DDM Baroque

DOCTORAL DISSERTATIONS IN MUSICOLOGY-ONLINE
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Jacbos School of Music
Indiana University
Bloomington, IN 47405

BAROQUE
Dissertations in Progress,
including new records and records from
Doctoral Dissertations in Musicology, 2d International Edition (1984) and
Doctoral Dissertations in Musicology, 2d Cumulative Edition (1996),
with corrections and updates

Composition, Sources, and Reception of G. F. Handel's Dramatic Oratorio Alexander Balus.

DDM Code: 41voAbrD*; DA no.: RILM no.: UM no.:

Kulturelle Praxis des römischen Adels und Klerus: Text als Musik bei Kantaten von Alessandro Scarlatti.

DDM Code: 41voAigA*; DA no.: RILM no.: UM no.:

Additional keywords: cantatas, Rome, Naples, librettos, Italian texts, Accademia arcadia

Vivaldis Werktypus der "Concerti con molto Istromenti".

DDM Code: 41oqAleW*; DA no.: RILM no.: UM no.:

An Edition of Four Alma Redemptoris Mater Settings by Gregor Joseph Werner, with a Historical Background of the Composer and His Time.

DDM Code: 41luAllP*; DA no.: RILM no.: UM no.:

Theory and Practice in the Arcadian Cantatas of Alessandro Scarlatti, 1703-1706.

DDM Code: 41seAllS*; DA no.: RILM no.: UM no.:

I concerti per due violini di Vivaldi.

DDM Code: 41chAmmF*; DA no.: RILM no.: UM no.:

Dietrich Becker (1623?-1679) und sein Schaffen.

DDM Code: 41woAngH*; DA no.: RILM no.: UM no.:

Stilgeschichtliche Untersuchungen zum Klavierwerk des Thomaskantors Johann Kuhnau (1660-1722).

DDM Code: 41keArbJ*; DA no.: RILM no.: UM no.:

Pier Francesco Valentini -- Leben und Werk.

DDM Code: 41woArnM*; DA no.: RILM no.: UM no.:

La Virtù fatta canora: Staging Early Modern Values at the Court of Leopold I (1658-1705).

DDM Code: 41opFirP*; DA no.: RILM no.: UM no.:

Additional keywords: Baroque, Habsburgs, Vienna, opera, sepolcro, oratorio

Gegenwärtige Interpretationen Bach'scher Orgelwerke und deren Wurzeln.

DDM Code: 41pfAumI*; DA no.: RILM no.: UM no.:

Mehrchörigkeit des 16. und 17. Jahrhunderts im süddeutsch-Österreichischen Raum.

DDM Code: 41ciBacM*; DA no.: RILM no.: UM no.:

Mirth, Melancholy and Moderation: Interpreting the Rational Self in Handel's L'Allegro, il Penseroso ed il Moderato.

DDM Code: 41voBadM*; DA no.: RILM no.: UM no.:

Structural Counterpoint and Meter in Eighteenth-Century Keyboard Music.

DDM Code: 49srBarN*; DA no.: RILM no.: UM no.:

Music for the Viola da Gamba in Italy 1580-1650.

DDM Code: 41snBatJ*; DA no.: RILM no.: UM no.:

Additional keywords: viola bastarda, Claudio Monteverdi, Luzzasco Luzzaschi, Ferrara, Mantua, Girolamo Frescobaldi, Orazio Bassani, basso seguente, Giovanni Maria Artusi, terminology, Girolamo Dalla Casa, string playing, viole

Johann Rosenmüllers lateinische Psalmen in grosser Besetzung. Untersuchungen zu Klang und Struktur.

DDM Code: 41saBauC*; DA no.: RILM no.: UM no.:

The Comedies of Opera Seria: Handel's Post-Academy Operas.

DDM Code: 41opBazC*; DA no.: RILM no.: UM no.:

Additional keywords: Partenope, Giustino, Berenice, Serse, Imeneo, Deidamia, Semele, Opera of the Nobility, John Rich, ballad opera, farce, burlesque, pantomime, spoken theater, parody, camp

The French Horn in Handel's Operas.

DDM Code: 40brBeaJ*; DA no.: RILM no.: UM no.:

Additional keywords: Mr. Winch

Musical Iconography at Versailles.

DDM Code: 41icBeaB*; DA no.: RILM no.: UM no.:

Choralbearbeitung in Norddeutschland in der Zeit vor Johann Sebastian Bach.

DDM Code: 41ciBecS*; DA no.: RILM no.: UM no.:

Musikästhetik und Psychologie im 18. Jahrhundert.

DDM Code: 46aeBecA*; DA no.: RILM no.: UM no.:

Die Chanson des Josquin Desprez.

DDM Code: 41voBetC*; DA no.: RILM no.: UM no.:

Additional keywords: Burgundy, secular song

The Birth of Opera, Theories of Language and 16th-Century Florentine Politics.

DDM Code: 41opBinR*; DA no.: RILM no.: UM no.:

Additional keywords: Jacopo Peri, Giulio Caccini, Emilio de' Cavalieri, Girolamo Mei, Vincenzo Galilei, Ottavio Rinuccini, Jacopo Corsi, Giovanni Bardi, Euridice, Medici, Gioseffo Zarlino, Pietro Bembo, Accademia Fiorentina, Accademia degli Humidi, Accademia degli Infiammati, Giovan Battista Gelli, Benedetto Varchi, Bernardino Tomitano, Sperone Speroni, Questione della lingua

Samuel Friedrich Capricornus: Untersuchungen seiner Musik und Werkverzeichnis.

DDM Code: 41woBlaD*; DA no.: RILM no.: UM no.:

The Seventeenth-Century Clavecin Suite: A Stylistic Approach.

DDM Code: 41keBluC*; DA no.: RILM no.: UM no.:

The English Instrumentalists Abroad: An Examination of the English Contribution to the Northern European Ensemble Idiom at the Beginning of the Seventeenth Century.

DDM Code: 41enBorM*; DA no.: RILM no.: UM no.:

Aspekte des Generalbaß als Grundlage für die Entstehung der Dur-Moll Tonalität: Betrachtung der Entwicklung, Mutation und Einflüsse einer epochalen Gattung auf das "harmonische Denken" in Italien, Österreich und Süddeutschland des 16. und 17. Jahrhunderts.

DDM Code: 41bcBotD*; DA no.: RILM no.: UM no.:

Additional keywords: Intabulierung, intavolation, intabulation, tonality, Harmonie, harmony, Monodie, Motette, sonata, canzon da sonare, musica ficta, Regel dell'Ottava

The Life and Works of Carlo Antonio Marino (c. 1671-?).

