Edinburgh, 1961. 118 p.
DDM Code: 31saDavN; DA no.: 37/01:4; RILM no.: UM no.: 1:29c
Dean, Jeffrey J.
The Scribes of the Sistine Chapel, 1501-1527. Ph.D., Musicology, University of Chicago, 1984.
Research director: Howard M. Brown
DDM Code: 31saDeaJ; DA no.: 45/08:2295; RILM no.: 84:1182dd; UM no.: T-29085
DeFord, Ruth.
Ruggiero Giovannelli and the Madrigal in Rome, 1572-1599. Ph.D., Music, Harvard University, 1975. 3 vols., 948 p.
DDM Code: 31seDefR; DA no.: 38/11:6386-7; RILM no.: UM no.: 78-05,149
Dehnert, Lon T.
Libri ecclesiasticarum cantionum (1553-60) of Tielman Susato: Review, Indexes, Examples by Willaert and Castileti. D.M.A., Choral Music, University of Kansas, 1987. v, 131 p. transcr., works lst., append., bibliog., ind.
DDM Code: 31saDehL; DA no.: RILM no.: UM no.:
Dehnhard, Walther.
Die deutsche Psalmmotette in der Reformationzeit. Ph.D., Musicology, Frankfurt am Main, 1971. 330 p. mus. exs., works lst., bibliog., ind.
DDM Code: 31saDehW; DA no.: RILM no.: 72:1555dd; UM no.:
Denker, Fred Herman.
A Study of the Transition from the cantus-firmus Mass to the Parody Mass. Ph.D., Musicology, University of Rochester, 1951. 2 vols., 357 p.
DDM Code: 31luDenF; DA no.: RILM no.: UM no.: UR 1900
Derkson, John Henry.
De imitatione: The Function of Rhetoric in German Musical Theory and Practice (1560-1610). Ph.D., Musicology, University of Toronto, 1982.
Research director: Maria Rika Maniates
DDM Code: 39cmDerJ; DA no.: RILM no.: UM no.:
DeVos, Bradford R.
The Emergence of Tudor Church Music in the Vernacular. Ph.D., Musicology, Boston University, 1971. 2 vols., xv, 556 p. plts., tbls., facs., mus. exs., works lst., append., bibliog.
DDM Code: 31saDevB; DA no.: 32/04:2117; RILM no.: 72:3024dd; UM no.: 71-26,397
Dickerson, William Robert.
The Romance Viejos of the Spanish Renaissance Instrumental Prints. Ph.D., Musicology, University of Iowa, 1972.
DDM Code: 31imDicW; DA no.: 33/07:3580; RILM no.: 76:9282dd; UM no.: 73-00,613
Dickey, Timothy John.
Reading the Siena Choirbook: A Re-Appraisal of the Dating, Musical Repertories, and Marian Performance Context of the Manuscript Siena, Biblioteca Comunale Degli Intronati, Ms. K. 1.2. Ph.D., Musicology, Duke University, 2003. 461 p.
Research director: Thomas Brothers
DDM Code: 31mcDicT; DA no.: 64/10:3526; RILM no.: UM no.: 31-11177 Publication: ISBN 0-496-58707-2.
Additional keywords: codicology, source studies, transmission, cyclic masses, hymns, Magnificats, Vesper psalms, Loyset Compère, Josquin des Prez, Heinrich Isaac, Johannes Martini, Jacob Obrecht
Dieckmann, Jenny Josefine Berta.
Die in deutscher Lautentabulatur überlieferten Tänze des 16. Jahrhunderts. Ph.D., Musicology, Leipzig, 1931. viii, 142 p. mus. exs., thematic cat.
DDM Code: 31snDieJ; DA no.: RILM no.: UM no.: Publication: Kassel: Bärenreiter, 1931.
Diederichs, Elisabeth.
Die Anfänge der mehrstimmigen Lauda vom Ende des 14. bis zur Mitte des 15. Jahrhunderts. Ph.D., Musicology, München, 1983. 436 p. mus. exs.
DDM Code: 31saDieE; DA no.: RILM no.: 86:1139bm; UM no.: Publication: Münchener Veröffentlichungen zur Musikgeschichte, vol. 41. Tutzing: Schneider, 1986.
Diehl, George K.
The Partbooks of a Renaissance Merchant: Cambrai, Bibliothèque Municipale, MSS 125-128. Ph.D., Musicology, University of Pennsylvania, 1974. 907 p.
DDM Code: 31mcDieG; DA no.: 35/08:5444; RILM no.: 76:9283dd; UM no.: 75-02,718
Dittmer, Alma.
The Vocal Polyphony of William Byrd. Ph.D., Theory, University of Rochester, 1950. 2 vols., 372 p.
DDM Code: 39poDitA; DA no.: RILM no.: UM no.:
Dobbins, F.
The Chanson at Lyons in the Sixteenth Century. Ph.D., Music, New College, Oxford, 1972. 2 vols., xi, 627 p. illus., plts., tbls., facs., mus. exs., works lst., thematic cat., append., discog., bibliog., ind.
DDM Code: 31voDobF; DA no.: RILM no.: UM no.:
Donahue, Sister Benedict Joseph, O.S.B.
From Latin to English: Plainsong in Tudor England. Ph.D., Musicology, Catholic University of America, 1967.
DDM Code: 31luDonB; DA no.: 28/02:707; RILM no.: 76:9286dd; UM no.: 67-09,482
Dorfmüller, Kurt.
Studien zur Lautenmusik in der ersten Hälfte des 16. Jahrhunderts. Ph.D., Musicology, München, 1954. iv, 222 p. mus. exs.
Research director: Rudolf von Ficker
DDM Code: 31snDorK; DA no.: RILM no.: 68:3122bm; UM no.: Publication: Münchner Veröffentlichen zur Musikgeschichte, vol. 11. Tutzing: Schneider, 1967.
Dottin, Georges.
Marguerite de Navarre. Chansons spirituelles. Doct., Lettres, Paris, 1970. lxxii, 198 p.
DDM Code: 31saDotG; DA no.: RILM no.: 75:561dd; UM no.: Publication: Paris: Minard, 1971.
Dowden, Ralph Del.
The Emergence of the Seventh Chord in the Works of Some Representative Composers of Italian Madrigals, ca. 1560-ca. 1620. Ph.D., Theory, North Texas State University, 1976. xxii, 745 p. mus. exs., bibliog.
