ROMANTIC
Completed Dissertations, including new records and records from Doctoral Dissertations in Musicology, 2d International Edition (1984) and Doctoral Dissertations in Musicology, 2d Cumulative Edition (1996), with corrections and updates
Abbate, Carolyn.
The "Parisian" Tannhäuser. Ph.D., Musicology, Princeton University, 1984. xxxii, 450 p. tbls., facs., mus. exs., transcr., append., bibliog.
Research director: Paul Brainard
DDM Code: 61opAbbC; DA no.: 45/05:1232; RILM no.: 84:2141dd; UM no.: 84-17405
Abegg, Werner.
Musikästhetik und Musikkritik bei Eduard Hanslick. Ph.D., Musicology, Universität des Saarlandes, 1973.
DDM Code: 66aeAbeW; DA no.: RILM no.: 75:1062dd; UM no.: Publication: Regensburg: Gustav Bosse, 1974.
Abel, Jörg Michael.
Die Entstehung der sinfonischen Musik in Russland. Ph.D., Musicology, Frankfurt am Main, 1996. xii, 384 p. mus. exs., append., bibliog.
Research director: Hoffmann-Erbrecht
DDM Code: 61oqAbeJ; DA no.: RILM no.: 96:2064dd; UM no.:
The Influence on American Culture of Dvorák's Sojourn in America. Ph.D., Music Education, Indiana University, 1965. 325 p.
DDM Code: 61mvAboM; DA no.: 26/05:2788; RILM no.: UM no.: 65-10,798
Achter, Morton Jay.
Félicien David, Ambroise Thomas, and French Opéra Lyrique 1850-1870. Ph.D., Musicology, University of Michigan, 1972. v, 341 p. mus. exs., bibliog.
DDM Code: 61opAchM; DA no.: 33/05:2406; RILM no.: 73:3560dd; UM no.: 72-28,985
Adams, John P.
A Study of the Piano Sonatas of Carl Maria von Weber. A Study of the Kavalevsky Preludes, Op. 38. D.M., Performance, Indiana University, 1976. 172 p.
DDM Code: 61keAdaJ; DA no.: RILM no.: 76:5662dd; UM no.: 03-24349
Adams, K. Gary.
Music in the Oklahoma Territory: 1889-1907. Ph.D., Musicology, North Texas State University, 1979. x, 221 p. illus., plts., bibliog.
Research director: Cecil Adkins
DDM Code: 61mvAdaK; DA no.: 40/07; RILM no.: 79:1266dd; UM no.: 80-00768
Adamy, Bernhard.
Hans Pfitzner: Literatur, Philosophie und Zeitgeschehen in seinem Weltbild und Werk. Ph.D., German Studies, Frankfurt am Main, 1979. 457 p.
DDM Code: 61phAdaB; DA no.: RILM no.: 80:2839dd; UM no.: Publication: Veröffentlichungen der Hans-Pfitzner-Gesellschaft, no. 1. Tutzing: Schneider, 1980.
Adelmann, Dale Lawrence.
The Contribution of Cambridge and the Ecclesiological (late Cambridge Camden) Society to the Revival of Anglican Choral Worship, 1839-62. Ph.D., Musicology, Cambridge University, 1991.
DDM Code: 67osAdeD; DA no.: RILM no.: 93:15000dd; UM no.: Publication: British Library Document Supply Centre no. D061521.
Aderhold, Werner.
Franz Schubert. Neue Ausgabe sämtlicher Werke VI, Kammermusik, Bd.5: Streichquartette III. Ph.D., Musicology, Tübingen, 1988.
DDM Code: 61chAdeW; DA no.: RILM no.: UM no.:
Agocs, Kati.
Leopold Damrosch's Symphony in A Major. D.M.A., Performance, Juilliard School, 2005. viii, 229 p. illus., tbls., facs., mus. exs., bibliog.
Research director: Robert Bailey
DDM Code: 60oqAgoK; DA no.: RILM no.: UM no.:
Ahlquist, Karen Ethel.
Opera, Theatre, and Audience in Antebellum New York. Ph.D., Musicology, University of Michigan, 1991. xxvi, 429 p. illus., tbls., mus. exs., bibliog., ind.
Research director: W. M. Rooke
DDM Code: 61mvAhlK; DA no.: 52/03:727; RILM no.: 91:10598dd; UM no.: 91-23967
Ahn, Suhnne.
Genre, Style, and Compositional Procedure in Beethoven's Kreutzer Sonata, Op. 47. Ph.D., Musicology, Harvard University, 1997. 275 p.
Research director: Lewis Lockwood
DDM Code: 61chAhnS; DA no.: 58/02:332; RILM no.: 97:3432dd; UM no.: 97-21651
Albertson, John Emery.
A Study of Stylistic Elements of Samuel Barber's Hermit Songs and Franz Schubert's Die Winterreise. D.M.A., Performance, University of Missouri at Kansas City, 1969. 101 p.
DDM Code: 61voAlbJ; DA no.: 31/09:4811; RILM no.: 74:1134dd; UM no.: 71-03687
Albrecht, Theodore John.
German Singing Societies in Texas. Ph.D., Musicology, North Texas State University, 1975. xiv, 484 p. illus., plts., discog., bibliog.
Research director: Michael Collins
DDM Code: 61mvAlbT; DA no.: 36/05:2472; RILM no.: 76:10278dd; UM no.: 75-24,148
Alcalay, Eugene.
Thematic Transformation in Brahms's Late Piano Cycles: An Analysis of Continuous Variation Techniques as Found in opp. 76, 79, 116, 117, 118, and 119, with Implications for Performance. D.M.A., Performance, Juilliard School, 1998. xi, 210 p. mus. exs., bibliog.
Research director: Milton Babbitt
DDM Code: 60keAlcE; DA no.: RILM no.: 00:41847dd; UM no.:
Alexander, Metche Franke.
The Choral-Orchestral Works of Hector Berlioz. Ph.D., Musicology, University of North Texas, 1978. xxiv, 556 p. illus., plts., tbls., mus. exs., bibliog.
Research director: Cecil Adkins
DDM Code: 61ciAleM; DA no.: 39/03:1177; RILM no.: 78:635dd; UM no.: 78-16709
Allen, Aaron S.
Beethoven's Music in Nineteenth-Century Italy: A Critical Review of Its Reception through the Early 1860s. Ph.D., Music, Harvard University, 2006. x, 479 p. tbls., transl., append., bibliog.
Research director: Christoph Wolff
DDM Code: 61rzAllA; DA no.: 67/12; RILM no.: UM no.: 32-45101
Additional keywords: Septet, op. 20, String Quartets, op. 18, symphonies, Coriolanus Overture, op. 62, Christ on the Mount of Olives, op. 85, Fidelio, op. 72, Giovanni Ricordi, Giovanni Guidi, Giovanni Canti, Abramo Basevi, Giacinto Battaglia, Isodoro Cambiasi, Luigi Casamorata, Giovacchino Giovacchini, Alberto Mazzucato, Nuova rivista musicale italiana, nineteenth-century Italian periodicals
Allen, Robert T. III.
Franz Schubert's Apprenticeship in the Short Song: 1815-1816. Ph.D., Musicology, University of Michigan, 1988.
Research director: Roland J. Wiley
DDM Code: 61voAllR; DA no.: 49/12:3541; RILM no.: 88:8718dd; UM no.: 89-06988
Allroegen, Gerhard.
E. T. A. Hoffmanns Kompositionen. Ein chronologisch-thematisches Verzeichnis seiner musikalischen Werke nebst einer Einführung in seinen musikalischen Stil. Ph.D., Musicology, Hamburg, 1967. 2 vols., 319 p. facs., mus. exs., thematic cat., bibliog.
DDM Code: 61woAllG; DA no.: RILM no.: 68:2012dd; UM no.:
Allwardt, Anton Paul.
Sacred Music in New York, 1800-1850. S.M.D., Sacred Music, Union Theological Seminary, 1950. 394 p.
DDM Code: 61saAllA; DA no.: ADD 1950:194; RILM no.: UM no.: 01-73232
Althouse, Paul Leinbach Jr.
Carl Loewe (1796-1869): His Lieder, Ballads, and Their Performance. Ph.D., Music, Yale University, 1971. 432 p.
Research director: Claude Palisca
DDM Code: 61voAltP; DA no.: 32/03:1545; RILM no.: 76:10281dd; UM no.: 71-22,125
Alviani, Doric.
The Choral Church Music of Arthur William Foote. S.M.D., Sacred Music, Union Theological Seminary, 1962. 2 vols., xx, 419 p.
DDM Code: 61saAlvD; DA no.: ADD 1962:158; RILM no.: UM no.: 02-60666
Amstutz, Peter.
Arietta: Aspects of Variation Form and Style in Beethoven's Piano Sonata in C minor, Op. 111. D.M.A., Performance, Peabody Conservatory, 1977. ix, 248 p. mus. exs., append., bibliog.
DDM Code: 61keAmsP; DA no.: RILM no.: UM no.:
Anbari, Alan R.
Richard Wagner's Concepts of History. Ph.D., Musicology, University of Texas at Austin, 2007. xii, 308 p. illus., mus. exs., transcr., transl., works lst., append., bibliog.
Research director: Michael Tusa
DDM Code: 61hiAnbA; DA no.: RILM no.: UM no.:
Additional keywords: historicism, historiography
Anders, Micheal F.
Musical and Dramatic Structure in the Finales of the Operas of Giacomo Puccini. Ph.D., Music History, Ohio State University, 1997. xiii, 232 p. tbls., transcr., append., discog., ind.
Research director: Lois Rosow
DDM Code: 61opAndM; DA no.: 58/07:2445; RILM no.: 97:15891dd; UM no.: 98-01633
Additional keywords: Italian opera, verismo, post-Verdi
Anderson, John Drummond.
Brass Scoring Techniques in the Symphonies of Mozart, Beethoven, and Brahms. Ph.D., Music, George Peabody College, 1960. ix, 376 p.
DDM Code: 69orAndJ; DA no.: 21/08:2315; RILM no.: UM no.: LC Mic 60-5858
Anderson, Lyle Jack.
Motivic and Thematic Transformation in Selected Works of Liszt. Ph.D., Theory, Ohio State University, 1977. 169 p.
DDM Code: 69meAndL; DA no.: 38/05:2400; RILM no.: 77:5736dd; UM no.: 77-24,591
Anderson, Margaret Sihler.
The Organ without a Master: A Survey of Nineteenth-Century Organ Instruction Books in the United States. Ph.D., Music History, University of Minnesota, 1977. 2 vols., 326 p.
DDM Code: 61tuAndM; DA no.: 38/12:7010; RILM no.: 77:1332dd; UM no.: 78-09,621
Andersson, Greger.
Bildning och nöje: bidrag till studiet av de civila svenska blåsmusikkårerna under 1800-talets senare hälft [Education and Entertainment: A Study of the Civilian Swedish Wind Bands during the Latter Part of the 19th Century]. Ph.D., Musicology, University of Uppsala, 1982. i, 198 p. illus., mus. exs., append., bibliog.
DDM Code: 61baAndG; DA no.: RILM no.: UM no.: Publication: Uppsala,1982. ISBN 91-554-1242-4.
Andraschke, Peter.
Gustav Mahlers IX. Symphonie. Ph.D., Musicology, Freiburg im Breisgau, 1973.
DDM Code: 61oqAndP; DA no.: RILM no.: 76:685dd; UM no.:
André, Naomi Adele.
Azucena, Eboli, and Amneris: Verdi's Writing for Women's Lower Voices. Ph.D., Musicology, Harvard University, 1996. ix, 430 p. bibliog.
Research director: Reinhold Brinkmann
DDM Code: 61opAndN; DA no.: 57/05:1897; RILM no.: 96:14788dd; UM no.: 96-31443
Additional keywords: opera
Andres, Robert.
"Cherubim-Doctrine," Harmonie-Piano, and Other Innovations of Frederic Horace Clark. D.M.A., Performance, University of Kansas, 1993. 104 p.
Research director: J. Bunker Clark
DDM Code: 61keAndR; DA no.: 54/10:3627; RILM no.: 93:3373dd; UM no.: 94-05710
Andrews, Ralph E.
The Woodwind Quintets of Martin Joseph Mengal. Ph.D., Theory, Florida State University, 1970. v, 305 p. bibliog.
DDM Code: 61chAndR; DA no.: RILM no.: 76:10282dd; UM no.: 02-63073
Andrus, John Clarke.
Schubert and His Public: The Songs from 1817 to 1828. Ph.D., Musicology, University of California at Santa Barbara, 1974. 224 p.
DDM Code: 61voAndJ; DA no.: 42/10:4193; RILM no.: UM no.: 82-06224
Antesberger, Günther.
Klagenfurter Musikleben in der ersten Hälfte des neunzehnten Jahrhunderts. Ph.D., Musicology, Graz, 1976. 302 p.
DDM Code: 61mvAntG; DA no.: RILM no.: 76:10285dd; UM no.:
Anthony, Jimmy Jess.
Charles-Marie Widor's Symphonies pour orgue: Their Artistic Context and Cultural Antecedents. D.M.A., Performance, University of Rochester, 1986. viii, 285 p. tbls., mus. exs., bibliog.
Research director: Robert Bailey
DDM Code: 61keAntJ; DA no.: 47/04:1102; RILM no.: 86:2026dd; UM no.: 86-14151
Anzengruber, Friedrich.
Ein Überblick über die Trompeten- und Kornettschulen in Frankreich, England, Deutschland und Österreich von ca. 1800 bis ca. 1880. Ph.D., Musicology, Wien, 1989.
DDM Code: 61brAnzF; DA no.: RILM no.: UM no.:
Appel, Bernhard.
Robert Schumanns Humoreske für Klavier op. 20. Zum musikalischen Humor in der ersten Hälfte des 19. Jahrhunderts unter besonderer Berücksichtigung des Formproblems. Ph.D., Musicology, Universität des Saarlandes, 1981. xi, 373 p. tbls., facs., mus. exs., bibliog.
Research director: Werner Braun
DDM Code: 61keAppB; DA no.: RILM no.: 81:2656bm; UM no.: Publication: Saarbrücken: Selbstverlag, 1981.
Appold, Juliette Laurence.
Landschaften in Mendelssohns Briefen, Zeichnungen und Musik. Ph.D., Musicology, Marburg, 2005. 320 p. illus., mus. exs., transcr., append., bibliog., ind.
Research director: Lothar Schmidt
DDM Code: 61arAppJ; DA no.: RILM no.: UM no.:
Additional keywords: 19th century, nature, mountains, art, literature, philosophy, music aesthetic, theory, grand tour, organic form, tableaux vivants, Italy, Berlin, Steffen Schleiermacher, Die erste Walpurgisnacht op. 60, Scottish Symphony op. 56, Italian Symphony op. 90
Ard, Jamée.
The Songs of Pauline Viardot. D.M.A., Performance, Juilliard School, 1994. 127 p. mus. exs., works lst., discog., bibliog.
Research director: Jane Gottlieb
DDM Code: 60voArdJ; DA no.: RILM no.: 00:41851dd; UM no.:
Arlin, Mary Irene.
Esquisse de l'histoire de l'harmonie, considérée comme art et comme science systématique of François-Joseph Fétis: An Annotated Translation. Ph.D., Theory, Indiana University, 1971. 248 p.
DDM Code: 69trArlM; DA no.: 33/06:2966; RILM no.: 72:1778dd; UM no.: 72-30,396
Armstrong, Alan.
Meyerbeer's Le Prophète: A History of Its Composition and Early Performance. Ph.D., Musicology, Ohio State University, 1990. 4 vols., xxiii, 1487 p. illus., transcr., append., bibliog.
Research director: Lois Rosow
DDM Code: 61opArmA; DA no.: 51/07:2190; RILM no.: 90:2970dd; UM no.: 90-31038
Additional keywords: France, Leon Pillet
Arnold, Werner.