DDM Code: 41woBowR*; DA no.: RILM no.: UM no.:

Oratorio in England from Handel to Mendelssohn.

DDM Code: 41saBoyM*; DA no.: RILM no.: UM no.:

Music and Musicians at St. Paul's Cathedral, 1660-1714.

DDM Code: 41saBoyS*; DA no.: RILM no.: UM no.:

Untersuchungen zur historischen Stellung der Opern von Nicola Porpora: Arianna e Teseo im Vergleich mit weiteren Arianna-Vertonungen des 18. Jahrhunderts.

DDM Code: 41opBraS*; DA no.: RILM no.: UM no.:

Additional keywords: baroque opera, settecento, dramma per musica, opera seria, opera and drama, music and scene, music and versification, 18th-century aria, 18th-century recitative, influence of singers on composition, paleography, regional aspects of opera composition, Naples, Venice, Rome, Pietro Pariati, Francesco Conti, Leonardo Leo, Leonardo Vinci, George Frideric Handel, Nicolo "Nicolini" Grimaldi, Giovanni Carestini

Corelli Reception in Eighteenth-Century France and England.

DDM Code: 41mvBreL*; DA no.: RILM no.: UM no.:

Guillaume Bouzignac's Jesu ubertate domus tuae, Quare fremuerunt Judaei, Sicut laetantium, Gaudete et exultate, and Benedicite omnia opera Domini: Performing Editions and Commentary.

DDM Code: 41saBroJ*; DA no.: RILM no.: UM no.:

The Dramatic Works of Alessandro Melani.

DDM Code: 41opBroW*; DA no.: RILM no.: UM no.:

Catalogue des livres de musique théorique et pratique de Sébastien de Brossard (1724). Edition critique annotée par Yolande de Brossard.

DDM Code: 45clBroY*; DA no.: RILM no.: UM no.:

The Odes of Purcell: A Contextual Study.

DDM Code: 41voBroA*; DA no.: RILM no.: UM no.:

Singer and Symbol: 17th-Century Opera, Gesture and Body Politics.

DDM Code: 41opBryB*; DA no.: RILM no.: UM no.:

Additional keywords: singing, facial and body gesture, staging, optics, iconography, ut pictura poesis

Leben und Werk der Musiker Johann Martin Doemming (um 1731) und Johann Caspar Doemming (29.5.1714-15.7.1786).

DDM Code: 41woBueM*; DA no.: RILM no.: UM no.:

The Use of Dissonance in the Music of Henry Purcell.

DDM Code: 49haButA*; DA no.: RILM no.: UM no.:

Die französische Triosonate von 1680-1750.

DDM Code: 41chCarB*; DA no.: RILM no.: UM no.:

Francesco Cavalli's Ercole amante: Myth, Music, and Spectacle at the Court of Louis XIV.

DDM Code: 41opCheL*; DA no.: RILM no.: UM no.:

Additional keywords: Jean-Baptiste Lully, Francesco Buti, Isaac de Benserade, Venetian opera, mythology

Sacred Cantatas Printed in Bologna in the Seventeenth Century.

DDM Code: 41saChuC*; DA no.: RILM no.: UM no.:

Die weltlichen Kantaten von Georg Philipp Telemann.

DDM Code: 41seClaS*; DA no.: RILM no.: UM no.:

The String Consort Music of John Hingeston (c. 1610-83).

DDM Code: 41snCocL*; DA no.: RILM no.: UM no.:

Laudate Dominum in Sanctis Ejus: A Brief Survey of Winds in Michel-Richard de Lalande's Motets.

DDM Code: 40wiColC*; DA no.: RILM no.: UM no.:

Additional keywords: indtrumentation, orchestration, France, French, Versailles

L'interpretation de la musique française 1661-1789: Vol. 1, Dictionnaire d'interpretation (Initiation) by Jean Saint-Arroman: An English Translation and Commentary.

DDM Code: 45diCooS*; DA no.: RILM no.: UM no.:

Additional keywords: French Classical period

Rhetorical Structure in Seventeenth- and Eighteenth-Century Fugal Music for Keyboard.

DDM Code: 49srCraM*; DA no.: RILM no.: UM no.:

Maria Teresa Agnesi, an 18th-Century Woman Composer.

DDM Code: 41woCruG*; DA no.: RILM no.: UM no.:

Handel's Poro: An Edition and Critical Study.

DDM Code: 41opCumG*; DA no.: RILM no.: UM no.:

Biagio Marini and the Meanings of Violin Music in the Early Seicento.

tbls., facs., mus. exs., transcr., transl., works lst., bibliog.

DDM Code: 41snCypR*; DA no.: RILM no.: UM no.: 33-17261

Additional keywords: seventeenth century, patronage, printing, performance, improvisation, stile rappresentativo, romanesca, da chiesa, da camera, structure, instrumental music

A Thematic Catalogue of Francesco Cavalli's Arias with a Dissertation about Their Forms, Contents, and Tonalities.

DDM Code: 41opDalF*; DA no.: RILM no.: UM no.:

Additional keywords: Giovanni Faustini, Giovanni Francesco Busenello, Nicolo' Minato, Orazio Persiani, Aurelio Aureli, Giacinto Andrea Cicognini, Giulio Strozzi, Giovanni Moniglia, Francesco Melosio, Francesco Buti

The Recorder in the Baroque Orchestra.

DDM Code: 41wnDavA*; DA no.: RILM no.: UM no.:

Le plain-chant en France au XVIIème siècle: Guillaume-Gabriel Nivers (1632-1714).

DDM Code: 41luDavC*; DA no.: RILM no.: UM no.:

The Five-Course Guitar and Seventeenth-Century Harmony: Alfabeto and Italian Song.

DDM Code: 41snDeaA*; DA no.: RILM no.: UM no.:

Music by 17th-Century Viol-Playing English Catholics Working in Europe.

DDM Code: 41snAmoF*; DA no.: RILM no.: UM no.:

Additional keywords: Jesuit, viola da gamba

Lute Realizations for the English Cavalier Songs: A Guide for Performers.

DDM Code: 40snDenA*; DA no.: RILM no.: UM no.:

Additional keywords: theorbo, continuo

Die Messa concertata in Oberitalien in der ersten Hälfte des 17. Jahrhunderts.

DDM Code: 41luDinR*; DA no.: RILM no.: UM no.:

Die Orgeltabulatur "Kraków, Biblioteka Jagiellonska: Mus. ms. 40056" (urspr. Berlin, Preussische Staatsbibliothek; sog. "Plotz'sche Orgeltabulatur") als Zeugnis frühbarocker Organistenausbildung.