Research director: R. Ottman
DDM Code: 39haDowR; DA no.: 37/11:6826; RILM no.: 76:15406dd; UM no.: 77-11,101
Downey, Charles Townsend.
Musical-Dramatic Productions Derived from Ariosto and Tasso in the City of Paris, 1600-1800. Ph.D., Musicology, Catholic University of America, 1998. x, 394 p. illus., tbls., facs., mus. exs., transcr., transl., bibliog.
Research director: Ruth Steiner
DDM Code: 31tnDowC; DA no.: 59/04:1001; RILM no.: 98:4044dd; UM no.: 98-28839
Additional keywords: Alcine, Roland, Renaud, Armide, Tancrède, ballet de cour, Jesuit plays, tragédie en musique, operatic parody
Drake, George Warren J.
The First Printed Book of Motets, Petrucci's Motetti A. numero trentatre A (Venice, 1502) and Motetti de passione de cruce de sacramento de beata virgine et huiusmodi (Venice, 1503): A Critical Study and Complete Editon. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1972. 750 p.
DDM Code: 31saDraG; DA no.: 34/02:805; RILM no.: 76:9289dd; UM no.: 73-17,187
Drake, Jonathan David.
A Critical Edition with Commentary of Orlando di Lasso's Il primo libro de mottetti. D.M.A., Choral Music, Arizona State University, 1998. xxvii, 452 p. tbls., mus. exs., transcr., transl., works lst., append., bibliog.
Research director: Robert D. Reynolds
DDM Code: 31ciDraJ; DA no.: RILM no.: UM no.:
Additional keywords: Orlande de Lassus, motet, Antwerp, music printing, Jan de Laet
Dry, François.
Théorie musicale et technique instrumentale d'après les écrits et les oeuvres des vihuelistes espagnols (1536-1593). Ph.D., Musicology, Université de Tours, 1992.
DDM Code: 31snDryF; DA no.: RILM no.: 00:33822dd; UM no.:
Duerksen, Rosella Reimer.
Anabaptist Hymnody of the Sixteenth Century: A Study of Its Marked Individuality, Coupled with a Dependence on Contemporary Secular and Sacred Musical Style and Form. S.M.D., Sacred Music, Union Theological Seminary, 1956. iii, 276 p.
DDM Code: 31saDueR; DA no.: RILM no.: UM no.:
Duffy, John Charles.
The Vocal Works of Alfonso Ferrabosco, the Younger, c. 1575-1628. Ph.D., Musicology, Boston University, 1979. 656 p.
DDM Code: 31voDufJ; DA no.: 39/12:7046; RILM no.: 79:2515dd; UM no.: 79-12137
Duffy, Kathryn Ann Pohlmann.
The Jena Choirbooks: Music and Liturgy at the Castle Church in Wittenberg under Frederick the Wise, Elector of Saxony. Ph.D., Musicology, University of Chicago, 1995. 1212 p. transcr., transl., append.
Research director: Herbert Kellman
DDM Code: 31mcDufK; DA no.: 56/05:1572; RILM no.: 95:16905dd; UM no.: 95-30743
Duggan, Sister Mary Laurent.
Marc Antonio Ingegneri: Motets for Four and Five Voices. Ph.D., Musicology, University of Rochester, 1968. 2 vols., v, 265 p. illus., mus. exs., bibliog.
DDM Code: 31saDugM; DA no.: 29/05:1555; RILM no.: 68:1700dd; UM no.: 68-15,696
Research director: Margaret Bent
DDM Code: 31naDumT; DA no.: RILM no.: UM no.:
Additional keywords: Henry VII, Henry VIII, Benedictus de Opitiis, Opicius, John Dygon, William Cornysh, John Hothby, Royal 11 E.xi, biography, repertory, theory
Dumont, Sarah.
German Secular Polyphonic Song in the Printed Editions, 1570-1630: Italian Influences on the Poetry and Music. Ph.D., Musicology, Wadham College, Oxford University, 1984.
DDM Code: 31seDumS; DA no.: RILM no.: UM no.:
Duncan, Mary Elizabeth.
A Sixteenth-Century Mexican Chant Book: Pedro Ocharte's Psalterium, An[t]iphonarium Sanctorale Cum Psalmis et Hymnis (1584). Ph.D., Musicology, University of Washington, 1975. xi, 231 p. plts., tbls., mus. exs., transcr., append., bibliog.
Research director: R. Harman
DDM Code: 31luDunM; DA no.: 37/02:680; RILM no.: 76:9290dd; UM no.: 76-17,455
Dunning, Albert.
Die Staatsmotette: 1480-1555. Ph.D., Musicology, Amsterdam, 1969. xxiv, 361 p. illus., mus. exs., bibliog., ind.
Research director: Ph. De Vries
DDM Code: 31voDunA; DA no.: RILM no.: 71:2107bm; UM no.: Publication: Utrecht: A. Oosthoek, 1970.
Eaton, Frank Allen.
The Origins of Cantus Firmus Used in English Magnificats from the Fourteenth to the Seventeenth Centuries. D.M.A., Choral Conducting, University of Washington, 1987.
DDM Code: 31luEatF; DA no.: RILM no.: UM no.:
Eckert, Michael.
The Structure of the Ockeghem Requiem. Ph.D., Music, University of Chicago, 1977. 78 p.
DDM Code: 31saEckM; DA no.: RILM no.: 77:350dd; UM no.:
Edahl, Ann Signe.
The Use of Pre-Existing Material in the Early Tudor Mass Cycle. Ph.D., Musicology, University of Wisconsin, 1993. 397 p. tbls., mus. exs., append.
Research director: Lawrence Earp
DDM Code: 31cmEdaA; DA no.: 54/07:2377; RILM no.: 93:2228dd; UM no.: 93-20898
Edwards, Rebecca A.
Claudio Merulo: Servant of the State and Musical Entrepreneur in Later Sixteenth-Century Venice. Ph.D., Musicology, Princeton University, 1990. ix, 381 p. tbls., append., bibliog.
DDM Code: 31boEdwR; DA no.: RILM no.: UM no.: 91-10,379
Edwards, Warwick A.
Instrumental Consorts in England from the Accession of Henry VIII to the Commonwealth. Ph.D., Music, Cambridge University, 1972.
DDM Code: 31enEdwW; DA no.: RILM no.: 75:563dd; UM no.:
Egbert, Louard Edward Jr.