Arnold Mendelssohn als Liederkompomponist. Ph.D., Musicology, Frankfurt am Main, 1974.
DDM Code: 61voArnW; DA no.: RILM no.: UM no.:
Arnsdorf, Mary Hunter.
Schumann's Kreisleriana, Op. 16: Analysis and Performance
. Ed.D., Music, Columbia University Teachers College, 1976. 193 p.
DDM Code: 60voArnM; DA no.: 37/03:1284; RILM no.: UM no.: 76-20863
Arntz, Michael.
Hugo Riemann (1849-1919): Leben, Werk und Wirkung. Ph.D., Musicology, Köln, 1998. 356 p. illus., works lst., bibliog.
Research director: Klaus W. Niemöller
DDM Code: 61mwArnM; DA no.: RILM no.: 99:28192dd; UM no.: Publication: Köln: Concerto, 1998. ISBN 3-9803578-7-2.
Ashley, Douglas Daniels.
The Role of the Piano in Schumann's Songs. Ph.D., Music History and Literature, Northwestern University, 1973. iv, 172 p. mus. exs., bibliog.
DDM Code: 61keAshD; DA no.: 34/06:3449; RILM no.: 76:10290dd; UM no.: 73-30,522
Asquith, Mark Simeon.
The 'Sad Music of Humanity': Metaphysics and Musical Aesthetics in the Novels of Thomas Hardy. Ph.D., English Language and Literature, King's College, University of London, 2001. 273 p. bibliog.
DDM Code: 60aeAsqM; DA no.: RILM no.: 01:19183dd; UM no.: Publication: British Library Document Supply Centre no. DX220107.
Auchmann, Michaela.
Anton Bruckners Messe Nr. 2 e-moll (WAB 27). Zur musikalischen Gestaltung, Wirkungs- und Rezeptionsgeschichte. Ph.D., Musicology, Wien, 1991. 218 p. mus. exs., bibliog.
DDM Code: 61luAucM; DA no.: 57/08:8; RILM no.: 91:3451dd; UM no.: C4-70371
Auerbach, Emily Kate.
The Musician in the Victorial Novel. Ph.D., Literature, University of Washington, 1981. 345 p.
DDM Code: 60ltAueE; DA no.: 42/04:1642; RILM no.: 81:3877dd; UM no.: 81-21179
Augustini, Folke Eckhard.
Die Klavieretüde im 19. Jahrhundert: Studien zu ihrer Entwicklung und Bedeutung. Ph.D., Musicology, Köln, 1986. xii, 548 p. facs., mus. exs., works lst., bibliog., ind.
DDM Code: 61keAugF; DA no.: RILM no.: 86:2031bm; UM no.: Publication: Duisberg: Gilles a Francke, 1986. ISBN 3-9253-4800-X.
Auh, Mi Jai Youn.
Piano Variations by Brahms, Liszt, and Friedman on a Theme by Paganini. D.M., Piano, Indiana University, 1980. 114 p. illus., mus. exs., bibliog.
DDM Code: 60keAuhM; DA no.: ADD 1981; RILM no.: 80:1867dd; UM no.: 03-58270
Bachmann, Kai.
Das Verhältnis der Tempi in Mehrsätzigen Musikwerken: Ein Beitrag zur Musikalischen Aufführungsanalyse am Beispiel der Symphonien Ludwig van Beethovens. Ph.D., Musicology, Salzburg, 1999. 473 p. illus., bibliog.
Research director: Hesse
DDM Code: 61pfBacK; DA no.: RILM no.: 99:7381dd; UM no.:
Backes, Dieter.
Die Instrumentation und ihre Entwicklung in Anton Bruckners Sinfonien. Ph.D., Musicology, Mainz, 1993.
Research director: Friedrich Wilhelm Riedel
DDM Code: 61orBacD; DA no.: RILM no.: 99:29882dd; UM no.:
Backus, Joan Pauline.
Aspects of Form in the Music of Liszt: The Principle of Developing Ideas. Ph.D., Musicology, University of Victoria, 1985. viii, 259 p. illus., tbls., mus. exs., bibliog.
DDM Code: 69srBacJ; DA no.: 47/03:703-4; RILM no.: 92:10622dd; UM no.: NIC-20795
Bacon-Shone, Frederic.
Form in the Chamber Music of Frederick Delius. Ph.D., Musicology, University of Southern California, 1976.
DDM Code: 69srBacF; DA no.: RILM no.: 76:15449dd; UM no.:
Badea, Emilian.
The Life and Works of Eugène Jancourt (1815-1901), Including a Translation and Commentary of His Grande méthode théorétique et pratique, Opus 15. D.M.A., Performance, Boston University, 1992. 158 p. transl.
Research director: John J. Daverio
DDM Code: 61wnBadE; DA no.: 53/04:1089; RILM no.: 92:9456dd; UM no.: 92-23292
Baecker, Carlernst.
Die Poetik des Lyrischen Klavierstucks um 1900. Ph.D., Musicology, Frankfurt am Main, 1989. 182 p.
Research director: Winfried Kirsch
DDM Code: 61keBaeC; DA no.: RILM no.: 91:3458dd; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 42. Frankfurt: Peter Lang, 1991.
Bailbé, Joseph-Marc.
Le roman et la musique en France sous la Monarchie de Juillet. Doct., French Literature, , 1969. 447 p. illus., mus. exs., bibliog., ind.
DDM Code: 61ltBaiJ; DA no.: RILM no.: 69:3872dd; UM no.:
Bailey, John Robert.
Maximilian Schwedler's Flute and Flute-Playing: Translation and Study of Late Nineteenth-Century German Performance Practice. D.M., Performance, Northwestern University, 1987. xiii, 498 p. illus., tbls., facs., mus. exs., transcr., append., bibliog., ind.
DDM Code: 61tuBaiJ; DA no.: 48/10:2482; RILM no.: 87:6368dd; UM no.: 87-22,553
Bailey, Robert W.
The Genesis of Tristan und Isolde and a Study of Wagner's Sketches and Drafts for the First Act. Ph.D., Musicology, Princeton University, 1969. ix, 269 p. facs., mus. exs., bibliog.
DDM Code: 61opBaiR; DA no.: 30/11:5011; RILM no.: 69:3873dd; UM no.: 70-8346
Baker, Barbara.
A Comparison of Various Settings of Poems from Goethe's Wilhelm Meisters Lehrjahre. D.M.A., Performance, Indiana University, 1978. 254 p.
DDM Code: 61tmBakB; DA no.: ADD 1979; RILM no.: 78:4178dd; UM no.: 03-45752
Bakken, Howard Norman.
The Development of Organ Playing in Boston and New York, 1700-1900. D.M.A., Performance, University of Illinois at Urbana-Champaign, 1975. 166 p.
DDM Code: 61keBakH; DA no.: 36/05:2473; RILM no.: 77:3491dd; UM no.: 75-24,252
Bakos, Daniel Frank.
Recapitulation Preparation in Selected Sonata Form Movements by Beethoven. Ph.D., Theory, Ohio State University, 1981. 135 p.
DDM Code: 69srBakD; DA no.: 42/05:1842; RILM no.: 81:1670dd; UM no.: 81-21764
Baldassarre, Antonio.
"Der klarste Träger musikalischer Ideen, der je geschaffen wurde": Untersuchungen zur Gattungsgeschichte des Streichquartetts zwischen 1830 und 1870. Ph.D., Musicology, Zürich, 2005. 662 p. mus. exs., bibliog.
Research director: Hans-Joachim Hinrichsen
DDM Code: 61chBalA; DA no.: RILM no.: UM no.: Publication: Full text available as a PDF file at: http://www.dissertationen.unizh.ch/2005/baldassarre/diss.pdf.
Baldridge, Terry L.
Evolving Tastes in Hymntunes of the Methodist Episcopal Church in the Nineteenth Century. Ph.D., Musicology, University of Kansas, 1982. xv, 269 p. tbls., facs., mus. exs., works lst., append., bibliog.
DDM Code: 61saBalT; DA no.: 43/08:2485; RILM no.: 82:1849dd; UM no.: 83-01665
Ball, William Scott.
Reclaiming a Music for England: Nationalist Concept and Controversy in English Musical Thought and Criticism, 1880-1920. Ph.D., Musicology, Ohio State University, 1993. 2 vols., ix, 651 p. append., bibliog.
Research director: Charles M. Atkinson
DDM Code: 61naBalW; DA no.: 54/08:2783; RILM no.: 93:13467dd; UM no.: 94-01,210
Ballstaedt, Andreas.
Salonmusik. Zur Geschichte und Funktion einer bürgerlichen Musikpraxis von 1830 bis zum I. Weltkrieg. Ph.D., Musicology, Freiburg im Breisgau, 1986.
DDM Code: 61mvBalA; DA no.: RILM no.: UM no.:
Balthazar, Scott Leslie.
Evolving Conventions in Italian Serious Opera: Scene Structure in the Works of Rossini, Bellini, Donizetti, and Verdi, 1810-1850. Ph.D., Musicology, University of Pennsylvania, 1985. 614 p.
Research director: Gary Tomlinson
DDM Code: 61loBalS; DA no.: 46/05:1120; RILM no.: 85:2323dd; UM no.: 85-15345
Additional keywords: libretto
Bangerter, Klaus.
Henri Marteau als Komponist im Spiegel der Kritik. Eine Studie zum Begriff der Einheit in der Musikkritik um 1900. Ph.D., Musicology, Freiburg im Breisgau, 1989.
DDM Code: 61imBanK; DA no.: RILM no.: 93:13471dd; UM no.:
Banks, Paul W.
The Early Social and Musical Environment of Gustav Mahler. Ph.D., Musicology, St. John's College, Oxford University, 1982.
DDM Code: 61boBanP; DA no.: RILM no.: 82:2511dd; UM no.:
Barancev, Anatolij.
Obucenie igre na duhovyh instrumentah v Rossii konca XVIII-nacala XX vekov [Wind Instrument Instructionin Russia from the End of the Eighteenth to the Beginning of the Twentieth Century]. Ph.D., Musicology, Leningrad Conservatory, 1974.
DDM Code: 64pdBarA; DA no.: RILM no.: 75:2487dd; UM no.:
Barela, Margaret Mary.
A Comparative Study of Metric Displacement in Schumann's Intermezzi, Op. 4, and Waldszenen, Op. 82. D.M., Piano Performance, Indiana University, 1977. 146 p.
DDM Code: 61keBarM; DA no.: RILM no.: 77:1553dd; UM no.:
Barger, Judith.
"Ladies Not Eligible"?: Elizabeth Stirling and the Musical Life of Female Organists in Nineteenth-Century London. Ph.D., Musicology, Indiana University, 2002. xxi, 570 p. illus., tbls., mus. exs., works lst., append., bibliog.
Research director: J. Peter Burkholder
DDM Code: 61mvBarJ; DA no.: 63/05:1615; RILM no.: UM no.: 30-54395
Barham, Jeremy Mark.
Mahler's Third Symphony and the Philosophy of Gustav Fechner: Interdisciplinary Approaches to Criticism, Analysis and Interpretation. Ph.D., Musicology, University of Surrey, 1998. 2 vols., xiii, 613 p. illus., plts., tbls., facs., mus. exs., transl., append., bibliog.
Research director: John Rink
DDM Code: 61phBarJ; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DX205015.
The Music of Sir Alexander Campbell MacKenzie (1847-1935): A Critical Study. Ph.D., Musicology, University of Durham, 1999. 2 vols., iv, 245 p. plts., tbls., mus. exs., append., bibliog.
Research director: Jeremy C. Dibble
DDM Code: 61woBarD; DA no.: RILM no.: 99:38000dd; UM no.: Publication: British Library Document Supply Centre no. DX208710.
Barker, K. M. D.
The Performing Arts in Five Provincial Towns, 1840-1870. Ph.D., Music, University of Leicester, 1982.
DDM Code: 61mvBarK; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D43593/82.
Barnum, Marion Phyllis.
J. N. Hummel and His Treatise on Piano Playing. D.M.A., Performance, University of Iowa, 1971. xii, 153 p. mus. exs., append., discog., bibliog.
DDM Code: 61trBarM; DA no.: 32/09:5261; RILM no.: 76:14723dd; UM no.: 72-08,345
Barolsky, Daniel G.
Romantic Piano Performance as Creation. Ph.D., Music History and Theory, University of Chicago, 2005. 2 vols., 312 p. mus. exs., discog.
Research director: Berthold Hoeckner
DDM Code: 61keBarD; DA no.: 66/07:2428; RILM no.: UM no.: 31-81533 Publication: ISBN 0-542-21282-X.
Richard Wagner's Parsifal and the Hermeneutics of Late Style. Ph.D., Musicology, Columbia University, 1996.
Research director: Walter M. Frisch
DDM Code: 61stBarA; DA no.: 57/02:501; RILM no.: 96:16174dd; UM no.: 96-16694
Barron, David Milton.
The Early Vocal Works of Anthony Philip Heinrich. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1972. 465 p.
DDM Code: 61voBarD; DA no.: 33/01:344; RILM no.: 76:10296dd; UM no.: 72-19,793
Bartel, Helmut.
Heinrich Adam Neeb: Ein Beitrag zur Musikgeschichte Frankfurts. Ph.D., Musicology, Frankfurt am Main, 1993. xii, 233 p. illus., mus. exs.
Research director: Lothar Hoffmann-Erbrecht
DDM Code: 61mvBarH; DA no.: RILM no.: 93:3391bm; UM no.: Publication: Europäische Hochschulscriften, series 36, Musikwissenschaft, vol. 97. Frankfurt: Lang, 1993. ISBN 3-631-46109-7.
Bartels, Ulrich.
Analytisch-entstehungsgeschichtliche Studien zu Wagners Tristan und Isolde anhand der Kompositionsskizze des zweiten und dritten Aktes. Ph.D., Musicology, Göttingen, 1991. 3 vols., vi, 425 p. mus. exs.
Research director: Martin Staehelin
DDM Code: 61orBarU; DA no.: RILM no.: 95:4319bm; UM no.: Publication: Musik und Musikanschauung im 19. Jahrhundert: Studien und Quellen, no. 2. Köln: Studio, 1995.
Barth, George.
The Fortepiano as Orator: Beethoven and the Transformation of the Declamatory Style. D.M.A., Performance Practice, Cornell University, 1988. viii, 136 p. mus. exs., append., bibliog.
Research director: James Webster
DDM Code: 61pfBarG; DA no.: 49/08:2011; RILM no.: 88:7962dd; UM no.: 88-21,213
Bartoli, Jean-Pierre.
L'oeuvre symphonique de Berlioz: Forme et principes de développement. Ph.D., Musicology, Paris, 1991. 2 vols., 736 p. plts., tbls., mus. exs., thematic cat., append., bibliog.
Research director: Danièle Pistone
DDM Code: 61oqBarJ; DA no.: RILM no.: 95:12327dm; UM no.:
Additional keywords: analysis, nineteenth-century music, narrativity, program music, romanticism, style
Bashford, Christina M.
Public Chamber-Music Concerts in London, 1835-50: Aspects of History, Repertory, and Reception. Ph.D., Musicology, King's College, University of London, 1996. 2 vols., 927 p. illus., tbls., works lst., append., bibliog.
Research director: Curtis Price
DDM Code: 61chBasC; DA no.: RILM no.: 00:52654dd; UM no.: Publication: British Library Document Supply Centre no. dx197075.
Additional keywords: newspapers, John Ella
Bass, Eddie Covington.
Thematic Procedures in the Symphonies of Berlioz. Ph.D., Music, University of North Carolina, 1964. 239 p.
DDM Code: 69srBasE; DA no.: 25/11:6673; RILM no.: UM no.: 65-3988
Batchman, John Clifford.
