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9th-11th Centuries Index

The Century Indices give access to all TML texts grouped by date. This is an improved version of the original TML indices with new sorting and filtering features.

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  • [+] AdelboldusMusica (ademus)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:303–12.

  • [+] AdelboldusMusica (ademusi)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 140:1109–20.

  • [+] AdelboldusEpistola cum tractatu de musica instrumentali humanaque ac mundana (adetra)

    Source: Adalboldi episcopi Ultraiectensis Epistola cum tractatu de musica instrumentali humanaque ac mundana, ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/II (Buren: Knuf, 1981), 12–29.

  • [+] AnonymousAd organum faciendum (adorf)

    Source: Jay A. Huff, ed. and trans., Ad organum faciendum et Item de organo, Musical Theorists in Translation, vol. 8 (Brooklyn, NY: Institute of Mediaeval Music, [1963]), 41–67 (odd).

  • [+] AnonymousAd organum faciendum (adorfa)

    Source: Edmond de Coussemaker, Histoire de l'harmonie au moyen-age (Paris: V. Didron, 1852), 226–43.

  • [+] AnonymousAd organum faciendum (adorfac)

    Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 45–49 and 111–15.

  • [+] Anonymous[Ad organum faciendum] (adorfba)

    Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 149–50.

  • [+] Anonymous[Ad organum faciendum] (adorfbb)

    Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 159–60.

  • [+] Anonymous[Ad organum faciendum] (adorfbr)

    Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 175.

  • [+] AnonymousAlia musica (aliamu)

    Source: Jacques Chailley, ed., Alia musica (Traité de musique du IXe siècle): Edition critique commentée avec une introduction sur l'origine de la nomenclature modale pseudo-grecque au Moyen-Age (Paris: Centre de documentation universitaire et Société d'édition d'enseignement supérieur réunis, 1965), 85–88, 90–97, 99–111, 113–18, 120–30, 133–45, 147–74, 176–81, and 183–212.

  • [+] AnonymousAlia musica (alimu)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:929–58.

  • [+] AnonymousAlia musica (alimus)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:125–52.

  • [+] AnonymousAlia musica (alimusi)

    Source: Edmund Brooks Heard, "Alia musica: A Chapter in the History of Music Theory" (PhD diss., University of Wisconsin, 1966), 119–229 (odd only).

  • [+] AnonymousLiber argumentorum (anoarg)

    Source: Expositiones in Micrologum Guidonis Aretini, ed. Joseph Smits van Waesberghe, Musicologica medii aevi, vol. 1 (Amsterdam: North-Holland Publishing Company, 1957), 19–30.

  • [+] AnonymousDe cantibus quae supra modum intenduntur vel remittuntur (anocan)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 87–89.

  • [+] AnonymousCommemoratio brevis de tonis et psalmis modulandis (anocbt)

    Source: Terence Bailey, ed., Commemoratio brevis de tonis et psalmis modulandis: Introduction, Critical Edition, Translation, Ottawa Mediaeval Texts and Studies, vol. 4 (Ottawa: University of Ottawa Press, 1979), 26–106 (even only).

  • [+] Anonymous[Compilatio Caroloruhensis] (anocc)

    Source: Christian Meyer, "Aus der Werkstatt des Kompilators," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 2, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 13 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1997), 7–9.

  • [+] AnonymousCommemoratio brevis de tonis et psalmis modulandis (anocmb)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 157–78.

  • [+] AnonymousCommemoratio brevis de tonis et psalmis modulandis (anocobr)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:1025–42.

  • [+] AnonymousCommemoratio brevis de tonis et psalmis modulandis (anocomb)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:213–29.

  • [+] AnonymousCommentum super tonos (anocst)

    Source: De numero tonorum litterae episcopi A. ad coepiscopum E. missae ac Commentum super tonos episcopi E. (ad 1000), ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/I (Buren: Knuf, 1975), 24–93 (even pages only).