The Opus Musicum of Jacobus Gallus and Performance Problems of Selected Motets. D.M.A., Performance, University of Kentucky, 1975. 274 p.
Research director: W. Morgan
DDM Code: 31saEgbL; DA no.: 37/01:23; RILM no.: 76:2447dd; UM no.: 76-16,586
El-Mallah, Issam.
Die Pass'e mezzi und Saltarelli aus der Münchner Lautenhandschrift von Jacomo Gorzanis. Ph.D., Musicology, München, 1979. 2 vols., 253 p. illus., facs., mus. exs., works lst., ind.
DDM Code: 31mcElmI; DA no.: RILM no.: 79:2439dd; UM no.: Publication: Münchner Veröffentlichungen zur Musikgeshcichte, vol. 31. Tutzing: Schneider, 1979.
Eldridge, Muriel Tilden.
Thomas Campion (1567-1620): His Poetry and Music: A Study in Relationships. Ph.D., Musicology, University of Pennsylvania, 1958. 179 p.
DDM Code: 31tmEldM; DA no.: 19/04:829; RILM no.: UM no.: LC Mic 58-3321
Elias, Cathy Ann.
Imitation, Fragmentation, and Assimilation of Chansons in the Masses of Gombert, Clemens, and Crecquillon, a Kaleidoscopic Process. Ph.D., Musicology, University of Chicago, 1994. 2 vols., vi, 323 p. tbls., mus. exs., bibliog.
Research director: Bonnie Blackburn
DDM Code: 31cmEliC; DA no.: RILM no.: UM no.:
Ellefsen, Roy Martin.
Music and Humanism in the Early Renaissance: Their Relationship and Its Roots in the Rhetorical and Philosophical Traditions. Ph.D., Musicology, Florida State University, 1981. 288 p.
Research director: Elias Dann
DDM Code: 36phEllR; DA no.: 42/06:2351; RILM no.: UM no.: 81-25,766
Emmerling, Axel.
Studien zur mehrstimmigen Sequenz des deutschen Sprachraums im 15. und 16. Jahrhundert. Ph.D., Musicology, Würzburg, 1989.
Research director: Martin Just
DDM Code: 31luEmmA; DA no.: RILM no.: UM no.:
Engebretson, Stanley Paul.
A Performance Edition of Motetti a otto voci... Libro II, 1595 by Giovanni Croce. D.M.A., Performance, Stanford University, 1980. 355 p.
DDM Code: 31saEngS; DA no.: 41/08:3313; RILM no.: UM no.: 81-03,578
English, Kathryn R.
A Musical Response to the Reformation: Choirbooks 31, 32, 33, and 40 from the Hofkapelle of Ulrich VI of Württemberg. Ph.D., Musicology, University of Pittsburgh, 2001. 2 vols., xix, 345 p. tbls., mus. exs., transcr., transl., works lst., append., bibliog.
Research director: Mary Lewis
DDM Code: 31luEngK; DA no.: RILM no.: UM no.:
Johann de Fossa and His Work. Ph.D., Musicology, Case Western Reserve University, 1971. 2 vols., xliv, 616 p. plts., tbls., mus. exs., bibliog.
DDM Code: 31woEnnE; DA no.: 32/08:4648; RILM no.: 76:9295dd; UM no.: 72-06,287
Epp, Esther Maureen.
Popular Arrangements in the Petrucci Chansonniers. Ph.D., Musicology, University of Toronto, 2000. 313 p.
Research director: Timothy McGee
DDM Code: 31voEppE; DA no.: 61/06:2094; RILM no.: 00:43631dd; UM no.: NQ-49961 Publication: ISBN 0-612-49961-8.
Additional keywords: chanson rustique, formes fixes, Odhecaton, Canti B, Canti C, popular song
Erb, James.
The Magnificat Settings of Orlando di Lasso: Sources and Chronology. Ph.D., Music, Harvard University, 1978.
DDM Code: 31luErbJ; DA no.: RILM no.: UM no.:
Ernst, Hans-Bruno.
Zur Geschichte des Kinderliedes: Das einstimmige deutsche geistliche Kinderlied im 16. Jahrhundert. Ph.D., Musicology, Regensburg, 1985.
DDM Code: 31saErnH; DA no.: RILM no.: UM no.:
Etheridge, Jerry Haller.
The Music of Johannes de Limburgia. Ph.D., Musicology, Indiana University, 1972. 2 vols., lxiii, 570 p. tbls., mus. exs., transcr., works lst., thematic cat., append., bibliog., ind.
DDM Code: 31woEthJ; DA no.: 33/11:6388-9; RILM no.: 72:2 12dd; UM no.: 73-6493
Eubank, Lee E.
Spanish Intabulations in the Sixteenth Century. Ph.D., Musicology, Indiana University, 1974. 345 p.
DDM Code: 31imEubL; DA no.: 35/10:6750; RILM no.: UM no.: 75-08,976
Evans, David R. A.
The Anthems of Adrian Batten (1591-1637): A Complete Edition with Commentary and Critical and Historical Essay. Ph.D., Musicology, University of Wales, 1970.
DDM Code: 31saEvaD; DA no.: RILM no.: UM no.:
Evans, Judith Zessis.
The Spanish Polyphonic Ballad, ca. 1450 to ca. 1650. Ph.D., Musicology, Columbia University, 1975. 350 p.
DDM Code: 31seEvaJ; DA no.: 38/11:6387; RILM no.: 76:9296dd; UM no.: 77-27,855
Falkenstein, Richard Keith.
The Late Sixteenth-Century Repertory of Florentine Lute Song. Ph.D., Musicology, State University of New York at Buffalo, 1997. xvii, 349 p. tbls., mus. exs., transcr., append., bibliog.
Research director: Edmond Strainchamps
DDM Code: 31seFalR; DA no.: 58/07:2450; RILM no.: 97:2491dd; UM no.: 98-01290 Publication: ISBN 0591507676.
Additional keywords: Raffaelo Cavalcanti, Cosimo Bottegari, Vincenzo Galilei, Hieronimo Ferrutio, Fronimo dialogo, Biblioteca nazionale centrale, Dolmetsch Library, Biblioteca Riccardiana, Biblioteca Estense, Brussels Bibliothèque du Conservatoire Royal de Musique
Fallows, David Nicholas.
Robert Morton's Songs: A Study of Styles in the Mid-Fifteenth Century. Ph.D., Musicology, University of California at Berkeley, 1978. xi, 548 p. mus. exs., transcr., append., bibliog.