Samuel Coleridge-Taylor: An Analysis of Selected Piano Works and an Examination of His Influence on Black American Musicians: A Source Book for Teachers. Ed.D., Music Education, Washington University, 1977. 2 vols., 500 p. thematic cat.
Research director: Tilford Brooks
DDM Code: 64keBatJ; DA no.: 39/01:13; RILM no.: 78:642dd; UM no.: 78-07932
Bauer, Elisabeth Eleonore.
A. B. Marx und Beethoven in der Berliner Allgemeinen Zeitung (1824-1830). Ph.D., Musicology, Freie Universität, Berlin, 1989.
Research director: Klaus Kropfinger
DDM Code: 61wrBauE; DA no.: RILM no.: UM no.: Publication: Stuttgart-Weimar: Metzler, 1992.
Bauer, Hans Joachim.
Die kompositionstechnischen und ästhetischen Kriterien des Parsifal von Richard Wagner. Ph.D., Musicology, Technische Universität, Berlin, 1976.
Research director: Carl Dahlhaus
DDM Code: 61opBauH; DA no.: RILM no.: UM no.:
Baughman, Gordon Shepherd.
Ten Preludes for Unaccompanied Violin, Op. 35 by Eugène Ysaÿe. D.M.A., Performance, Ohio State University, 1976. 73 p.
DDM Code: 60snBauG; DA no.: 37/08:4681; RILM no.: 76:5674dd; UM no.: 77-02544
Bäumer, Dörte.
Victor Goldschmidts Harmonielehre der Kristalle. Ph.D., Musicology, Bonn, 1983.
DDM Code: 69haBauD; DA no.: RILM no.: UM no.: Publication: Bonn, 1984.
Baumer, Matthew R.
Aesthetic Theory and the Representation of the Feminine in Orchestral Program Music of the Mid-Nineteenth Century. Ph.D., Musicology, University of North Carolina at Chapel Hill, 2002. vi, 247 p. tbls., mus. exs., transl., bibliog.
Research director: Mark Evan Bonds
DDM Code: 61gsBauM; DA no.: 63/03:808; RILM no.: 02:15110dd; UM no.: 30-46963
Additional keywords: Franz Liszt, Eduard Hanslick, Richard Wagner, Adolf Bernhard Marx, Ludwig van Beethoven, Georg Wilhelm Friedrich Hegel, Tannhäuser, Faust Symphony, eternal feminine, Leonore, Gretchen, Egmont, Coriolan
Baxter, Deborah Elaine.
Women's Voice Classifications in Selected Works of Jules Massenet: An Analytical and Anecdotal Study. D.M.A., Performance, University of Missouri at Kansas City, 1988.
Research director: LeRoy Pogemiller
DDM Code: 61opBaxD; DA no.: 50/03:567; RILM no.: 89:7858dd; UM no.: 89-11293
Bean, Shirley Ann.
The Missouri Harmony, 1820-1858: The Refinement of a Southern Tunebook. D.M.A., Music History and Literature, University of Missouri at Kansas City, 1973. 321 p.
DDM Code: 61saBeaS; DA no.: 34/05:2673-4; RILM no.: 74:458dd; UM no.: 73-25,933
Beasley, William Joseph.
The Organ in America, as Portrayed in Dwight's Journal of Music. Ph.D., Musicology, University of Southern California, 1971. 2 vols., xiv, 573 p. illus., plts., tbls., facs., append., bibliog., ind.
DDM Code: 61keBeaW; DA no.: 31/11:6092; RILM no.: 71:1372dd; UM no.: 71-12,372
Bebbington, Warren Arthur.
The Orchestral Conducting Practice of Richard Wagner. Ph.D., Musicology, City University of New York, 1984. 2 vols., xv, 544 p. illus., tbls., mus. exs., append., discog., bibliog.
DDM Code: 61cnBebW; DA no.: 45/02:336; RILM no.: 84:2166dd; UM no.: 84-09,381
Beck, Roger L.
Military Music at Fort Snelling, Minnesota, from 1819 to 1858: An Archival Study. Ph.D., Musicology, University of Minnesota, 1987.
DDM Code: 61baBecR; DA no.: 49/03:373; RILM no.: 87:2636dd; UM no.: 88-05740
Beckage, Donna Ann.
Beethoven in Western Literature. Ph.D., Literature, University of California at Riverside, 1977. 309 p.
DDM Code: 66ltBecD; DA no.: 38/06:3467; RILM no.: 77:3887dd; UM no.: 77-27113
Becker, Ralf-Walter.
Formprobleme in Liszts h-moll-Sonate. Untersuchen zu Liszts Klaviermusik um 1850. Ph.D., Musicology, Marburg, 1980. 162 p.
Research director: Reinhold Brinkmann
DDM Code: 69srBecR; DA no.: RILM no.: 80:4659dd; UM no.:
Beckwith, Robert Sterling.
A. D. Kastal'skii (1856-1926) and the Quest for a Native Russian Choral Style. Ph.D., Musicology, Cornell University, 1969. 528 p.
DDM Code: 61voBecR; DA no.: 31/01:412; RILM no.: 76:10299dd; UM no.: 70-11,215
Beer, Axel.
Musik zwischen Komponist, Verlag und Publikum: Die Rahmenbedingungen des Musikschaffens in Deutschland im ersten drittel des 19. Jahrhunderts. Hab., Music History, Münster, 2000. xi, 561 p. facs., mus. exs., bibliog.
DDM Code: 68pvBeeA; DA no.: RILM no.: 00:30770bm; UM no.: Publication: Tutzing: Schneider, 2000.
DDM Code: 63maBeeG; DA no.: RILM no.: 76:3750dd; UM no.:
Beers, Deborah Yardley.
Bebung in Beethoven? The Meaning and Execution of the Composer's Indications for Change of Fingers on Tied Notes in the Piano Works. D.M.A., Performance, University of Colorado at Boulder, 1984.
DDM Code: 61pfBeeD; DA no.: 46/02:294; RILM no.: UM no.: 85-08938
Beeson, Colin.
Rhythm and Structure in Beethoven's String Quartets. Ph.D., Theory, Reading University, 1977.
DDM Code: 69srBeeC; DA no.: 49/01:8; RILM no.: 76:5485dd; UM no.: D-90172
Béhague, Gerard H.
Popular Musical Currents in the Art Music of the Early Nationalistic Period in Brazil, ca. 1870-1920. Ph.D., Musicology, Tulane University, 1966. iv, 282 p.
DDM Code: 61ppBehG; DA no.: 27/05:1390; RILM no.: UM no.: 66-10,751
Beimfohr, Jörn-L.
Das C-dur Klavierkonzert Opus 7 und die Klaviersonaten von Friedrich Kuhlau. Ph.D., Musicology, Hamburg, 1971. 2 vols., 498 p. mus. exs., bibliog.
DDM Code: 61keBeiJ; DA no.: RILM no.: 71:657dd; UM no.:
Beinroth, Fritz.
Rezeptionskundliche Untersuchungen zur Einfühlungsästhetik bei Eduard von Hartmann, Theodor Lipps und Johannes Volkelt. Ph.D., Musicology, Halle, 1970. 413 p.
DDM Code: 66aeBeiF; DA no.: RILM no.: 71:1655dd; UM no.:
Bellak, Richard Charles.
Compositional Technique in the Transcriptions of Franz Liszt. Ph.D., Musicology, University of Pennsylvania, 1976. 156 p.
Research director: Norman Smith.
DDM Code: 69cmBelR; DA no.: 37/04:1860; RILM no.: 76:15614dd; UM no.: 76-22,653
Bellamy, Sister Katherine Elizabeth.
Motivic Development in Two Larger Choral Works of Johannes Brahms. Ph.D., Musicology, University of Wisconsin, 1973. 370 p.
DDM Code: 69srBelK; DA no.: 34/10:6680; RILM no.: 76:10300dd; UM no.: 73-30,307
Beller-McKenna, Daniel.
Brahms, the Bible, and Post-Romanticism: Cultural Issues in Johannes Brahms's Later Settings of Biblical Texts, 1877-1896. Ph.D., Musicology, Harvard University, 1994. 268 p. facs., transcr., append.
DDM Code: 61tmBelD; DA no.: 55/08:2198; RILM no.: 94:4617dd; UM no.: 95-00012
Bellman, Jonathan D.
Improvisation in Chopin's Nocturnes: Some Suggested Parameters. D.M.A., Performance Practice, Stanford University, 1990. viii, 101 p. facs., mus. exs., append., bibliog.
Research director: George Barth
DDM Code: 61pfBelJ; DA no.: 51/08:2558; RILM no.: 90:8322dd; UM no.: 91-02212
Ambros Rieder. Sein Leben und sein Orgelwerk. Nebst einem thematischen Verzeichnis seiner Werke. Ph.D., Musicology, Wien, 1967. 301 p. mus. exs., bibliog.
DDM Code: 61keBenG; DA no.: RILM no.: 75:1080dd; UM no.:
Benvenga, Nancy.
Timpani and the Timpanist's Art: Musical and Technical Development in the Nineteenth and Twentieth Centuries. Ph.D., Musicology, University of Göteborg, 1979. xii, 160 p. illus., mus. exs., bibliog., ind.
DDM Code: 63peBenN; DA no.: RILM no.: 79:1556dd; UM no.: Publication: Göteborg University, 1979.
Benz, Bernhard.
Zeitstrukturen in Richard Wagners Ring-Tetralogie. Ph.D., Musicology, Technische Universität, Berlin, 1991. 418 p. mus. exs.
Research director: Carl Dahlhaus
DDM Code: 69rhBenB; DA no.: RILM no.: 94:15040bm; UM no.: Publication: Europäische Hochschulschriften, series 36, Musikwissenschaft, vol. 112. Frankfurt am Main: Lang, 1994. ISBN 3-631-46820-2.
Berdahl, Susan Marie.
The First Hundred Years of the Boehm Flute in the United States, 1845-1945: A Biographical Dictionary of American Boehm Flutemakers. Ph.D., Musicology, University of Minnesota, 1986. 3 vols., xxii, 899 p. illus., append., bibliog.
DDM Code: 65wnBerS; DA no.: 47/07:2357; RILM no.: 86:4876dd; UM no.: 86-22568
Berg, Karl Georg.
Giacomo Puccinis Opern: Musik und Dramaturgie. Ph.D., Musicology, Marburg, 1986.
DDM Code: 61opBerK; DA no.: RILM no.: 91:10630dd; UM no.:
Berger, Christian.
Phantastik und Konstruktion. Hector Berlioz' Symphonie fantastique. Ph.D., Musicology, Kiel, 1982. x, 202 p. tbls., mus. exs.
DDM Code: 61oqBerC; DA no.: RILM no.: 83:2771bm; UM no.: Publication: Kieler Schriften zur Musikwissenschaft, vol. 27. Kassel: Bärenreiter, 1983.
Bergeron, Katherine.
Representation, Reproduction, and the Revival of Gregorian Chant at Solesmes. Ph.D., Musicology, Cornell University, 1989. viii, 246 p. illus., bibliog.
Research director: Don Randel
DDM Code: 61luBerK; DA no.: 50/09:2692; RILM no.: 89:12792dd; UM no.: 89-24,515
Bernskiöld, Hans.
"Sjung av hjärtat sjung": Församlingssång och musikliv i Svenska Missionsförbundet fram till 1950-talet ["Sing It Over and Over Again": Congregational Singing and Musical Life in the Svenska Missionsforbund through the 1950s]. Ph.D., Musicology, Göteborg, 1986. 254 p. illus., bibliog., ind.
DDM Code: 61saBerH; DA no.: RILM no.: 90:12027bm; UM no.: Publication: Skrifter från Institutionen for Musikvetenskap, Göteborg, no. 11. Göteborg: Göteborgs Univ. Gothia, Musikvetenskapliga Institutionen, 1986. ISBN 91-7728-218-3.
Bernstein, David Walter.
The Theories of Georg Capellen in Perspective. Ph.D., Theory, Columbia University, 1986.
DDM Code: 69muBerD; DA no.: 49/12:3542; RILM no.: 88:8501dd; UM no.: 89-06492
Berrett, Joshua.
Characteristic Conventions of Style in Selected Instrumental Works of Louis Spohr. Ph.D., Musicology, University of Michigan, 1974. iii, 244 p. plts., tbls., facs., mus. exs., works lst., bibliog.
DDM Code: 61stBerJ; DA no.: 35/07:4582; RILM no.: 76:10308dd; UM no.: 75-00,633
Berrow, James.
John Nicholson: Organ Builder of Worcester: Background, Life and Work. Ph.D., Musicology, University of Reading, 1996. 2 vols., xi, 767 p. illus., plts., tbls., facs., works lst., append., bibliog.
Research director: C. J. Kent
DDM Code: 61woBerJ; DA no.: RILM no.: 00:52698dd; UM no.: Publication: British Library Document Supply Centre no. DX192846.
Additional keywords: Yorkshire, Lancashire, music
Berry, Corre Ivey.
A Study of the Vocal Chamber Duet through the Nineteenth Century. Ph.D., Musicology, North Texas State University, 1974. xv, 345 p. mus. exs., discog., bibliog.
Research director: Cecil Adkins
DDM Code: 61voBerC; DA no.: 36/01:16; RILM no.: 76:8905dd; UM no.: 75-13,660
Best, Walther.
Die Romanzen Robert Schumanns. Ph.D., Musicology, Hamburg, 1988. 336 p. mus. exs.
Research director: Constantin Floros
DDM Code: 61geBesW; DA no.: RILM no.: 88:3152bm; UM no.: Publication: Europäische Hochschulschriften, no. 35, 36. Frankfurt am Main: Lang, 1988.
Betterton, William F.
A History of Music in Davenport, Iowa, before 1900. Ph.D., Music Education, University of Iowa, 1962. vi, 700 p.
DDM Code: 61mvBetW; DA no.: 23/08:2933; RILM no.: UM no.: 63-902
Bettin, Matthias.
Musikalische Aspekte der Wagner-Kritik Nietzsches. Ph.D., Musicology, Halle, 1990.
DDM Code: 66crBetM; DA no.: RILM no.: UM no.:
Betts, James Edmond.
A Comparison of Concepts of Horn Technique as Expressed in Selected Instructional Materials for Horn Dating from 1798 to 1960. D.M.A., Music, University of Iowa, 1984. vi, 129 p. mus. exs., append., bibliog.
DDM Code: 61brBetJ; DA no.: 45/09:2686; RILM no.: 84:5313dd; UM no.: 84-28,309
Betz, Marianne.
Der Czakan und seine Musik: Wiener Musikleben im frühen 19. Jahrhundert, dargestellt am Beispiel einer Spazierstockblockflöte. Ph.D., Musicology, Heidelberg, 1991. 294 p. illus., mus. exs.
DDM Code: 63wnBetM; DA no.: RILM no.: 92:9465dd; UM no.: Publication: Tutzing: Schneider, 1992. ISBN 3-7952-0730-4.
Beuerle, Hans Michael.
Untersuchungen zum historischen Stellenwert der A cappella-Kompositionen von Johannes Brahms. Ein Beitrag zur Geschichte der Chorormusik. Ph.D., Musicology, Frankfurt am Main, 1975.
DDM Code: 61ciBeuH; DA no.: RILM no.: 87:7309dd; UM no.:
Beveridge, David Ralph.
Romantic Ideas in a Classical Frame: The Sonata Forms of Dvorák. Ph.D., Musicology, University of California at Berkeley, 1980. iv, 409 p. tbls., mus. exs., bibliog.
Research director: Lawrence Moe
DDM Code: 69srBevD; DA no.: 42/01:11; RILM no.: 80:2848dd; UM no.: 81-12963
Bevier, Carol Sue.
The Program Symphonies of Joseph Joachim Raff. Ph.D., Musicology, North Texas State University, 1982. 447 p. tbls., mus. exs., bibliog.