  • [+] AnonymousCommentum super tonos (anocsto)

    Source: De numero tonorum litterae episcopi A. ad coepiscopum E. missae ac Commentum super tonos episcopi E. (ad 1000), ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/I (Buren: Knuf, 1975), 24–93 (odd pages only).

  • [+] AnonymousDe dimensione monocordi (anoddm)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 179–81.

  • [+] Anonymous[Dialogus de organo et tractatulus de cantu] (anodia)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 214–21.

  • [+] AnonymousDe modis musicis (anodm)

    Source: Terence Bailey, "De modis musicis: A New Edition and Explanation," Kirchenmusikalisches Jahrbuch 61-62 (1977-78): 47-60, 50–54.

  • [+] AnonymousDe modorum formulis et tonarius (anodmf)

    Source: Anonymi de modorum formulis et tonarius, ed. Clyde W. Brockett, Corpus scriptorum de musica, vol. 37 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 46–128.

  • [+] AnonymousDe musica et de transformatione specialiter (anodmt)

    Source: Heinrich Sowa, Quellen zur Transformation der Antiphonen: Tonar- und Rhythmusstudien (Kassel: Bärenreiter, 1935), 154–60.

  • [+] AnonymousDulce ingenium (Versio Parisiensis et Brugensis) (anodul)

    Source: Anonymi saeculi decimi vel undecimi tractatus de musica "Dulce ingenium musicae," ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 6 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1987), 14–26.

  • [+] AnonymousDulce ingenium (Versio Pragensis) (anodul2)

    Source: Anonymi saeculi decimi vel undecimi tractatus de musica "Dulce ingenium musicae," ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 6 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1987), 27–43.

  • [+] AnonymousEcce modorum sive tonorum auspice Christo incipit ordo (anoecc)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 182–84.

  • [+] AnonymousDe enquiriadis monocordi divisione (anoemd)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 239.

  • [+] AnonymousInchiriadon Uchubaldi Francigenae (anoinc)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 187–205.

  • [+] AnonymousDe organo (anoincor)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 205–13.

  • [+] AnonymousLibellus tonarius (anolit)

    Source: Heinrich Sowa, Quellen zur Transformation der Antiphonen: Tonar- und Rhythmusstudien (Kassel: Bärenreiter, 1935), 81–154.

  • [+] AnonymousCompositio monocordi secundum Enchiriadem (anome1a)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 233–35 (left column only).

  • [+] AnonymousCompositio monocordi secundum Enchiriadem (anome1b)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 233–35 (right column only).

  • [+] AnonymousMonocordum Domni Encheriadis (anome2)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 236–37.

  • [+] AnonymousDivisio monocordi secundum enchiriadem (anome5)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 240.

  • [+] Anonymous[Mensura monocordi VI] (anome6)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 241.

  • [+] Anonymous[Mensura instrumenti organici] (anomenr)

    Source: "Anonyme Mensur der Orgelpfeifen. (Ex codice Bernensi Martiani Capellae 56b. Mitgetheilt von Schubiger Spicilegien S. 82. X. Jahrhundert.)," in Studien zur Geschichte der Notenschrift, ed. Hugo Riemann (Leipzig: Breitkopf and Härtel, 1878), 300.

  • [+] AnonymousDe numeris musicis et de consonantiis (anomk)

    Source: Christian Meyer, "Aus der Werkstatt des Kompilators," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 2, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 13 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1997), 10–12.

  • [+] AnonymousMensura monocordi (anommon)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 238.

  • [+] AnonymousMonochordi mensura (anomonr)

    Source: "Anonyme Monochordeintheilung. (Cod. Paull. 1493, fol. 52b.)," in Studien zur Geschichte der Notenschrift, ed. Hugo Riemann (Leipzig: Breitkopf and Härtel, 1878), 301.

  • [+] AnonymousExpositio de motu (anomov)

    Source: Joseph Smits van Waesberghe, "De commentator anonymus in Micrologum Guidonis Aretini en zijn verhouding tot de Luiksche muziekschool," in Muziekgeschiedenis de Middeleeuwen, 3 vols. (Tilburg: Bergmans, 1936–46), 1:154–70.