Research director: Anthony Newcomb
DDM Code: 31seFalD; DA no.: 39/08:4579; RILM no.: UM no.: 79-04,431
Farndell, Gordon Harold.
The Development of Organ Magnificat Settings Found in Representative German Composers between 1450 and 1750. Ph.D., Music, University of Michigan, 1966. 2 vols., 477 p.
DDM Code: 31keFarG; DA no.: 27/07:2169-70; RILM no.: UM no.: 66-14,516
Farrant, Elaine Friedman.
The Novum et insigne obus musicum ... (Nuremberg, 1565) of Homer Herpol. Ph.D., Musicology, Case Western Reserve University, 1973. 2 vols., 769 p.
DDM Code: 31saFarE; DA no.: 34/08:5226; RILM no.: 76:9299dd; UM no.: 74-02,511
Feese, Gerald.
The Polyphonic Ballades in the Manuscript Torino, Biblioteca Nazionale, J.II.9. Ph.D., Musicology, University of Iowa, 1959. 2 vols., lxxix, 696 p.
DDM Code: 31mcFeeG; DA no.: 20/06:2322; RILM no.: UM no.: LC Mic 59-5709
Feinstein, Diego Horacio.
Der Harmoniebegriff in der Kunstliteratur und Musiktheorie der italienischen Renaissance. Ph.D., Musicology, Berlin, 1977. 187 p.
DDM Code: 31haFeiD; DA no.: RILM no.: 77:4466dd; UM no.: Publication: Berlin: Wasmuth, 1977.
Feiszli, James D.
Performance Editions from Heinrich Isaac's Choralis Constantinus. D.M.A., Choral Music, Arizona State University, 1983. ix, 241 p. tbls., facs., mus. exs., transcr., works lst., append., bibliog.
Research director: Robert D. Reynolds
DDM Code: 30ciFeiJ; DA no.: 44/06:1618; RILM no.: 83:3864dd; UM no.: 83-22525
Additional keywords: mensural notation, mass proper cycle
Feldman, Martha.
Venice and the Madrigal in the Mid-Sixteenth Century. Ph.D., Musicology, University of Pennsylvania, 1987. 731 p.
Research director: Gary Tomlinson
DDM Code: 31seFelM; DA no.: 48/08:1923; RILM no.: 87:8693dd; UM no.: 87-25158
Additional keywords: Adrian Willaert, Petrarch, Cipriano de Rore, Pietro Bembo, Giovanni del Lago, Gioseffo Zarlino, Parabosco, Donato, Domenico Venier
Fend, Michael.
Gioseffo Zarlino: Theorie des Tonsystems. Das 1. und 2. Buch der Istitutioni harmoniche (1573). Ph.D., Musicology, Technische Universität, Berlin, 1983. 488 p. transl.
Research director: Carl Dahlhaus
DDM Code: 39trFenM; DA no.: RILM no.: 89:2030bm; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 43. Frankfurt am Main: Lang, 1989
ISSN 0271-3611.
Fenlon, Iain A.
Patterns of Style and Patronage: Music at the Mantuan Court ca. 1565-1600. Ph.D., Music, Cambridge University, 1977.
DDM Code: 31mvFenI; DA no.: RILM no.: UM no.:
Ferer, Mary Tiffany.
Renaissance Polyphony for the Feast of St. John the Baptist. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1976. 333 p.
DDM Code: 31luFerM; DA no.: 37/10:6129; RILM no.: 76:2453dd; UM no.: 77-08,988
Feurich, Hans-Jürgen.
Die deutschen weltlichen Lieder der Glogauer Handschrift (ca. 1470). Studien zur Entwicklung des deutschen mehrstimmigen Liedes im 15. Jahrhunderts. Ph.D., Musicology, Frankfurt am Main, 1970. 133 p. mus. exs., bibliog.
DDM Code: 31seFeuH; DA no.: RILM no.: 70:274dd; UM no.:
Fiedler, Eric.
Die Messen Gaspar van Weerbekes. Ph.D., Musicology, Frankfurt am Main, 1986.
DDM Code: 31luFieE; DA no.: RILM no.: UM no.:
Fink, Michael Armand.
The Life and Mantuan Masses of Francesco Rovigo (1541/42-1597). Ph.D., Musicology, University of Southern California, 1977. 2 vols., xv, 317 p. plts., tbls., mus. exs., transcr., works lst., append., bibliog.
Research director: Richard J. Wingell
DDM Code: 31luFinM; DA no.: 38/08:4438; RILM no.: 76:354dd; UM no.:
Finkel, Klaus.
Pädagogik und Musikunterricht im Schulwesen des ehemaligen Herzotums Pfalz-ozweibrücken nach der Reformation. Ph.D., Music Education, Münster, 1975. 236 p.
DDM Code: 34edFinK; DA no.: RILM no.: 76:7314dd; UM no.: Publication: Tutzing: Schneider, 1976.
Fischer, Klaus.
Die Psalmkompositionen in Rom im ausgehenden 16. und beginnenden 17. Jahrhundert. Ph.D., Musicology, Köln, 1970. 258 p. mus. exs., works lst., bibliog.
DDM Code: 31saFisK; DA no.: RILM no.: 71:314dd; UM no.:
Fitch, Fabrice.
Masses and Models: The Cantus Prius Factus Masses of Okeghem. Ph.D., Musicology, University of Manchester, 1995. 394 p. facs., mus. exs., transcr., bibliog.
Research director: David Fallows
DDM Code: 31saFitF; DA no.: RILM no.: UM no.:
Fitzsimmons, Patricia Sue.
A Translation of Yvonne Rokseth's La musique d'orgue au XVe siècle et au début du XVIe Together with a Commentary. D.M.A., Music, University of Rochester, 1978. 625 p. plts., tbls., mus. exs., append., bibliog.
Research director: M. Bichsel
DDM Code: 31keFitP; DA no.: 39/03:1179; RILM no.: UM no.: 78-16,654
Flanagan, David Timothy.
Polyphonic Settings of the Lamentations of Jeremiah by Sixteenth-Century English Composers. Ph.D., Musicology, Cornell University, 1990. 2 vols., xi, 540 p. tbls., mus. exs., transcr., bibliog.
Research director: Don Randel
DDM Code: 31luFlaD; DA no.: RILM no.: UM no.:
Flanders, Peter.