Research director: Cecil Adkins
DDM Code: 61oqBevC; DA no.: 43/03:579; RILM no.: 82:600dd; UM no.: 82-17616
Beyer, Barbara.
Selbstverständigung und Verselbständigung. Eine Analyse von Giuseppe Verdis Don Carlos. Ph.D., Musicology, Technische Universität, Berlin, 1985.
DDM Code: 61opBeyB; DA no.: RILM no.: 88:3154dd; UM no.:
Biamonte, Nicole Victoria Dax.
The Modes in the Music of Beethoven, Schumann, and Brahms: Historical context and Musical Function. Ph.D., Theory, Yale University, 2000. 275 p.
Research director: Leon Plantinga
DDM Code: 69moBiaN; DA no.: 61/05:1669; RILM no.: 00:6674dd; UM no.: 99-73644
Biddlecombe, George Charles.
English Opera from 1834 to 1864 with Particular Reference to the Works of Michael Balfe. Ph.D., Musicology, Goldsmith's College, University of London, 1990.
DDM Code: 61opBidG; DA no.: RILM no.: 91:3504dd; UM no.:
Biesold, Maria.
Rudolf Kroneggers Wienerlieder. Ein Beitrag zur Erhellung des Wienerlied-Begriffs. Ph.D., Musicology, Freie Universität, Berlin, 1980. 290 p. mus. exs., works lst., thematic cat., bibliog.
DDM Code: 61voBieM; DA no.: RILM no.: 80:3002dd; UM no.: Publication: Berlin: Bärenreiter und Neuwerter in Komm., Dissertationsdruck, 1980.
Bigger, William George.
The Choral Music of Charles (Heinrich Christoph) Zeuner (1795-1857), With a Performance Edition of Representative Works. Ph.D., Choral Literature, University of Iowa, 1976. 2 vols., 544 p.
DDM Code: 61voBigW; DA no.: 37/07:3977; RILM no.: 76:10315dd; UM no.: 76-26,264
Billings, Carolyn Ann.
Orchestral Aspects of Chabrier's Piano Style. D.M.A., Performance, University of Missouri, 1983.
Research director: Paul Revitt
DDM Code: 61keBilC; DA no.: 44/03:605; RILM no.: 83:2778dd; UM no.: 83-15193
Billington, Steven Miles.
Robert Schumann's Genoveva: A Source Study. Ph.D., Musicology, New York University, 1987. 364 p.
Research director: Martin Chusid
DDM Code: 61mcBilS; DA no.: 48/11:2756; RILM no.: 87:2659dd; UM no.: 88-01519
Bilson, Malcolm.
The Emergence of the Fantasy-Style in the Beethoven Piano Sonatas of the Early and Middle Periods. D.M.A., Performance, University of Illinois at Urbana-Champaign, 1968. vi, 172 p. mus. exs., append.
DDM Code: 61keBilM; DA no.: 29/02:623; RILM no.: 68:1922dd; UM no.: 68-12082
Bingham, Ruth Otto.
The Song Cycle in German-Speaking Countries 1790-1840: Approaches to a Changing Genre. Ph.D., Musicology, Cornell University, 1993. ix, 306 p. illus., tbls., facs., mus. exs., bibliog.
Research director: Roger Parker
DDM Code: 61voBinR; DA no.: 54/09:3255; RILM no.: 93:11101dd; UM no.: 93-33265
Binstock, L. R.
A Study of Music in Victorian Prose. Ph.D., Musicology, Oxford University, 1985.
DDM Code: 61ltBinL; DA no.: RILM no.: 00:53800dd; UM no.: Publication: British Library Document Supply Centre no. D69086/86.
Birchler, David Carl.
Nature and Autobiography in the Music of Gustav Mahler. Ph.D., Musicology, University of Wisconsin, 1991. 2 vols., xi, 591 p. mus. exs., append., bibliog.
DDM Code: 61stBirD; DA no.: 52/05:1558; RILM no.: 91:3507dd; UM no.: 91-24656
Bischoff, Bodo.
Monument für Beethoven. Entwicklung der Beethoven-Rezeption Robert Schumanns. Ph.D., Musicology, Freie Universität, Berlin, 1992.
Research director: Klaus Kropfinger
DDM Code: 61stBisB; DA no.: RILM no.: 94:4664dd; UM no.:
Bissell, Sally Joan.
Manuel Areu and the Nineteenth-Century Zarzuela in Mexico and Cuba. Ph.D., Musicology, University of Iowa, 1987. 327 p.
Research director: Frederick Crane
DDM Code: 61opBisS; DA no.: 49/04:651; RILM no.: 87:2660dd; UM no.: 88-10123
Bittner, Johannes.
Die Klaviersonaten Eduard Francks (1817-1893) und anderer Kleinmeister. Ph.D., Musicology, Hamburg, 1968. 2 vols., 500 p. facs., mus. exs., thematic cat., bibliog.
DDM Code: 61keBitJ; DA no.: RILM no.: 69:1225dd; UM no.:
Black, Brian Charles.
Schubert's Apprenticeship in Sonata Form: The Early String Quartets. Ph.D., Musicology, McGill University, 1997. 562 p.
Research director: William E. Caplin
DDM Code: 61srBlaB; DA no.: 59/08:2773; RILM no.: 99:19888dd; UM no.: NQ-29892 Publication: ISBN 0-612-29892-2.
Blackburn, David Stuart.
The Life, Works, and Songs of Richard Storrs Willis. D.M.A., Performance, University of Iowa, 1971. 188 p.
DDM Code: 61woBlaD; DA no.: 32/06:3346; RILM no.: 76:10316dd; UM no.: 71-30,399
Blaine, William Alan.
Robert Schumann: Novelletten, Opus 21
. D.M.A., Music, University of North Texas, 1981. 61 p.
DDM Code: 60keBlaW; DA no.: 42/03:906; RILM no.: 81:2671dd; UM no.: 81-18072
Blair, Ted M.
Henry Charles Litolff; His Life and Music. Ph.D., Musicology, University of Iowa, 1968. 287 p.
DDM Code: 61woBlaT; DA no.: 29/02:624; RILM no.: 69:3880dd; UM no.: 68-10,647
Bland, Stephen F.
The Songs of Gabriel Fauré. Ph.D., Theory, Florida State University, 1976. 108 p.
DDM Code: 61voBlaS; DA no.: 37/06:3251; RILM no.: 76:10318dd; UM no.: 76-28,597
Bleß, Marion.
Richard Wagners Oper Tannhäuser im Spiegel seiner geistigen Entwicklung. Ph.D., Musicology, Hamburg, 1997. 174 p. mus. exs.
Research director: Constantin Floros
DDM Code: 61boBleM; DA no.: RILM no.: 97:15966dd; UM no.: Publication: Hamburger Beiträge zur Musikwissenschaft, vol. 44. Hamburg: Wagner, 1995. ISBN 3-88979-076-3.
Block, Geoffrey Holden.
The Genesis of Beethoven's Piano Concertos in C Major (Op. 15) and B-Flat Major (Op. 19): Chronology and Compositional Process. Ph.D., Music, Harvard University, 1979. 2 vols., liv, 823 p.
DDM Code: 61cmBloG; DA no.: 43/01:10; RILM no.: UM no.: 82-12,767
Bloom, Peter Anthony.
François-Joseph Fétis and the Revue Musicale (1827-1835). Ph.D., Musicology, University of Pennsylvania, 1972. xxxiii, 451 p. illus., facs., mus. exs., append., bibliog., ind.
DDM Code: 61pgBloP; DA no.: 33/04:1760-1; RILM no.: 72:1787dd; UM no.: 72-25,546
Blum, Beula Eisenstadt.
Solmization in Nineteenth-Century American Sight-Singing Instruction. Ed.D., Music Education, University of Michigan, 1968. iii, 237 p. bibliog.
DDM Code: 64pdBluB; DA no.: 30/01:353; RILM no.: 69:1230dd; UM no.: 69-12,015
Blumenthal, Fred A.
The German Romantic Movement in Music in St. Louis. Ph.D., Musicology, Washington University, 1983. 258 p. bibliog.
Research director: Michael Beckerman
DDM Code: 61mvBluF; DA no.: 45/02:336; RILM no.: 83:2779dd; UM no.: 84-10608
Boß, Rainer.
Gestalt und Funktion von Fuge und Fugato bei Bruckner. Ph.D., Musicology, Bonn, 1996. 280 p.
Research director: Siegfried Kross
DDM Code: 61cpBosR; DA no.: RILM no.: 96:12743dd; UM no.: Publication: Tutzing: Schneider, 1997. ISBN 3-7952-0887-4.
Bockholdt, Petra.
Die Lieder Mussorgskijs. Herkunft und Erscheinungsform. Ph.D., Musicology, München, 1980.
Research director: Jürgen Eppelsheim
DDM Code: 61voBocP; DA no.: RILM no.: UM no.: Publication: München: Fink, 1982.
Research director: Georg von Dadelsen
DDM Code: 69orBogH; DA no.: RILM no.: 77:632dd; UM no.:
Böhm, Christian.
Das Liedschaffen Anton Rückaufs. Ph.D., Musicology, Wien, 1985.
DDM Code: 61voBohC; DA no.: RILM no.: 85:2364dd; UM no.:
Bokum, Jan G.A. Ten.
Johannes Gijsbertus Bastiaans (1812-1875). Ph.D., Musicology, Utrecht, 1971. 421 p. illus., facs., mus. exs., bibliog., ind.
DDM Code: 61woBokJ; DA no.: 27/02:229; RILM no.: 71:802dd; UM no.: 1-1476c
Bollinger, John Simon.
An Integrative and Schenkerian Analysis of the B-flat Minor Sonata by Frédéric Chopin. Ph.D., Performance, Washington University, 1981. vii, 229 p. tbls., mus. exs., append.
Research director: N. McGegan
DDM Code: 69srBolJ; DA no.: 42/10:4346; RILM no.: 81:6172dd; UM no.: 82-01,728
Bolton, Jacklin Talmage.
Religious Influences on American Secular Cantatas, 1850-1930. Ph.D., Music Education, University of Michigan, 1964. xvii, 472 p. mus. exs., bibliog.
DDM Code: 61seBolJ; DA no.: 25/12:7036; RILM no.: UM no.: 65-5879
Bomberger, E. Douglas.
The German Musical Training of American Students, 1850-1900. Ph.D., Musicology, University of Maryland, 1991.
Research director: Howard J. Serwer
DDM Code: 61naBomE; DA no.: 53/05:1438; RILM no.: 91:9968dd; UM no.: 92-25,789
Boneau, Denise Lynn.
Louise Bertin and Opera in Paris in the 1820s and 1830s. Ph.D., Musicology, University of Chicago, 1989.
DDM Code: 61woBonD; DA no.: 50/11:3404; RILM no.: 89:3454dd; UM no.: T-31006
Booth, Ronald Earl Jr.
The Life and Music of Stephen Heller. Ph.D., Performance, University of Iowa, 1969. 248 p.
DDM Code: 61woBooR; DA no.: 30/09:3966-7; RILM no.: 69:3884dd; UM no.: 70-4334
Borem de Oliveira, Fausto.
Henrique Oswald's Sonata Op. 21: An Edition and Transcription for Double Bass and Piano. D.M.A., Music, University of Georgia, 1993. x, 125 p. tbls., facs., mus. exs., transcr., transl., works lst., append., bibliog., ind.
Research director: Lewis Nielson
DDM Code: 60naBorF; DA no.: 54/09:3260; RILM no.: 93:4802dd; UM no.: 94-04675
Additional keywords: Brazilian music, biography, romantic music
Bostley, Edward John.
The Horn in the Music of Gustav Mahler. D.M.A., Performance, University of Missouri at Kansas City.211 p. tbls.
DDM Code: 60wiBosE; DA no.: 41/10:4205; RILM no.: 80:5532dd; UM no.: 81-07080
Boston, Margie Viola.
An Essay on the Life and Works of Leo Delibes. D.M.A., Music, University of Iowa, 1981. 102 p. works lst., append., bibliog.
DDM Code: 60woBosM; DA no.: 42/05:1842; RILM no.: 81:606dd; UM no.: 81-23380
Bötel, Friedhold.
Felix Mendelssohn Bartholdys Präludien und Fugen für Orgel op. 37. Studien zur Orgelmusik Mendelssohns unter Berücksichtigung ihrer gattungsgeschichtlichen Stellung. Ph.D., Musicology, Heidelberg, 1982.
DDM Code: 61keBotF; DA no.: RILM no.: UM no.:
Bottazzi, Ana Maria Trenchi de.
The Relaxationists (Lhevinne, Leschetizky, Cortot, Liszt, Mattay, Godowsky and Teresa Carreno), Their Concepts and Applications to the Study and Performance of the Four Chopin Ballades. D.M.A., Music, Julliard School, 1981.
DDM Code: 60msBotA; DA no.: ADD 1981; RILM no.: 81:3545dd; UM no.: 03-56462 Publication:
.
Boursy, Richard.
Historicism and Composition: Giuseppe Baini, the Sistine Chapel Choir, and Stile Antico Music in the First Half of the 19th Century. Ph.D., Music History, Yale University, 1994. 2 vols., xii, 412 p. facs., mus. exs., transcr., bibliog.
Research director: Leon Plantinga
DDM Code: 61stBouR; DA no.: 56/03:751; RILM no.: 94:4693dd; UM no.: 95-22719
Bowen, José Antonio.
The Conductor and the Score: A History of the Relationship Between Interpreter and Text in the Generation of Mendelssohn, Berlioz, and Wagner. Ph.D., Musicology and Humanities, Stanford University, 1994. 3 vols., xvi, 610 p. mus. exs., transcr., append., bibliog., ind.
Research director: Karol Berger
DDM Code: 61pfBowJ; DA no.: 54/12:4298; RILM no.: 94:11551dd; UM no.: 94-14542
Bowers, Teresa R.
The Vesper Psalms of Manuel Arenzana and Antonio Juanas. D.M.A., Choral Conducting, University of Maryland at College Park, 1998. v, 186 p. tbls., mus. exs., transcr., transl., works lst., append., bibliog.
Research director: Paul Traver
DDM Code: 61saBowT; DA no.: 60/03:583; RILM no.: 98:3003dd; UM no.: 99-20910
Additional keywords: Sacred Mexican Music, Puebla Cathedral, Mexico City Cathedral, classical music
Bowles, Gretchen Renae.
The Golden Age of Euphonium Playing c.1880-1930. D.M.A., Performance and Pedagogy, University of Southern Mississippi, 2004. 89 p.
Research director: Richard Perry
DDM Code: 61brBowG; DA no.: 66/02:398; RILM no.: UM no.: 31-65214 Publication: ISBN 0-542-00490-9.
Boyce, Mary Frances.
The French School of Violin Playing in the Sphere of Viotti: Technique and Style. Ph.D., Musicology, University of North Carolina, 1973. xiii, 423 p. illus., tbls., mus. exs., append., bibliog.
DDM Code: 61snBoyM; DA no.: 34/05:2675; RILM no.: 73:3417dd; UM no.: 73-26157
Boyd, Jack Arthur.
Secular Music for the Solo Vocal Ensemble in the Nineteenth Century. Ph.D., Choral Literature, University of Iowa, 1971. iii, 310 p. illus., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 61seBoyJ; DA no.: 32/05:2725; RILM no.: 71:2390dd; UM no.: 71-30,401
Boyd, John Pretz.
Ouverture für Harmoniemusik Op. 24 by Felix Mendelssohn-Bartholdy: An Edition for Contemporary Wind Band. D.M.A., Music Education, University of Missouri at Kansas City, 1981. 2 vols., vi, 169 p. facs., mus. exs., transcr., append., bibliog.
Research director: Gerald E. Kemner
DDM Code: 60baBoyJ; DA no.: 42/12:5051; RILM no.: 82:607dd; UM no.: 82-07610
Boyd, Melinda J.