DDM Code: 41keDocH*; DA no.: RILM no.: UM no.:

Additional keywords: Samuel Scheidt, Jan Pieterszoon Sweelinck, Brieg, Halle, Leutschau, Levoca, education, counterpoint, canon, accompaniment, improvisation, new German organ tablature

Ennemond Gaultier, Sieur de Nèves.

DDM Code: 41woDohC*; DA no.: RILM no.: UM no.:

Le pardessus de viole en France.

DDM Code: 41snDubC*; DA no.: RILM no.: UM no.:

Music Theory and Compositional Practice in England, c. 1660-c. 1730.

DDM Code: 41naDurM*; DA no.: RILM no.: UM no.:

Additional keywords: Henry Purcell, Roger North

Aspects of Idiom and Structure in Music of the Eighteenth Century in England with Special Reference to the Scarlatti Arrangements of Charles Avison.

DDM Code: 41stEckC*; DA no.: RILM no.: UM no.:

Zur Ausbreitung und Adaption des franzözischen Stils in Mitteldeutschland--die franzözische Ouvertüre zwischen ca. 1680 und 1770.

DDM Code: 41naEckW*; DA no.: RILM no.: UM no.:

Additional keywords: French style, French overture, middle Germany, Jean-Baptiste Lully

Mandolino und Mandora im 18. Jahrhundert. Ein instrumenten- und quellenkundlicher Beitrag zur Erforschung der lautenartigen Zupfinstrumente.

DDM Code: 43snEckU*; DA no.: RILM no.: UM no.:

Francesco Foggia (1603-1688), sein Schaffen für das Oratorium.

DDM Code: 41saEckO*; DA no.: RILM no.: UM no.:

Additional keywords: Rome, Arciconfraternità Crocefisso, seicento, San Marcello

Die Applausus-Kompositionen von Antonio Caldara.

DDM Code: 41seEdlJ*; DA no.: RILM no.: UM no.:

Keyboard Secunda Pratica in Transmission: The Copper-Engraved Toccata Publications of Girolamo Frescobaldi.

DDM Code: 41pvEisM*; DA no.: RILM no.: UM no.:

Additional keywords: Claudio Merulo, Simone Verovio, printing, Rome, post-Tridentine, 's-Hertogenbosch, Roman Oratory, Nicolo Borbone/Borboni, Pietro Aldobrandini, Luzzasco Luzzaschi, Michelangelo Rossi

Music for Kings: Dresden and Berlin, 1733 to 1756.

DDM Code: 41naExnE*; DA no.: RILM no.: UM no.:

Additional keywords: Frederick the Great, Augustus II, Augustus III, Friedrich Augustus II, baroque, galant, Enlightenment, court music, opera, Johann Adolf Hasse, Karl Graun, Rheinsberg, Johann Joachim Quantz, Georg Benda, instrumental music, symphony, chamber music, patronage

Les opéras d'André Cardinal Destouches.

DDM Code: 41opFajR*; DA no.: RILM no.: UM no.:

William Lawes' Harpe Consorts.

DDM Code: 43snFarK*; DA no.: RILM no.: UM no.:

Additional keywords: continuo

Die Instrumentalmusikstücke in den Opern und Oratorien Georg Friedrich Händels.

DDM Code: 41imFasF*; DA no.: RILM no.: UM no.:

An Annotated Translation of Jacob Adlung's Musica mechanica organoedi.

DDM Code: 43trFauQ*; DA no.: RILM no.: UM no.:

Telemanns Orchestersuiten.

DDM Code: 41oqFelP*; DA no.: RILM no.: UM no.:

Untersuchungen über den Einfluss der nationalen Stilarten auf das Schaffen G. F. Händels dargestellt an ausgewählten Beispielen.

DDM Code: 41stFelA*; DA no.: RILM no.: UM no.:

The Development of the Keyboard Fuga in Germany to 1650.

DDM Code: 41keFitG*; DA no.: RILM no.: UM no.:

Das Musikleben und die Ausstrahlung der Stadt Strassburg in der Frühneuzeit (Ende 15. bis Mitte 16. Jahrhundert).

DDM Code: 47mvFolB*; DA no.: RILM no.: UM no.:

Additional keywords: Reformation, hymnology, humanism

Corelli in London.

DDM Code: 41mvFriS*; DA no.: RILM no.: UM no.:

Les "Claviers" des ateliers alsacien et saxon de la dynastie des Silbermann. Etude des instruments et du répertoire musical: leur influence réciproque.

DDM Code: 43keFriP*; DA no.: RILM no.: UM no.:

Das späte Vokalwerk Melchior Francks.

DDM Code: 41voFriT*; DA no.: RILM no.: UM no.:

Studien zur Form der Arien von Johann Sebastian Bach.

DDM Code: 41srFroC*; DA no.: RILM no.: UM no.:

Additional keywords: Johann Sebastian Bach, aria forms

Studien zu A. Scarlattis Oratorien im Bestand der Santini-Bibliothek in Münster.

DDM Code: 41voFroV*; DA no.: RILM no.: UM no.:

Additional keywords: oratorio, Rome

Georg Vintzius, Leben und Werk.

DDM Code: 41woFuhL*; DA no.: RILM no.: UM no.:

Chant Sources for Seventeenth- and Eighteenth-Century Settings of the Mass Ordinary and the Office Hymns.

DDM Code: 41luGalR*; DA no.: RILM no.: UM no.:

Die Sarabande bis zum Tode von J. S. Bach.

DDM Code: 41daGarU*; DA no.: RILM no.: UM no.:

1. Essai sur la tragédie lyrique: L'exemple de Didon (1693) de Henry Desmarest. 2. Edition critique de Didon.

DDM Code: 41opGauG*; DA no.: RILM no.: UM no.:

Jean-Philippe Rameau's Le Temple de la gloire: A Source and Contextual Study.

DDM Code: 41opGavV*; DA no.: RILM no.: UM no.:

De poematum cantu et viribus rythmi von Isaac Vossius. Kommentierte Ausgabe und Neuübersetzung.

DDM Code: 41trGeiM*; DA no.: RILM no.: UM no.:

Insanity, Hysteria and Melancholy in Seventeenth-Century English Continuo Song.

DDM Code: 41voGeoM*; DA no.: RILM no.: UM no.:

Additional keywords: mad, hysterical, humors, humours, rhetoric

The Music of Antonio Biffi.

DDM Code: 41woGerM*; DA no.: RILM no.: UM no.:

Additional keywords: Venice, San Marco, church music, motets, cantatas

Studien zu den schnellen Sonaten- und Konzertsätzen von Johann Sebastian Bach.

DDM Code: 41imGeuM*; DA no.: RILM no.: UM no.:

John Beard - ein englischer Tenor der Händel-Zeit (1716-1791).