The Madrigals of Benedetto Pallavicino. Ph.D., Musicology, New York University, 1971. 2 vols., x, 541 p. tbls., mus. exs., works lst., append., bibliog., ind.
DDM Code: 31voFlaP; DA no.: 32/10:5824-5; RILM no.: 71:3612dd; UM no.: 72-13,353
Fleinghaus, Helmut.
Die Musikanschauung des Erasmus von Rotterdam. Ph.D., Musicology, Köln, 1983. iii, 223 p. ind.
DDM Code: 36phFleH; DA no.: RILM no.: 84:1192bm; UM no.: Publication: Kölner Beiträge zur Musikforschung, vol. 135. Regensburg: Bosse, 1984.
Fletcher, J. M.
The Teaching and Study of Arts in the University of Oxford, c1400-c1520. Ph.D., Musicology, Merton College, Oxford University, 1962.
DDM Code: 34edFleJ; DA no.: RILM no.: UM no.:
Flower, John Arnold.
Giovanni Gabrieli's Sacrae Symphoniae (1597). Ph.D., Musicology, University of Michigan, 1956. 2 vols., 370 p.
DDM Code: 31saFloJ; DA no.: 17/06:1351; RILM no.: UM no.: 21,136
Flynn, Jane E.
A Reconsideration of the Mulliner Book (British Library Add. MS 30513): Music Education in Sixteenth-Century England. Ph.D., Musicology, Duke University, 1993. xv, 622 p. illus., tbls., facs., mus. exs., transl., append., bibliog.
Research director: Peter Williams
DDM Code: 34keFlyJ; DA no.: RILM no.: UM no.:
The British Musical Renaissance--A Guide to Research. Ph.D., Librarianship, University of London, 1972. 3 vols., xliv, 687 p. bibliog.
DDM Code: 35geForR; DA no.: 30/01:349; RILM no.: 76:16993dd; UM no.: 69-10,702
Forgacs, Robert F.
The Rhetoric of Orlando di Lasso's Contributions to the Divine Offices of Matins and Lauds: A Study of the Relationship between Liturgy, Text and Music. Ph.D., Musicology, University of New South Wales, 1997. xiv, 331 p. illus., tbls., mus. exs., transcr., transl., append., bibliog.
Research director: Roger Covell
DDM Code: 31saForR; DA no.: RILM no.: UM no.:
Tielman Susato, Sixteenth-Century Music Printer: An Archival and Typographical Investigation. Ph.D., Musicology, University of Kentucky, 1978. xi, 354 p. plts., tbls., facs., append., bibliog.
Research director: Wesley Morgan
DDM Code: 38puForK; DA no.: 40/02:526; RILM no.: UM no.: 79-18,079
Fose, Luanne Eris.
The Musica practica of Bartolomeo Ramos de Pareia: A Critical Translation and Commentary. Ph.D., Theory, University of North Texas, 1992.
Research director: Thomas Sovík
DDM Code: 39trFosL; DA no.: RILM no.: UM no.:
Foster, Michael W.
The Vocal Music of Thomas Morley--A Critical and Stylistic Study. Ph.D., Musicology, University of Southampton, 1985.
DDM Code: 31voFosM; DA no.: RILM no.: UM no.:
Fouse, Donald Earl.
The Sacred Music of Giammateo Asola. Ph.D., Music, University of North Carolina, 1960. 264 p.
DDM Code: 31saFouD; DA no.: 21/12:3808; RILM no.: UM no.: LC Mic 60-6985
Fox, Bertha Mary.
A Liturgical-Repertorial Study of Renaissance Polyphony in Bártfa Mus. Pr. 6 (a-d), National Széchényi Library, Budapest. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1977. xii, 278 p. illus., plts., tbls., transcr., thematic cat., append., bibliog.
DDM Code: 31mcFoxB; DA no.: 38/10:5785; RILM no.: UM no.: 78-03911
Foxe, Wilfred T.
Text Expression and Tonal Coherence in the Printed Madrigals of Tommaso Pecci (1576-1604): A Sienese Perspective on the Second Practice. Ph.D., Musicology, University of Durham, 1990. 2 vols., ix, 318 p. facs., mus. exs., append., bibliog.
Research director: Jerome Roche
DDM Code: 31voFoxW; DA no.: RILM no.: UM no.:
Franke, Veronica M.
Palestrina's Fifteen Five-Part Imitation Masses Modelled upon Motets: A Study of Compositional Procedures. Ph.D., Musicology, Christ Church, Oxford University, 1990.
DDM Code: 39srFraV; DA no.: RILM no.: 91:9874dd; UM no.:
Freedman, Richard P.
Music, Musicians, and the House of Lorraine during the First Half of the Sixteenth Century. Ph.D., Musicology, University of Pennsylvania, 1987. 577 p. facs., transcr., ind.
Research director: Lawrence F. Bernstein
DDM Code: 31mvFreR; DA no.: 48/08:1924; RILM no.: UM no.: 87-25162
Additional keywords: Pierrequin de Therache, Mathieu Lasson, Pierre Attaignant
Freis, Wolfgang.
Cristóbal Morales and the Spanish Motet in the First Half of the Sixteenth Century: An Analytical Study of Selected Motets by Morales and Competitive Settings in SevBC 1 and TarazC 2-3. Ph.D., Musicology, University of Chicago, 1992. 538 p.
Research director: Howard M. Brown
DDM Code: 31saFreW; DA no.: RILM no.: UM no.: T-31982
French, Elizabeth Chamberlain.
Early Tudor Organ Music: 1500-1550. D.M.A., Performance, Boston University, 1975. 408 p.
DDM Code: 31keFreE; DA no.: 36/03:1154; RILM no.: 76:9302dd; UM no.: 75-20,935
Freudenberger, Berthold.
Studien zu den Orgeltabulaturen 1571 und 1583 des Leipziger Thomasorganisten Elias Nicolaus Ammerbach. Zugleich ein Beitrag zur Intavolierungstechnik im ausgehenden 16. Jahrhundert. Ph.D., Musicology, Kiel, 1990.
DDM Code: 31keFreB; DA no.: RILM no.: UM no.:
Friebel, Michael.
Johannes Ockeghems Missa Prolationum, Quellenstudien und Analysen. Ph.D., Musicology, Salzburg, 2004. 224 p. illus., plts., tbls., facs., mus. exs., transcr., append.