Opera, or the Doing of Women: The Dramatic Works of Ingeborg von Bronsart (1840-1913). Ph.D., Musicology, University of British Columbia, 2002. vii, 349 p. illus., tbls., facs., mus. exs., transcr., transl., append., bibliog.
Research director: Vera Micznik
DDM Code: 61opBoyM; DA no.: 63/10:3411; RILM no.: 02:14945; UM no.: NQ-73132
Additional keywords: aesthetics, gender, Richard Wagner, Theodor Koerner, Hans von Bronsart, Johann Wolfgang von Goethe
Boyd, Patricia Joan Williams.
Performers, Pedagogues, and Pertinent Methodological Literature of the Pianoforte in Mid-Nineteenth-Century United States, ca. 1830-1880: A Socio-Cultural Study. D.A., Performance, Ball State University, 1975. 461 p.
DDM Code: 61keBoyP; DA no.: 36/04:1885; RILM no.: 76:14728dd; UM no.: 75-21,458
Boyer, Margaret Gene.
A Study of Brahms' Setting of the Poems from Tieck's Liebesgeschichte der schönen Magelone und des Grafen Peter von Provence. Ph.D., Music, Washington University, 1980. 113 p.
DDM Code: 60voBoyM; DA no.: 41/03:842; RILM no.: 80:646dd; UM no.: 80-18722
Boyle, Andrew Joseph.
A Quest for Innocence: The Music of Frederick Delius, 1885-1900. Ph.D., Musicology, University of Sheffield, 1985.
DDM Code: 61woBoyA; DA no.: RILM no.: 91:3523dd; UM no.:
Bozarth, George Severs Jr.
The Lieder of Johannes Brahms--1868-1871. Ph.D., Musicology, Princeton University, 1978.
DDM Code: 61voBozG; DA no.: 39/09:5196; RILM no.: 78:5042dd; UM no.: 79-05620
Braddy, A. Richard.
The Musical Education of Edward Elgar. Ph.D., Musicology, Goldsmiths College, University of London, 1999. 2 vols., 484 p. append., bibliog.
DDM Code: 61woBraA; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DX220112.
Brancaleone, Francis Paul.
The Short Piano Works of Edward MacDowell. Ph.D., Music, City University of New York, 1982. 295 p.
DDM Code: 61keBraF; DA no.: 43/09:2824; RILM no.: 82:4726dd; UM no.: 83-02496
Brandhofe, Thomas.
Korrelation zwischen Musik- und Wortfeldern in Richard Wagners Ring des Nibelungen. Ph.D., Musicology, Münster, 1987.
DDM Code: 61tmBraT; DA no.: RILM no.: UM no.:
Brandt, Torsten.
Johann Christian Lobe (1797-1881): Studien zu Biographie und musikschriftstellerischem Werk. Ph.D., Musicology, Göttingen, 2002. xi, 360 p. illus.
Research director: Martin Staehelin
DDM Code: 61woBraT; DA no.: RILM no.: 02:12164dd; UM no.: Publication: Abhandlungen zur Musikgeschichte, vol. 11. Göttingen: Vandenhoeck und Ruprecht, 1999. ISBN 3-525-27910-8.
Braun, Julius.
Johann Ritter von Herbeck und das Wiener Hofoperntheater. Ph.D., Music, Wien, 1949. 164 p.
DDM Code: 61opBraJ; DA no.: RILM no.: 76:5691dd; UM no.:
Brauner, Charles Samuel.
Vincenzo Bellini and the Aesthetics of Opera Seria in the First Third of the Nineteenth Century. Ph.D., Music History, Yale University, 1972. 2 vols., v, 765 p. mus. exs., append., bibliog.
DDM Code: 61opBraC; DA no.: 33/05:2407; RILM no.: 73:1913dd; UM no.: 72-29,519
Braus, Ira Lincoln.
Textual Rhetoric and Harmonic Anomaly in Selected Lieder of Johannes Brahms. Ph.D., Musicology, Harvard University, 1988. iv, 349 p. mus. exs., works lst., append., bibliog.
DDM Code: 61tmBraI; DA no.: 50/05:1127; RILM no.: 88:8736dd; UM no.: 89-01,547
Brawley, Thomas Michael.
The Instrumental Works of Robert Volkmann (1815-1883). Ph.D., Music History and Literature, Northwestern University, 1975. v, 297 p. mus. exs., works lst., append.
DDM Code: 61imBraT; DA no.: 36/07:4093; RILM no.: 76:10331dd; UM no.: 75-29,584
Breckbill, David.
The Bayreuth Singing Style around 1900. Ph.D., Musicology, University of California at Berkeley, 1991.
Research director: Joseph Kerman
DDM Code: 61opBreD; DA no.: 52/08:2748; RILM no.: 91:9024dd; UM no.: 92-03503
Breitfeld, Claudia.
Form und Struktur in Gabriel Faurés Kammermusik. Ph.D., Musicology, Würzburg, 1990.
DDM Code: 69srBreC; DA no.: RILM no.: 92:3655dd; UM no.:
Breitkreuz, Dieter.
Kritische Wertung der Arbeiten Eduard von Hanslicks. Ph.D., Musicology, Halle/Saale, 1970. 276 p.
Research director: Bernd Baselt
DDM Code: 66crBreD; DA no.: RILM no.: 70:4110dd; UM no.:
Breitman, David.
The Damper Pedal and the Beethoven Piano Sonatas: A Historical Perspective. D.M.A., Musicology, Cornell University, 1993. viii, 124 p. tbls., mus. exs., bibliog.
Research director: Malcolm Bilson
DDM Code: 61pfBreD; DA no.: 54/02:359; RILM no.: 93:10493dd; UM no.: 93-18869
Brendt, Norbert.
Die Klaviersuite zwischen 1850 und 1925. Ph.D., Musicology, Köln, 1997. 547 p. mus. exs., bibliog., ind.
Research director: Heinrich Hüschen
DDM Code: 61keBreN; DA no.: RILM no.: 99:29911dd; UM no.: Publication: Kölner Beiträge zur Musikforschung, vol. 197. Regensburg: Gustav Bosse, 1996. ISBN 3-7649-2629-5.
Briggs, Harold E.
Richard Wagner and American Music-Literary Activity from 1850 to 1920. Ph.D., Musicology, Indiana University, 1989. 406 p.
Research director: Austin Caswell
DDM Code: 61opBriH; DA no.: 50/12:3784; RILM no.: 89:3470dd; UM no.: 90-12152
Brinkmann, Clemens.
Albert Gereon Stein (1809-1881). Kirchenmusik und Musikerziehung. Ph.D., Musicology, Köln, 1974.
DDM Code: 61saBriC; DA no.: RILM no.: UM no.:
Briscoe, James Robert.
The Compositions of Claude Debussy's Formative Years (1879-1887). Ph.D., Musicology, University of North Carolina at Chapel Hill, 1979. xiv, 448 p. tbls., mus. exs., works lst., thematic cat., append., bibliog., ind.
Research director: Thomas Warburton
DDM Code: 61woBriJ; DA no.: 40/08:4290; RILM no.: 79:767dd; UM no.: 79-25,888
Brix, Lothar.
Die Klaviermusik von Johann Peter Emilius Hartmann. Ein Beitrag zur musikalischen Romantik in Skandinavien. Ph.D., Musicology, Göttingen, 1971. 334 p. mus. exs., works lst.
DDM Code: 61keBriL; DA no.: RILM no.: 71:3654dd; UM no.:
Brock, David Gareth.
The Instrumental Music of Hummel. Ph.D., Musicology, University of Sheffield, 1976. 316 p.
DDM Code: 61imBroD; DA no.: 36/02:Winter 1975; RILM no.: 76:5501dd; UM no.: CB-70074
Brodbeck, David.
Brahms as Editor and Composer: His Two Editions of Ländler by Schubert and His First Two Cycles of Waltzes, Opera 39 and 52. Ph.D., Musicology, University of Pennsylvania, 1984. xi, 301 p. illus., tbls., mus. exs., append., bibliog., ind.
DDM Code: 61ebBroD; DA no.: 45/07:1906; RILM no.: 84:2199dd; UM no.: 84-22,889
Brody, Elaine.
The Piano Music of Déodat de Séverac: A Stylistic Analysis. Ph.D., Musicology, New York University, 1964. 487 p.
DDM Code: 61keBroE; DA no.: 26/04:2249; RILM no.: UM no.: 65-10,003
Brookins, John Barton.
Thematic and Motivic Metamorphosis in the Masses and Oratorios of Franz Liszt. D.M.A., Theory, Southwestern Baptist Theological Seminary, 1988.
Research director: C. L. Bass
DDM Code: 69cmBroJ; DA no.: 50/02:290; RILM no.: 88:8739dd; UM no.: 89-08439
Brooks, Robert Rankin.
George Coles Stebbins: His Life, Work, and Influence upon the Development of Gospel Hymnody. D.M.A., Church Music, Southwestern Baptist Theological Seminary, 1993. xiii, 271 p. illus., tbls., facs., mus. exs., works lst., append., bibliog.
Research director: William Cohen
DDM Code: 61saBroR; DA no.: 54/04:1139; RILM no.: 93:15008dd; UM no.: 93-25635
Brown, Donald Clayton.
The Oxford Movement and English Hymnody: 1833-1861. D.M.A., Music History, Southwestern Baptist Theological Seminary, 1973. iii, 328 p. tbls., bibliog.
Research director: R. Douglass
DDM Code: 61saBroD; DA no.: RILM no.: 76:17222dd; UM no.:
Brown, Jeanell Elizabeth Wise.
Amy Beach and Her Chamber Music: Biography, Documents, Style. D.M.A., Performance, University of Maryland, 1993. 300 p.
Research director: Eugene Helm
DDM Code: 61chBroJ; DA no.: 54/08:2785; RILM no.: 93:3454dd; UM no.: 93-27533
Brown, John Clive.
The Popularity and Influence of Spohr in England. Ph.D., Musicology, University of Exeter, 1980.
DDM Code: 61mvBroJ; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. D34379/81.
Brown, Julie Hedges.
"A Higher Echo of the Past": Schumann's 1842 Chamber Music and the Rethinking of Classical Form. Ph.D., Musicology, Yale University, 2000. 301 p. illus., mus. exs., transl., bibliog.
Research director: Robert P. Morgan
DDM Code: 61srHedJ; DA no.: 61/05:1669; RILM no.: 00:6387dd; UM no.: 99-73696
Additional keywords: nineteenth-century music, musical form, Robert Schumann
Brown, Susan Elizabeth.
Des Knaben Wunderhorn, 1806-08: Its Reception and an Assessment of Its Impact. Ph.D., , University of Durham, 1980.
DDM Code: 61ltBroS; DA no.: RILM no.: UM no.:
Brown, Thomas Alan.
The Aesthetics of Robert Schumann in Relation to His Piano Music: 1830-1840. Ph.D., Musicology, University of Wisconsin, 1965. iv, 299 p.
DDM Code: 66aeBroT; DA no.: 26/06:3388; RILM no.: UM no.: 65-10,583
Bruch, Axel.
"Verborgene Harmonien": Satzstruktur und Gattungstradition in Griegs Duosonaten. Ph.D., Musicology, Kiel, 2001. 336 p. mus. exs., bibliog.
Research director: Friedhelm Krummacher
DDM Code: 61imBruA; DA no.: RILM no.: 02:10648dd; UM no.: Publication: Kieler Schriften zur Musikwissenschaft, vol. 49. New York: Bärenreiter, 2002. ISBN 3-7618-1588-3.
Bruner, Ellen Carole.
The Relationship of Text and Music in the Lieder of Hugo Wolf and Gustav Mahler. Ph.D., Humanities, Syracuse University, 1974. 389 p.
DDM Code: 61tmBruE; DA no.: 35/11:7340; RILM no.: 76:16310dd; UM no.: 75-10526
Bruner, Robert Russell.
A History of Music in Cedar Rapids, Iowa, before 1900. Ph.D., Music Education, University of Iowa, 1964. 856 p.
DDM Code: 61mvBruR; DA no.: 25/09:5316; RILM no.: UM no.: 64-10,980
Brusatti, Charlotte.
Das Liedschaffen von Heinrich von Herzogenberg. Ph.D., Musicology, Wien, 1976. 231 p. mus. exs.
Research director: O. Wessely
DDM Code: 61voBruC; DA no.: RILM no.: 76:2829dd; UM no.:
Bruton, Carole Diane.
A Pedagogical and Performing Analysis of Edward MacDowell's Zwölf Virtuosen-Etuden, Op. 46. D.M.A., Piano Pedagogy, Southwestern Baptist Theological Seminary, 1996. xi, 185 p. mus. exs., bibliog.
DDM Code: 63keBruC; DA no.: 58/02:333; RILM no.: 96:4187dd; UM no.: 97-22767
Additional keywords: piano pedagogy, etude, keyboard literature
Bryan, Karen McGaha.
An Experiment in Form: The Reform Operas of Saverio Mercadante. Ph.D., Musicology, Indiana University, 1994. 2 vols., viii, 523 p. tbls., mus. exs.
Research director: Austin Caswell
DDM Code: 61opBryK; DA no.: 56/02:396; RILM no.: 94:13648dd; UM no.: 95-18534
Buck, Charles Chulsoo.
Robert Schumann and the Stile Antico. Ph.D., Musicology, Stanford University, 1994. 289 p.
Research director: Karol Berger
DDM Code: 66reBucC; DA no.: 56/01:21; RILM no.: 94:12227dd; UM no.: 95-08328
Buckner, Nathan Andrew.
Philip Antony Corri/Arthur Clifton: His Life and Piano Works, with a New Edition. D.M.A., Piano, University of Maryland, 1996. 845 p.
Research director: Cleveland Page
DDM Code: 61keBucN; DA no.: 57/07:2725; RILM no.: 96:3612dd; UM no.: 96-37757
Budds, Michael Joe.
Music at the Court of Queen Victoria: A Study of Music in the Life of the Queen and Her Participation in the Musical Life of Her Time. Ph.D., Musicology, University of Iowa, 1987. 3 vols., 1148 p. illus., append.
Research director: A. Luper
DDM Code: 61mvBudM; DA no.: 48/07:1574; RILM no.: 87:2692dd; UM no.: 87-21385
Bufkin, William Alfred.
Union Bands of the Civil War (1862-1865): Instrumentation and Score Analysis. Ph.D., Music, Lousiana State University, 1973. 2 vols., 455 p.
DDM Code: 61baBufW; DA no.: 35/02:1139; RILM no.: 75:1108dd; UM no.: 74-18319
Bull, Inez Stewart.
Ole Bull's Activities in the United States between 1843 and 1880. Ed.D., Music Education, New York University, 1979. 186 p.
Research director: Roger P. Phelps
DDM Code: 60mvBulI; DA no.: 40/03:1139; RILM no.: 79:2743dd; UM no.: 79-18875
Bumpass, L. Kathryn.
Beethoven's Last Quartet: Volume I: Background and the Autograph Materials; Volume II: Transcriptions. Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1982. 2 vols., 713 p. mus. exs., transcr., bibliog.
DDM Code: 61chBumL; DA no.: 43/09:2824; RILM no.: 82:4620dd; UM no.: 83-02817
Additional keywords: String Quartet in F Major, op. 135, autograph
Burchard, John Edward.
Prometheus and Der Musensohn: The Impact of Beethoven on Schubert Reception. Ph.D., Musicology, Rutgers University, 2001. 337 p.
Research director: Douglas Johnson
DDM Code: 61mvBurJ; DA no.: 62/11:3614; RILM no.: UM no.: 30-34247 Publication: ISBN 0-493-47017-4.
Burford, Mark J.
"The real ideal of history": Historical Consciousness, Commemoration, and Johannes Brahms's "Years of Study". Ph.D., Historical Musicology, Columbia University, 2005. vi, 340 p. illus., mus. exs., transl., bibliog.