DDM Code: 41voGieN*; DA no.: RILM no.: UM no.:

Additional keywords: England, theatre music, Covent Garden, Drury Lane, opera, oratorio, aria

Die Oper in der bildenden Kunst des Seicento.

DDM Code: 41icGluE*; DA no.: RILM no.: UM no.:

Sacred Vocal Music of Sebastien de Brossard.

DDM Code: 41saGraK*; DA no.: RILM no.: UM no.:

Johann Adam Reincken--Leben, Werk, Wirkung.

DDM Code: 41woGraU*; DA no.: RILM no.: UM no.:

Giovanni Paolo Cima and Early Baroque Music in Milan.

DDM Code: 41woGreA*; DA no.: RILM no.: UM no.:

Das Passionsschaffen G. H. Stölzels.

DDM Code: 41saGreJ*; DA no.: RILM no.: UM no.:

The Secular Songs of John Blow (1649-1708): An Edition.

DDM Code: 41ebGroM*; DA no.: RILM no.: UM no.:

Die Motetten von Michel-Richard Delalande.

DDM Code: 41saGroI*; DA no.: RILM no.: UM no.:

Bibers Rosenkranz/Mysteriensonaten.

DDM Code: 41chHabD*; DA no.: RILM no.: UM no.:

Studien zum Kantatenschaffen Christoph Stolzenbergs.

DDM Code: 41saHalP*; DA no.: RILM no.: UM no.:

Melodic Inversion from Zarlino to Bach: 1550-1750.

DDM Code: 49meHanD*; DA no.: RILM no.: UM no.:

A Study of "Six Solos for 2 Violoncellos compos'd by Sigr Bononcini and other eminent Authors," with a Realization and an Historical Commentary Based on the Manuscript in the British Museum.

DDM Code: 41mcHarG*; DA no.: RILM no.: UM no.:

Die Kyrie - Gloria - Messen von J. S.Bach.

DDM Code: 41luHasJ*; DA no.: RILM no.: UM no.:

The London Music Trade 1645-1725.

DDM Code: 41inHebB*; DA no.: RILM no.: UM no.:

Additional keywords: John Playford, instruments, makers, commerce, shops, economics, cultural, printed, viol, violin, harpsichord

Christian Ritter--Leben und Werk.

DDM Code: 41woHeiB*; DA no.: RILM no.: UM no.:

Der Orgelbauer Matthias Dropa im soziokulturellen Umfeld seiner Zeit.

DDM Code: 41keHeiK*; DA no.: RILM no.: UM no.:

Musikalische Rhetorik in Bachs Johannespassion.

DDM Code: 41cmHenJ*; DA no.: RILM no.: UM no.:

Les Violes en violoncelle: Viols Sharing Features of the Violin Family.

DDM Code: 43snHerM*; DA no.: RILM no.: UM no.:

Die Entwicklung der Concerto-Aria-Kantate von ca. 1665 bis ca. 1710.

DDM Code: 41voHerS*; DA no.: RILM no.: UM no.:

Zur Rezeption des Stylus Antiquus in der deutschen protestantischen Kirchenmusik vom 17. bis zum Beginn des 19. Jahrhunderts.

DDM Code: 41saHeyB*; DA no.: RILM no.: UM no.:

Musikalische Profilbildung des römischen Adels im 17. Jahrhundert: Lorenzo Onofrio Colonna und Benedetto Pamphilj.

DDM Code: 41naHinL*; DA no.: RILM no.: UM no.:

An Edition of the Stoughton Manuscript (an Early Seventeenth-Century Poetry Collection in Private Hands, Connected with Henry King and Oxford) Seen in Relation to Other Contemporary Poetry and Song Collections.

DDM Code: 41mcHobM*; DA no.: RILM no.: UM no.:

Musik zu den Jesuitendramen des 17. Jahrhunderts.

DDM Code: 41drHofR*; DA no.: RILM no.: UM no.:

Italian Monody in Early Seventeenth-Century England.

DDM Code: 41voHolD*; DA no.: RILM no.: UM no.:

Studien zu Bachs Chromatik.

DDM Code: 49ckHolG*; DA no.: RILM no.: UM no.:

French Influences and Traditions in the Works of Johann Sebastian Bach.

DDM Code: 41stHorV*; DA no.: RILM no.: UM no.:

Rameau's Code de musique pratique, ou Méthodes pour apprendre la musique, avec de nouvelles réflexions sur le principe sonore: A Translation with Commentary.

DDM Code: 41trHowM*; DA no.: RILM no.: UM no.:

Additional keywords: Baroque, French music theory, performance practice, treatise

The Villancicos de tonadilla in the Cathedral of Santiago de Compostela.

DDM Code: 41saHufM*; DA no.: RILM no.: UM no.:

Orazio Benevoli. Zur Mehrchörigkeit in der römischen Kirchenmusik des 17. Jahrhunderts.

DDM Code: 41saIckC*; DA no.: RILM no.: UM no.:

Franz Tunder--Leben und Werk.

DDM Code: 41woJedA*; DA no.: RILM no.: UM no.:

A Translation of and Commentary on Jakob Adlung's Anleitung zu der musikalischen Gelahrtheit... Published in Erfurt in 1758.

DDM Code: 41trJesP*; DA no.: RILM no.: UM no.:

Decoding Musical Resistance: The Making of a Royalist Musical Rhetoric, c. 1625-1660.

DDM Code: 41ceJocS*; DA no.: RILM no.: UM no.:

Kadensen under 1700-talet [The Cadenza in the Eighteenth Century].

DDM Code: 41imJohU*; DA no.: RILM no.: UM no.:

È caso da intermedio! Comic Practice, Comic Style and the Early Intermezzo.

DDM Code: 41opJohK*; DA no.: RILM no.: UM no.:

Additional keywords: Leonardo Vinci, Alessandro Scarlatti, Johann Hasse, Pietro Metastasio, Domenico Sarri, Antonio Salvi, Bernardo Saddumene, Molière

Violin Music in England in the Late 17th Century: As Displayed through the Life and Works of Nicola Matteis--Father and Son.

DDM Code: 41woJonS*; DA no.: RILM no.: UM no.:

Additional keywords: violin technique, Italian violin music, influence on Italian style

Die Frankfurter Kirchenkantaten von G. Ph. Telemann.

DDM Code: 41saJunC*; DA no.: RILM no.: UM no.:

Wolfgang Schonsleder und sein Traktat Architectonice musices universalis (1631).

DDM Code: 49trKeiN*; DA no.: RILM no.: UM no.:

The Improvised Woodwind Prelude in the Seventeenth and Eighteenth Centuries.