Research director: Jürg Stenzl
DDM Code: 31luFriM; DA no.: RILM no.: UM no.:
Imitation and Innovation in the North-Italian Motet, 1560-1605. Ph.D., Musicology, University of Pennsylvania, 1988. 2 vols., 684 p. tbls., transcr., bibliog.
Research director: Gary Tomlinson
DDM Code: 31tmFroM; DA no.: 50/01:16; RILM no.: UM no.: 89-08333
Additional keywords: Gioseffo Zarlino, Counter-Reformation, stile antico, Marc'Antonio Ingegneri, Andrea Gabrieli
Funkhouser, Sara Ann.
Heinrich Isaac and Number Symbolism: An Exegesis of Commemorative Motets Dedicated to Lorenzo de' Medici and Maximilian I. D.M.A., History-Literature, University of Missouri at Kansas City, 1981. viii, 342 p. tbls., mus. exs., append., bibliog.
Research director: Leroy Pogemiller
DDM Code: 31cmFunS; DA no.: 42/10:4195; RILM no.: 81:2405dd; UM no.: 82-07605
Fütterer, Michael.
Das Madrigal als Instrumentalmusik. Versuch einer aufführungspraktischen und geistesgeschichtlichen Neuinterpretation des Cinquecento-Madrigals. Ph.D., Musicology, Köln, 1981. 291 p. illus., tbls., facs., mus. exs., transcr., thematic cat., ind.
Research director: D. Kämper
DDM Code: 31imFutM; DA no.: RILM no.: 82:308bm; UM no.: Publication: Kölner Beiträge zur Musikforschung, vol. 119. Regensburg: Bosse, 1982.
Gaines, Charles Thomas.
Georg Rhau: Tricinia, 1542. S.M.D., Musicology, Union Theological Seminary, 1971. 2 vols., xxiv, 837 p. mus. exs., works lst., bibliog., ind.
DDM Code: 31voGaiC; DA no.: 31/11:6097; RILM no.: UM no.: 71-11,438
Gallagher, Sean.
Models of Varietas: Studies in Style and Attribution in the Motets of Johannes Regis and His Contemporaries. Ph.D., Musicology, Harvard University, 1998. vi, 297 p. tbls., facs., mus. exs., transcr., bibliog.
Research director: Lewis Lockwood
DDM Code: 31voGalS; DA no.: RILM no.: UM no.:
Additional keywords: Johannes Tinctoris; Johannes Ockeghem; Antoine Busnoys; Gilles Binchois; Guillaume Du Fay; rhetoric; aesthetics; analysis
Gallucci, Joseph J. Jr.
Festival Music in Florence, ca. 1480-ca. 1520: Canti carnascialeschi, Trionfi and Related Forms. Ph.D., Music, Harvard University, 1966. 2 vols., xiii, 746 p.
DDM Code: 31voGalJ; DA no.: RILM no.: UM no.:
Garcia, Francisco.
Pietro Cerone's El Melopeo y Maestro: A Synthesis of Sixteenth-Century Musical Theory. Ph.D., Theory, Northwestern University, 1978. 366 p. append., bibliog.
DDM Code: 39trGarF; DA no.: 39/08:4580; RILM no.: UM no.: 79-03,263
Garden, Greer Elizabeth.
François Roussel: sa vie et son oeuvre. Doct., Musicology, Paris, 1972. 3 vols., xiv, 597 p. illus., plts., facs., mus. exs., append., bibliog., ind.
DDM Code: 31woGarG; DA no.: RILM no.: UM no.: 597
Garner, Cody Alan.
Representative Madrigals of Giovanni Maria Nanino (1545-1607): A Discussion and Modern Edition. D.M.E., Music Education, University of Oklahoma, 1971. 372 p.
DDM Code: 31voGarC; DA no.: 33/01:348; RILM no.: 76:9308dd; UM no.: 72-14,103
Garton, Joseph Nathan.
The Thesaurus harmonicus of J. B. Besard 1603. Ph.D., Musicology, Indiana University, 1952.
DDM Code: 31snGarJ; DA no.: RILM no.: UM no.:
Gaskin, Hilary Lorna.
Music Copyists in Late Sixteenth-Century England, with Particular Reference to the Manuscripts of John Baldwin. Ph.D., Musicology, Cambridge University, 1986.
DDM Code: 31mcGasH; DA no.: RILM no.: UM no.:
Gehrenbeck, David Maulsby.
Motetti de la corona: A Study of Ottaviano Petrucci's Four Last-Known Motet Prints (Fossombrone, 1514, 1519), with 44 Transcriptions. S.M.D., Musicology, Union Theological Seminary, 1971. 4 vols., 1931 p. illus., tbls., facs., mus. exs., append., bibliog., ind.
DDM Code: 31saGehD; DA no.: 32/07:4045; RILM no.: UM no.: 71-12,440
Gerber, Rebecca L.
The Manuscript Trent, Castello del Buonconsiglio, 88: A Study of Fifteenth-Century Manuscript Transmission and Repertory. Ph.D., Musicology, University of California at Santa Barbara, 1984.
DDM Code: 31mcGerR; DA no.: RILM no.: UM no.:
Gerbino, Giuseppe.
Orpheus in Arcadia: The Creation of Pastoral Mode in the Sixteenth-Century Madrigal. Ph.D., Musicology, Duke University, 2001. x, 486 p. tbls., mus. exs., bibliog., ind.
Research director: Alexander Silbiger
DDM Code: 31voGerG; DA no.: 63/02:406; RILM no.: UM no.: 30-41581
Gerig, David Allen.
An Analysis of Two English Pre-Restoration Devotional Collections: Robert Tailour's Sacred Hymnes... 1615 and John Amner's Sacred Hymnes... 1615. D.M.A., Choral Music, University of Illinois at Urbana-Champaign, 1987. xiii, 236 p. plts., tbls., mus. exs., transcr., append., bibliog.
DDM Code: 31saGerD; DA no.: RILM no.: UM no.: 87-21639
Gerken, Robert Edward.
The Polyphonic Cycles of the Proper of the Mass in the Trent Codex 88 and Jena Choirbooks 30 and 35. Ph.D., Musicology, Indiana University, 1969. 3 vols., vii, 857 p. mus. exs., append., bibliog.
DDM Code: 31luGerR; DA no.: 30/11:5015; RILM no.: 69:504dd; UM no.: 70-7447
Germer, Mark.
The Austro-Bohemian Pastorella and Pastoral Mass to c.1780. Ph.D., Musicology, New York University, 1989. 577 p.
