THESAURUS MUSICARUM LATINARUM
School of Music
Indiana University
Bloomington, IN 47405
(phone: [812] 855-5471; Internet: mathiese@indiana.edu)

Data entry: Peter M. Lefferts
Checked by: Michael W. Lundell
Approved by: Thomas J. Mathiesen

Fn and Ft: ANOFRAG MOBB842
Author: Anonymous
Title: [Fragmenta]
Source: Oxford, Bodleian Library, Bodley 842 (S.C. 2575), ff. 77v-78r.
Graphics: ANOFRAG 01GF

[-f.77v-] Isidora. Musica est ars modulandi sono cantuque consistens

proporcio bis diapason est proporcio quadrupla

proporcio diapason in proporcio dupla

diastema optusa rectangula

dismutacio est mutacio a [uno add. supra lin.] modo. ad modum alterum vel a colore ad alium colorem

de minimis non curat lex

alteracio in musica est transposicio in figura causa carentis numero

Numerus sexdecim. est numerus perfectissimus. quia semper potest dividi in duas partes equales. ut 16. ad 8. vel 8. ad 4. vel 4 ad duo

Tonus dicitur ex duobus semitonijs inequalibus. scilicet ex semitono maiore. et semitono minore

[-f.78r-] Pobasapanegius. Perdiabolite. diatriphon. epithesituastrofo pegliceron. Ci.anonexapereon. meloneptabile Pasafostios [ras.] Fonealoge

[Oxford, Bodleian Library, Bodley 842, f.78r,1; text: Proporciones, 6, 8, 9, 12, tonus, diatessaron, diapente, diapason, sesquialtra 6.4, sesquialtra 3.2, sesquitercia 4.3, sesquitercia 8.6, sesquioctava .98. dupla proporcio et dicitur 4.2] [ANOFRAG 01GF]

Et nota quod iste quatuor tales

[Oxford, Bodleian Library, Bodley 842, f.78r,2] [ANOFRAG 01GF]

valent istas quatuor tales

[Oxford, Bodleian Library, Bodley 842, f.78r,3] [ANOFRAG 01GF]

et sic infini sunt proporciones