DDM Code: 41wnKelJ*; DA no.: RILM no.: UM no.:

British Solo Harpsichord Repertoire: 1714-1760.

DDM Code: 41keKenP*; DA no.: RILM no.: UM no.:

Additional keywords: eighteenth-century keyboard music, English composers, printed editions, domestic musical taste

René Descartes Compendium Musicae, Musiktheorie zwischen Scholastik und Neuzeit.

DDM Code: 41muKetR*; DA no.: RILM no.: UM no.:

Die Choraltextkantaten Johann Sebastian Bachs.

DDM Code: 41saKimS*; DA no.: RILM no.: UM no.:

Additional keywords: aria, recitative, chronology, style-analysis

Walter Porter's Madrigales and Ayres, 1632.

DDM Code: 41seKirD*; DA no.: RILM no.: UM no.:

Studien zu einer Choralhandschrift in Knechtsteden (um 1720).

DDM Code: 41mcKneH*; DA no.: RILM no.: UM no.:

Caspar Kittels Arien und Kantaten von 1638.

DDM Code: 41seKobU*; DA no.: RILM no.: UM no.:

Leben und Werk Sebastian Knüpfers.

DDM Code: 41woKoeH*; DA no.: RILM no.: UM no.:

Die Quartettsammlungen Telemanns und der Galante Stil.

DDM Code: 41chKohM*; DA no.: RILM no.: UM no.:

Studien zur Historienkomposition im 17. Jahrhundert unter besonderer Berücksichtigung des theologischen Umfeldes.

DDM Code: 41saKonG*; DA no.: RILM no.: UM no.:

Das tragische ende in der italienischen Oper des 18. Jahrhunderts.

DDM Code: 41opKosK*; DA no.: RILM no.: UM no.:

Additional keywords: tragico fine, libretto, Venice, Venezia, Giuseppe Maria Foppa, Gaetano Sertor, Simeone Antonio Sografi, Ferdinando Moretti, Pietro Giovannini, Francesco Bianchi, Domenico Cimarosa, Sebastiano Nasolini, Niccolò Antonio Zingarelli, La morte operas

The Musical Settings of Psalm 51 in Germany c. 1600-1750 in the Perspectives of Reformational Music Aesthetics.

DDM Code: 41saKriB*; DA no.: RILM no.: UM no.:

Additional keywords: Martin Luther, Jean Calvin, theology of music, miserere, Gott sei mir gnädig, penitential, liturgical

Die Musikaliensammlungen des Erbprinzen Friedrich Ludwig von Württemberg-Stuttgart und der Herzogin Louisa Friderica von Mecklenburg-Schwerin in der Universitätsbibliothek Rostock.

DDM Code: 41soKruE*; DA no.: RILM no.: UM no.:

Additional keywords: collections of music

Johann Martin Spieß (Leben und Werk).

DDM Code: 41woKruD*; DA no.: RILM no.: UM no.:

Additional keywords: church music, Bach

Evangelische Kirchenmusik in Österreich im 16. und 17. Jahrhundert. Andreas Rauchs Currus triumphalis musicus.

DDM Code: 41saKuhM*; DA no.: RILM no.: UM no.:

Additional keywords: Austria

Michel-Richard de Lalande's In convertendo Dominus: A Performance Edition with Critical Commentary.

DDM Code: 40ebLamR*; DA no.: RILM no.: UM no.:

Additional keywords: grand motet, Versailles, French baroque, Paris

Kanonkunst im barocken Rom.

DDM Code: 41cpLamM*; DA no.: RILM no.: UM no.:

The Theater of Piety: Sacred Operas for the Barberini Court (1631-1643).

DDM Code: 41saLamV*; DA no.: RILM no.: UM no.:

Additional keywords: Giulio Rospigliosi, Stefano Landi, Domenico Mazzocchi, Sant'Alessio, San Bonifatio, Sant'Eustachio, La Genoinda, I Santi Didimo e Teodora

Origins of the Lüneburg Keyboard Tablatures.

DDM Code: 41mcLasC*; DA no.: RILM no.: UM no.:

The Late Works of Barbara Strozzi.

DDM Code: 41voLauH*; DA no.: RILM no.: UM no.:

Additional keywords: seventeenth-century tonality, cantata

Benedikt Anton Auffschnaitter (1665-1742). Leben und Werk.

DDM Code: 41woLecP*; DA no.: RILM no.: UM no.:

Hans-Heinrich Unger's Die Beziehung zwischen Musik und Rhetorik im 16.-18. Jahrhundert: A Translation and Commentary.

DDM Code: 46trLedC*; DA no.: RILM no.: UM no.:

The 12/8 Time Signature in J. S. Bach's Sacred Vocal Music.

DDM Code: 41saLeeK*; DA no.: RILM no.: UM no.:

The Harpsichord: A Research and Information Guide.

DDM Code: 40keLeeS*; DA no.: RILM no.: UM no.:

Additional keywords: early keyboard instruments, source studies, annotated bibliography

The Music and Musicians of the Restoration Royal Catholic Chapels 1660-1692.

DDM Code: 41osLeeP*; DA no.: RILM no.: UM no.:

Moritz Landgraf von Hessen und seine Kompositionen.

DDM Code: 41woLeiP*; DA no.: RILM no.: UM no.:

The Theory and Practice of Solmization, 1600-1725.

DDM Code: 49siLevA*; DA no.: RILM no.: UM no.:

Die Messen von F. Durante und L. Leo.

DDM Code: 41luLinD*; DA no.: RILM no.: UM no.:

The Figure of the Violinist in Rome, c. 1700.

DDM Code: 41snLinA*; DA no.: RILM no.: UM no.:

Die Einflüsse der französischen Oper in Telemanns Orpheus.

DDM Code: 41opLinA*; DA no.: RILM no.: UM no.:

Georg von Bertuch--Komponist und Musikliebhaber zur Bach-Zeit.

DDM Code: 41boLoiG*; DA no.: RILM no.: UM no.:

Christina von Schweden in Rom -- Musik, Macht, Mäzenatentum.

DDM Code: 41gsLosK*; DA no.: RILM no.: UM no.:

Additional keywords: patronage, cultural studies, gender, Rome, networking

Die italienische Oper in London zur Zeit Händels (Händel, Bononcini, Porpora).

DDM Code: 41opLubN*; DA no.: RILM no.: UM no.:

Tempomodifikation und Tempokonstanz in der Musik des 17. und 18. Jahrhunderts.

DDM Code: 41pfLudK*; DA no.: RILM no.: UM no.:

Additional keywords: tempo

Dramatic and Tonal Structure of Handel's Operas for the Royal Academy.