Research director: Jan LaRue
DDM Code: 31luGerM; DA no.: 51/02:336; RILM no.: UM no.: 90-16263
Gersh, Jason Andrew.
Text Setting in William Byrd's Liber primus sacrarum cantionum quinque vocum (1589): Toward an Analytic Methodology. Ph.D., Musicology, University of North Carolina at Chapel Hill, 2006. xiii, 325 p. tbls., mus. exs., append., bibliog.
Research director: Tim Carter
DDM Code: 31saGerJ; DA no.: 64/10:338; RILM no.: UM no.: 32-39214 Publication: ISBN 978-0-542-93997-6.
Additional keywords: cantiones sacrae, motets, catholic, counter reformation, recusant literature, English renaissance, counterpoint, texture, modal analysis, reception, historiography, text setting, text painting, deixis, sonority
Getz, Christine Suzanne.
Music and Patronage in Milan 1535-1550 and Vincenzo Ruffo's First Motet Book. Ph.D., Musicology, University of North Texas, 1991. iii, 407 p. illus., tbls., mus. exs., transcr., append., bibliog.
Research director: Cecil Adkins
DDM Code: 31mvGetC; DA no.: RILM no.: UM no.:
Ghezzo, Marta Elisabeth A.
Epic Songs of Sixteenth-Century Hungary: History and Style. Ph.D., Musicology, City University of New York, 1984. 402 p. facs., transcr.
Research director: Cyrilla Barr
DDM Code: 31voGheM; DA no.: 45/01:10; RILM no.: 84:4356dd; UM no.: 84-09391
Gibson, David Allen.
Peter Philips' Keyboard Music. D.M.A., Performance, Boston University, 1972. 186 p.
DDM Code: 31keGibD; DA no.: 33/04:1765; RILM no.: 76:9312dd; UM no.: 72-25,120
Gilbert, Adam Knight.
Elaboration in Heinrich Isaac's Three-Voice Mass Sections and Untexted Compositions. Ph.D., Musicology, Performance Practice, Case Western Reserve University, 2003. xxxvi, 315 p. illus., tbls., mus. exs., transcr., transl., append., bibliog.
Research director: Ross W. Duffin
DDM Code: 31imGilA; DA no.: 64/05:1455; RILM no.: UM no.: 30-92005
Additional keywords: polyphonic borrowing, allusion, imitation, instrumental music, tricinia, compositional process, fantasia, paraphrase, Missa Comme femme desconfortée, Missa Chargé de deuil, Missa Je ne fay plus, Missa Fortuna desperata, Missa Et trop penser, Missa Quant j'ay au cueur, Missa La spagna, Regnum meum, A la battaglia, Medici, O decus ecclesiae, La morra, Crudele, Il piove, Adieu fillette
Gilman, Todd S.
The Theory and Practice of English Opera and Related Genres in London, 1675-1745: John Gay, George Frideric Handel, Their Predecessors and Contemporaries. Ph.D., English, University of Toronto, 1994. iv, 246 p. tbls.
Research director: Brian Corman
DDM Code: 31opGilT; DA no.: RILM no.: UM no.:
Additional keywords: semiotics, music, drama, Augustan, Restoration, England, theatre, Henry Purcell, John Dryden, eighteenth century
Giuliana, Paul.
History and Development of Magnificat Settings in the Fifteenth and Sixteenth Centuries. S.M.D., Sacred Music, Union Theological Seminary, 1950. 63 p.
DDM Code: 31luGiuP; DA no.: RILM no.: UM no.:
Glass, Wayne Allen Jr.
The Renaissance Italian Madrigal Comedy: A Handbook for Performance. D.M.A., Choral Conducting, University of Arizona, 2006. 88 p. tbls., append., bibliog.
Research director: Bruce Chamberlain
DDM Code: 30voGlaW; DA no.: 67/11:88; RILM no.: UM no.: 32-43523 Publication: ISBN 978-0-542-99404-3.
Gregor Aichinger (1564-1628): Performance Editions of Selected Motets. D.M.A., Music, University of Oklahoma, 1982. 231 p.
DDM Code: 30ciGleJ; DA no.: 43/05:1340; RILM no.: 82:310dd; UM no.: 82-24197
Glixon, Jonathan Emmanuel.
Music at the Venetian Scuole Grandi, 1440-1540. Ph.D., Musicology, Princeton University, 1979. 2 vols., xiv, 403 p. plts., tbls., append., bibliog., ind.
Research director: Lewis Lockwood
DDM Code: 31mvGliJ; DA no.: 40/04:1739; RILM no.: 79:2445dd; UM no.: 79-22208
Gobin, Raymond C.
The Late Madrigal Cycles of Philippe de Monte. Ph.D., Music History and Literature, Northwestern University, 1984. xii, 525 p. illus., tbls., mus. exs., transcr., works lst., append., bibliog.
Research director: Theodore Karp
DDM Code: 31voGobR; DA no.: RILM no.: UM no.:
Godt, Irving.
Guillaume Costeley (1531-1606): Life and Works. Ph.D., Musicology, New York University, 1969. 2 vols., ii, 681 p. plts., tbls., mus. exs., works lst., bibliog., ind.
DDM Code: 31woGodI; DA no.: 30/09:3972; RILM no.: 69:636dd; UM no.: 70-3070
Goldthwaite, Scott.
Rhythmic Patterns and Formal Symmetry in the Fifteenth-Century Chanson. Ph.D., Music, Harvard University, 1956. 2 vols., 471 p.
DDM Code: 39rhGolS; DA no.: RILM no.: UM no.:
Golly-Becker, Dagmar.
Die Stuttgarter Hofkapelle unter Herzog Ludwig III. (1554-1593). Ph.D., Musicology, Tübingen, 1992. 997 p. illus., facs., append.
Research director: Manfred Hermann Schmid
DDM Code: 31osGolD; DA no.: RILM no.: UM no.: Publication: Stuttgart: Metzler, 1999. ISBN 3-476-01665-X.
Golos, Jerzy.
Tabulatura organowa warszawskiego Towarzystwa Muzycznego [The Organ Tablature of the Warsaw Music Society]. Ph.D., History, Warsaw, 1961.
DDM Code: 31keGolJ; DA no.: RILM no.: UM no.:
Gombosi, Otto Johannes.
Jacob Obrecht: Eine stilkritische Studie. Ph.D., Musicology, Berlin, 1925. 219 p.