Research director: Walter Frisch
DDM Code: 61msBurM; DA no.: 66/05:1548; RILM no.: 05:6541dd; UM no.: 31-74753
Additional keywords: collective memory, architecture, historicism, idealism, materialism, Felix Mendelssohn, Johann Nikolaus Forkel, Robert Schumann, Eduard Hanslick, Germany, gothic, neoclassicism, Johann Sebastian Bach revival
Burger, Vanessa.
Berlioz and Les Troyens. Ph.D., Music, University of the Witwatersrand, Johannesburg, South Africa, 1979.
DDM Code: 61opBurV; DA no.: 41/03:842; RILM no.: 98:17484dd; UM no.: 05-33638
Burke, Richard N.
The Marche Funèbre from Beethoven to Mahler. Ph.D., Musicology, City University of New York, 1991. ix, 396 p. mus. exs., bibliog., ind.
Research director: Allan W. Atlas
DDM Code: 61stBurR; DA no.: 52/05:1559; RILM no.: 91:9524dd; UM no.: 91-30297
Burkholder, Samuel R.
The Oratorio: Its Development since the Time of Mendelssohn. Ph.D., Music, Northwestern University, 1938. xi, 200 p.
DDM Code: 61saBurS; DA no.: ADD 1939:90; RILM no.: UM no.: 01-47657
Burnham, Scott Gordon.
Aesthetics, Theory, and History in the Works of Adolph Bernhard Marx. Ph.D., Theory, Brandeis University, 1988.
Research director: Allan R. Keiler
DDM Code: 61wrBurS; DA no.: 49/07:1614; RILM no.: 88:10557dd; UM no.: 88-19744
Burstein, L. Poundie.
The Non-Tonic Opening in Classical and Romantic Music. Ph.D., Musicology, City University of New York, 1988. 270 p.
Research director: Charles Burkhart
DDM Code: 69toBurL; DA no.: 50/09:2693; RILM no.: 88:8508dd; UM no.: 89-15577
Burton, Deborah E.
An Analysis of Puccini's Tosca: A Heuristic Approach to the Unifying Elements of the Opera. Ph.D., Music Theory/Musicology, University of Michigan, 1995. vii, 538 p. illus., tbls., facs., mus. exs., transcr., transl., append., bibliog.
Research director: Walter Everett
DDM Code: 61opBurD; DA no.: 56/08:2924; RILM no.: 95:13741dd; UM no.: 95-42802
Additional keywords: Victorien Sardou, Luigi Illica, Giuseppe Giacosa, Wagnerism, La fanciulla del West, Suor Angelica, Manon Lescaut
Bushler, David Martin.
Development in the First Movements of Bruckner's Symphonies. Ph.D., Music, City University of New York, 1975. 249 p. tbls., mus. exs., thematic cat., bibliog., ind.
DDM Code: 69srBusD; DA no.: 36/02:589; RILM no.: 75:2678dd; UM no.: 75-16,960
Busse, Eckart.
Die Eichendorff-Rezeption im Kunstlied. Versuch einer Typologie anhand von Kompositionen Schumanns, Wolfs und Pfitzners. Ph.D., Musicology, Marburg, 1973.
DDM Code: 61tmBusE; DA no.: RILM no.: 74:4061dd; UM no.:
Butera, Jerome J.
Form and Style in Two American Organ Sonatas: the Grand Sonata in E-Flat, Op. 22, of Dudley Buck; and the Sonata in E-Flat, Op. 65, of Horatio Parker. D.M.A., Organ Performance, American Conservatory of Music, 1982. 115 p.
DDM Code: 60keButJ; DA no.: 43/05:1338; RILM no.: 82:614dd; UM no.: 82-24075
Butler, David Medford.
An Historical Investigation and Bibliography of Nineteenth-Century Music Psychology Literature. Ph.D., Musicology, Ohio State University, 1973. 473 p.
DDM Code: 65psButD; DA no.: 34/08:5224; RILM no.: 76:7624dd; UM no.: 74-03,133
Butler, Douglas Lamar.
The Organ Works of Felix Mendelssohn-Bartholdy. D.M.A., Performance, University of Oregon, 1973. 268 p.
DDM Code: 61keButD; DA no.: 34/09:6020; RILM no.: 73:3576dd; UM no.: 74-6812
Button, Stewart W.
The Guitar in England: 1800-1924. Ph.D., Musicology, University of Surrey, 1984.
DDM Code: 61snButS; DA no.: RILM no.: 00:53827dd; UM no.: Publication: British Library Document Supply Centre no. D54204/85.
Byrne, Mary Catherine Jett.
Tooters and Tutors: Flute Performance Practice Derived from Pedagogical Treatises of the Paris Conservatoire, 1838-1927. Ph.D., Musicology, University of Victoria, 1993. 387 p.
Research director: Erich Schwandt
DDM Code: 64pdByrM; DA no.: 54/11:3920; RILM no.: 93:10589dd; UM no.: NN-84290 Publication: ISBN 0-315-84290-3.
Cadwallader, Allen Clayton.
Harmonic Structure in the Late Piano Music of Johannes Brahms. Ph.D., Theory, University of Rochester, 1983.
Research director: David Beach
DDM Code: 69haCadA; DA no.: 43/11:3450; RILM no.: 83:3947dd; UM no.: 83-08592
Cahn, Peter.
Das Hoch'sche Conservatorium 1878-1978. Ph.D., Musicology, Frankfurt am Main, 1980.
Research director: Helmut Hucke
DDM Code: 64edCahP; DA no.: RILM no.: 79:1835dd; UM no.:
Cai, Camilla.
Brahms' Short, Late Piano Pieces--Opus Numbers 116-119: A Source Study, an Analysis and Performance Practice. Ph.D., Musicology, Boston University, 1986. 2 vols., xvi, 544 p. tbls., mus. exs., transcr., works lst., append., bibliog.
DDM Code: 61keCaiC; DA no.: 47/02:340; RILM no.: 86:2108dd; UM no.: 86-09270
Caldwell, Donald Grahm.
The Choral Music of Frederick Delius. D.M.A., Performance, University of Illinois at Urbana-Champaign, 1975. 311 p.
DDM Code: 61voCalD; DA no.: 36/09:5622; RILM no.: 76:10865dd; UM no.: 76-06,711
Caldwell, Glenn Gerald.
Harmonic Tonality in the Theories of Jérôme-Joseph Momigny. Ph.D., Theory, Ohio State University, 1993. 224 p.
Research director: Burdette Green
DDM Code: 69toCalG; DA no.: 54/08:2785; RILM no.: 93:10986dd; UM no.: 94-01223
Call, William Anson.
A Study of the Transcendental Aesthetic Theories of John S. Dwight and Charles E. Ives and the Relationship of these Theories to Their Respective Work as Music Critic and Composer. D.M.A., Music, University of Illinois at Urbana-Champaign, 1971. 229 p.
DDM Code: 66aeCalW; DA no.: 32/08:4647; RILM no.: 76:16452dd; UM no.: 72-06,879
Campana, Alessandra.
Opera as Spectacle. Verbal Traces of the Visual in Nineteenth-Century Stage Manuals. Ph.D., Music, Cornell University, 2004. ix, 221 p. illus., plts., mus. exs., transl., works lst.
Research director: David Rosen
DDM Code: 61opCamA; DA no.: 65/10:3617; RILM no.: UM no.: 31-49494
Additional keywords: Giuseppe Verdi, Giacomo Puccini, Arrigo Boito, Otello, Simon Boccanegra, Manon Lescaut, Mefistofele, disposizioni sceniche Ricordi, performance, staging
Campbell, David Eugene.
The Purveyor as Patron: The Contribution of American Piano Manufacturers and Merchants to Musical Culture in the United States, 1851-1914. Ph.D., Musicology, City University of New York, 1984. 2 vols., xxi, 544 p. illus., tbls., mus. exs., works lst., append., bibliog.
DDM Code: 61mvCamD; DA no.: 45/11:3235; RILM no.: 84:2210dd; UM no.: 85-01119
Campbell, Douglas G.
George W. Chadwick: His Life and Works. Ph.D., Theory, University of Rochester, 1957. 363 p.
DDM Code: 61woCamD; DA no.: ADD 1957:133; RILM no.: UM no.: 02-07424
Campbell, Stephanie Lynn.
Carl Friedrich Zelter and Text-Setting: A Comparison of Goethe Settings by Zelter, Beethoven and Schubert. Ph.D., Musicology, Washington University, 1997. 549 p.
Research director: Hugh MacDonald
DDM Code: 61tmCamS; DA no.: 58/12:4487; RILM no.: 97:13959dd; UM no.: 98-18151 Publication: ISBN 0-591-69592-8.
Canfield, John Clair Jr.
Henry Kimball Hadley: His Life and Works (1871-1937). Ed.D., Music Education, Florida State University, 1960. 385 p.
DDM Code: 61woCanJ; DA no.: 22/01:280-1; RILM no.: UM no.: LC Mic 60-3306
Capelle, Irmlind.
Chronologisch-thematisches Verzeichnis der Werke von Gustav Albert Lortzing (LoWV). Ph.D., Musicology, Detmold, 1991. 459 p. mus. exs., thematic cat., bibliog., ind.
Research director: Arno Forchert
DDM Code: 61woCapI; DA no.: RILM no.: 94:779bm; UM no.: Publication: Köln: Studio, 1994. ISBN 3-89564-003-4.
Card, Edith Bryson.
William Walker's Music Then and Now: A Study of Performance Style. Ph.D., Musicology, Florida State University, 1975. 99 p.
DDM Code: 61pfCarE; DA no.: 37/01:20-1; RILM no.: UM no.: 76-16,517
Carew, Derek.
The Composer-Performer Relationship in the Piano Style of J. N. Hummel. Ph.D., Musicology, University of Leicester, 1981.
DDM Code: 61stCarD; DA no.: RILM no.: UM no.:
Carlton, Stephen Edward.
Schubert's Working Methods: An Autograph Study with Particular Reference to the Piano Sonatas. Ph.D., Musicology, University of Pittsburgh, 1981. 547 p. mus. exs., transcr., append., bibliog.
Research director: Denes Bartha
DDM Code: 61cmCarS; DA no.: 42/11:4638; RILM no.: 81:620dd; UM no.: 82-08664
Carney, Horace Richard Jr.
Tonality and Structure in the Instrumental Works of Johannes Brahms. Ph.D., Theory, University of Iowa, 1981. 495 p.
DDM Code: 69toCarH; DA no.: 42/11:4638; RILM no.: 81:1693dd; UM no.: 82-09969
Carr, Cassandra Irene.
Wit and Humor as a Dramatic Force in the Beethoven Piano Sonatas. Ph.D., Musicology, University of Washington, 1985. 300 p. mus. exs., bibliog.
Research director: Laurence Starr
DDM Code: 61stCarC; DA no.: 47/04:1104; RILM no.: 85:6112dd; UM no.: 86-13148
Carr, Catherine.
The Music of Samuel Coleridge-Taylor (1875-1912): A Critical and Analytical Study. Ph.D., Musicology, University of Durham, 2005. 2 vols.,
Research director: J. C. Dibble
DDM Code: 61woCarC; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DXN097545.
Carr, Maureen Ann.
Keys and Modes, Functions and Progressions in Mussorgsky's Boris Godounov. Ph.D., Theory, University of Wisconsin, 1972. 4104 p.
Research director: Robert Crane
DDM Code: 69haCarM; DA no.: 33/10:5762; RILM no.: 76:10345dd; UM no.: 72-33,844
Carroll, Mother Catherine Agnes.
Percy Goetschius, Theorist and Teacher. Ph.D., Theory, University of Rochester, 1957. 180 p.
DDM Code: 61boCarC; DA no.: ADD 1957:133; RILM no.: UM no.: 02-07425
Carruthers, Glen Blaine.
Bach and the Piano: Editions, Arrangements, and Transcriptions from Czerny to Rachmaninov. Ph.D., Musicology, University of Victoria, 1987. vi, 251 p. tbls., facs., mus. exs., works lst., append., discog., bibliog.
DDM Code: 61keCarG; DA no.: 47/11:3901; RILM no.: 92:9954dd; UM no.: NL-34548
Carter, Nathan M. Jr.
Samuel Coleridge-Taylor: His Life and Works. D.M.A., Conducting, Peabody Conservatory of Music, 1984. vi, 382 p. illus., tbls., append.
DDM Code: 61woCarN; DA no.: 45/06:1566; RILM no.: 84:2216dd; UM no.: 84-17662
Cartford, Gerhard M.
Music in the Norwegian Lutheran Church: A Study of Its Development in Norway and Its Transfer to America, 1825-1917. Ph.D., Musicology, University of Minnesota, 1961. x, 384 p.
DDM Code: 61saCarG; DA no.: 22/11:4036-7; RILM no.: UM no.: 62-1768
Cascelli, Antonio.
A Study of Schenker's Unpublished Analyses of Chopin in the Oster Collection. Ph.D., Musicology, University of Southampton, 2003. 2 vols., 306 p. facs., mus. exs., transcr., bibliog.
Research director: William Drabkin
DDM Code: 61anCasA; DA no.: RILM no.: 03:12196dd; UM no.:
Additional keywords: analysis, theory
Case, Barbara Betty Bacik.
The Relation between Structure and the Treatment of Instruments in the First Movements of Dvorák's Piano Trios Op. 21, 26, and 65. D.M.A., Music, University of Texas at Austin, 1977. 64 p.
DDM Code: 60chCasB; DA no.: 38/12:7011; RILM no.: 78:1812dd; UM no.: 78-07250
Catalano, Alexis Rose.
I Due Simoni: Revision as Recharacterization in Verdi's Simon Boccanegra. Ph.D., Musicology, Brandeis University, 2000. 356 p.
Research director: Allan R. Keiler
DDM Code: 61opCatA; DA no.: 61/01:20; RILM no.: 00:6436dd; UM no.: 99-59624
Cerpuhova, Klavdija.
Kompozitor B. V. Podgoreckji i ego mesto v razvitii russkoukrainskih muzykal'nyh svjazej [The Composer B. V. Podgoreckij and His Place in the Development of Ties Between Russian and Ukrainian Music]. Ph.D., Music History, Inst. Iskusstvovedenija, Fol'klora i Ethnografii Imeni M. Ryl'skogo Akademii Nauk, Kiev, 1974.
DDM Code: 61naCerK; DA no.: RILM no.: 74:2439dd; UM no.:
Chambers, Audley C.
Frederic Hymen Cowen: Analysis and Reception History of His Songs for Voice and Piano. Ph.D., Musicology, Northwestern University, 1997. 2 vols., xvii, 436 p. illus., plts., tbls., facs., mus. exs., works lst., append., bibliog.
Research director: Richard Green
DDM Code: 61voChaA; DA no.: 58/11:4118; RILM no.: 97:5673dd; UM no.: 98-14188
Additional keywords: English ballads of the nineteenth century, popular music of the nineteenth century
Chambers, Robert Ben.
The Shorter Choral Works with Sacred Text of Felix Mendelssohn-Bartholdy. D.M.A., , Southwestern Baptist Theological Seminary, 1984. iv, 153 p. facs., mus. exs., works lst., append., bibliog.
DDM Code: 61saChaR; DA no.: 45/05:1233; RILM no.: UM no.: 05-54145
Chan, Anne.
Beethoven in the United States to 1865. Ph.D., Musicology, University of North Carolina, 1976. v, 230 p. bibliog.
DDM Code: 61mvChaA; DA no.: 38/02:536; RILM no.: 76:9948; UM no.: 77-17,308
Charlton, Peter.
The Life and Influence of Sir John Stainer. Ph.D., Fine Arts and Music, University of East Anglia, 1976. 577 p.
DDM Code: 60boChaP; DA no.: RILM no.: 77:639dd; UM no.: Publication: British Library Document Supply Centre no. 84/06615.
Chase, Howard Randolph.
Tonality and Tonal Factors in the Piano Sonatas of Beethoven. Ph.D., Musicology, University of Michigan, 1953. 178 p.
DDM Code: 69toChaH; DA no.: 13/03:408; RILM no.: UM no.: 5021
Chechlinska, Zofia.
Faktura fortepianowa Chopina [The Texture of Chopin's Piano Works]. Ph.D., Musicology, Institute of Arts, Warsaw, 1966.
DDM Code: 61keCheZ; DA no.: RILM no.: UM no.:
Check, John David.
Concepts of Compound Melody in Jazz Improvisations. Ph.D., Theory, Yale University, 1997. 284 p. transcr.
Research director: Allen Forte
DDM Code: 61jaCheJ; DA no.: 58/11:4118; RILM no.: 97:10571dd; UM no.: 98-15653 Publication: ISBN 0-591-66785-1.
Chen, Ying-ying.
La Rondine: Experiment or Failure? Crisis and Turning Point within Puccini's Career. Ph.D., Musicology, University of Nottingham, 2006. xiv, 220 p. tbls., facs., mus. exs., transcr., transl., works lst., thematic cat., append., discog., bibliog., ind.
Research director: Philip Weller
DDM Code: 61opCheY; DA no.: RILM no.: UM no.: Publication: British Library Document Supply Centre no. DXN101822.
Additional keywords: opera, twentieth century, revision
Chen, Yu-Ting.
Brahms, the Early Choral Music Heritage and His Piano Music. D.M.A., Piano Performance, University of Washington, 2001. 217 p.
Research director: Craig Sheppard
DDM Code: 61ciCheY; DA no.: 62/05:1626; RILM no.: 01:16920dd; UM no.: 30-14060 Publication: ISBN 0-493-24667-3.
Additional keywords: early choral idiom, chorale, Johannes Brahms
Chenevert, James H.
Simon Sechter's The Principles of Musical Composition: A Translatioin of and Commentary on Selected Chapters. Ph.D., Music Theory, University of Wisconsin at Madison, 1989. 3 vols., iv, 764 p. facs., mus. exs., transl., append., bibliog.
Research director: Bruce Benward
DDM Code: 69trCheJ; DA no.: 50/50:3100; RILM no.: 89:9292dd; UM no.: 89-17091
Cheskin, Jonathan Lee.
Catholic-Liberal Opera: Outline of a Hidden Italian Musical Romanticism. Ph.D., Musicology, University of Chicago, 1999. 514 p. mus. exs., bibliog.
Research director: Philip Gossett
DDM Code: 61opCheJ; DA no.: 60/06:1818; RILM no.: 99:5642dd; UM no.: 99-34033
Additional keywords: Francesco De Sanctis, Giuseppe Mazzini, Alessandro Manzoni, Gioachino Rossini, Vincenzo Bellini, Gaetano Donizetti, Giuseppe Verdi, politics
Cheung, Dorothy.
Selected Piano Works of Franck, Haydn, and Chopin. D.M.A., Piano, Southwestern Baptist Theological Seminary, 1992. 196 p.
Research director: David W. Music
DDM Code: 60keCheD; DA no.: 53/06:1714; RILM no.: 92:3701dd; UM no.: 92-31655
Chinn, Genevieve.
The Académie Impériale de Musique: A Study of Its Administration and Repertory from 1862-1870. Ph.D., Musicology, Columbia University, 1969. 196 p. bibliog.
DDM Code: 61opChiG; DA no.: 31/04:1829; RILM no.: 76:10353dd; UM no.: 70-16,996
Cho, Sun-Woo.
Die Chorwerke Max Regers. Ph.D., Musicology, Göttingen, 1986.
DDM Code: 61ciChoS; DA no.: RILM no.: 86:2117dd; UM no.:
Chodkowski, Andrzej.
Klasyczna forma sonatowa w twórczosci kameralnej L. van Beethovena [The Classical Sonata-Form in the Chamber Works of L. van Beethoven]. Ph.D., History, University of Warsaw, 1964.
DDM Code: 69srChoA; DA no.: RILM no.: UM no.:
Choo, David Ik-Sung.
Franco Leoni's L'Oracolo: A Study in Orientalism. D.M.A., Orchestral Conducting, Peabody Conservatory of Music, 1998. iv, 219 p. mus. exs., works lst., append., bibliog.
Research director: John Spitzer
DDM Code: 61opChoD; DA no.: 59/05:1385; RILM no.: 99:23517dd; UM no.: 98-33563
Choroba, Volker.
Das Konzert für Orgel und Orchester im 19. und 20. Jahrhundert. Ph.D., Musicology, Münster, 2001. xiv, 341 p. mus. exs., bibliog.
Research director: Winfried Schlepphorst
DDM Code: 61oqChoV; DA no.: RILM no.: 01:12373dd; UM no.: Publication: Veröffentlichungen der Orgelwissenschaftlichen Forschungsstelle im Musikwissenschaftlichen Seminar der Westfälischen Wilhelms-Universität Münster, vol. 20. Kassel: Bärenreiter, 2000. ISBN 3-7618-1531-X.
Chorzempa, Daniel Walter.
Julius Reubke: Life and Works. Ph.D., Musicology, University of Minnesota, 1971. 2 vols., 418 p. illus., tbls., facs., mus. exs., works lst., append., bibliog.
DDM Code: 61woChoD; DA no.: 32/06:3347; RILM no.: 71:678dd; UM no.: 72-343
Christen, Norbert.
Analytische Untersuchungen der melodischen und klanglichen Struktur in den Opern Puccinis. Ph.D., Musicology, Technische Universität, Berlin, 1977.
Research director: Carl Dahlhaus
DDM Code: 69srChrN; DA no.: RILM no.: UM no.:
Christenson, Donald Edwin.
Music of the Shakers from Union Village, Ohio: A Repertory Study and Tune Index of the Manuscripts Originating in the 1840's. Ph.D., Musicology, Ohio State University, 1988. xii, 608 p. facs., thematic cat., append., bibliog., ind.
Research director: Keith E. Mixter
DDM Code: 61soChrD; DA no.: 49/04:651; RILM no.: 88:11778dd; UM no.: 88-12237
Additional keywords: Daniel Patterson, Mother Ann's Work
Chuang, Yue-Fun.
The Piano Preludes and Fugues by Felix Mendelssohn-Bartholdy: A Study of Their Inter-movement Unity. Ph.D., Piano Performance, New York University, 1997. 299 p.
Research director: Robert Rowe
DDM Code: 61keChuY; DA no.: 60/09:3300; RILM no.: UM no.: 99-46942
Chusid, Martin.
The Chamber Music of Franz Schubert. Ph.D., Music, University of California at Berkeley, 1961.
DDM Code: 61chChuM; DA no.: ADD 1961:137; RILM no.: UM no.: 02-23658
Citron, Marcia Judith.
Schubert's Seven Complete Operas: A Musico-Dramatic Study. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1971. viii, 169 p. tbls., mus. exs., append., bibliog.
DDM Code: 61opCitM; DA no.: 32/09:5262; RILM no.: 71:679dd; UM no.: 72-10,699
Clark, Diantha Elizabeth.
Transvestism in 18th and 19th Century Opera. D.M.A., Performance, University of Wisconsin, 1979. 117 p.
Research director: Walter Gray
DDM Code: 60opClaD; DA no.: 40/06:2967; RILM no.: 79:1876dd; UM no.: 79-22795
Clark, Linda Jane.
Music at Trinity Church, Boston, from 1890 to 1900: A Case-Study in the Relationship between Worship and Culture. S.M.D., , Union Theological Seminary, 1973.
DDM Code: 61saClaL; DA no.: 34/03:1311; RILM no.: 76:16965dd; UM no.: 73-20,062
Clark, Michele L.
The Performances and Reception of Rossini's Operas in Vienna, 1822-1825. Ph.D., Musicology, University of North Carolina at Chapel Hill, 2005. xii, 473 p. illus., tbls., mus. exs., transl., append., bibliog.
Research director: John Nádas
DDM Code: 61opClaM; DA no.: 66/09:3146; RILM no.: UM no.: 31-90231
Additional keywords: Viennese theaters, Domenico Barbaia, music publishers, periodicals, Wiener Musiksammlung, Theatersammlung
Clark, Relf.
Robert Hope Jones. MIEE. An Interim Account of His Work in the British Isles. Ph.D., Musicology, University of Reading, 1993. 2 vols., vii, 366 p. illus., plts., tbls., facs., works lst., append., bibliog., ind.
Research director: C. J. Kent
DDM Code: 61keClaR; DA no.: RILM no.: 93:9745dd; UM no.:
Additional keywords: Worcester cathedral, organ stops, organ music, pipework
Clark, Walter Aaron.
"Spanish Music with a Universal Accent": Isaac Albéniz's Opera Pepita Jiménez. Ph.D., Musicology, University of California at Los Angeles, 1992. xi, 382 p. tbls., facs., mus. exs., works lst., append., bibliog., ind.
Research director: Robert M. Stevenson
DDM Code: 61opClaW; DA no.: 54/03:725; RILM no.: 92:3713dd; UM no.: 93-17432
Clarke, James Wesley.
Prof. W. S. B. Mathews (1837-1912): Self-made Musician of the Gilded Age. Ph.D., Musicology, University of Minnesota, 1983. ix, 314 p. facs., mus. exs., works lst., bibliog.
DDM Code: 61boClaK; DA no.: 44/04:903; RILM no.: 83:5055dd; UM no.: 83-18,053
Clausen, Bruce E.
Beethoven's Belief in the Psyches of the Individual Keys: A Historical and Analytical Examination. Ph.D., Musicology, University of Southern California, 1988.
DDM Code: 66aeClaB; DA no.: 50/10:14; RILM no.: 88:10570dd; UM no.: 05-65182
Clodes, Maria Dhority.
Performing Schumann's F-Sharp Minor Sonata, op. 11. D.M.A., Music, Boston University, 1976. 157 p.
DDM Code: 60keCloM; DA no.: 39/12:7044; RILM no.: 78:5985dd; UM no.: 79-12208
Clostermann, Annemarie.
Das kirchenmusikalische Schaffen Felix Mendelssohn-Bartholdys. Ph.D., Musicology, Köln, 1985.
DDM Code: 61saCloA; DA no.: RILM no.: 89:3523dd; UM no.:
Coad, P. N.
Bruckner and Sibelius. Ph.D., Music, Cambridge University, 1986.
Research director: Robin Holloway
DDM Code: 61stCoaP; DA no.: RILM no.: 91:3576dd; UM no.: Publication: British Library Document Supply Centre no. D58906/87.
Coburn, Steven D.
Mahler's Tenth Symphony: Form and Genesis. Ph.D., Musicology, New York University, 2002. 410 p.
Research director: Robert Bailey
DDM Code: 61oqCobS; DA no.: 63/04:1178; RILM no.: 02:15573dd; UM no.: 30-48807 Publication: ISBN 0-493-63155-0.
Cochran, Keith H.
The Genesis of Gaspare Spontini's Agnes von Hohenstaufen: A Chapter in the History of German Opera. Ph.D., Musicology, University of North Carolina at Chapel Hill, 1995. x, 312 p. plts., tbls., mus. exs., transcr., transl., bibliog.
Research director: James Haar
DDM Code: 61opCocK; DA no.: 56/07:2472; RILM no.: 95:4439dd; UM no.: 95-38389
Additional keywords: aesthetics, grand opera, archival studies
Cockrell, W. Dale.
Hector Berlioz and "Le système shakespearien". Ph.D., Musicology, University of Illinois at Urbana-Champaign, 1978. ix, 304 p. plts., mus. exs., append., bibliog.
Research director: Nicholas Temperley
DDM Code: 61drCocW; DA no.: 39/05:2607; RILM no.: 78:1985dd; UM no.: 78-20917
Coerne, Louis Adolphe.
The Evolution of Modern Orchestration. Ph.D., Music, Harvard University, 1905. 438 p.
DDM Code: 61orCoeL; DA no.: ADD 0084:157; RILM no.: UM no.: 02-55123
Cohen, Howard Robert.
Berlioz on the Opéra (1829-1849): A Study in Music Criticism. Ph.D., Musicology, New York University, 1973. 345 p.
DDM Code: 66crCohH; DA no.: 35/01:495; RILM no.: 75:1123dd; UM no.: 74-14422
Coldicott, Anne-Louise.
A Source Study of Beethoven's Concertos. Ph.D., Musicology, University of Manchester, 1986.
DDM Code: 61keCalA; DA no.: RILM no.: 91:2899dd; UM no.:
Colvin, Otis Herbert.
Charles Martin Loeffler: His Life and Works. Ph.D., Theory, University of Rochester, 1959. 230 p.
DDM Code: 61woColO; DA no.: ADD 1958:108; RILM no.: UM no.: 02-14350
Comstock, Raymond Dodge.
Contributions of the Orson Perkins Family to Nineteenth-Century American Music Education. Ph.D., Music Education, University of Iowa, 1970. vii, 234 p. illus., append., bibliog., ind.
DDM Code: 64eeComR; DA no.: 31/09:4814; RILM no.: 76:15674dd; UM no.: 71-05,727
Constapel, Britta.
Der Musikverlag Johann André in Offenbach am Main: Studien zur Verlagstätigkeit von Johann Anton André und Verzeichnis der Musikalien von 1800 bis 1840. Ph.D., Musicology, Göttingen, 1998. 651 p. illus., append., bibliog., ind.
Research director: Ulrich Konrad
DDM Code: 68pvConB; DA no.: RILM no.: 98:17260bm; UM no.: Publication: Würzburger musikhistorische Beiträge, no. 21. Tutzing: Schneider, 1998. ISBN 3-7952-0941-2.
Additional keywords: music bibliography, lithography, Mozart prints, publishing history
Conway, James Bryant.
Musical Sources for the Liszt études d'exécution transcendante: A Study in the Evolution of Liszt's Compositional and Keyboard Techniques. D.M.A., Performance, University of Arizona, 1969. 194 p. mus. exs., bibliog.
DDM Code: 61keConJ; DA no.: 30/05:2055; RILM no.: 71:3810dd; UM no.: 69-19261
Cooper, Jeffrey Hawley.
A Renaissance in the Nineteenth Century: The Rise of French Instrumental Music and Parisian Concert Societies, 1828-1871. Ph.D., Musicology, Cornell University, 1981. vii, 536 p. tbls., mus. exs., append., bibliog.
Research director: Don Randel
DDM Code: 61mvCooJ; DA no.: 42/08:3339; RILM no.: 81:625dd; UM no.: 81-29684
Cooper, Victoria Lee.
The House of Novello: Practice and Policy of a Victorian Music Publisher, 1829-1866. Ph.D., Musicology, University of Chicago, 1992.
DDM Code: 68puCooV; DA no.: 53/01:12; RILM no.: 92:14298dd; UM no.: T-31807
Copeland, Robert Marshall.
The Life and Works of Isaac Baker Woodbury, 1819-1858. Ph.D., Musicology, University of Cincinnati, 1974. xiii, 287 p. tbls., mus. exs., works lst., append., bibliog.
Research director: S. Pogue
DDM Code: 61woCopR; DA no.: 35/06:3791; RILM no.: 74:2447dd; UM no.: 74-27,267
Coppola, Catherine.
Form and Fantasy: 1870-1920. Ph.D., Musicology, City University of New York, 1998. xiii, 432 p. tbls., mus. exs., transl., append., bibliog.
Research director: Stephen Blum
DDM Code: 61srCopC; DA no.: 59/01:15; RILM no.: 98:12012dd; UM no.: 98-20521
Additional keywords: genre theory, program music, sonata form, symphonic poem, Peter Tchaikovsky, Max Bruch, Ferruccio Busoni
Cordell, Albert Oram.