DDM Code: 41opLusR*; DA no.: RILM no.: UM no.:

Eine Sängerkarriere im 18. Jahrhundert--Der Kastrat Giovanni Carestini.

DDM Code: 41vqLutC*; DA no.: RILM no.: UM no.:

Aspects of Music in Chester in the Eighteenth and Nineteenth Centuries.

DDM Code: 41mvLyoC*; DA no.: RILM no.: UM no.:

Additional keywords: concert life, Chester cathedral, institutions

Studien zur Typologie der Psalmkomposition in der 1. Hälfte des 18. Jahrhunderts.

DDM Code: 41saMaiR*; DA no.: RILM no.: UM no.:

Rameau and Rousseau: Harmony and History in the Age of Reason.

DDM Code: 41phMarN*; DA no.: RILM no.: UM no.:

Additional keywords: Denis Diderot, Jean d'Alembert, Étienne de Condillac, philosophes, history of theory, Encyclopédie, Dictionnaire de musique

José Martínez de Arce: Valladolid, Spain, 1690-1720, Capellmeister.

DDM Code: 41boMarC*; DA no.: RILM no.: UM no.:

Violoncello Music by Domenico Gabrielli.

DDM Code: 41snMccA*; DA no.: RILM no.: UM no.:

Universal Music-Making: Athanasius Kircher and Musical Thought in the Seventeenth Century.

DDM Code: 49trMcKJ*; DA no.: RILM no.: UM no.:

Additional keywords: Musurgia Universalis, Phonurgia Nova, Marin Mersenne, Jesuit, Rome, science, magic, universal harmony, acoustics, affects, historical instruments, historiography, history of theory, combinatorics, automatic music composition

A Historically Based Method in Organ Improvisation: The Robertsbridge Codex to the Mature Baroque.

DDM Code: 41keMilA*; DA no.: RILM no.: UM no.:

Additional keywords: fundamentum, extemporization

The Rastrology and Codicology of English Music Manuscripts c. 1575- c. 1642.

DDM Code: 41mcMisC*; DA no.: RILM no.: UM no.:

Studien zu M. Praetorius' Syntagma musicum.

DDM Code: 49trMolD*; DA no.: RILM no.: UM no.:

Die Corolla musica missarum (1628) des Johannes Donfrid.

DDM Code: 41luMulF*; DA no.: RILM no.: UM no.:

The Problems of Performance-Practice in Seventeenth-Century French Opéra-ballet, with Special Reference to Campra's L'Europe galante and Its Modern Staging.

DDM Code: 41pfMulM*; DA no.: RILM no.: UM no.:

The Changing Role of Music at Court in the Late Stuart Period.

DDM Code: 41naMurE*; DA no.: RILM no.: UM no.:

Additional keywords: John Eccles, ode, Anne Stuart, Henry Purcell, John Blow, poet laureate, Nahum Tate, Master of the Queen's Musick

Guitar Music in Spain and Italy in the Seventeenth Century.

DDM Code: 41snMurM*; DA no.: RILM no.: UM no.:

Italian Instrumental Ensemble Music from 1615 to 1665: A Study of Structure.

DDM Code: 49srMurT*; DA no.: RILM no.: UM no.:

Die Kleinmeister des westfälischen Orgelbaus im 17. Jahrhundert.

DDM Code: 43maNarM*; DA no.: RILM no.: UM no.:

The French Lute during the Reign of Louis le Grand.

DDM Code: 41snNarB*; DA no.: RILM no.: UM no.:

Additional keywords: France, baroque music, cultural history, aesthetics

Studien zu Praetorius, Syntagma Musicum I.

DDM Code: 49trNauK*; DA no.: RILM no.: UM no.:

Mensuration Signs, Proportions, and Tempo Indications from 1550 to 1750.

DDM Code: 49noNesA*; DA no.: RILM no.: UM no.:

Social and Political Aspects of Pastoral in Operas on the London Stage, 1695-1728.

DDM Code: 41opNeuT*; DA no.: RILM no.: UM no.:

Additional keywords: England

Die Oboenkonzerte von Ludwig August Le Brun.

DDM Code: 41oqNirP*; DA no.: RILM no.: UM no.:

Das Vokalwerk Paul Sieferts und die Stillehre des 17. Jahrhunderts.

DDM Code: 41saNitV*; DA no.: RILM no.: UM no.:

Weltliche Vokalmusik von italienischen Komponistinnen in der ersten Hälfte des 17. Jahrhunderts.

DDM Code: 41seNogG*; DA no.: RILM no.: UM no.:

L'alfabeto en Italie et le développement de la pensée harmonique au début du XVIIe siècle.

DDM Code: 41haODoA*; DA no.: RILM no.: UM no.:

Additional keywords: guitar, tonality, Italy, statistical analysis, monody, basso continuo

The Villancicos of Juan de Araujo.

DDM Code: 41saOdoV*; DA no.: RILM no.: UM no.:

Bachs Arbeiten am strengen Satz. Studien zum Leipziger Vokalwerk.

DDM Code: 41saOecT*; DA no.: RILM no.: UM no.:

The Decline of the Printed Lute Song in the Seventeenth Century.

DDM Code: 41pvOswM*; DA no.: RILM no.: UM no.:

Additional keywords: ayres, music and printing, economics of publishing

Eight Mascarades for the Court of Louis XIV by André Danican Philidor.

DDM Code: 41tnOweM*; DA no.: RILM no.: UM no.:

Emergence of the Cello as a Solo Instrument in Late Seventeenth-Century Bologna.

DDM Code: 41snPacS*; DA no.: RILM no.: UM no.:

Music in the Lord Mayor's Pageants in London, 1604-1708.

DDM Code: 41mvPalJ*; DA no.: RILM no.: UM no.:

French Harpsichord Articulation: A Study of the Major Theoretical and Musical Documents.

DDM Code: 41pfParE*; DA no.: RILM no.: UM no.:

J. S. Bach's Collegium: History, Background, Repertory.

DDM Code: 41mvPecR*; DA no.: RILM no.: UM no.:

Kulturtransfer im 17. Jahrhundert - Musikhandschriften aus Danzig in der Düben-Sammlung.

DDM Code: 41mcPeeA*; DA no.: RILM no.: UM no.:

Additional keywords: European music history, dissemination of music, Baltic area, Gdansk, Stockholm court music, musical sources

Tonality as a Formal Determinant in Early Baroque Keyboard Dances Through Froberger: Allemande, Courante, and Sarabande.

DDM Code: 49toPerD*; DA no.: RILM no.: UM no.:

Französische Musiktheorie im 18. Jahrhundert.

DDM Code: 49muPetB*; DA no.: RILM no.: UM no.:

Additional keywords: Jean-Philippe Rameau, Marin Mersenne, harmony

Die Offiziumskompositionen von Alessandro Scarlatti.

DDM Code: 41luPoeB*; DA no.: RILM no.: UM no.:

Die Kirchenmusik von Marc' Antonio Ziani.

DDM Code: 41saProJ*; DA no.: RILM no.: UM no.:

Additional keywords: Wien, Hofmusikkapelle, Vienna, court music chapel

The Solo Cantata and Handel: Questions of Genesis, Genre, and Style.

DDM Code: 41sePurT*; DA no.: RILM no.: UM no.:

The Eloquent Science of Music: Mersenne's Uses of Rhetoric.

DDM Code: 49trRedA*; DA no.: RILM no.: UM no.:

Additional keywords: history of music theory, rhetoric, France, education, intellectual history

17. és 18. századi magyarországi monasztikus dallamok katalógusa [A Catalogue of 17th- and 18th-century Monastic Melodies in Hungary].

DDM Code: 41saRicP*; DA no.: RILM no.: UM no.:

Additional keywords: organ accompaniment

Notions of Tradition: J. S. Bach's Orchestral Suites in the 20th Century.

DDM Code: 41rzRidH*; DA no.: RILM no.: UM no.:

Additional keywords: reception history, scores, recordings, performance analysis, historically informed performance, Baroque suites, Hans von Bülow, Adolf Busch, Pablo Casals, Otto Klemperer, Gustav Mahler, Henry Wood, Nicolas Harnoncourt

Studien zur Kammermusik Telemanns (besonders zu Werken für Fagott).

DDM Code: 41chRinT*; DA no.: RILM no.: UM no.:

Choice Psalmes (1648) by Henry and William Lawes: A Performing/Critical Edition with Background Studies.

DDM Code: 41saRobA*; DA no.: RILM no.: UM no.:

Additional keywords: canon, elegy, King Charles I, George Sandys, Giovanni Coprario, Elway Bevin

Opera in Bologna (1680-1720).

DDM Code: 41opRowC*; DA no.: RILM no.: UM no.:

Burckhard Grossmanns Sammelwerk Angst der Hellen 1623.

DDM Code: 41saSauE*; DA no.: RILM no.: UM no.:

Program Cycles in Baroque Keyboard Music in Germany: A Source of Creativity.

DDM Code: 41keSayV*; DA no.: RILM no.: UM no.:

Studien zu Bachs Weimarer Orgelbüchlein.

DDM Code: 41keSchB*; DA no.: RILM no.: UM no.:

Christian Ludwig Boxberg und die Oper.

DDM Code: 41opSchB*; DA no.: RILM no.: UM no.:

Der Thomaskantor Tobias Michael (1593-1657).

DDM Code: 41saSchU*; DA no.: RILM no.: UM no.:

J. H. Scheins Opella nova.

DDM Code: 41saSchN*; DA no.: RILM no.: UM no.:

Die Anfänge der Académie de Musique (1669-1687).

DDM Code: 41mvSchH*; DA no.: RILM no.: UM no.:

Untersuchungen zum Duett in den Opern und Oratorien von Georg Friedrich Händel.

DDM Code: 41voSchM*; DA no.: RILM no.: UM no.:

Die weltliche Musik am Hof Ludwigs XIV. in der Zeit von 1660 bis 1680 als Mittel politischer Selbstdarstellung.

DDM Code: 41mvSchP*; DA no.: RILM no.: UM no.:

Die Sologesänge in Henry Purcells Bühnenwerken.

DDM Code: 41tnSchA*; DA no.: RILM no.: UM no.:

Zu Vertonungen der Didone abbandonata von Pietro Metastasio.

DDM Code: 41opSchE*; DA no.: RILM no.: UM no.:

Das Oratorium in Venedig in der 2. Hälfte des 17. Jahrhunderts.

DDM Code: 41saSchD*; DA no.: RILM no.: UM no.:

Johann Philipp Kriegers Kantatenwerk.

DDM Code: 41saSchH*; DA no.: RILM no.: UM no.:

Nicholas Lanier: Composer, Painter, Collector, and Courtier to the Stuart Monarchs.

DDM Code: 41boSchL*; DA no.: RILM no.: UM no.:

Geschichte der Choralfantasie in der Barockzeit.

DDM Code: 41keSchC*; DA no.: RILM no.: UM no.:

Die Kammermusik D. Buxtehudes, dargestellt an den 14 Sonaten von 1696.

DDM Code: 41chSchJ*; DA no.: RILM no.: UM no.:

The Florentine festa teatrale of the Middle Seventeenth Century.

DDM Code: 41tnSeaS*; DA no.: RILM no.: UM no.:

Additional keywords: Jacopo Melani, Ferdinando Tacca, Medici, Francesco Cavalli, Hippermestra, Ercole in Tebe

Music for the English Theater Masque ca. 1555-1725.

DDM Code: 41drSegM*; DA no.: RILM no.: UM no.:

Muffat-Messen.

DDM Code: 41luSelS*; DA no.: RILM no.: UM no.:

Francesco Durante's Vespro breve: A Modern Performance Edition and Commentary.

DDM Code: 41luSetJ*; DA no.: RILM no.: UM no.:

Issues of Style and Form in Italian and German Solo Keyboard Sonatas, 1720-60.

DDM Code: 41keShaT*; DA no.: RILM no.: UM no.:

The Lute Music of Thomas Mace from Musick's Monument (1676).

DDM Code: 40snSheA*; DA no.: RILM no.: UM no.:

The Theorbo and Guitar as Continuo Instruments.

DDM Code: 41bcShoR*; DA no.: RILM no.: UM no.:

Handel's Singers of the 1730s and 1740s.

DDM Code: 41voSmiH*; DA no.: RILM no.: UM no.:

Additional keywords: eighteenth-century theatre, opera, oratorio, Baroque, castrato, Domenico Annibali, Cecilia Arne, Christina Maria Avolio (Avoglio), John Beard, Francesco Bernardi (Senesino), Francesca Bertolli, Gaetano Maiorano Caffarelli, Antonio Gualandi Campioli, Giovanni Carestini, Margherita Chimenti, Susanna Maria Cibber, Gioacchino Conti, Elisabeth Duparc, Margherita Durastanti, Miss Edwards, Giulia Frasi, Caterina Galli, Elisabetta de Gambarini, Thomas Lowe, Maria Antonia Marchesini, Antonia Margherita Merighi, Antonio Montagnana, Maria Caterina Negri, Rosa Negri, Thomas Reinhold, Ann Turner Robinson, William Savage, Carlo Scalzi, Anna Strada del Pò, Cecilia Young, Esther Young, Gustavus Waltz

Vergleichende Studien zur stilistischen Entwicklung der deutschen Klaviersuite des Barocks: Froberger, Fischer, Bach.