  • [+] Anonymous[Mensura fistularum] (anoprg)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 224–32.

  • [+] Anonymous[Mensura fistularum] (anoprir)

    Source: "Anonyme Mensur der Orgelpfeifen. (Cod. Paull. 1493. Fol. 61a.)," in Studien zur Geschichte der Notenschrift, ed. Hugo Riemann (Leipzig: Breitkopf and Härtel, 1878), 301.

  • [+] AnonymousQuid est cantus? (anoquid)

    Source: Peter Wagner, "Un piccolo trattato sul canto ecclesiastico," Rassegna gregoriana 3 (1904): 481–84, 482–84.

  • [+] AnonymousQuomodo de arithmetica procedit musica (anoquo)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:55–61.

  • [+] AnonymousQuomodo de arithmetica procedit musica (anoquom)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:435–44.

  • [+] AnonymousLiber specierum (anospeg)

    Source: Expositiones in Micrologum Guidonis Aretini, ed. Joseph Smits van Waesberghe, Musicologica medii aevi, vol. 1 (Amsterdam: North-Holland Publishing Company, 1957), 31–58.

  • [+] Anonymous[Miscellanea] (anospi)

    Source: Karl-Werner Gümpel, "Spicilegium Rivipullense," Archiv für Musikwissenschaft 35 (1978): 57-61, 57–61.

  • [+] AnonymousItem versi eiusdem acute divisionis (anovers)

    Source: Tilden A. Russell, "A Poetic Key to a Pre-Guidonian Palm and the Echemata," Journal of the American Musicological Society 34 (1981): 109-118, 110.

  • [+] AnonymousTractatus (becano)

    Source: Adolf Becker, "Ein Erfurter Traktat über gregorianische Musik," Archiv für Musikwissenschaft 1 (1918-19): 145-165, 151–61.

  • [+] AnonymousCologne Organum Treatise (colorg)

    Source: Hans Müller, ed., Hucbalds echte und unechte Schriften über Musik (Leipzig: B. G. Teubner, 1884), 79–80.

  • [+] AnonymousCologne Organum Treatise (colorgr)

    Source: Hugo Riemann, Geschichte der Musiktheorie im IX.-XIX. Jahrhundert (Berlin: Hesse, 1898), 20.

  • [+] AnonymousCologne Organum Treatise (colorgs)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 222–23.

  • [+] Anonymous[Lectio Guidonis] (guilec)

    Source: Joseph Smits van Waesberghe, "Relazione inedita di una lezione di Guido d'Arezzo sulla teoria della musica," Note d'Archivio per la storia musicale 13 (1936): 38-51, 42–45.

  • [+] AnonymousMusica enchiriadis (musenc)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:152–73.

  • [+] AnonymousMusica enchiriadis (musench)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:957–82.

  • [+] AnonymousMusica enchiriadis (musenci)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 1–29, 31–59.

  • [+] AnonymousVita Sancti Remigii (remvit)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 474–75.

  • [+] AnonymousScolica enchiriadis de arte musica (scench)

    Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 60–156.

  • [+] AnonymousScholia enchiriadis de arte musica (schen)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:981–1026.

  • [+] AnonymousScholia enchiriadis de arte musica (schenc)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:173–212.

  • [+] Anonymous IMusica (ano1mu)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:673–82.

  • [+] Anonymous IMusica (ano1mus)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:330–38.

  • [+] AriboDe musica (aridem)

    Source: Aribo, De musica, ed. J. Smits van Waesberghe, Corpus scriptorum de musica, vol. 2 ([Rome]: American Institute of Musicology, 1951), 1–72.

  • [+] AriboMusica (arimu)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 150:1307–46.

  • [+] AriboMusica (arimus)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:197–230.

  • [+] Aurelianus ReomensisMusica disciplina (aurepi)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 343.

  • [+] Aurelianus ReomensisMusica disciplina (aurmd)

    Source: Aureliani Reomensis Musica disciplina, ed. Lawrence Gushee, Corpus scriptorum de musica, vol. 21 ([Rome]: American Institute of Musicology, 1975), 53–135.

  • [+] Aurelianus ReomensisMusica disciplina, cap. VIII-XVI (aurmdap)

    Source: Aureliani Reomensis Musica disciplina, ed. Lawrence Gushee, Corpus scriptorum de musica, vol. 21 ([Rome]: American Institute of Musicology, 1975), 136–53.

  • [+] Aurelianus ReomensisMusica disciplina (aurmus)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:27–63.

  • [+] Aurelianus ReomensisMusica disciplina (aurmusd)

    Source: Joseph Perry Ponte III, "Aureliani Reomensis Musica disciplina: A Revised Text, Translation, and Commentary," 3 vols. (Ph.D. dissertation, Brandeis University, 1961), 2:1–199 (odd only).

  • [+] BernelinusCita et vera divisio monochordi in diatonico genere (berndiv)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:312–30.

  • [+] BernelinusCita et vera divisio monochordi in diatonico genere (berndivm)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:653–74.

  • [+] Berno AugiensisDe consona tonorum diversitate (berndct)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 142:1155–58.

  • [+] Berno AugiensisDe consona tonorum diversitate (berndctd)

    Source: Franz-Josef Schmale, Die Briefe des Abtes Bern von Reichenau, Veröffentlichungen der Kommission für Geschichtliche Landeskunde in Baden-Württemberg A/6 (Stuttgart: W. Kohlhammer, 1961), 17–19.

  • [+] Berno AugiensisDe consona tonorum diversitate (berndec)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:114–24.

  • [+] Berno AugiensisDe mensurando monochordo (berndem)

    Source: Bernonis Augiensis Abbatis De arte musica disputationes traditae: De mensurando monochordo, ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/VIa (Buren: Knuf, 1978), 27, 42–55, 59, 61, 65, 67, 71, 73, 75, 77, 84–85, 91–92, 95, 103–4,111–14, and 116–19.

  • [+] Berno AugiensisInterpolationen (bernint)

    Source: Bernonis Augiensis Abbatis De arte musica disputationes traditae: Quae ratio est inter tria opera de arte musica Bernonis Augiensis, ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/VIb (Buren: Knuf, 1979), 31–37.

  • [+] Berno AugiensisMusica seu Prologus in Tonarium (bernmus)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 142:1097–1116.

  • [+] Berno AugiensisMusica seu Prologus in Tonarium (bernpro)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:62–79.

  • [+] Berno AugiensisTonabius [sic] (bernto)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 142:1115–30.

  • [+] Berno AugiensisTonarius (bernton)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:79–91.

  • [+] Berno AugiensisDe varia psalmorum atque cantuum modulatione (bernvar)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:91–114.

  • [+] Berno AugiensisDe varia psalmorum atque cantuum modulatione (bernvarp)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 142:1131–54.

  • [+] Bertrandus PrudentiusDe arte musica (bertarm)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 293–94, 297–303.

  • [+] Guido d'ArezzoEpistola Guidonis Michaeli monacho de ignoto cantu (guiep)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:423–32.

  • [+] Guido d'ArezzoEpistola Guidonis Michaeli monacho de ignoto cantu directa (guiepi)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:43–50.

  • [+] Guido d'ArezzoMicrologus (guimic)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:2–24.

  • [+] Guido d'ArezzoMicrologus (guimicb_mbbr2784)

    Source: Brussels, Bibliothèque royale de Belgique / Koninklijke Bibliotheek van België, MS II.784, ff. 1r–20v.

  • [+] Guido d'ArezzoMicrologus (guimicr)

    Source: Guidonis Aretini Micrologus, ed. Joseph Smits van Waesberghe, Corpus scriptorum de musica, vol. 4 ([Rome]: American Institute of Musicology, 1955), 79–234.

  • [+] Guido d'ArezzoMicrologus (guimicro)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:379–406.

  • [+] Guido d'ArezzoDe modorum formulis et cantuum qualitatibus (guimod)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:78–115.

  • [+] Guido d'ArezzoPrologus in antiphonarium (guipran)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:34–42.

  • [+] Guido d'ArezzoPrologus in antiphonarium (guipro)

    Source: Tres tractatuli Guidonis Aretini: Guidonis "Prologus in Antiphonarium," ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/III (Buren: Knuf, 1975), 58–81.

  • [+] Guido d'ArezzoPrologus in antiphonarium (guiprol)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:413–22.

  • [+] Guido d'ArezzoRegulae rhythmicae (guireg)

    Source: Guidonis Aretini "Regulae rhythmicae", ed. Joseph Smits van Waesberghe and Eduard Vetter, Divitiae musicae artis A/IV (Buren: Knuf, 1985), 92–133.

  • [+] Guido d'ArezzoRegulae rhythmicae in antiphonarii sui prologum prolatae (guirr)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:25–34.

  • [+] Guido d'ArezzoRegulae rhythmicae in antiphonarii sui prologum prolatae (guirrh)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:405–14.

  • [+] Guido d'ArezzoDe sex motibus vocum ad se invicem et dimensione earum (guisex)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:115–16.

  • [+] Heinricus AugustensisMusica (heimus)

    Source: Musica Domni Heinrici Augustensis magistri, ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/VII (Buren: Knuf, 1977), 35–53.

  • [+] Hermannus ContractusMusica (hermus_mrsl1496)

    Source: Rochester, Eastman School of Music, Sibley Library, MS 92.1100 (Wolffheim 1; acc. 149,667), 91–130.

  • [+] Hermannus ContractusMusica (hermusb)

    Source: Hermanni Contracti Musica, ed. W. Brambach (Leipzig: B. G. Teubner, 1884).

  • [+] Hermannus ContractusMusica (hermuse)

    Source: Musica Hermanni Contracti, ed. and trans. Leonard Ellinwood, Eastman School of Music Studies, no. 2 (Rochester, New York: Eastman School of Music, 1936).

  • [+] Hermannus ContractusMusica (hermusg)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:125–49.

  • [+] Hermannus ContractusMusica (hermusp)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 143:413–39.

  • [+] Hermannus ContractusVersus ad discernendum cantum (herver)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:149–53.

  • [+] Hermannus ContractusVersus ad discernendum cantum (herverp)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 143:439–44.

  • [+] Hieronymus [Ps.]Epistola ad Dardanum (hierinst)

    Source: Reinhold Hammerstein, "Instrumenta Hieronymi," Archiv für Musikwissenschaft 16 (1959): 117-134, 120–22, 124–25, 127, 129–31.

  • [+] HucbaldDe harmonica institutione (huchar)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:103–25.

  • [+] HucbaldDe harmonica institutione (hucharm)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:905–29.

  • [+] HucbaldDe organo (hucorg)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:74–78.

  • [+] Johannes AffligemensisDe musica cum tonario (johdem)

    Source: Johannes Affligemensis, De musica cum tonario, ed. J. Smits van Waesberghe, Corpus scriptorum de musica, vol. 1 ([Rome]: American Institute of Musicology, 1950), 43–200.

  • [+] Johannes AffligemensisMusica (johmu)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 150:1391–1430.

  • [+] Johannes AffligemensisMusica (johmus)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:230–65.

  • [+] NotkerDe musica (notdem)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:95–102.

  • [+] Notker[De musica] (notdemu)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 131:1171–78.

  • [+] NotkerQuid singulae litterae (notlet)

    Source: Jacques Froger, "L'Épitre de Notker sur les 'Lettres significatives': Édition critique," Études grégoriennes 5 (1962):23-71, 69–70.

  • [+] OdoDialogus de musica (ododi)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:757–74.

  • [+] OdoDialogus de musica (ododia)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:251–64.

  • [+] OdoDialogus (ododial_mvbm8-24)

    Source: Venice, Biblioteca Nazionale Marciana, MS lat. VIII.24 (3434), ff. 1r–7v.

  • [+] OdoIntonarium (odoint)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:117–49.

  • [+] OdoDe musica (odomu)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:773–96.

  • [+] OdoDe musica (odomus)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:265–84.

  • [+] OdoQuomodo organistrum construatur (odoor)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:815–16.

  • [+] OdoQuomodo organistrum construatur (odoorg)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:303.

  • [+] OdoDialogus de musica, prologus (odopro)

    Source: Michel Huglo, "Der Prolog des Odo zugeschriebenen 'Dialogus de Musica'," Archiv für Musikwissenschaft 28 (1971): 134-146, 138–39.

  • [+] OdoRegulae super abacum (odore)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:807–14.

  • [+] OdoRegulae super abacum (odoreg)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:296–302.

  • [+] OdoRegulae de rhythmimachia (odorh)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:795–808.

  • [+] OdoRegulae de rhythmimachia (odorhy)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:285–95.

  • [+] OdoTonarium (odoto)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:755–58.

  • [+] OdoTonarium (odoton)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:247–50.

  • [+] Odorannus de SensLiber opusculorum, capitula V-VI (odosens)

    Source: Odorannus de Sens, Opera omnia: Textes édités, traduits et annotés par Robert-Henri Bautier et Monique Gilles, et, pour la partie musicologique, par Marie-Elisabeth Duchez et Michel Huglo (Paris: Centre national de la recherche scientifique, 1972), 150–225.

  • [+] Oliva de Ripoll[Breviarium de musica] and [Versus monocordi] (olibrev)

    Source: Karl-Werner Gümpel, "Das Breviarium de musica und Versus monocordi des Mönchs Oliba von Ripoll," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001), 110–19.

  • [+] Osbernus Cantuariensis (?)De vocum consonantiis (osbmus)

    Source: Codex Oxoniensis Bibl. Bodl. Rawl. C 270: Pars A, "De vocum consonantiis" ac "De re musica" (Osberni Cantuariensis?), ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/Xa (Buren: Knuf, 1979), 14–38.

  • [+] Rabanus MaurusDe universo, liber XVIII, caput IV (maudeu)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 111:495–500.

  • [+] Rabanus MaurusDe origine rerum (maumus)

    Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 365–72.

  • [+] Regino PrumiensisDe harmonica institutione (regdhi)

    Source: Edna Marie Le Roux, RSM, "The De harmonica and Tonarius of Regino of Prüm" (PhD diss., Catholic University of America, 1965), 22–84.

  • [+] Regino PrumiensisEpistola de harmonica institutione (reghar)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:230–47.

  • [+] Regino PrumiensisDe harmonica institutione (reghari)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:483–502.

  • [+] Regino PrumiensisTonarius (regton)

    Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:1–73.

  • [+] Regino PrumiensisTonarius (regtona)

    Source: Edna Marie Le Roux, RSM, "The De harmonica and Tonarius of Regino of Prüm" (PhD diss., Catholic University of America, 1965), 137–294 and (left column only) 303–5.

  • [+] Remigius AltisiodorensisMusica (remmus)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:63–94.

  • [+] Remigius AltisiodorensisMusica (remmusi)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 131:931–64.

  • [+] Theogerus MetensisMusica (themus)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:183–96.

  • [+] Theogerus MetensisMusica (themusi)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 163:777–92.

  • [+] Willehelmus HirsaugensisMusica (wilmu)

    Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:154–82.

  • [+] Willehelmus HirsaugensisMusica (wilmus)

    Source: Willehelmi Hirsaugensis Musica, ed. Denis Harbinson, Corpus scriptorum de musica, vol. 23 ([Rome]: American Institute of Musicology, 1975), 11–75.

  • [+] Willehelmus HirsaugensisMusica (wilmusi)

    Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 150:1147–78.



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