The Orchestration of Verdi: A Study of the Growth of Verdi's Orchestral Technique as Reflected in the Two Versions of Simon Boccanegra. Ph.D., Musicology, Catholic University of America, 1992. 313 p.
Research director: Cyrilla Barr
DDM Code: 69orCorA; DA no.: 53/04:978; RILM no.: 92:3724dd; UM no.: 92-17090
Additional keywords: Teatro La Fenice, Ricordi
Coren, Daniel Henry.
A Study of Richard Wagner's Siegfried. Ph.D., Musicology, University of California at Berkeley, 1971.
Research director: Joseph Kerman
DDM Code: 61opCorD; DA no.: ADD 1971:257; RILM no.: UM no.: 02-57613
Cory, William Michael.
Franz Liszt's Symphonies de Beethoven: partitions de piano
. D.M.A., Music, University of Texas at Austin, 1981. 2 vols., 178 p.
DDM Code: 60keCorW; DA no.: 42/03:907; RILM no.: 81:2695dd; UM no.: 81-19243
Cosart, JillMichelle.
National Romanticism in Nineteenth-Century Norwegian Music. Ph.D., Music History, University of Oregon, 1996. xii, 188 p. illus., plts., tbls., transl., append., bibliog., ind.
Research director: Peter Bergquist and Marian Smith
DDM Code: 61naCosJ; DA no.: 57/09:3736; RILM no.: 96:4238dd; UM no.: 97-06733
Additional keywords: Norway, history and criticism, cultural studies, music and dance, Scandinavia, nationalism, musical instruments, composers, twentieth century
Cox, Richard Garner.
Choral Texture in the Music of Franz Schubert. Ph.D., Music History and Literature, Northwestern University, 1963. 344 p.
DDM Code: 69srCoxR; DA no.: 24/09:3779; RILM no.: UM no.: 64-02470
Cramer, Thomas.
Lohengrin, Edition und Untersuchung. Hab., Social Sciences, Karlsruhe, 1971. 598 p.
DDM Code: 60opCraT; DA no.: RILM no.: 76:2842dd; UM no.: Publication: München: Fink, 1971.
Cranford, Dennis Ray.
Chromatic Counterpoint in the Late Works of César Franck. Ph.D., Theory, University of North Texas, 1992. 352 p.
Research director: Graham H. Phipps
DDM Code: 69cpCraD; DA no.: 53/04:978; RILM no.: 92:10498dd; UM no.: 92-24971
Crews, Emma Katherine.
A History of Music in Knoxville,Tennessee, 1791-1910. Ed.D., Education, Florida State University, 1961. 253 p.
DDM Code: 61mvCreE; DA no.: 22/12:2815-16; RILM no.: UM no.: 61-5634
Crittenden, Camille E.
Viennese Musical Life and the Operettas of Johann Strauss. Ph.D., Musicology, Duke University, 1997. xvii, 417 p. illus., mus. exs., transcr., transl., append.
Research director: Bryan Gilliam
DDM Code: 61opCriC; DA no.: 58/03:629; RILM no.: 97:4196dd; UM no.: 97-27351
Songs for Solo Voice and Two to Five Instruments in the Nineteenth Century. Ph.D., Musicology, Boston University, 1968. 162 p.
DDM Code: 61voCroR; DA no.: 29/07:2291; RILM no.: 69:1253dd; UM no.: 68-18,088
Croom, John Robert.
Emmanuel Chol (1835-1916), His Life and a Catalogue of His Musical Compositions
. Ph.D., Music, Louisiana State University, 1979. 202 p.
Research director: Kenneth Klaus
DDM Code: 60naCroJ; DA no.: 40/10:5239; RILM no.: UM no.: 79-27520
Crosten, William L.
French Grand Opera: An Art and a Business. Ph.D., Musicology, Columbia University, 1947. 162 p.
DDM Code: 61opCroW; DA no.: ADD 1948:111; RILM no.: UM no.: 01-53698 Publication: New York: King's Crown Press, 1948.
Crotty, John Edward.
Design and Harmonic Organization in Beethoven's String Quartet Opus 131. Ph.D., Theory, University of Rochester, 1986. 215 p.
DDM Code: 69haCroJ; DA no.: 47/04:1104; RILM no.: 86:5520dd; UM no.: 86-11800
Crouch, Rebekah Ellen.
The Contributions of Adolphe Sax to the Wind Band. Ph.D., Music Education, Florida State University, 1968. 134 p. illus., mus. exs.
DDM Code: 63wiCroR; DA no.: 29/07:2292; RILM no.: 69:2637dd; UM no.: 69-00587
Crouch, Richard Henry.
The Nocturnes and Barcarolles for Solo Piano of Gabriel Fauré. Ph.D., Musicology, Catholic University of America, 1980. 220 p.
DDM Code: 61keCroR; DA no.: 41/03:842; RILM no.: 80:1873dd; UM no.: 80-19200
Crouse, David Lee.
The Work of Allen D. Carden and Associates in the Shape-Note Tune Books, The Missouri Harmony, Western Harmony and United States Harmony. D.M.A., Musicology, Southern Baptist Theological Seminary, 1972. 204 p.
DDM Code: 61saCroD; DA no.: 33/06:2967; RILM no.: 73:3579dd; UM no.: 72-30,188
Cruz, Gabriela Gomes da.
Giacomo Meyerbeer's L'Africaine and the End of Grand Opera. Ph.D., Musicology, Princeton University, 1999. 354 p. illus., tbls., mus. exs., transcr., transl., bibliog., ind.
Research director: Carolyn Abbate
DDM Code: 61opCruG; DA no.: 60/10:3568; RILM no.: 99:17880dd; UM no.: 99-48396
Additional keywords: French opera, nineteenth-century opera, Richard Wagner, Eugène Scribe, staging, myth
Culwell, Gene Allen.
The English Language Songs in the Ben Gray Lumpkin Collection of Colorado Folklore. Ph.D., Musicology, University of Colorado at Boulder, 1976. 2 vols., viii, 301 p. illus., tbls., mus. exs., append., bibliog., ind.
Research director: William Kearns
DDM Code: 62foCulG; DA no.: 37/08:4946; RILM no.: 77:124dd; UM no.: 77-03,174
Cummings, Craig C.
Large-Scale Coherence in Selected Nineteenth-Century Piano Variations. Ph.D., Theory, Indiana University, 1991. xviii, 413 p. tbls., facs., mus. exs., append., bibliog.
Research director: Mary Wennerstrom
DDM Code: 69keCumC; DA no.: 52/08:2749; RILM no.: 91:9528dd; UM no.: 92-03431
Cunningham, George Roman.
Franz Schubert als Theaterkomponist. Ph.D., Musicology, Freiburg im Breisgau, 1974.
DDM Code: 61opCunG; DA no.: .; RILM no.: 75:3684dd; UM no.: Publication: Freiburg: Johannes Krause, 1974.
Currie, Norman.
Robert Schumann, Hector Berlioz, and Their Publishers. Ph.D., Musicology, City University of New York, 2004. xii, 471 p. transl., bibliog.
DDM Code: 68puCurN; DA no.: 64/12:4260; RILM no.: 04:63dd; UM no.: 31-15238
Additional keywords: publications, editions, Breitkopf und Härtel, Carl Friedrich Kistner, Jean-Charles-Simon Richault, Maurice Schlesinger
Curry, Pat Bryan.
The François Tourte Violin Bow: Its Development and Its Effect on Selected Solo Violin Literature of the Late Eighteenth and Early Nineteenth Centuries. Ph.D., Music, Brigham Young University, 1968. 307 p. illus., mus. exs., bibliog.
DDM Code: 63snCurP; DA no.: 29/08:2737; RILM no.: 69:4739dd; UM no.: 69-03004
Curtis, Prudence B.
American Organ Music North of Philadelphia before 1860: Selected Problems and an Annotated Bibliography. D.M.A., Music, Manhattan School of Music, 1981. 559 p. facs., mus. exs., works lst., bibliog.
DDM Code: 60keCurP; DA no.: 42/04:1362; RILM no.: 81:1441dd; UM no.: 81-20913
Curtis, Robert Lee.
Ludwig Bischoff: A Mid-Nineteenth-Century Music Critic. Ph.D., Musicology, University of Texas at Austin, 1977. vi, 435 p. plts., append., bibliog.
DDM Code: 66crCurR; DA no.: 38/05:2401; RILM no.: 77:5951dd; UM no.: 77-22934
Cutler, Timothy Spence.
Orchestration and the Analysis of Tonal Music: Interaction Between Orchestration and Other Musical Parameters in Selected Symphonic Compositions, c.1785-1835. Ph.D., Music Theory, Yale University, 2000. 323 p.
Research director: Allen Forte
DDM Code: 61orCutT; DA no.: 61/05:1671; RILM no.: 00:4302dd; UM no.: 99-73669 Publication: ISBN 0-599-79077-6.
Additional keywords: Heinrich Schenker, Joseph Haydn, Ludwig van Beethoven, Franz Schubert, Felix Mendelssohn
Czesla, Werner.
Studien zum Finale in der Kammermusik von Johannes Brahms. Ph.D., Musicology, Bonn, 1968. 252 p. mus. exs., bibliog.
DDM Code: 61chCzeW; DA no.: RILM no.: 70:3352dd; UM no.:
D'Ecclesiis, Rev. Gennaro Anthony.
The Aria Techniques of Giacomo Puccini: A Study in Musico-Dramatic Style. Ph.D., Music Education, New York University, 1961. 264 p.
DDM Code: 61opDecG; DA no.: 22/02:592; RILM no.: UM no.: LC Mic 61-2548
Da Silva, Fabio Roberto Gardenal.
Brahms' Piano Trio Op. 8, in B Major: A Comparison between the Early (1854) and Late (1860) Versions. Ph.D., Music Education, New York University, 1993. 160 p.
Research director: Lawrence Ferrara
DDM Code: 61chDasF; DA no.: 54/02:362; RILM no.: 93:3576dd; UM no.: 93-17664
Dailey, Jeff S.
The Successful Failure: Arthur Sullivan's Ivanhoe. Ph.D., Educational Theatre, New York University, 2002. x, 298 p. tbls., mus. exs., append.
Research director: Lowell Swortzell
DDM Code: 60opDaiJ; DA no.: 63/07:2417; RILM no.: UM no.: 30-60291
Additional keywords: romantic opera, English opera, musical theatre
Damian, Ronald.
A Historical Study of the Caecilian Movement in the United States. D.M.A., Liturgical Music, Catholic University of America, 1984. vi, 300 p. illus., mus. exs., append., bibliog.
Research director: Cyrilla Barr
DDM Code: 61msDamR; DA no.: 45/05:1233; RILM no.: UM no.: 84-16,044
Damschroder, David Allen.
The Structural Foundations of "The Music of the Future": A Schenkerian Study of Liszt's Weimar Repertoire. Ph.D., Theory, Yale University, 1981. 192 p.
Research director: Craig Wright
DDM Code: 69srDamD; DA no.: 42/05:1843; RILM no.: 81:6175dd; UM no.: 81-24,336
Dannoritzer, Ursula.
Studien zum instrumentalbegleiteten Sololied um 1900 (1880-1920). Ph.D., Musicology, Mainz, 1986.
DDM Code: 61voDanU; DA no.: RILM no.: 87:7341bm; UM no.:
Danz, Ernst-Joachim.
Die objektlose Kunst. Untersuchungen zur Musikästhetik Friedrich von Hauseggers. Ph.D., Musicology, Köln, 1981.
DDM Code: 66aeDanE; DA no.: RILM no.: 81:1896bm; UM no.:
Danzinger, Gustav.
Die 2. Symphonie von Gustav Mahler. Ph.D., Musicology, Wien, 1976. 266 p.
DDM Code: 61oqDanG; DA no.: RILM no.: 76:2847dd; UM no.:
Darcy, Warren Jay.
Formal and Rhythmic Problems in Wagner's Ring Cycle. D.M.A., Composition, University of Illinois at Urbana-Champaign, 1973. 423 p.
DDM Code: 69srDarW; DA no.: 34/11:7264; RILM no.: 76:10377dd; UM no.: 74-05,549
Dargie, Elizabeth Mary.
Music and Poetry in the Songs of Gustav Mahler. Ph.D., Musicology, University of Aberdeen, 1979.
DDM Code: 61tmDarE; DA no.: RILM no.: UM no.:
Darius, Peter.
Die Musik in den Elementarschulen und Kirchen Düsseldorfs im 19. Jahrhunderts. Ph.D., Musicology, Köln, 1968. 258 p. mus. exs.
DDM Code: 61mvDarP; DA no.: RILM no.: 69:1260dd; UM no.:
Dart, W. J.
Hubert Parry and Cyril Scott: Two Post-Victorian Song-Writers. With an Introductory Essay on the Musical Problems of Great Britain in the Nineteenth-Century. Ph.D., Music, University of Auckland, 1975.
Research director: Gerald Seaman
DDM Code: 61voDarW; DA no.: RILM no.: 76:643dd; UM no.:
Dauth, Ursula.
Verdis Opern im Spiegel der Wiener Presse von 1843 bis 1859. Ein Beitrag zur Rezeptionsgeschichte. Ph.D., Musicology, Heidelberg, 1977.
DDM Code: 66crDauU; DA no.: RILM no.: 81:4903bm; UM no.:
Davenport, Linda Gilbert.
Maine's Sacred Tunebooks, 1800-1830: Divine Song on the Northeast Frontier. Ph.D., Music, University of Colorado at Boulder, 1991. xiv, 563 p. illus., tbls., mus. exs., append., bibliog., ind.
Research director: Karl Kroeger
DDM Code: 61saDavL; DA no.: 52/06:1934; RILM no.: 91:12720dd; UM no.: 91-32561
Davidson, Frank Costellow.
The Rise, Development and Influence of the American Minstrel Show. Ph.D., Speech, New York University, 1952. 276 p.
DDM Code: 61ppDavF; DA no.: 13/02:268; RILM no.: UM no.: 00-04515
Davis, James Matthews.
Banditenstreiche, Franz von Suppé: An English Performing Edition Translated and Paraphrased for Contemporary American Audiences, from the Original German, with Supporting Information. D.M.A., Music, University of Oklahoma, 1979. 223 p.
DDM Code: 60opDavJ; DA no.: 40/04:1738; RILM no.: 79:3618dd; UM no.: 79-21229
Davison, Sister M. Veronica.
American Music Periodicals, 1853-1899. Ph.D., Musicology, University of Minnesota, 1973. 2 vols., vii, 545 p. append., bibliog., ind.
DDM Code: 61pgDavM; DA no.: 34/11:7265; RILM no.: 73:2934dd; UM no.: 74-10,498
Day, David A.
The Annotated violon répétiteur and Early Romantic Ballet at the Théâtre Royal de Bruxelles (1815-1830). Ph.D., Musicology, New York University, 2008. 3 vols., xxiv, 963 p. illus., plts., tbls., facs., mus. exs., transcr., transl., works lst., append., bibliog., ind.
Research director: Stanley Boorman
DDM Code: 61daDayD; DA no.: RILM no.: UM no.:
Additional keywords: Théâtre Royal de la Monnaie, Jean Pierre Aumer, violin-conductor, Fernando Sor, François Decombe Albert, Rodolphe Kreutzer, Louis Milon, Pierre Gardel, Adalbert Gyrowetz, Brussels, musical signfication, Paris Opéra, Holland domination, mime, pantomime, ballet-pantomime, choreography, Jean-Antoine Petipa, Bartholomy Daubigny, King Guillaume I of the Dutch House of Orange, Marie Lesueur, Joseph Langle, Augustine-Agathe Martin, Eugène Hus, Henri Dumont
Day, Susan Stockbridge.
Productions at Niblo's Garden Theatre, 1862-1868, during the Manage