DDM Code: 41keSomV*; DA no.: RILM no.: UM no.:

Die Linzer Orgeltabulatur MusHs. 3 (1611/13) aus der Bibliothek des Oö. Landesmuseums in kritischer Gesamtausgabe.

DDM Code: 41keSonP*; DA no.: RILM no.: UM no.:

Studien zum englischen Einfluss auf norddeutsche instrumentale Ensemblemusik im frühen 17. Jahrhundert, dargestellt an Werken William Brades, John Dowlands, Thomas Simpsons und ihrer deutschen Zeitgenossen.

DDM Code: 41imSpoA*; DA no.: RILM no.: UM no.:

Additional keywords: Hamburg, Copenhagen, Gottorf, Bückeburg, Berlin, Johann Schop, Nicolaus Bleyer, David Cramer, Ratsmusik

Handel's Early Stylistic Development: Hamburg to Italy.

DDM Code: 41stSpuM*; DA no.: RILM no.: UM no.:

Studien zur Kirchenmusik F. W. Zachows.

DDM Code: 41saStaW*; DA no.: RILM no.: UM no.:

Instrumentalbegleitete Magnificat-Vertonungen im 18. Jahrhundert in Deutschland.

DDM Code: 41luStoH*; DA no.: RILM no.: UM no.:

Life and Music of Martino Pesenti c.1600-1648.

DDM Code: 41mwStoA*; DA no.: RILM no.: UM no.:

Johann Hermann Schein und das grosse geistliche Konzert in Deutschland in der ersten Hälfte des 17. Jahrhunderts.

DDM Code: 41saTheC*; DA no.: RILM no.: UM no.:

Metastasios Ezio--Die Opernfassungen von Händel, Hasse und Graun.

DDM Code: 41opThoA*; DA no.: RILM no.: UM no.:

The Operas of J. B. Lully.

DDM Code: 41opThoW*; DA no.: RILM no.: UM no.:

Ornamentation in Slow Movements of Eighteenth-Century Italian Violin Sonatas.

DDM Code: 41otTorL*; DA no.: RILM no.: UM no.:

Ritual, Myth, and Performance in Naples, 1707-1737.

DDM Code: 41opTorR*; DA no.: RILM no.: UM no.:

Additional keywords: opera, Leonardo Vinci, Johann Hasse, Leonardo Leo, Nicola Porpora, Italy

Between Italianism and Hebraism: The Songs of Solomon by Salomone Rossi. Problems of Cultural Identity in a Hebrew Collection of the Seventeenth Century.

DDM Code: 41stTorM*; DA no.: RILM no.: UM no.:

Music Publishing and Compositional Activity in England, 1650-1700.

DDM Code: 41pvTriS*; DA no.: RILM no.: UM no.:

Additional keywords: Restoration, baroque, printing, creativity, authorship

Tracing the Synthetic Voice: Contrapuntal Textures of Five or More Parts in the Works of J. S. Bach.

DDM Code: 41cpUnkY*; DA no.: RILM no.: UM no.:

Los villancicos de Navidad de Miguel de Irizar.

DDM Code: 41saVelE*; DA no.: RILM no.: UM no.:

Die Portraits Joh. Seb. Bachs.

DDM Code: 41icVerW*; DA no.: RILM no.: UM no.:

The Concept of Order in the Keyboard Works of Georg Böhm.

DDM Code: 41keVerG*; DA no.: RILM no.: UM no.:

An Interdisciplinary Study of Vocal Genres and the Pastoral in the Music of Alessandro Scarlatti, 1693-1707.

DDM Code: 41voVicZ*; DA no.: RILM no.: UM no.:

Additional keywords: cantata, serenata, oratorio, Andrea Adami, Pier Leone Ghezzi

Johann Matthesons Kirchenmusiken für den Hamburger Dom.

DDM Code: 41luVosS*; DA no.: RILM no.: UM no.:

Additional keywords: oratorios, North German Baroque music

Die Melodielehre H. Chr. Kochs. Verständnis--Umfeld--Rezeption.

DDM Code: 41meWadM*; DA no.: RILM no.: UM no.:

St. Evremond, François Raguenet and Johann Mattheson: A Critical Assessment of Their Views on Opera.

DDM Code: 46aeWalG*; DA no.: RILM no.: UM no.:

Kaspar Förster d. J.: Leben und Werk des Danziger Marienkapellmeisters.

DDM Code: 41woWarB*; DA no.: RILM no.: UM no.:

Zur Lautenkomposition des 17. und 18. Jahrhunderts.

DDM Code: 41snWasA*; DA no.: RILM no.: UM no.:

Studien zu Claudio Monteverdis venezianischer geistlicher Musik.

DDM Code: 41saWatA*; DA no.: RILM no.: UM no.:

Solistische Violinmusik des frühen 17. Jahrhunderts in Italien.

DDM Code: 41snWecR*; DA no.: RILM no.: UM no.:

Georg Philipp Telemann und das evangelische Kirchenlied.

DDM Code: 41saWeiJ*; DA no.: RILM no.: UM no.:

Georg Friedrich Händels Trauer-Anthem, HWV 264. Ein Studie mit kritischer Ausgabe der Partitur im Rahmen der Hallischen Händel-Ausgabe.

DDM Code: 41saWerE*; DA no.: RILM no.: UM no.:

Studien zu Arien in Bachs Kantatenwerk.

DDM Code: 41voWesJ*; DA no.: RILM no.: UM no.:

La Florinda: The Performance of Virginia Andreini Ramponi.

DDM Code: 41voWilE*; DA no.: RILM no.: UM no.:

Additional keywords: commedia dell'arte, gender, Claudio Monteverdi, theatre, solo song, sexuality

Of Gods, Myths, and Mortals: Francesco Cavalli's L'Elena (1659).

DDM Code: 41opWisR*; DA no.: RILM no.: UM no.:

Additional keywords: comic opera, Venice, seicento

Zur Werkgeschichte der Messe c-moll KV 427 von W. A. Mozart.

DDM Code: 41saWyrJ*; DA no.: RILM no.: UM no.:

French Compositions for Violoncello in the Pre-Duport Era (1726-1760), with Particular Reference to the Works of Jean Barrière and Martin Berteau.

DDM Code: 41snYapF*; DA no.: RILM no.: UM no.:

Additional keywords: France, Paris, eighteenth century, cello, sonata, Michel Corrette, François Martin, Joseph Bodin de Boismortier, Jean-Baptiste Masse, Joseph Dall'Abaco

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Last updated on 3 November 2009