Research director: Johannes Wolf
DDM Code: 31stGomO; DA no.: RILM no.: UM no.: Publication: Sammlung musikwissenschaftlicher Einzeldarstellungen, vol. 4. Leipzig: Breitkopf und Härtel, 1925..
Gore, Glenn Leon.
The Works of Philippe Basiron (Philippon?): Translation and Commentary. Ph.D., Musicology, West Virginia University, 1978. 2 vols., xxx, 334 p. plts., tbls., mus. exs., transcr., transl., works lst.
DDM Code: 31woGorG; DA no.: 39/ll:6388; RILM no.: UM no.: 79-10,898
Gottlieb, Louis Edward.
The Cyclic Masses of Trent Codex 89. Ph.D., Music, University of California at Berkeley, 1958. 2 vols., 427 p.
DDM Code: 31luGotL; DA no.: RILM no.: UM no.:
Gould, Ronald Lee.
The Latin Lutheran Mass at Wittenberg 1523-1545: A Survey of the Early Reformation Mass and the Lutheran Theology of Music, As Evidenced in the Liturgical Writings of Martin Luther, the Relevant Kirchenordnungen, and the Georg Rhau Musikdrücke for the Hauptgottesdienst. S.M.D., Musicology, Union Theological Seminary, 1970. 2 vols., xv, 767 p.
DDM Code: 31luGouR; DA no.: 31/03:1309; RILM no.: 70:278dd; UM no.: 70-14,716
Grauer, Albert W.
The Vocal Style of Sixt Dietrich and Johann Eccard and Their Contributions to Lutheran Church Music. Ph.D., Theory, University of Rochester, 1960. 343 p.
DDM Code: 31saGraA; DA no.: RILM no.: UM no.:
Gray, Walter Bernard.
A Comparison of the Latin and English Sacred Choral Compositions of William Byrd. Ph.D., Musicology, University of Wisconsin, 1962. 359 p.
DDM Code: 31saGraW; DA no.: 23/04:1380; RILM no.: UM no.: 62-4681
Green, Francis Marion.
Magnificats of Orlando Lassus. D.M.A., Church Music, University of Southern California, 1968. 263 p. facs., mus. exs., bibliog.
DDM Code: 31luGreF; DA no.: RILM no.: 69:642dd; UM no.:
Gregori, Josep.
La música del Renaixement a la catedral de Barcelona, 1450-1580. Ph.D., Musicology, Universitat Autònoma de Barcelona, 1986. 2 vols., 996 p. tbls., transcr., append., bibliog.
DDM Code: 31saGreJ; DA no.: RILM no.: UM no.:
Gresch, Don C.
Mattheus Le Maistre: A Netherlander at the Dresden Court Chapel. Ph.D., Musicology, University of Michigan, 1970. 2 vols., 321 p.
DDM Code: 31boGreD; DA no.: 31/12:6647-A; RILM no.: 76:9342dd; UM no.: 71-15,164
Griesheimer, James Cade.
The Antiphon-, Responsory-, and Psalm-Motets of Ludwig Senfl. Ph.D., Musicology, Indiana University, 1990. 2 vols., xxxi, 993 p. illus., tbls., facs., mus. exs., transcr., works lst., thematic cat., append., bibliog.
Research director: George J. Buelow
DDM Code: 31saGriJ; DA no.: RILM no.: UM no.:
Griffin, N. H.
Some Aspects of Jesuit School Drama, 1550-1600, with Special Reference to Spain and Portugal. Ph.D., Musicology, Oxford, 1975.
DDM Code: 31drGriN; DA no.: RILM no.: UM no.:
Griffiths, John.
The Vihuela Fantasia: A Comparative Study of Forms and Styles. Ph.D., Musicology, Monash University, 1984. 2 vols., xx, 621 p. mus. exs., works lst., thematic cat., bibliog.
DDM Code: 31snGriJ; DA no.: 52/03:731; RILM no.: 83:382dd; UM no.: 91-21900
Grimshaw, Julian Roscoe.
Imitative Counterpoint in English Music c.1500-1575. Ph.D., Musicology, Oxford University, 2000.
Research director: John Milsom and Owen Rees
DDM Code: 31cpGriJ; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D213562.
Gronemann, Peter.
Varietas delectat: Mannigfaltigkeit in Messen des Johannes Tinctoris. Ph.D., Musicology, Folkwang Hochschule, Essen, 2000. 239 p. illus., bibliog.
Research director: Horst Weber
DDM Code: 39srGroP; DA no.: RILM no.: 00:36025dd; UM no.: Publication: Folkwang-Texte, vol. 16. Essen: Blaue Eule, 2000. ISBN 3-89206-521-7.
Gross, Anne Tatnall.
The Livre septieme des chansons a quatre parties of Phalese: Studies in Music Printing and the Book Trade in the Low Countries, 1560-1660. Ph.D., Musicology, New York University, 1998. 793 p.
Research director: Stanley Boorman
DDM Code: 31seGroA; DA no.: 58/12:4489; RILM no.: 99:23189dd; UM no.: 98-19772 Publication: ISBN 0-591-71434-5.
Gross, Horst-Willi.
Klangliche Struktur und Klangverhältnis in Messen und lateinischen Motetten Orlandi di Lassos. Ph.D., Musicology, Frankfurt am Main, 1977.
DDM Code: 39srGroH; DA no.: RILM no.: UM no.: Publication: Tutzing: Hans Schneider, 1977.
Gruber, Gernot.
Lodovico Zacconi als Musiktheoretiker: Studien zur praxisbezogenen Musiktheorie seiner Zeit. Hab., Musicology, Mainz.
DDM Code: 39muGruG; DA no.: RILM no.: 75:569dd; UM no.:
Gudmundson, Harry Edwin.
Parody and Symbolism in Three Battle Masses of the Sixteenth Century. Ph.D., Musicology, University of Michigan, 1976. vii, 250 p. illus., facs., mus. exs., transcr., append., bibliog.
DDM Code: 31luGudH; DA no.: 37/02:681; RILM no.: 76:2460dd; UM no.: 76-19,147
Gustafson, Donna Mae Jenon.
Giovanni Croce's Mascarate piacevoli et ridicolose per il carnevale: A Contextual Study and Critical Edition. Ph.D., Musicology, University of Minnesota, 1992. ix, 142 p. tbls., mus. exs., transcr., append., bibliog.
Research director: Donna Cardamone Jackson
DDM Code: 31seGusD; DA no.: RILM no.: UM no.: